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Cover of “” Le Ruy Blas””, 1913_5_17 - Illustration by Rene Berger (1874-1925): Rentree! - Circus - Clemenceau George, Clown, Tiger, Fooit, Chocolate - Circus, Animation
Cover of “” Le Ruy Blas””, 1913_5_17 - Illustration by Rene Berger (1874-1925): Rentree! - Circus - Clemenceau George, Clown, Tiger, Fooit, Chocolate - Circus, Animation

ICA4859018: Cover of “” Le Ruy Blas””, 1913_5_17 - Illustration by Rene Berger (1874-1925): Rentree! - Circus - Clemenceau George, Clown, Tiger, Fooit, Chocolate - Circus, Animation, Berger, Rene (1878-1954) / Bridgeman Images

ID: ICA4859018

Cover of “” Le Ruy Blas””, 1913_5_17 - Illustration by Rene Berger (1874-1925): Rentree! - Circus - Clemenceau George, Clown, Tiger, Fooit, Chocolate - Circus, Animation

Berger, Rene (1878-1954)

Cover of “” La Baionnette””, Satirical en Colours, 1919_10_30: War of 14 -18, Belligerants and symbols, Victory, Peace, Crowd - Soldiers - Illustration by Marcel Capy (1865-1941)
Cover of “” La Baionnette””, Satirical en Colours, 1919_10_30: War of 14 -18, Belligerants and symbols, Victory, Peace, Crowd - Soldiers - Illustration by Marcel Capy (1865-1941)

ICA4858945: Cover of “” La Baionnette””, Satirical en Colours, 1919_10_30: War of 14 -18, Belligerants and symbols, Victory, Peace, Crowd - Soldiers - Illustration by Marcel Capy (1865-1941), Capy, Marcel Amable O.L. (d.c.1930) / Bridgeman Images

ID: ICA4858945

Cover of “” La Baionnette””, Satirical en Colours, 1919_10_30: War of 14 -18, Belligerants and symbols, Victory, Peace, Crowd - Soldiers - Illustration by Marcel Capy (1865-1941)

Capy, Marcel Amable O.L. (d.c.1930)

Copy of the Burning Bush, left part. Portrait of King Rene (Rene I of Anjou or Rene I of Naples or Sicily called the Good King Rene, 1409-1480), Count of Provence, kneeling with a dog. Anonymous drawing. Dim: 58x24cm. Musee Granet, Aix en Provence.
Copy of the Burning Bush, left part. Portrait of King Rene (Rene I of Anjou or Rene I of Naples or Sicily called the Good King Rene, 1409-1480), Count of Provence, kneeling with a dog. Anonymous drawing. Dim: 58x24cm. Musee Granet, Aix en Provence.

JEB4859251: Copy of the Burning Bush, left part. Portrait of King Rene (Rene I of Anjou or Rene I of Naples or Sicily called the Good King Rene, 1409-1480), Count of Provence, kneeling with a dog. Anonymous drawing. Dim: 58x24cm. Musee Granet, Aix en Provence. / Bridgeman Images

ID: JEB4859251

Copy of the Burning Bush, left part. Portrait of King Rene (Rene I of Anjou or Rene I of Naples or Sicily called the Good King Rene, 1409-1480), Count of Provence, kneeling with a dog. Anonymous drawing. Dim: 58x24cm. Musee Granet, Aix en Provence.

Portrait of Nicolas Catinat de La Fauconnerie (1637-1712), French military commander and Marshal of France Lithograph from “Les anges de la terre” by Saintes, 1844 - Private collection
Portrait of Nicolas Catinat de La Fauconnerie (1637-1712), French military commander and Marshal of France Lithograph from “Les anges de la terre” by Saintes, 1844 - Private collection

ELD4859216: Portrait of Nicolas Catinat de La Fauconnerie (1637-1712), French military commander and Marshal of France Lithograph from “Les anges de la terre” by Saintes, 1844 - Private collection / Bridgeman Images

ID: ELD4859216

Portrait of Nicolas Catinat de La Fauconnerie (1637-1712), French military commander and Marshal of France Lithograph from “Les anges de la terre” by Saintes, 1844 - Private collection

