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River landscape with figures on a track (oil on copper)
River landscape with figures on a track (oil on copper)

SFA413769: River landscape with figures on a track (oil on copper), Kessel, Jan van, the Elder (1626-79) / Bridgeman Images

The Monk on High (oil on canvas)
The Monk on High (oil on canvas)

SFA413783: The Monk on High (oil on canvas), Spitzweg, Carl (1808-85) / Bridgeman Images

The Harvest, 1822 (oil on canvas)
The Harvest, 1822 (oil on canvas)

SFA413816: The Harvest, 1822 (oil on canvas), Leprince, Auguste-Xavier (1799-1826) / Bridgeman Images

15th century French long bowmen in action, from 'Les Arts au Moyen Age', published 1873 (litho)
15th century French long bowmen in action, from 'Les Arts au Moyen Age', published 1873 (litho)

KWE415605: 15th century French long bowmen in action, from 'Les Arts au Moyen Age', published 1873 (litho), French School, (19th century) / Bridgeman Images

A 9th century musician playing a musical instrument known as a psalterium, from 'Les Arts au Moyen Age', published 1873 (litho)
A 9th century musician playing a musical instrument known as a psalterium, from 'Les Arts au Moyen Age', published 1873 (litho)

KWE415621: A 9th century musician playing a musical instrument known as a psalterium, from 'Les Arts au Moyen Age', published 1873 (litho), French School, (19th century) / Bridgeman Images

William Mason, from 'Crabb's Historical Dictionary', published 1825 (litho)
William Mason, from 'Crabb's Historical Dictionary', published 1825 (litho)

KWE415640: William Mason, from 'Crabb's Historical Dictionary', published 1825 (litho), English School, (19th century) / Bridgeman Images

Christopher Columbus aboard his ship the Santa Maria on his first voyage to the New World, from 'Les Arts au Moyen Age', published 1873 (litho)
Christopher Columbus aboard his ship the Santa Maria on his first voyage to the New World, from 'Les Arts au Moyen Age', published 1873 (litho)

KWE415654: Christopher Columbus aboard his ship the Santa Maria on his first voyage to the New World, from 'Les Arts au Moyen Age', published 1873 (litho), French School, (19th century) / Bridgeman Images

Coronation of Charles V, King of France, May 1364, from 'Les Arts au Moyen Age', published 1873 (colour litho)
Coronation of Charles V, King of France, May 1364, from 'Les Arts au Moyen Age', published 1873 (colour litho)

KWE415665: Coronation of Charles V, King of France, May 1364, from 'Les Arts au Moyen Age', published 1873 (colour litho), French School, (19th century) / Bridgeman Images

Playing a ball game, detail from Scenes of a tournament and courtly life from the 'Casa d'Estate' (Summer House), 1388-1400 (fresco)
Playing a ball game, detail from Scenes of a tournament and courtly life from the 'Casa d'Estate' (Summer House), 1388-1400 (fresco)

REV415709: Playing a ball game, detail from Scenes of a tournament and courtly life from the 'Casa d'Estate' (Summer House), 1388-1400 (fresco), Italian School, (14th century) / Bridgeman Images

Cod. CCXXXVII Lapparium, medicinal plants from a 'Herbarium Apuleii Platonicii' (w/c & ink on vellum) (detail of 415715)
Cod. CCXXXVII Lapparium, medicinal plants from a 'Herbarium Apuleii Platonicii' (w/c & ink on vellum) (detail of 415715)

REV415716: Cod. CCXXXVII Lapparium, medicinal plants from a 'Herbarium Apuleii Platonicii' (w/c & ink on vellum) (detail of 415715), Italian School, (15th century) / Bridgeman Images

The baby Jesus falls from God the Father in heaven in a ray of light. c.1445 (oil on panel) (detail of 26541)
The baby Jesus falls from God the Father in heaven in a ray of light. c.1445 (oil on panel) (detail of 26541)

XIR415765: The baby Jesus falls from God the Father in heaven in a ray of light. c.1445 (oil on panel) (detail of 26541), Master of the Aix Annunciation, (fl.1442-45) / Bridgeman Images

