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Elegant Figures in Church, 1629 (oil on copper)
Elegant Figures in Church, 1629 (oil on copper)

JVH121454: Elegant Figures in Church, 1629 (oil on copper), Delen, Dirck van (1605-71) / Bridgeman Images

ID: JVH121454

Elegant Figures in Church, 1629 (oil on copper)

Delen, Dirck van (1605-71)

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120854: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: UOL120854

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

The Colosseum, Rome, 1860 (oil on canvas)
The Colosseum, Rome, 1860 (oil on canvas)

MAL121405: The Colosseum, Rome, 1860 (oil on canvas), Bridell, Frederick Lee (1831-63) / Bridgeman Images

ID: MAL121405

The Colosseum, Rome, 1860 (oil on canvas)

Bridell, Frederick Lee (1831-63)

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120844: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: UOL120844

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

CWA124805: "The Siamese Youths - Our Own Youths", satirical cartoon from 'The Looking Glass', c.1829 (coloured etching), English School, (19th century) / Bridgeman Images

ID: CWA124805

"The Siamese Youths - Our Own Youths", satirical cartoon from 'The Looking Glass', c.1829 (coloured etching)

English School, (19th century)

Dish painted with a long-tailed bird, rocks and flowers, Yongzheng Period, 1725-35 (eggshell porcelain)
Dish painted with a long-tailed bird, rocks and flowers, Yongzheng Period, 1725-35 (eggshell porcelain)

PFR121309: Dish painted with a long-tailed bird, rocks and flowers, Yongzheng Period, 1725-35 (eggshell porcelain), Chinese School, (18th century) / Bridgeman Images

ID: PFR121309

Dish painted with a long-tailed bird, rocks and flowers, Yongzheng Period, 1725-35 (eggshell porcelain)

Chinese School, (18th century)

Hector Hugh Munro (Saki) (1870-1916) from 'The Illustrated London News', 1st August 1914 (b&w photo)
Hector Hugh Munro (Saki) (1870-1916) from 'The Illustrated London News', 1st August 1914 (b&w photo)

ILN124596: Hector Hugh Munro (Saki) (1870-1916) from 'The Illustrated London News', 1st August 1914 (b&w photo) / Bridgeman Images

ID: ILN124596

Hector Hugh Munro (Saki) (1870-1916) from 'The Illustrated London News', 1st August 1914 (b&w photo)

Plate No.40, from 'Prismes', after 1931 (colour litho)
Plate No.40, from 'Prismes', after 1931 (colour litho)

BCC124706: Plate No.40, from 'Prismes', after 1931 (colour litho), Séguy, Émile-Allain (1877-1951) / Bridgeman Images

ID: BCC124706

Plate No.40, from 'Prismes', after 1931 (colour litho)

Séguy, Émile-Allain (1877-1951)

Portrait of a Lady believed to be Elizabeth I (1533-1603), c.1580 (oil on panel)
Portrait of a Lady believed to be Elizabeth I (1533-1603), c.1580 (oil on panel)

MFI123720: Portrait of a Lady believed to be Elizabeth I (1533-1603), c.1580 (oil on panel), English School, (16th century) / Bridgeman Images

ID: MFI123720

Portrait of a Lady believed to be Elizabeth I (1533-1603), c.1580 (oil on panel)

English School, (16th century)

Dungiven Abbey, County Derry, (sepia photo)
Dungiven Abbey, County Derry, (sepia photo)

TPG123773: Dungiven Abbey, County Derry, (sepia photo), Lawrence, William M. (1840-1932) / Bridgeman Images

ID: TPG123773

Dungiven Abbey, County Derry, (sepia photo)

Lawrence, William M. (1840-1932)

Senate House (bouleuterion) (photo)
Senate House (bouleuterion) (photo)

JB122755: Senate House (bouleuterion) (photo), Greek school, (4th century BC) / Bridgeman Images

ID: JB122755

Senate House (bouleuterion) (photo)

Greek school, (4th century BC)

The Old Mill, Surrey, 1893 (oil on canvas)
The Old Mill, Surrey, 1893 (oil on canvas)

