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Artwork by Honore Daumier (1808-1879). Charivari entire page of April 12, 1869. LIBRARY OF THE ALCAZAR, MARSEILLE
Artwork by Honore Daumier (1808-1879). Charivari entire page of April 12, 1869. LIBRARY OF THE ALCAZAR, MARSEILLE

JEB4849449: Artwork by Honore Daumier (1808-1879). Charivari entire page of April 12, 1869. LIBRARY OF THE ALCAZAR, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

ID: JEB4849449

Artwork by Honore Daumier (1808-1879). Charivari entire page of April 12, 1869. LIBRARY OF THE ALCAZAR, MARSEILLE

Daumier, Honore (1808-79)

Illustration by Jehan Testevuide (1873-1924) in Le Rire, 25/09/09 - Peary and cook - North and South Poles, Polar Expeditions - Bear, Penguin, Cook, Peary - Terre
Illustration by Jehan Testevuide (1873-1924) in Le Rire, 25/09/09 - Peary and cook - North and South Poles, Polar Expeditions - Bear, Penguin, Cook, Peary - Terre

ICA4846149: Illustration by Jehan Testevuide (1873-1924) in Le Rire, 25/09/09 - Peary and cook - North and South Poles, Polar Expeditions - Bear, Penguin, Cook, Peary - Terre, Testevuide, Jehan (pseudonym of Jean Saurel) (1873-1922) / Bridgeman Images

ID: ICA4846149

Illustration by Jehan Testevuide (1873-1924) in Le Rire, 25/09/09 - Peary and cook - North and South Poles, Polar Expeditions - Bear, Penguin, Cook, Peary - Terre

Testevuide, Jehan (pseudonym of Jean Saurel) (1873-1922)

Arrival at the station of a group of Western tourists returning from a luxury cruise Chromolithography of the late 19th century
Arrival at the station of a group of Western tourists returning from a luxury cruise Chromolithography of the late 19th century

ELD4846185: Arrival at the station of a group of Western tourists returning from a luxury cruise Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

ID: ELD4846185

Arrival at the station of a group of Western tourists returning from a luxury cruise Chromolithography of the late 19th century

French School, (19th century)

Construction of the Albert Canal in the 1930s, connecting the port of Liege to the port of Antwerp, Belgium (Digging of the Albert Canal in the 1930s (thirties) between Antwerp and Liege, Belgium) Chromolithography, 1938 Collection privee
Construction of the Albert Canal in the 1930s, connecting the port of Liege to the port of Antwerp, Belgium (Digging of the Albert Canal in the 1930s (thirties) between Antwerp and Liege, Belgium) Chromolithography, 1938 Collection privee

ELD4846859: Construction of the Albert Canal in the 1930s, connecting the port of Liege to the port of Antwerp, Belgium (Digging of the Albert Canal in the 1930s (thirties) between Antwerp and Liege, Belgium) Chromolithography, 1938 Collection privee / Bridgeman Images

ID: ELD4846859

Construction of the Albert Canal in the 1930s, connecting the port of Liege to the port of Antwerp, Belgium (Digging of the Albert Canal in the 1930s (thirties) between Antwerp and Liege, Belgium) Chromolithography, 1938 Collection privee

Illustration of Lucien Haye (1876-1940) in Le Rire, 14/05/10 - Arrivist - Childhood, Jam
Illustration of Lucien Haye (1876-1940) in Le Rire, 14/05/10 - Arrivist - Childhood, Jam

ICA4847014: Illustration of Lucien Haye (1876-1940) in Le Rire, 14/05/10 - Arrivist - Childhood, Jam / Bridgeman Images

ID: ICA4847014

Illustration of Lucien Haye (1876-1940) in Le Rire, 14/05/10 - Arrivist - Childhood, Jam

Map by Claude Ptolemee (Claudius Ptolemaeus, 90-168) showing the flat land without the American continent, north and south poles, around 150. Fac simile of an edition of 1472 (19th century).
Map by Claude Ptolemee (Claudius Ptolemaeus, 90-168) showing the flat land without the American continent, north and south poles, around 150. Fac simile of an edition of 1472 (19th century).