Palazzo Barbarano da Porto, 1570-75 (photo)
Palazzo Barbarano da Porto, 1570-75 (photo)

XIR415784: Palazzo Barbarano da Porto, 1570-75 (photo), Palladio, Andrea (1508-80) / Bridgeman Images

The Bronze Age or Eta del Bronzo, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
The Bronze Age or Eta del Bronzo, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415803: The Bronze Age or Eta del Bronzo, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Aglauros and Envy or L'Invidia e Aglauro, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Aglauros and Envy or L'Invidia e Aglauro, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415831: Aglauros and Envy or L'Invidia e Aglauro, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Broadway Baptist Church, 209 Lincoln Avenue, 1920-30 (b/w photo)
Broadway Baptist Church, 209 Lincoln Avenue, 1920-30 (b/w photo)

DPL415542: Broadway Baptist Church, 209 Lincoln Avenue, 1920-30 (b/w photo), American Photographer, (20th century) / Bridgeman Images

Six team wagons loaded with concentrate at Camp Bird mill, ready to leave for Ouray, c.1900-10 (b/w photo)
Six team wagons loaded with concentrate at Camp Bird mill, ready to leave for Ouray, c.1900-10 (b/w photo)

DPL415580: Six team wagons loaded with concentrate at Camp Bird mill, ready to leave for Ouray, c.1900-10 (b/w photo), Walker Art Studio (fl.1900-10) / Bridgeman Images

Two 15th century French crossbowmen, one firing his weapon, the other loading it with a windlass, both protected by pavises, from 'Les Arts au Moyen Age', published 1873 (litho)
Two 15th century French crossbowmen, one firing his weapon, the other loading it with a windlass, both protected by pavises, from 'Les Arts au Moyen Age', published 1873 (litho)

KWE415604: Two 15th century French crossbowmen, one firing his weapon, the other loading it with a windlass, both protected by pavises, from 'Les Arts au Moyen Age', published 1873 (litho), French School, (19th century) / Bridgeman Images

Francis, Duke of Anjou and Alencon, dressed in 16th century damascene armour, from 'Les Arts au Moyen Age', published 1873 (litho)
Francis, Duke of Anjou and Alencon, dressed in 16th century damascene armour, from 'Les Arts au Moyen Age', published 1873 (litho)

KWE415607: Francis, Duke of Anjou and Alencon, dressed in 16th century damascene armour, from 'Les Arts au Moyen Age', published 1873 (litho), French School, (19th century) / Bridgeman Images

Dr. John Armstrong, from 'Crabb's Historical Dictionary', published 1825 (litho)
Dr. John Armstrong, from 'Crabb's Historical Dictionary', published 1825 (litho)

KWE415635: Dr. John Armstrong, from 'Crabb's Historical Dictionary', published 1825 (litho), English School, (19th century) / Bridgeman Images

Floor plan of the 13th century ogive style Notre Dame cathedral in Rouen, France, from 'Les Arts au Moyen Age', published 1873 (litho)
Floor plan of the 13th century ogive style Notre Dame cathedral in Rouen, France, from 'Les Arts au Moyen Age', published 1873 (litho)

KWE415660: Floor plan of the 13th century ogive style Notre Dame cathedral in Rouen, France, from 'Les Arts au Moyen Age', published 1873 (litho), French School, (19th century) / Bridgeman Images

Jean Baptiste Massillon, from 'XVIII Siecle Institutions, Usages et Costumes', published 1875 (litho)
Jean Baptiste Massillon, from 'XVIII Siecle Institutions, Usages et Costumes', published 1875 (litho)

KWE415699: Jean Baptiste Massillon, from 'XVIII Siecle Institutions, Usages et Costumes', published 1875 (litho), French School, (19th century) / Bridgeman Images

Livre d'or, with a king kneeling in prayer. c.1500 (vellum)
Livre d'or, with a king kneeling in prayer. c.1500 (vellum)

REV415712: Livre d'or, with a king kneeling in prayer. c.1500 (vellum), Hardouin, Germain (fl.1500) / Bridgeman Images