Cover of “” Le Ruy Blas””, 1913_12_20 - Illustration by Rene Berger (1874-1925): Il ne faut jamais desperer - Germany Prussia, Penddules, Vol, Musee Expositions, Louvre, Revenge - Marianne, Mona Lisa
Cover of “” Le Ruy Blas””, 1913_12_20 - Illustration by Rene Berger (1874-1925): Il ne faut jamais desperer - Germany Prussia, Penddules, Vol, Musee Expositions, Louvre, Revenge - Marianne, Mona Lisa

ICA4859223: Cover of “” Le Ruy Blas””, 1913_12_20 - Illustration by Rene Berger (1874-1925): Il ne faut jamais desperer - Germany Prussia, Penddules, Vol, Musee Expositions, Louvre, Revenge - Marianne, Mona Lisa, Berger, Rene (1878-1954) / Bridgeman Images

ID: ICA4859223

Cover of “” Le Ruy Blas””, 1913_12_20 - Illustration by Rene Berger (1874-1925): Il ne faut jamais desperer - Germany Prussia, Penddules, Vol, Musee Expositions, Louvre, Revenge - Marianne, Mona Lisa

Berger, Rene (1878-1954)

Eude d'homme inconnu. Drawing by Andre Marchand (1907-1997). Charcoal on paper. Dim : 48,2x31,2cm. Musee Granet, Aix en Provence.
Eude d'homme inconnu. Drawing by Andre Marchand (1907-1997). Charcoal on paper. Dim : 48,2x31,2cm. Musee Granet, Aix en Provence.

JEB4859254: Eude d'homme inconnu. Drawing by Andre Marchand (1907-1997). Charcoal on paper. Dim : 48,2x31,2cm. Musee Granet, Aix en Provence., Marchand, André (1907-97) / Bridgeman Images

ID: JEB4859254

Eude d'homme inconnu. Drawing by Andre Marchand (1907-1997). Charcoal on paper. Dim : 48,2x31,2cm. Musee Granet, Aix en Provence.

Marchand, André (1907-97)

Roman lictor bearing a beam symbol of his status. 19th century colour engraving.
Roman lictor bearing a beam symbol of his status. 19th century colour engraving.

NWI4859281: Roman lictor bearing a beam symbol of his status. 19th century colour engraving. / Bridgeman Images

ID: NWI4859281

Roman lictor bearing a beam symbol of his status. 19th century colour engraving.

Portrait of Vercingetorix (82 BC-46 BC) chieftain of the Arverni tribe, as a young man learning to hunt the wild bear and ride Illustration by Georges Conrad (1874-1936) of “” Nos-Gloiers- National”” 1920 Private Collection
Portrait of Vercingetorix (82 BC-46 BC) chieftain of the Arverni tribe, as a young man learning to hunt the wild bear and ride Illustration by Georges Conrad (1874-1936) of “” Nos-Gloiers- National”” 1920 Private Collection

ELD4858214: Portrait of Vercingetorix (82 BC-46 BC) chieftain of the Arverni tribe, as a young man learning to hunt the wild bear and ride Illustration by Georges Conrad (1874-1936) of “” Nos-Gloiers- National”” 1920 Private Collection, Conrad, Georges (1874-1936) / Bridgeman Images

ID: ELD4858214

Portrait of Vercingetorix (82 BC-46 BC) chieftain of the Arverni tribe, as a young man learning to hunt the wild bear and ride Illustration by Georges Conrad (1874-1936) of “” Nos-Gloiers- National”” 1920 Private Collection

Conrad, Georges (1874-1936)

Invasion of the Barbarians: The Francs offer a sacrifice animal before invading Gaul. Colouring engraving of the 19th century.
Invasion of the Barbarians: The Francs offer a sacrifice animal before invading Gaul. Colouring engraving of the 19th century.

NWI4858233: Invasion of the Barbarians: The Francs offer a sacrifice animal before invading Gaul. Colouring engraving of the 19th century. / Bridgeman Images

ID: NWI4858233

Invasion of the Barbarians: The Francs offer a sacrifice animal before invading Gaul. Colouring engraving of the 19th century.

