2497598 Search Results
LUX4704844: France, Nord-Pas-de-Calais, Nord (59), Dunkirk: General view of the Roesendael district, 1875 - large establishment of the baths of Cap Nord Bardou cafe restaurant, office of the baths of Cap d'Or, office of the costumes, bathing suit of the kursaal / Bridgeman Images
LUX4705060: France, Midi-Pyrenees, Haute-Garonne (31), Toulouse: The interior of the church Saint Sernin, 1880 - A.Trantoul at the corner of the streets of Pomme and Alsace Lorraine Toulouse / Bridgeman Images
LUX4705088: France, Midi-Pyrenees, Haute-Garonne (31), Toulouse: The flowery entrance of the hotel d'Assezat, 1870 / Bridgeman Images
LBY4705136: Le Louvre Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Reamenagement du Louvre: Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Pavilion Richelieu / Bridgeman Images
LUX4705169: France, Languedoc-Roussillon, Aude (11), Carcassonne: The city of Carcassone west coast before restoration, 1865 - Viollet le duc, J.P, Boelwald / Bridgeman Images
UTD4705186: Egypt, Cairo, Ibn Tulun Mosque with Minaret, built from 876 - 879, image date: circa 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images
LRI4705228: Fruit harvesting scene. Tapestry of the manufactures of Brussels. 16th century Genes, Musei di Strada Nuova, Belgian School, (16th century) / Bridgeman Images
LUX4705267: France, Champagne-Ardenne, Haute-Marne (52), Bourbonne les bains: The small town of Bourbonne les bains, 1865 / Bridgeman Images
LRI4705293: The hunting Tapestry of the manufactures of Brussels. 16th century Genes, Musei di Strada Nuova, Belgian School, (16th century) / Bridgeman Images
LUX4705078: France, Aquitaine, Gironde (33), Bordeaux: The Cathedrale Saint Andre and the Pey Berlant Tower (1440-1500), 1885 / Bridgeman Images
GIA4705093: Owl with glasses, symbol of wisdom. Engraving of the “Amphitheatrum sapientiae aeternae”. (Amphitheatre of eternal wisdom) (Hamburg: n.n., 1595) by Heinrich Khunrath (1560 circa 1605). Study of Upper Kabbalah and Alchemy. 12 boards. This is the reference work of the Rose-Croix around 1610., Unknown Artist, (16th century) / Bridgeman Images
LUX4705118: France, Midi-Pyrenees, Haute-Garonne (31), Toulouse: The hotel of pierre Delfau in Toulouse, 1885 - Mercant pierre Delfau / Bridgeman Images
LRI4705256: Month of August: “The Harvest”” Tapestry by Jan Raes (active around 1610-1631) made by the manufactures of Brussels. 17th century Genes, Musei di Strada Nuova, Belgian School, (16th century) / Bridgeman Images
UTD4705315: Upper Egypt, graveyard near Asyut, image date: circa 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images
GIA4705339: The size of the woman. Page taken from “” Tractatus physiologicus de pulchritudine””” deals with Ernesto Venio (Ernestus Vaenius) defending the beauty of creation against an anonymous opponent. 1612, Unknown Artist, (17th century) / Bridgeman Images
LUX4705351: France, Auvergne, Puy-de-Dome (63), La Bourboule: Spa de la Bourboule, 1870 - Hotel F Bello / Bridgeman Images
LBY4705358: Pavillon Richelieu Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The pyramid in front of the Richelieu Wing (1983-1986), Pei, Ieoh Ming (1917-2019) & Macary, Michel (b.1936) & Wilmotte, Jean-Michel (b.1948) / Bridgeman Images
LUX4705100: France, Midi-Pyrenees, Haute-Garonne (31), Toulouse: Cathedrale Saint Etienne de Toulouse, 1870 / Bridgeman Images
LBY4705151: The Louvre since the Pont des Arts (1801-1984), Paris 75001. Reconstruction by Louis Arretche. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre - which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981 but two arches were removed to line them up on the Pont Neuf. / Bridgeman Images
GIA4705264: Discovery wheel in Ur (Mesopotamia). 4000 BC., Mesopotamian / Bridgeman Images
UTD4705282: Egypt, impression of Sahara Desert, image date: circa 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images
LRI4705343: Goddess of hunting Diane and Virtue. Tapestry made in the manufactures of Brussels. 16th century Genes, Musei di Strada Nuova, Belgian School, (16th century) / Bridgeman Images
LUX4705364: France, Auvergne, Puy-de-Dome (63), La Bourboule: general view of the Bourboule, 1880 / Bridgeman Images
LUX4705335: France, Auvergne, Puy-de-Dome (63), La Bourboule: Le Casino de la Bourboule, 1870 / Bridgeman Images
GIA4705345: The different female profiles Page taken from “Tractatus physiologicus de pulchritudine”” deals with Ernesto Venio (Ernestus Vaenius) defending the beauty of creation against an anonymous opponent. 1612, Unknown Artist, (17th century) / Bridgeman Images