Texas Cowboys - In Camp, c.1890-1900 (b/w photo)
Texas Cowboys - In Camp, c.1890-1900 (b/w photo)

DPL415592: Texas Cowboys - In Camp, c.1890-1900 (b/w photo), Jacobson, M. E. (fl.1890-1900) / Bridgeman Images

The Angel, Gabriel, making the Annunciation to the Virgin Mary, c.1445 (oil on panel) (detail of 26541)
The Angel, Gabriel, making the Annunciation to the Virgin Mary, c.1445 (oil on panel) (detail of 26541)

XIR415771: The Angel, Gabriel, making the Annunciation to the Virgin Mary, c.1445 (oil on panel) (detail of 26541), Master of the Aix Annunciation, (fl.1442-45) / Bridgeman Images

Saint Paul the Apostle, after an enamel from Limoges by Etienne Mercier, from 'Les Arts au Moyen Age', published 1873 (litho)
Saint Paul the Apostle, after an enamel from Limoges by Etienne Mercier, from 'Les Arts au Moyen Age', published 1873 (litho)

KWE415626: Saint Paul the Apostle, after an enamel from Limoges by Etienne Mercier, from 'Les Arts au Moyen Age', published 1873 (litho), French School, (19th century) / Bridgeman Images

Sir Samuel Garth, from 'Crabb's Historical Dictionary', published 1825 (litho)
Sir Samuel Garth, from 'Crabb's Historical Dictionary', published 1825 (litho)

KWE415638: Sir Samuel Garth, from 'Crabb's Historical Dictionary', published 1825 (litho), English School, (19th century) / Bridgeman Images

War of the Giants against Jove or I Giganti Fulminati da Giove, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
War of the Giants against Jove or I Giganti Fulminati da Giove, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415805: War of the Giants against Jove or I Giganti Fulminati da Giove, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

A swordsman disarms his opponent and is in a position to thrust, from 'XVIII Siecle Institutions, Usages et Costumes', published 1875 (litho)
A swordsman disarms his opponent and is in a position to thrust, from 'XVIII Siecle Institutions, Usages et Costumes', published 1875 (litho)

KWE415691: A swordsman disarms his opponent and is in a position to thrust, from 'XVIII Siecle Institutions, Usages et Costumes', published 1875 (litho), French School, (19th century) / Bridgeman Images

Restoration of the Human Race or Riproduzione del Genere Umano, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Restoration of the Human Race or Riproduzione del Genere Umano, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415811: Restoration of the Human Race or Riproduzione del Genere Umano, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Aglauros and Mercury or Aglauro e Mercurio, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Aglauros and Mercury or Aglauro e Mercurio, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415832: Aglauros and Mercury or Aglauro e Mercurio, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

The Painter's easel, 1686 (oil on canvas)
The Painter's easel, 1686 (oil on canvas)

XIR415738: The Painter's easel, 1686 (oil on canvas), Forbera, Antonio (d.1690) / Bridgeman Images

Mercury puts Argus to Sleep or Mercurio Addormenta Argo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Mercury puts Argus to Sleep or Mercurio Addormenta Argo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415818: Mercury puts Argus to Sleep or Mercurio Addormenta Argo, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Cadmus into a Serpent or Cadmo Transformato in Serpe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Cadmus into a Serpent or Cadmo Transformato in Serpe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415850: Cadmus into a Serpent or Cadmo Transformato in Serpe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Perseus and Andromeda or Andromeda Liberata da Perseo, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Perseus and Andromeda or Andromeda Liberata da Perseo, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415853: Perseus and Andromeda or Andromeda Liberata da Perseo, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Cephalus and Procris or Cefalo e Procri, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Cephalus and Procris or Cefalo e Procri, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415882: Cephalus and Procris or Cefalo e Procri, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Minyades or Figlie di Minia Disprezzatrici di Bacco, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Minyades or Figlie di Minia Disprezzatrici di Bacco, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415893: Minyades or Figlie di Minia Disprezzatrici di Bacco, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images


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