LMG123016: The Old Mill, Surrey, 1893 (oil on canvas), Fletcher, William Teulon Blandford (1858-1936) / Bridgeman Images

ID: LMG123016

The Old Mill, Surrey, 1893 (oil on canvas)

Fletcher, William Teulon Blandford (1858-1936)

Egyptian Woman Carrying an Ibrik Water Pot, probably by Cousinery, Ottoman period, third quarter of 18th century (w/c on paper)
Egyptian Woman Carrying an Ibrik Water Pot, probably by Cousinery, Ottoman period, third quarter of 18th century (w/c on paper)

UOL120671: Egyptian Woman Carrying an Ibrik Water Pot, probably by Cousinery, Ottoman period, third quarter of 18th century (w/c on paper), French School, (18th century) / Bridgeman Images

ID: UOL120671

Egyptian Woman Carrying an Ibrik Water Pot, probably by Cousinery, Ottoman period, third quarter of 18th century (w/c on paper)

French School, (18th century)

The Puppeteer, 1748 (engraving)
The Puppeteer, 1748 (engraving)

CWA124847: The Puppeteer, 1748 (engraving), Italian School, (18th century) / Bridgeman Images

ID: CWA124847

The Puppeteer, 1748 (engraving)

Italian School, (18th century)

Coffer, bearing the Braganza arms, c.1750-60 (gilt bronze and red morocco leather)
Coffer, bearing the Braganza arms, c.1750-60 (gilt bronze and red morocco leather)

BCC124770: Coffer, bearing the Braganza arms, c.1750-60 (gilt bronze and red morocco leather) / Bridgeman Images

ID: BCC124770

Coffer, bearing the Braganza arms, c.1750-60 (gilt bronze and red morocco leather)

A Village Winter Landscape (oil on panel)
A Village Winter Landscape (oil on panel)

BAL121445: A Village Winter Landscape (oil on panel), Beschey, Charles (1706-76) / Bridgeman Images

ID: BAL121445

A Village Winter Landscape (oil on panel)

Beschey, Charles (1706-76)

The Mystery of the Trinity Explained by a Jesuit Artist, from 'The Amazon and Madeira Rivers', by Franz Keller, 1874 (engraving)
The Mystery of the Trinity Explained by a Jesuit Artist, from 'The Amazon and Madeira Rivers', by Franz Keller, 1874 (engraving)

BAL124989: The Mystery of the Trinity Explained by a Jesuit Artist, from 'The Amazon and Madeira Rivers', by Franz Keller, 1874 (engraving), American School, (19th century) / Bridgeman Images

ID: BAL124989

The Mystery of the Trinity Explained by a Jesuit Artist, from 'The Amazon and Madeira Rivers', by Franz Keller, 1874 (engraving)

American School, (19th century)

Greetings Card (w/c on paper)
Greetings Card (w/c on paper)

REV121580: Greetings Card (w/c on paper), English School, (19th century) / Bridgeman Images

ID: REV121580

Greetings Card (w/c on paper)

English School, (19th century)

Kamiesch, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Kamiesch, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122404: Kamiesch, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122404

Kamiesch, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Huts and Warm Clothing for the Army, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Huts and Warm Clothing for the Army, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC121095: Huts and Warm Clothing for the Army, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC121095

Huts and Warm Clothing for the Army, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

View of the facade of Palazzo Salviati in Rome, commissioned by Cardinal Giovanni Salviati to house Henry, King of France, and designed by Nanni di Baccio Bigio (d.c.1568) in 1557 (engraving)
View of the facade of Palazzo Salviati in Rome, commissioned by Cardinal Giovanni Salviati to house Henry, King of France, and designed by Nanni di Baccio Bigio (d.c.1568) in 1557 (engraving)

STC120272: View of the facade of Palazzo Salviati in Rome, commissioned by Cardinal Giovanni Salviati to house Henry, King of France, and designed by Nanni di Baccio Bigio (d.c.1568) in 1557 (engraving), Ferrerio, Pietro (1600-54) (after) / Bridgeman Images