NWI4846822: Map by Claude Ptolemee (Claudius Ptolemaeus, 90-168) showing the flat land without the American continent, north and south poles, around 150. Fac simile of an edition of 1472 (19th century). / Bridgeman Images

ID: NWI4846822

Map by Claude Ptolemee (Claudius Ptolemaeus, 90-168) showing the flat land without the American continent, north and south poles, around 150. Fac simile of an edition of 1472 (19th century).

Map of the Isthmus of Panama (Republic of Panama), from the general history of voyages, 1754, by Antoine Francois Prevost, dit d'Exiles (1697-1763) or Abbe Prevost - Colorisee engraving, 18th century - Isthmus of Panama map from Prevost's Voyages, 1754 (in French) - Hand-colored woodcut of an 18th-century illustration
Map of the Isthmus of Panama (Republic of Panama), from the general history of voyages, 1754, by Antoine Francois Prevost, dit d'Exiles (1697-1763) or Abbe Prevost - Colorisee engraving, 18th century - Isthmus of Panama map from Prevost's Voyages, 1754 (in French) - Hand-colored woodcut of an 18th-century illustration

NWI4846857: Map of the Isthmus of Panama (Republic of Panama), from the general history of voyages, 1754, by Antoine Francois Prevost, dit d'Exiles (1697-1763) or Abbe Prevost - Colorisee engraving, 18th century - Isthmus of Panama map from Prevost's Voyages, 1754 (in French) - Hand-colored woodcut of an 18th-century illustration / Bridgeman Images

ID: NWI4846857

Map of the Isthmus of Panama (Republic of Panama), from the general history of voyages, 1754, by Antoine Francois Prevost, dit d'Exiles (1697-1763) or Abbe Prevost - Colorisee engraving, 18th century - Isthmus of Panama map from Prevost's Voyages, 1754 (in French) - Hand-colored woodcut of an 18th-century illustration

Illustration by Henri Avelot (1873-1935) in Le Rire, 07/05/10 - For the Salon - Art - Women
Illustration by Henri Avelot (1873-1935) in Le Rire, 07/05/10 - For the Salon - Art - Women

ICA4846930: Illustration by Henri Avelot (1873-1935) in Le Rire, 07/05/10 - For the Salon - Art - Women / Bridgeman Images

ID: ICA4846930

Illustration by Henri Avelot (1873-1935) in Le Rire, 07/05/10 - For the Salon - Art - Women

Cover of “” Le Lire rouge””, Satirique en Couleurs, 1918_5_18: War of 14 -18: “” And the kaiser, with its great canon, believed to frighten Parisian women - the kaiser... it's an exhibitionist.”” - Architecture Urbanism, Love, Fashion, Floor lamp - Illustration by Abel Faivre (1867-1945)
Cover of “” Le Lire rouge””, Satirique en Couleurs, 1918_5_18: War of 14 -18: “” And the kaiser, with its great canon, believed to frighten Parisian women - the kaiser... it's an exhibitionist.”” - Architecture Urbanism, Love, Fashion, Floor lamp - Illustration by Abel Faivre (1867-1945)

ICA4846945: Cover of “” Le Lire rouge””, Satirique en Couleurs, 1918_5_18: War of 14 -18: “” And the kaiser, with its great canon, believed to frighten Parisian women - the kaiser... it's an exhibitionist.”” - Architecture Urbanism, Love, Fashion, Floor lamp - Illustration by Abel Faivre (1867-1945), Faivre, Jules Abel (1867-1945) / Bridgeman Images

ID: ICA4846945

Cover of “” Le Lire rouge””, Satirique en Couleurs, 1918_5_18: War of 14 -18: “” And the kaiser, with its great canon, believed to frighten Parisian women - the kaiser... it's an exhibitionist.”” - Architecture Urbanism, Love, Fashion, Floor lamp - Illustration by Abel Faivre (1867-1945)