Martello towers (Tours martello), watch and guard towers from the 17th century found along the coastline, here Tower No. 5 at Pembroke Bay in the northeast of Guernsey (Guernsey), Channel Islands (Channel Islands)
Martello towers (Tours martello), watch and guard towers from the 17th century found along the coastline, here Tower No. 5 at Pembroke Bay in the northeast of Guernsey (Guernsey), Channel Islands (Channel Islands)

IMB4858375: Martello towers (Tours martello), watch and guard towers from the 17th century found along the coastline, here Tower No. 5 at Pembroke Bay in the northeast of Guernsey (Guernsey), Channel Islands (Channel Islands) / Bridgeman Images

ID: IMB4858375

Martello towers (Tours martello), watch and guard towers from the 17th century found along the coastline, here Tower No. 5 at Pembroke Bay in the northeast of Guernsey (Guernsey), Channel Islands (Channel Islands)

Tiger - Artwork attributed to Hokusai (1760-1849), Chinese ink and painting on paper (27,5x27,7 cm), late 18th century - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention
Tiger - Artwork attributed to Hokusai (1760-1849), Chinese ink and painting on paper (27,5x27,7 cm), late 18th century - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention

JEB4858430: Tiger - Artwork attributed to Hokusai (1760-1849), Chinese ink and painting on paper (27,5x27,7 cm), late 18th century - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention / Bridgeman Images

ID: JEB4858430

Tiger - Artwork attributed to Hokusai (1760-1849), Chinese ink and painting on paper (27,5x27,7 cm), late 18th century - Musee de l'hospice Saint Roch, Issoudun - Mandatory mention

Excavation of Heinrich Schliemann (1822-1890), German archeologist in the walls of the acropolis of the ancient city of Troy, 19th century. Colour engraving of the 19th century.
Excavation of Heinrich Schliemann (1822-1890), German archeologist in the walls of the acropolis of the ancient city of Troy, 19th century. Colour engraving of the 19th century.

NWI4859369: Excavation of Heinrich Schliemann (1822-1890), German archeologist in the walls of the acropolis of the ancient city of Troy, 19th century. Colour engraving of the 19th century. / Bridgeman Images

ID: NWI4859369

Excavation of Heinrich Schliemann (1822-1890), German archeologist in the walls of the acropolis of the ancient city of Troy, 19th century. Colour engraving of the 19th century.

Cover of “” Les Hommes du jour””, Satirique en N & B, 1913_5_17: Maurras Charles (1858-1962)
Cover of “” Les Hommes du jour””, Satirique en N & B, 1913_5_17: Maurras Charles (1858-1962)

ICA4859452: Cover of “” Les Hommes du jour””, Satirique en N & B, 1913_5_17: Maurras Charles (1858-1962) / Bridgeman Images

ID: ICA4859452

Cover of “” Les Hommes du jour””, Satirique en N & B, 1913_5_17: Maurras Charles (1858-1962)

Trojan War. Trojan horse delivered by the Greek army in the Trojan city. Colouring engraving of the 19th century.
Trojan War. Trojan horse delivered by the Greek army in the Trojan city. Colouring engraving of the 19th century.

NWI4859481: Trojan War. Trojan horse delivered by the Greek army in the Trojan city. Colouring engraving of the 19th century. / Bridgeman Images

ID: NWI4859481

Trojan War. Trojan horse delivered by the Greek army in the Trojan city. Colouring engraving of the 19th century.

Gauls has a horse back from the time of the Roman Empire.
Gauls has a horse back from the time of the Roman Empire.

NWI4859673: Gauls has a horse back from the time of the Roman Empire. / Bridgeman Images

ID: NWI4859673

Gauls has a horse back from the time of the Roman Empire.