ID: STC120272

View of the facade of Palazzo Salviati in Rome, commissioned by Cardinal Giovanni Salviati to house Henry, King of France, and designed by Nanni di Baccio Bigio (d.c.1568) in 1557 (engraving)

Ferrerio, Pietro (1600-54) (after)

Mezuzah (Doorpost) Case (bone)
Mezuzah (Doorpost) Case (bone)

BAL124661: Mezuzah (Doorpost) Case (bone), Italian School, (15th century) / Bridgeman Images

ID: BAL124661

Mezuzah (Doorpost) Case (bone)

Italian School, (15th century)

XJF121253: "By Authority. Persons and Property Protected", pub. by S.W. Fores, 1785 (etching) (b&w photo), English School, (18th century) / Bridgeman Images

ID: XJF121253

"By Authority. Persons and Property Protected", pub. by S.W. Fores, 1785 (etching) (b&w photo)

English School, (18th century)

Palazzo di Santo Spirito, from 'Palazzi di Roma', part II, published c.1670s (engraving)
Palazzo di Santo Spirito, from 'Palazzi di Roma', part II, published c.1670s (engraving)

STC120283: Palazzo di Santo Spirito, from 'Palazzi di Roma', part II, published c.1670s (engraving), Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78) / Bridgeman Images

ID: STC120283

Palazzo di Santo Spirito, from 'Palazzi di Roma', part II, published c.1670s (engraving)

Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78)

View of the facade of Palazzo Massimi alla Valle, Rome, designed by Baldassarre Peruzzi (1481-1536) in 1532 (engraving)
View of the facade of Palazzo Massimi alla Valle, Rome, designed by Baldassarre Peruzzi (1481-1536) in 1532 (engraving)

STC120503: View of the facade of Palazzo Massimi alla Valle, Rome, designed by Baldassarre Peruzzi (1481-1536) in 1532 (engraving), Ferrerio, Pietro (1600-54) (after) / Bridgeman Images

ID: STC120503

View of the facade of Palazzo Massimi alla Valle, Rome, designed by Baldassarre Peruzzi (1481-1536) in 1532 (engraving)

Ferrerio, Pietro (1600-54) (after)

Tchingui, Turkish Dancer, 18th century (engraving)
Tchingui, Turkish Dancer, 18th century (engraving)

STC121867: Tchingui, Turkish Dancer, 18th century (engraving), Scotin, Gerard Jean Baptiste (1671-1716) / Bridgeman Images

ID: STC121867

Tchingui, Turkish Dancer, 18th century (engraving)

Scotin, Gerard Jean Baptiste (1671-1716)

The Supreme Moment on the Evening of October 11th 1492, from 'The Young People's Standard History of the United States', 1895 (engraving) (b&w photo)
The Supreme Moment on the Evening of October 11th 1492, from 'The Young People's Standard History of the United States', 1895 (engraving) (b&w photo)

BAL124138: The Supreme Moment on the Evening of October 11th 1492, from 'The Young People's Standard History of the United States', 1895 (engraving) (b&w photo), Steeple Davis, J. (1844-1917) (after) / Bridgeman Images

ID: BAL124138

The Supreme Moment on the Evening of October 11th 1492, from 'The Young People's Standard History of the United States', 1895 (engraving) (b&w photo)

Steeple Davis, J. (1844-1917) (after)

Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo)
Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo)

BAL124154: Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

ID: BAL124154

Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo)

American School, (19th century)

Kish-Kal-Wa, a Shawnee Chief, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Kish-Kal-Wa, a Shawnee Chief, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122940: Kish-Kal-Wa, a Shawnee Chief, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), American School, (19th century) / Bridgeman Images

ID: BAL122940

Kish-Kal-Wa, a Shawnee Chief, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

American School, (19th century)

A Horse Affrighted by a Lion, engraved by the artist (etching)
A Horse Affrighted by a Lion, engraved by the artist (etching)

XYC124383: A Horse Affrighted by a Lion, engraved by the artist (etching), Stubbs, George (1724-1806) / Bridgeman Images

ID: XYC124383

A Horse Affrighted by a Lion, engraved by the artist (etching)

Stubbs, George (1724-1806)