Faivre, Jules Abel (1867-1945)

View of the Palace of Justice, Vatican City State, Italy (View of the Palace of Justice, Vatican City State, Italy) Chromolithography of the beginning of the 20th century Private Collection
View of the Palace of Justice, Vatican City State, Italy (View of the Palace of Justice, Vatican City State, Italy) Chromolithography of the beginning of the 20th century Private Collection

ELD4846962: View of the Palace of Justice, Vatican City State, Italy (View of the Palace of Justice, Vatican City State, Italy) Chromolithography of the beginning of the 20th century Private Collection, Unknown Artist, (20th century) / Bridgeman Images

ID: ELD4846962

View of the Palace of Justice, Vatican City State, Italy (View of the Palace of Justice, Vatican City State, Italy) Chromolithography of the beginning of the 20th century Private Collection

Unknown Artist, (20th century)

Illustration of Andre Helle (1875-1945) in Le Rire, 02/07/10 - Twenty Years After - Music, Restaurant Cafes, Fashion, Hat, Violin
Illustration of Andre Helle (1875-1945) in Le Rire, 02/07/10 - Twenty Years After - Music, Restaurant Cafes, Fashion, Hat, Violin

ICA4847104: Illustration of Andre Helle (1875-1945) in Le Rire, 02/07/10 - Twenty Years After - Music, Restaurant Cafes, Fashion, Hat, Violin, Helle, Andre (1871-1945) / Bridgeman Images

ID: ICA4847104

Illustration of Andre Helle (1875-1945) in Le Rire, 02/07/10 - Twenty Years After - Music, Restaurant Cafes, Fashion, Hat, Violin

Helle, Andre (1871-1945)

THE MARSEILLAIS painted by themselves, the Grisette. Drawing by RINGUE (?). Engraving. Municipal library of Marseille. INV PL IV
THE MARSEILLAIS painted by themselves, the Grisette. Drawing by RINGUE (?). Engraving. Municipal library of Marseille. INV PL IV

JEB4847136: THE MARSEILLAIS painted by themselves, the Grisette. Drawing by RINGUE (?). Engraving. Municipal library of Marseille. INV PL IV / Bridgeman Images

ID: JEB4847136

THE MARSEILLAIS painted by themselves, the Grisette. Drawing by RINGUE (?). Engraving. Municipal library of Marseille. INV PL IV

Representation of Chimene asking the king to avenge his father Illustration of Scene 8 of Act II of
Representation of Chimene asking the king to avenge his father Illustration of Scene 8 of Act II of

ELD4847229: Representation of Chimene asking the king to avenge his father Illustration of Scene 8 of Act II of "Le Cid" by Pierre Corneille (1606 - 1684) . 19th century (chromolithograph) / Bridgeman Images

ID: ELD4847229

Representation of Chimene asking the king to avenge his father Illustration of Scene 8 of Act II of "Le Cid" by Pierre Corneille (1606 - 1684) . 19th century (chromolithograph)

Self Portrait (ink on paper)
Self Portrait (ink on paper)

JEB4847432: Self Portrait (ink on paper), Ambrogiani, Pierre (1907-85) / Bridgeman Images

ID: JEB4847432

Self Portrait (ink on paper)

Ambrogiani, Pierre (1907-85)

Sheep Hunters, Himalayas - They are a back of Yak (yacks) (Hunters of bighorn sheep, they use yak as pack animal, Himalaya). End of the 19th century (chromolithograph)
Sheep Hunters, Himalayas - They are a back of Yak (yacks) (Hunters of bighorn sheep, they use yak as pack animal, Himalaya). End of the 19th century (chromolithograph)

ELD4847472: Sheep Hunters, Himalayas - They are a back of Yak (yacks) (Hunters of bighorn sheep, they use yak as pack animal, Himalaya). End of the 19th century (chromolithograph), French School, (19th century) / Bridgeman Images