View of the mosque of Kaitbey in Cairo, Egypt. Drawing by Pascal Coste (1787-1879) Museum of Mediterranean Archeology, Marseille
View of the mosque of Kaitbey in Cairo, Egypt. Drawing by Pascal Coste (1787-1879) Museum of Mediterranean Archeology, Marseille

JEB4858612: View of the mosque of Kaitbey in Cairo, Egypt. Drawing by Pascal Coste (1787-1879) Museum of Mediterranean Archeology, Marseille, Coste, Pascal Xavier (1787-1879) (after) / Bridgeman Images

ID: JEB4858612

View of the mosque of Kaitbey in Cairo, Egypt. Drawing by Pascal Coste (1787-1879) Museum of Mediterranean Archeology, Marseille

Coste, Pascal Xavier (1787-1879) (after)

Ancient Egypt: Pharaoh, court officers and flag-bearer, judge, guard and neighboring tribes. Colouring engraving of the 19th century.
Ancient Egypt: Pharaoh, court officers and flag-bearer, judge, guard and neighboring tribes. Colouring engraving of the 19th century.

NWI4858736: Ancient Egypt: Pharaoh, court officers and flag-bearer, judge, guard and neighboring tribes. Colouring engraving of the 19th century. / Bridgeman Images

ID: NWI4858736

Ancient Egypt: Pharaoh, court officers and flag-bearer, judge, guard and neighboring tribes. Colouring engraving of the 19th century.

Still life, shells and goldsmith. Painting by Meiffren Conte (1630-1705). Oil on canvas. Dim: 91x121cm. Mandatory mention: Collection fondation regards de Provence, Marseille
Still life, shells and goldsmith. Painting by Meiffren Conte (1630-1705). Oil on canvas. Dim: 91x121cm. Mandatory mention: Collection fondation regards de Provence, Marseille

JEB4859692: Still life, shells and goldsmith. Painting by Meiffren Conte (1630-1705). Oil on canvas. Dim: 91x121cm. Mandatory mention: Collection fondation regards de Provence, Marseille, Conte, Meiffren (Leconte, Ephren) (c.1630-1705) / Bridgeman Images

ID: JEB4859692

Still life, shells and goldsmith. Painting by Meiffren Conte (1630-1705). Oil on canvas. Dim: 91x121cm. Mandatory mention: Collection fondation regards de Provence, Marseille

Conte, Meiffren (Leconte, Ephren) (c.1630-1705)

Cover of ' The Contemporains', number 19, 1881
Cover of ' The Contemporains', number 19, 1881

ICA4859828: Cover of ' The Contemporains', number 19, 1881, Le Petit, Alfred (1841-1909) / Bridgeman Images

ID: ICA4859828

Cover of ' The Contemporains', number 19, 1881

Le Petit, Alfred (1841-1909)

View of the Nile and Obelisk of Sesostris I in Heliopolis, Egypt. Watercolour by Pascal Coste (1787-1879). Municipal library of Marseille
View of the Nile and Obelisk of Sesostris I in Heliopolis, Egypt. Watercolour by Pascal Coste (1787-1879). Municipal library of Marseille

JEB4859850: View of the Nile and Obelisk of Sesostris I in Heliopolis, Egypt. Watercolour by Pascal Coste (1787-1879). Municipal library of Marseille, Coste, Pascal Xavier (1787-1879) (after) / Bridgeman Images

ID: JEB4859850

View of the Nile and Obelisk of Sesostris I in Heliopolis, Egypt. Watercolour by Pascal Coste (1787-1879). Municipal library of Marseille

Coste, Pascal Xavier (1787-1879) (after)

Augustus punishing the concussionaries. The Roman Emperor Augustus (Octavian or Octavian, 63 BC-14 AD) punishing officials stealing the money of the empire. Drawing by Michel Francois Dandre Bardon (Michel-Francois Dandre-Bardon, 1700-1783), 1726. Black chalk and brown wash enhances white. Dim: 26x70cm. Musee Granet, Aix en Provence.
Augustus punishing the concussionaries. The Roman Emperor Augustus (Octavian or Octavian, 63 BC-14 AD) punishing officials stealing the money of the empire. Drawing by Michel Francois Dandre Bardon (Michel-Francois Dandre-Bardon, 1700-1783), 1726. Black chalk and brown wash enhances white. Dim: 26x70cm. Musee Granet, Aix en Provence.