Central part of Taunton, Massachusetts, from 'Historical Collections of Massachusetts', by John Warner Barber, engraved by S. E. Brown, 1839 (engraving)
Central part of Taunton, Massachusetts, from 'Historical Collections of Massachusetts', by John Warner Barber, engraved by S. E. Brown, 1839 (engraving)

BAL124936: Central part of Taunton, Massachusetts, from 'Historical Collections of Massachusetts', by John Warner Barber, engraved by S. E. Brown, 1839 (engraving), Barber, John Warner (1798-1885) (after) / Bridgeman Images

ID: BAL124936

Central part of Taunton, Massachusetts, from 'Historical Collections of Massachusetts', by John Warner Barber, engraved by S. E. Brown, 1839 (engraving)

Barber, John Warner (1798-1885) (after)

Cotton factory village, Glastenbury, from 'Connecticut Historical Collections', by John Warner Barber, 1856 (engraving)
Cotton factory village, Glastenbury, from 'Connecticut Historical Collections', by John Warner Barber, 1856 (engraving)

BAL124949: Cotton factory village, Glastenbury, from 'Connecticut Historical Collections', by John Warner Barber, 1856 (engraving), American School, (19th century) / Bridgeman Images

ID: BAL124949

Cotton factory village, Glastenbury, from 'Connecticut Historical Collections', by John Warner Barber, 1856 (engraving)

American School, (19th century)

The Prince of Wales (1841-1910) Visiting the Building Site of the 1900 Universal Exhibition, from 'Le Petit Journal', 20th March 1898 (coloured engraving)
The Prince of Wales (1841-1910) Visiting the Building Site of the 1900 Universal Exhibition, from 'Le Petit Journal', 20th March 1898 (coloured engraving)

XIR121705: The Prince of Wales (1841-1910) Visiting the Building Site of the 1900 Universal Exhibition, from 'Le Petit Journal', 20th March 1898 (coloured engraving), Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915) / Bridgeman Images

ID: XIR121705

The Prince of Wales (1841-1910) Visiting the Building Site of the 1900 Universal Exhibition, from 'Le Petit Journal', 20th March 1898 (coloured engraving)

Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915)

Reverend Thomas Hooker's House, from 'Connecticut Historical Collections', by John Warner Barber, 1856 (engraving)
Reverend Thomas Hooker's House, from 'Connecticut Historical Collections', by John Warner Barber, 1856 (engraving)

BAL124947: Reverend Thomas Hooker's House, from 'Connecticut Historical Collections', by John Warner Barber, 1856 (engraving), American School, (19th century) / Bridgeman Images

ID: BAL124947

Reverend Thomas Hooker's House, from 'Connecticut Historical Collections', by John Warner Barber, 1856 (engraving)

American School, (19th century)

Lenox, Massachusetts, from 'Historical Collections of Massachusetts', John Warner Barber, engraved by S. E. Brown, 1839 (engraving)
Lenox, Massachusetts, from 'Historical Collections of Massachusetts', John Warner Barber, engraved by S. E. Brown, 1839 (engraving)

BAL124934: Lenox, Massachusetts, from 'Historical Collections of Massachusetts', John Warner Barber, engraved by S. E. Brown, 1839 (engraving), Barber, John Warner (1798-1885) (after) / Bridgeman Images

ID: BAL124934

Lenox, Massachusetts, from 'Historical Collections of Massachusetts', John Warner Barber, engraved by S. E. Brown, 1839 (engraving)

Barber, John Warner (1798-1885) (after)

Wa-Na-Ta or 'The Charger', Grand Chief of the Sioux or Dakota Indians, painted 1926, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Wa-Na-Ta or 'The Charger', Grand Chief of the Sioux or Dakota Indians, painted 1926, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122950: Wa-Na-Ta or 'The Charger', Grand Chief of the Sioux or Dakota Indians, painted 1926, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), King, Charles Bird (1785-1862) (after) / Bridgeman Images

ID: BAL122950

Wa-Na-Ta or 'The Charger', Grand Chief of the Sioux or Dakota Indians, painted 1926, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

King, Charles Bird (1785-1862) (after)


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