ID: ELD4847472

Sheep Hunters, Himalayas - They are a back of Yak (yacks) (Hunters of bighorn sheep, they use yak as pack animal, Himalaya). End of the 19th century (chromolithograph)

French School, (19th century)

Fishing the shrimps with nets. 19th century (chromolithograph)
Fishing the shrimps with nets. 19th century (chromolithograph)

ELD4847504: Fishing the shrimps with nets. 19th century (chromolithograph) / Bridgeman Images

ID: ELD4847504

Fishing the shrimps with nets. 19th century (chromolithograph)

Cover of “” Le Lire rouge””, Satirical en Colours, 1917_12_1: War of 14 -18: the good deal “” Let's go the profiteurs, continue to enjoy, no better investment, no better guarantee””” - Profit Profiteurs, Dearest Life, Borrow, Coal, Rationing, Foreign Trade - Illustration by Charles Leandre (1862-1934)
Cover of “” Le Lire rouge””, Satirical en Colours, 1917_12_1: War of 14 -18: the good deal “” Let's go the profiteurs, continue to enjoy, no better investment, no better guarantee””” - Profit Profiteurs, Dearest Life, Borrow, Coal, Rationing, Foreign Trade - Illustration by Charles Leandre (1862-1934)

ICA4847569: Cover of “” Le Lire rouge””, Satirical en Colours, 1917_12_1: War of 14 -18: the good deal “” Let's go the profiteurs, continue to enjoy, no better investment, no better guarantee””” - Profit Profiteurs, Dearest Life, Borrow, Coal, Rationing, Foreign Trade - Illustration by Charles Leandre (1862-1934), Leandre, Charles (1862-1934) / Bridgeman Images

ID: ICA4847569

Cover of “” Le Lire rouge””, Satirical en Colours, 1917_12_1: War of 14 -18: the good deal “” Let's go the profiteurs, continue to enjoy, no better investment, no better guarantee””” - Profit Profiteurs, Dearest Life, Borrow, Coal, Rationing, Foreign Trade - Illustration by Charles Leandre (1862-1934)

Leandre, Charles (1862-1934)

The original (original) nature. Drawing by Fred Deux (Jean Douassot, born 1924), 1994. Dim: 102x66,5cm. Lead, watercolor pencil. Dépot CR-FD 2007. Watercolour, pencil and lead on paper. Musee de l'hospice Saint-Roch, Issoudun (Sign at the bottom right with title). Mandatory mention:
The original (original) nature. Drawing by Fred Deux (Jean Douassot, born 1924), 1994. Dim: 102x66,5cm. Lead, watercolor pencil. Dépot CR-FD 2007. Watercolour, pencil and lead on paper. Musee de l'hospice Saint-Roch, Issoudun (Sign at the bottom right with title). Mandatory mention:

JEB4847593: The original (original) nature. Drawing by Fred Deux (Jean Douassot, born 1924), 1994. Dim: 102x66,5cm. Lead, watercolor pencil. Dépot CR-FD 2007. Watercolour, pencil and lead on paper. Musee de l'hospice Saint-Roch, Issoudun (Sign at the bottom right with title). Mandatory mention:, Deux, Fred (Jean Douassot, b.1924) / Bridgeman Images

ID: JEB4847593

The original (original) nature. Drawing by Fred Deux (Jean Douassot, born 1924), 1994. Dim: 102x66,5cm. Lead, watercolor pencil. Dépot CR-FD 2007. Watercolour, pencil and lead on paper. Musee de l'hospice Saint-Roch, Issoudun (Sign at the bottom right with title). Mandatory mention:

Deux, Fred (Jean Douassot, b.1924)

The military french painter Horace Vernet (1789-1863) in a military camp. Late 19th century (chromolithograph)
The military french painter Horace Vernet (1789-1863) in a military camp. Late 19th century (chromolithograph)