JEB4859966: Augustus punishing the concussionaries. The Roman Emperor Augustus (Octavian or Octavian, 63 BC-14 AD) punishing officials stealing the money of the empire. Drawing by Michel Francois Dandre Bardon (Michel-Francois Dandre-Bardon, 1700-1783), 1726. Black chalk and brown wash enhances white. Dim: 26x70cm. Musee Granet, Aix en Provence. / Bridgeman Images

ID: JEB4859966

Augustus punishing the concussionaries. The Roman Emperor Augustus (Octavian or Octavian, 63 BC-14 AD) punishing officials stealing the money of the empire. Drawing by Michel Francois Dandre Bardon (Michel-Francois Dandre-Bardon, 1700-1783), 1726. Black chalk and brown wash enhances white. Dim: 26x70cm. Musee Granet, Aix en Provence.

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 31/12/05 - Compliments of the year that goes away - Religion Faith, Catholic Catholicism - Combes Emile (1835-1921), Devil, Time (Allegory of)
Illustration of Achille Lemot (1846-1909) in Le Pelerin, 31/12/05 - Compliments of the year that goes away - Religion Faith, Catholic Catholicism - Combes Emile (1835-1921), Devil, Time (Allegory of)

ICA4858865: Illustration of Achille Lemot (1846-1909) in Le Pelerin, 31/12/05 - Compliments of the year that goes away - Religion Faith, Catholic Catholicism - Combes Emile (1835-1921), Devil, Time (Allegory of), Lemot, Achille (1846-1909) / Bridgeman Images

ID: ICA4858865

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 31/12/05 - Compliments of the year that goes away - Religion Faith, Catholic Catholicism - Combes Emile (1835-1921), Devil, Time (Allegory of)

Lemot, Achille (1846-1909)

Combat weapon or war machines: Catapult used in the seats of the Greek army during battles. Colouring engraving of the 19th century.
Combat weapon or war machines: Catapult used in the seats of the Greek army during battles. Colouring engraving of the 19th century.

NWI4858886: Combat weapon or war machines: Catapult used in the seats of the Greek army during battles. Colouring engraving of the 19th century. / Bridgeman Images

ID: NWI4858886

Combat weapon or war machines: Catapult used in the seats of the Greek army during battles. Colouring engraving of the 19th century.

World War I: victory parade on the Champs Elysees avenue, 14th July 1919, the banners of the cavalry of the French army”” Illustration by Raymond de la Neziere in “” Our-glories-nationales” 1920 Collection privee DR
World War I: victory parade on the Champs Elysees avenue, 14th July 1919, the banners of the cavalry of the French army”” Illustration by Raymond de la Neziere in “” Our-glories-nationales” 1920 Collection privee DR

ELD4859083: World War I: victory parade on the Champs Elysees avenue, 14th July 1919, the banners of the cavalry of the French army”” Illustration by Raymond de la Neziere in “” Our-glories-nationales” 1920 Collection privee DR, Neziere, Raymond de la (1865-1953) / Bridgeman Images

ID: ELD4859083

World War I: victory parade on the Champs Elysees avenue, 14th July 1919, the banners of the cavalry of the French army”” Illustration by Raymond de la Neziere in “” Our-glories-nationales” 1920 Collection privee DR

Neziere, Raymond de la (1865-1953)

View of the Pyramid of Dachour. Drawing by Pascal Coste (1787-1879) Museum of Mediterranean Archeology, Marseille
View of the Pyramid of Dachour. Drawing by Pascal Coste (1787-1879) Museum of Mediterranean Archeology, Marseille

JEB4859115: View of the Pyramid of Dachour. Drawing by Pascal Coste (1787-1879) Museum of Mediterranean Archeology, Marseille, Coste, Pascal Xavier (1787-1879) (after) / Bridgeman Images

ID: JEB4859115

View of the Pyramid of Dachour. Drawing by Pascal Coste (1787-1879) Museum of Mediterranean Archeology, Marseille

Coste, Pascal Xavier (1787-1879) (after)

Le Pilori (Mailly), number 6, circa 1870 - Illustration by Mailly (1829-?) : Skull Executioner - Second Empire, War 1870-1871 - Cassagnac Granier de - Scatology
Le Pilori (Mailly), number 6, circa 1870 - Illustration by Mailly (1829-?) : Skull Executioner - Second Empire, War 1870-1871 - Cassagnac Granier de - Scatology