GIA4705381: Portrait of different opera singers: 1 Giovanni Battista Rubini (1794-1854) 2 Luigi Lablache (1794-1858) 3 Domenico Donzelli (1790-1873) 4 Adolphe Nourrit (1802-1839) 5 Choblet; 6 Nicolas prosper Levasseur (Le Vasseur) (1791-1871) 7 Louis Antoine Ponchard (1791-1871) 87-1866) 8 Giulio-Marco (Giulio Marco) Bordogni (1789-1856) Lithography of the 19th century, Unknown Artist, (19th century) / Bridgeman Images
LUX4705396: France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Menton: the city of Menton, 1885 / Bridgeman Images
LUX4705442: France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Cannes: the villa of the towers in Cannes, 1885 / Bridgeman Images
LRI4705526: View of the living room in the apartments of Maria Brignole Sale De Ferrari, Duchess de Galliera (photography), French School, (19th century) / Bridgeman Images
GIA4705589: The singers Savino Monelli (Bertrando), Teresa Bellog (Isabella) and Filippo Galli (Tarabotto) in the opera semi-seria “” L'inganno felice”” (the happy stratageme””” by Gioacchino Rossini (1792-1826) 1824, Unknown Artist, (19th century) / Bridgeman Images
UTD4705614: Noch einmal betrachten wir abschiednehmend die hochragende Zitadelle von Kairo, lassen ber die anmutigen Formen der Moschee Mohammed Alis unseren Blick schweifen, aber in unseren Herzen lebt eindringlicher das, was wir an knstlerischen Offenbarungen whrend unserer Reise durch das Wunderland am Nil in uns aufnehmen konnten. Die Kunst der gypter ist alt und doch noch jung, so jung, dass selbst unsere moderne Kunst davon beeinflusst wurde. Unser Kunstgewerbe hat sogar bei der gyptischen Ornamentik direkte Anleihen gemacht. gypten in seiner nchternen Strenge ist uns und unserer Zeit viel verwandter geworden als das formenschne Griechenland. Es ist interessant zu beobachten, unter wie verschiedenen Daseinsbedingungen so hnliche Formen der Anschauung und knstlerischen Darstellung entstehen. Mit der Kunst wird das ganze Leben dieses alten Volkes uns wieder lebendig, seine Religion und seine Fragen an das Jenseits. Und damit taucht auch wieder das alte Rtsel auf, das schon viele verschiedene Lsungen fand, das Rtsel der Bedeutung der Sphinx, deren Bild wohl auf Sie alle einen starken Eindruck gemacht hat. Sie hat ihre riesengrossen Augen geradeaus gerichtet, unbarmherzige, wissende Augen, die ohne zu antworten ber den Fragenden hinwegstarrten in Leere oder in eine fremde, unsichtbare, ganz unbekannte Welt. Ein Wesen, das der Mensch schuf, der zitternd seine grsste Frage stellte und in dieser Gestalt sein Bild des erbarmungslosen, berweltlichen, unnahbaren Geheimnisses aus dem Granit der Wstenfelsen schlug. Mge deshalb dieser Vortrag Ihnen etwas mehr gewesen sein als eine mssige Stunde, mge er in unserer Zeit der Verflachung anregen, uns den grossen Menschheitsfragen von Leben und Sterben, Gott und Fortleben nach dem Tode zuzuwenden. Egypt, Citadel of Cairo, Archive, Carl Simon, history, historical, Africa, Middle East, Simon, Carl (1873-1952) / Bridgeman Images
LUX4705602: France, Provence-Alpes-Cote d'Azur, Bouches-du-Rhone (13), Marseille: Notre Dame de la Garde (Notre-Dame-de-la-Garde), also called the ' Bonne Mere', 1880 / Bridgeman Images
UTD4705648: United States of America, New York, view to the East River and Brooklyn Bridge, built 1883, image date: circa 1925. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images
LUX4705403: France, Provence-Alpes-Cote d'Azur, Alpes-Maritimes (06), Roquebrune: Promenade de la Corniche in Roquebrune, 1885 / Bridgeman Images
LBY4705415: Carrousel Grand Louvre shopping gallery, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The shopping gallery of the Carousel with the inverted pyramid in the background. At the intersection of the main traffic axes, at the meeting point of the Napoleon court and the Carrousel courtyard, the inverted pyramid is a prism of glass, whose point stands at 1.40 metres from the ground. Conceived by Ieoh Ming Pei with Peter Rice, 1990-1993., Pei, Ieoh Ming (1917-2019) & Macary, Michel (b.1936) & Wilmotte, Jean-Michel (b.1948) / Bridgeman Images
LBY4705438: Carrousel Grand Louvre shopping gallery, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Ieoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. The shopping gallery of the Carousel with the inverted pyramid in the background. At the intersection of the main traffic axes, at the meeting point of the Napoleon court and the Carrousel courtyard, the inverted pyramid is a prism of glass, whose point stands at 1.40 metres from the ground. Conceived by Ieoh Ming Pei with Peter Rice, 1990-1993., Pei, Ieoh Ming (1917-2019) & Macary, Michel (b.1936) & Wilmotte, Jean-Michel (b.1948) / Bridgeman Images