ELD4847595: The military french painter Horace Vernet (1789-1863) in a military camp. Late 19th century (chromolithograph) / Bridgeman Images

ID: ELD4847595

The military french painter Horace Vernet (1789-1863) in a military camp. Late 19th century (chromolithograph)

Exploration of Africa: British explorer and journalist Henry Morton Stanley (1841-1904) attacked by elephants in Congo, years 1870. 19th century colour engraving from an illustration of Stanley's book “” In Darkest Africa””
Exploration of Africa: British explorer and journalist Henry Morton Stanley (1841-1904) attacked by elephants in Congo, years 1870. 19th century colour engraving from an illustration of Stanley's book “” In Darkest Africa””

NWI4847045: Exploration of Africa: British explorer and journalist Henry Morton Stanley (1841-1904) attacked by elephants in Congo, years 1870. 19th century colour engraving from an illustration of Stanley's book “” In Darkest Africa”” / Bridgeman Images

ID: NWI4847045

Exploration of Africa: British explorer and journalist Henry Morton Stanley (1841-1904) attacked by elephants in Congo, years 1870. 19th century colour engraving from an illustration of Stanley's book “” In Darkest Africa””

Cover of “” The Red Laughter””, Satirical in Colors, 1918_4_13: War of 14 -18: the new card game - Boret the King of Bread - Belligerants and symbols, Gastronomy, Bread, Card game - Boret Victor (1872-1952) - Illustration by Charles Leandre (1862-1934)
Cover of “” The Red Laughter””, Satirical in Colors, 1918_4_13: War of 14 -18: the new card game - Boret the King of Bread - Belligerants and symbols, Gastronomy, Bread, Card game - Boret Victor (1872-1952) - Illustration by Charles Leandre (1862-1934)

ICA4847190: Cover of “” The Red Laughter””, Satirical in Colors, 1918_4_13: War of 14 -18: the new card game - Boret the King of Bread - Belligerants and symbols, Gastronomy, Bread, Card game - Boret Victor (1872-1952) - Illustration by Charles Leandre (1862-1934), Leandre, Charles (1862-1934) / Bridgeman Images

ID: ICA4847190

Cover of “” The Red Laughter””, Satirical in Colors, 1918_4_13: War of 14 -18: the new card game - Boret the King of Bread - Belligerants and symbols, Gastronomy, Bread, Card game - Boret Victor (1872-1952) - Illustration by Charles Leandre (1862-1934)

Leandre, Charles (1862-1934)

Illustration by George of Ostoya-Sochinsky called D'Ostoya (1878-1937) in Le Rire, 08/06/12 - The dardanelles or the door must be - Germany Prussia, England Great Britain, Turkey, Dardanelles, War of 14-18 first mices - William II
Illustration by George of Ostoya-Sochinsky called D'Ostoya (1878-1937) in Le Rire, 08/06/12 - The dardanelles or the door must be - Germany Prussia, England Great Britain, Turkey, Dardanelles, War of 14-18 first mices - William II

ICA4847681: Illustration by George of Ostoya-Sochinsky called D'Ostoya (1878-1937) in Le Rire, 08/06/12 - The dardanelles or the door must be - Germany Prussia, England Great Britain, Turkey, Dardanelles, War of 14-18 first mices - William II, Ostoya, Georges d' (Dochinsky or Sochinsky) (1878-1937) / Bridgeman Images

ID: ICA4847681

Illustration by George of Ostoya-Sochinsky called D'Ostoya (1878-1937) in Le Rire, 08/06/12 - The dardanelles or the door must be - Germany Prussia, England Great Britain, Turkey, Dardanelles, War of 14-18 first mices - William II

Ostoya, Georges d' (Dochinsky or Sochinsky) (1878-1937)

A merchant of fruit and vegetables and gardener, end of the 16th century, Alsace, France. 19th century (chromolithograph)
A merchant of fruit and vegetables and gardener, end of the 16th century, Alsace, France. 19th century (chromolithograph)