ICA4860292: Le Pilori (Mailly), number 6, circa 1870 - Illustration by Mailly (1829-?) : Skull Executioner - Second Empire, War 1870-1871 - Cassagnac Granier de - Scatology / Bridgeman Images

ID: ICA4860292

Le Pilori (Mailly), number 6, circa 1870 - Illustration by Mailly (1829-?) : Skull Executioner - Second Empire, War 1870-1871 - Cassagnac Granier de - Scatology

Cover of “” The Ruy Blas””, 1912_11_16 (engraving)
Cover of “” The Ruy Blas””, 1912_11_16 (engraving)

ICA4859295: Cover of “” The Ruy Blas””, 1912_11_16 (engraving), Berger, Rene (1878-1954) / Bridgeman Images

ID: ICA4859295

Cover of “” The Ruy Blas””, 1912_11_16 (engraving)

Berger, Rene (1878-1954)

L'atelier. Drawing by Sam Berger aka Sam Szafran (b. 1934), 1972. Charcoal on paper. Size: 79x58cm. Musee Cantini, Marseille.
L'atelier. Drawing by Sam Berger aka Sam Szafran (b. 1934), 1972. Charcoal on paper. Size: 79x58cm. Musee Cantini, Marseille.

JEB4859330: L'atelier. Drawing by Sam Berger aka Sam Szafran (b. 1934), 1972. Charcoal on paper. Size: 79x58cm. Musee Cantini, Marseille., Szafran, Sam (1934-2019) / Bridgeman Images

ID: JEB4859330

L'atelier. Drawing by Sam Berger aka Sam Szafran (b. 1934), 1972. Charcoal on paper. Size: 79x58cm. Musee Cantini, Marseille.

Szafran, Sam (1934-2019)

Illustration by Achille Lemot (1846-1909) in Le Pelerin, 30/10/04 - Income tax will work - Taxpayer, Mouton - Animalisation
Illustration by Achille Lemot (1846-1909) in Le Pelerin, 30/10/04 - Income tax will work - Taxpayer, Mouton - Animalisation

ICA4855925: Illustration by Achille Lemot (1846-1909) in Le Pelerin, 30/10/04 - Income tax will work - Taxpayer, Mouton - Animalisation, Lemot, Achille (1846-1909) / Bridgeman Images

ID: ICA4855925

Illustration by Achille Lemot (1846-1909) in Le Pelerin, 30/10/04 - Income tax will work - Taxpayer, Mouton - Animalisation

Lemot, Achille (1846-1909)

First World War: representation of the Grosse Bertha, German canon bombing Paris in 1918 (BIG BERTHA M42, German gun used to bombard Paris from over 100 km away in 1918 - Its gauge was 210 mm and was 34 m long - It was manufactured by Krupp, whose daughter was named the piece and designed by the engineer RAUSENBERGER) - Illustration in “” Mon history of the Great War”” by Olivier d'Arc, 1919 Collection privee
First World War: representation of the Grosse Bertha, German canon bombing Paris in 1918 (BIG BERTHA M42, German gun used to bombard Paris from over 100 km away in 1918 - Its gauge was 210 mm and was 34 m long - It was manufactured by Krupp, whose daughter was named the piece and designed by the engineer RAUSENBERGER) - Illustration in “” Mon history of the Great War”” by Olivier d'Arc, 1919 Collection privee

ELD4856039: First World War: representation of the Grosse Bertha, German canon bombing Paris in 1918 (BIG BERTHA M42, German gun used to bombard Paris from over 100 km away in 1918 - Its gauge was 210 mm and was 34 m long - It was manufactured by Krupp, whose daughter was named the piece and designed by the engineer RAUSENBERGER) - Illustration in “” Mon history of the Great War”” by Olivier d'Arc, 1919 Collection privee / Bridgeman Images

ID: ELD4856039

First World War: representation of the Grosse Bertha, German canon bombing Paris in 1918 (BIG BERTHA M42, German gun used to bombard Paris from over 100 km away in 1918 - Its gauge was 210 mm and was 34 m long - It was manufactured by Krupp, whose daughter was named the piece and designed by the engineer RAUSENBERGER) - Illustration in “” Mon history of the Great War”” by Olivier d'Arc, 1919 Collection privee