ELD4847929: A merchant of fruit and vegetables and gardener, end of the 16th century, Alsace, France. 19th century (chromolithograph), French School, (19th century) / Bridgeman Images

ID: ELD4847929

A merchant of fruit and vegetables and gardener, end of the 16th century, Alsace, France. 19th century (chromolithograph)

French School, (19th century)

Malangan sculpture, New Ireland, Papua New Guinea (Papua New Guinee), late 19th century. Dim: 65x20x20cm. Wood, pigments, shells, vegetable fibres. Musee de l'hospice Saint-Roch, Issoudun (Donation Fred Deux). Mandatory mention:
Malangan sculpture, New Ireland, Papua New Guinea (Papua New Guinee), late 19th century. Dim: 65x20x20cm. Wood, pigments, shells, vegetable fibres. Musee de l'hospice Saint-Roch, Issoudun (Donation Fred Deux). Mandatory mention:

JEB4847963: Malangan sculpture, New Ireland, Papua New Guinea (Papua New Guinee), late 19th century. Dim: 65x20x20cm. Wood, pigments, shells, vegetable fibres. Musee de l'hospice Saint-Roch, Issoudun (Donation Fred Deux). Mandatory mention: / Bridgeman Images

ID: JEB4847963

Malangan sculpture, New Ireland, Papua New Guinea (Papua New Guinee), late 19th century. Dim: 65x20x20cm. Wood, pigments, shells, vegetable fibres. Musee de l'hospice Saint-Roch, Issoudun (Donation Fred Deux). Mandatory mention:

Illustration for the cover of the magazine
Illustration for the cover of the magazine

ICA4847743: Illustration for the cover of the magazine "Le Rire", 1912 (engraving), Gerbault, Henri (1863-1930) / Bridgeman Images

ID: ICA4847743

Illustration for the cover of the magazine "Le Rire", 1912 (engraving)

Gerbault, Henri (1863-1930)

Illustration by Georges of Ostoya-Sochinsky called D'Ostoya (1878-1937) in Le Rire, 29/06/12 - The crisis of the little bersaglieri - Italy, War of 14-18 First fruits
Illustration by Georges of Ostoya-Sochinsky called D'Ostoya (1878-1937) in Le Rire, 29/06/12 - The crisis of the little bersaglieri - Italy, War of 14-18 First fruits

ICA4847752: Illustration by Georges of Ostoya-Sochinsky called D'Ostoya (1878-1937) in Le Rire, 29/06/12 - The crisis of the little bersaglieri - Italy, War of 14-18 First fruits, Ostoya, Georges d' (Dochinsky or Sochinsky) (1878-1937) / Bridgeman Images

ID: ICA4847752

Illustration by Georges of Ostoya-Sochinsky called D'Ostoya (1878-1937) in Le Rire, 29/06/12 - The crisis of the little bersaglieri - Italy, War of 14-18 First fruits

Ostoya, Georges d' (Dochinsky or Sochinsky) (1878-1937)

The Red Laughter, Satirical in N & B, 1918_1_12: War of 14 -18: the speech of the president “” he speaks well your boss, but Tusais, in speeches, the jigs only understand fists, so let's prepare us to hit”” - America, Belligerants and Symbols - Illustration by Ricardo Flores (1878-1918)
The Red Laughter, Satirical in N & B, 1918_1_12: War of 14 -18: the speech of the president “” he speaks well your boss, but Tusais, in speeches, the jigs only understand fists, so let's prepare us to hit”” - America, Belligerants and Symbols - Illustration by Ricardo Flores (1878-1918)

ICA4847772: The Red Laughter, Satirical in N & B, 1918_1_12: War of 14 -18: the speech of the president “” he speaks well your boss, but Tusais, in speeches, the jigs only understand fists, so let's prepare us to hit”” - America, Belligerants and Symbols - Illustration by Ricardo Flores (1878-1918), Flores, Ricardo (1878-1918) / Bridgeman Images

ID: ICA4847772

The Red Laughter, Satirical in N & B, 1918_1_12: War of 14 -18: the speech of the president “” he speaks well your boss, but Tusais, in speeches, the jigs only understand fists, so let's prepare us to hit”” - America, Belligerants and Symbols - Illustration by Ricardo Flores (1878-1918)

Flores, Ricardo (1878-1918)

Antelope plough. Assembly from a Provencal plow. Sculpture by Fred Deux (Jean Douassot, born in 1924), circa 1952. Dim: 93x28x44,5cm. Musee de l'hospice Saint-Roch, Issoudun (Donation Cecile Reims and Fred Deux, 2000). Mandatory mention:
Antelope plough. Assembly from a Provencal plow. Sculpture by Fred Deux (Jean Douassot, born in 1924), circa 1952. Dim: 93x28x44,5cm. Musee de l'hospice Saint-Roch, Issoudun (Donation Cecile Reims and Fred Deux, 2000). Mandatory mention:

JEB4847854: Antelope plough. Assembly from a Provencal plow. Sculpture by Fred Deux (Jean Douassot, born in 1924), circa 1952. Dim: 93x28x44,5cm. Musee de l'hospice Saint-Roch, Issoudun (Donation Cecile Reims and Fred Deux, 2000). Mandatory mention:, Deux, Fred (Jean Douassot, b.1924) / Bridgeman Images

ID: JEB4847854

Antelope plough. Assembly from a Provencal plow. Sculpture by Fred Deux (Jean Douassot, born in 1924), circa 1952. Dim: 93x28x44,5cm. Musee de l'hospice Saint-Roch, Issoudun (Donation Cecile Reims and Fred Deux, 2000). Mandatory mention:

Deux, Fred (Jean Douassot, b.1924)

John Hanning Speke (1827-1864, English explorer) watching the Troop Review by Mutesa I (1857-1884), King of Uganda, circa 1860. Lithograph in color 19th century, based on an engraving of Speke's journal, published in 1863.
John Hanning Speke (1827-1864, English explorer) watching the Troop Review by Mutesa I (1857-1884), King of Uganda, circa 1860. Lithograph in color 19th century, based on an engraving of Speke's journal, published in 1863.

NWI4847374: John Hanning Speke (1827-1864, English explorer) watching the Troop Review by Mutesa I (1857-1884), King of Uganda, circa 1860. Lithograph in color 19th century, based on an engraving of Speke's journal, published in 1863. / Bridgeman Images

ID: NWI4847374

John Hanning Speke (1827-1864, English explorer) watching the Troop Review by Mutesa I (1857-1884), King of Uganda, circa 1860. Lithograph in color 19th century, based on an engraving of Speke's journal, published in 1863.

L'arlesienne de dos (ink on paper)
L'arlesienne de dos (ink on paper)

JEB4847408: L'arlesienne de dos (ink on paper), Ambrogiani, Pierre (1907-85) / Bridgeman Images

ID: JEB4847408

L'arlesienne de dos (ink on paper)

Ambrogiani, Pierre (1907-85)

Hunter of ibex in the french mountains. End of the 19th century (chromolithograph)
Hunter of ibex in the french mountains. End of the 19th century (chromolithograph)

ELD4847416: Hunter of ibex in the french mountains. End of the 19th century (chromolithograph), French School, (19th century) / Bridgeman Images

ID: ELD4847416

Hunter of ibex in the french mountains. End of the 19th century (chromolithograph)

French School, (19th century)

Fleet of barbarians in the Middle Ages: Vikings aboard drakkars in the northern seas. Colourful engraving of the 19th century.
Fleet of barbarians in the Middle Ages: Vikings aboard drakkars in the northern seas. Colourful engraving of the 19th century.