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/11/04 - Extract from the manifesto vote by the Great Orient - Antimaconism Freemaking, Great Orient of France - Urn
Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/11/04 - Extract from the manifesto vote by the Great Orient - Antimaconism Freemaking, Great Orient of France - Urn

ICA4856041: Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/11/04 - Extract from the manifesto vote by the Great Orient - Antimaconism Freemaking, Great Orient of France - Urn, Lemot, Achille (1846-1909) / Bridgeman Images

ID: ICA4856041

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/11/04 - Extract from the manifesto vote by the Great Orient - Antimaconism Freemaking, Great Orient of France - Urn

Lemot, Achille (1846-1909)

Le Pelerin, 27/11/04 - A revolutionary and greatly ridiculous walk of the socialist firefighters of Brest - Social, Demonstration, Brittany, Socialism, Brest - Firefighters
Le Pelerin, 27/11/04 - A revolutionary and greatly ridiculous walk of the socialist firefighters of Brest - Social, Demonstration, Brittany, Socialism, Brest - Firefighters

ICA4856084: Le Pelerin, 27/11/04 - A revolutionary and greatly ridiculous walk of the socialist firefighters of Brest - Social, Demonstration, Brittany, Socialism, Brest - Firefighters / Bridgeman Images

ID: ICA4856084

Le Pelerin, 27/11/04 - A revolutionary and greatly ridiculous walk of the socialist firefighters of Brest - Social, Demonstration, Brittany, Socialism, Brest - Firefighters

Mussels dealer on the ground in Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 64 ii 36
Mussels dealer on the ground in Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 64 ii 36

JEB4856133: Mussels dealer on the ground in Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 64 ii 36, Unknown photographer, (20th century) / Bridgeman Images

ID: JEB4856133

Mussels dealer on the ground in Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 64 ii 36

Unknown photographer, (20th century)

Architecture and Art of Antiquity: Ruins of the Great Temple of Karnak, site of the city of Thebes, ancient Egypt. Engraving of the 19th century.
Architecture and Art of Antiquity: Ruins of the Great Temple of Karnak, site of the city of Thebes, ancient Egypt. Engraving of the 19th century.

NWI4856167: Architecture and Art of Antiquity: Ruins of the Great Temple of Karnak, site of the city of Thebes, ancient Egypt. Engraving of the 19th century. / Bridgeman Images

ID: NWI4856167

Architecture and Art of Antiquity: Ruins of the Great Temple of Karnak, site of the city of Thebes, ancient Egypt. Engraving of the 19th century.

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 18/12/04 - Collegians and students of Paris demonstrate, at the place of the pyramids, in honor of Joan of Arc - Paris, Architecture Urbanisme, Repression, Crowd, Fighting, Righting - Jeanne d'Arc, Policeman, Lyceen student, collegian
Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 18/12/04 - Collegians and students of Paris demonstrate, at the place of the pyramids, in honor of Joan of Arc - Paris, Architecture Urbanisme, Repression, Crowd, Fighting, Righting - Jeanne d'Arc, Policeman, Lyceen student, collegian

ICA4856224: Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 18/12/04 - Collegians and students of Paris demonstrate, at the place of the pyramids, in honor of Joan of Arc - Paris, Architecture Urbanisme, Repression, Crowd, Fighting, Righting - Jeanne d'Arc, Policeman, Lyceen student, collegian, Damblans, Eugene (1865-1945) / Bridgeman Images

ID: ICA4856224

Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 18/12/04 - Collegians and students of Paris demonstrate, at the place of the pyramids, in honor of Joan of Arc - Paris, Architecture Urbanisme, Repression, Crowd, Fighting, Righting - Jeanne d'Arc, Policeman, Lyceen student, collegian

Damblans, Eugene (1865-1945)

Shellfish merchants on the port of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 65 ii 5
Shellfish merchants on the port of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 65 ii 5

JEB4856126: Shellfish merchants on the port of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 65 ii 5, Unknown photographer, (20th century) / Bridgeman Images

ID: JEB4856126

Shellfish merchants on the port of Marseille. Photography beginning of the 20th century. Municipal Archives of Marseille Inv 65 ii 5

Unknown photographer, (20th century)


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