NWI4847499: Fleet of barbarians in the Middle Ages: Vikings aboard drakkars in the northern seas. Colourful engraving of the 19th century. / Bridgeman Images

ID: NWI4847499

Fleet of barbarians in the Middle Ages: Vikings aboard drakkars in the northern seas. Colourful engraving of the 19th century.

Artwork by Honore Daumier (1808-1879) Charivari dates from 1858: Serie CRUQUIS D'ETE Une visite aux bains “” La queue a la porte des cabinets... - Or le bain de vapeur avant le bain froid””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879) Charivari dates from 1858: Serie CRUQUIS D'ETE Une visite aux bains “” La queue a la porte des cabinets... - Or le bain de vapeur avant le bain froid””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4852370: Artwork by Honore Daumier (1808-1879) Charivari dates from 1858: Serie CRUQUIS D'ETE Une visite aux bains “” La queue a la porte des cabinets... - Or le bain de vapeur avant le bain froid””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

ID: JEB4852370

Artwork by Honore Daumier (1808-1879) Charivari dates from 1858: Serie CRUQUIS D'ETE Une visite aux bains “” La queue a la porte des cabinets... - Or le bain de vapeur avant le bain froid””” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

Daumier, Honore (1808-79)

Les Corbeaux (Paris), number 102, Satirique en N & B, 1907_3_10: It blows a wind of concilisation... - Anticlericalism - Inventaires/Reactions aux, Failure of the Church - Briand Aristide, Pius X, Ane, Merry Del Val, Cardinaux, Popes
Les Corbeaux (Paris), number 102, Satirique en N & B, 1907_3_10: It blows a wind of concilisation... - Anticlericalism - Inventaires/Reactions aux, Failure of the Church - Briand Aristide, Pius X, Ane, Merry Del Val, Cardinaux, Popes

ICA4851772: Les Corbeaux (Paris), number 102, Satirique en N & B, 1907_3_10: It blows a wind of concilisation... - Anticlericalism - Inventaires/Reactions aux, Failure of the Church - Briand Aristide, Pius X, Ane, Merry Del Val, Cardinaux, Popes / Bridgeman Images

ID: ICA4851772

Les Corbeaux (Paris), number 102, Satirique en N & B, 1907_3_10: It blows a wind of concilisation... - Anticlericalism - Inventaires/Reactions aux, Failure of the Church - Briand Aristide, Pius X, Ane, Merry Del Val, Cardinaux, Popes

View of the tropical forest of the New World, discovered by the Spanish (Central America or the Caribbean), late 16th century. Color lithography, 19th century.
View of the tropical forest of the New World, discovered by the Spanish (Central America or the Caribbean), late 16th century. Color lithography, 19th century.

NWI4851815: View of the tropical forest of the New World, discovered by the Spanish (Central America or the Caribbean), late 16th century. Color lithography, 19th century. / Bridgeman Images

ID: NWI4851815

View of the tropical forest of the New World, discovered by the Spanish (Central America or the Caribbean), late 16th century. Color lithography, 19th century.

Artwork by Honore Daumier (1808-1879) Charivari dates from 1864: Serie Sketch de Chasse “” Ou va donc? The hare is not through there! - If the one I'm going to eat in civet”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE
Artwork by Honore Daumier (1808-1879) Charivari dates from 1864: Serie Sketch de Chasse “” Ou va donc? The hare is not through there! - If the one I'm going to eat in civet”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

JEB4851829: Artwork by Honore Daumier (1808-1879) Charivari dates from 1864: Serie Sketch de Chasse “” Ou va donc? The hare is not through there! - If the one I'm going to eat in civet”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE, Daumier, Honore (1808-79) / Bridgeman Images

ID: JEB4851829

Artwork by Honore Daumier (1808-1879) Charivari dates from 1864: Serie Sketch de Chasse “” Ou va donc? The hare is not through there! - If the one I'm going to eat in civet”” MUSEE DES BEAUX ARTS - PALAIS LONGCHAMP, MARSEILLE

Daumier, Honore (1808-79)


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