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Charlemagne (742-814) from 'The Origin of the First Twelve Old Kings and Princes of the German Nation', 1543 (coloured engraving)
Charlemagne (742-814) from 'The Origin of the First Twelve Old Kings and Princes of the German Nation', 1543 (coloured engraving)

STC143562: Charlemagne (742-814) from 'The Origin of the First Twelve Old Kings and Princes of the German Nation', 1543 (coloured engraving), German School, (16th century) / Bridgeman Images

ID: STC143562

Charlemagne (742-814) from 'The Origin of the First Twelve Old Kings and Princes of the German Nation', 1543 (coloured engraving)

German School, (16th century)

Ruins at Ettaia, said to have been caused by a Combat between Krishna and Kali, engraved by E. Finden, from 'World Religion', published by A. Fullarton & Co. (engraving)
Ruins at Ettaia, said to have been caused by a Combat between Krishna and Kali, engraved by E. Finden, from 'World Religion', published by A. Fullarton & Co. (engraving)

PML143630: Ruins at Ettaia, said to have been caused by a Combat between Krishna and Kali, engraved by E. Finden, from 'World Religion', published by A. Fullarton & Co. (engraving), Stanfield, C. (19th century) (after) / Bridgeman Images

ID: PML143630

Ruins at Ettaia, said to have been caused by a Combat between Krishna and Kali, engraved by E. Finden, from 'World Religion', published by A. Fullarton & Co. (engraving)

Stanfield, C. (19th century) (after)

Vases of Flowers (w/c on paper)
Vases of Flowers (w/c on paper)

GLJ143710: Vases of Flowers (w/c on paper), Hodgkins, Frances (1869-1947) / Bridgeman Images

ID: GLJ143710

Vases of Flowers (w/c on paper)

Hodgkins, Frances (1869-1947)

British troops on the conquered beaches, 1944 (b/w photo)
British troops on the conquered beaches, 1944 (b/w photo)

ILN143538: British troops on the conquered beaches, 1944 (b/w photo), English School, (20th century) / Bridgeman Images

ID: ILN143538

British troops on the conquered beaches, 1944 (b/w photo)

English School, (20th century)

American Sailors fight the flames on the battleship 'West Virginia', 1941 (b/w photo)
American Sailors fight the flames on the battleship 'West Virginia', 1941 (b/w photo)

ILN143552: American Sailors fight the flames on the battleship 'West Virginia', 1941 (b/w photo), American Photographer, (20th century) / Bridgeman Images

ID: ILN143552

American Sailors fight the flames on the battleship 'West Virginia', 1941 (b/w photo)

American Photographer, (20th century)

Heriwon, King of the Middle Germans, from 'The Origin of the First Twelve Old Kings and Princes of the German Nation', 1543 (coloured engraving)
Heriwon, King of the Middle Germans, from 'The Origin of the First Twelve Old Kings and Princes of the German Nation', 1543 (coloured engraving)

STC143571: Heriwon, King of the Middle Germans, from 'The Origin of the First Twelve Old Kings and Princes of the German Nation', 1543 (coloured engraving), German School, (16th century) / Bridgeman Images

ID: STC143571

Heriwon, King of the Middle Germans, from 'The Origin of the First Twelve Old Kings and Princes of the German Nation', 1543 (coloured engraving)

German School, (16th century)

The Snake Charmer (w/c on paper)
The Snake Charmer (w/c on paper)

DRE144484: The Snake Charmer (w/c on paper), Haag, Carl (1820-1915) / Bridgeman Images

ID: DRE144484

The Snake Charmer (w/c on paper)

Haag, Carl (1820-1915)

A Dead Camel, 1859 (w/c on paper)
A Dead Camel, 1859 (w/c on paper)

DRE144429: A Dead Camel, 1859 (w/c on paper), Haag, Carl (1820-1915) / Bridgeman Images

ID: DRE144429

A Dead Camel, 1859 (w/c on paper)

Haag, Carl (1820-1915)

Two sketches of dromedaries, 1873-74 (pencil and wash on paper)
Two sketches of dromedaries, 1873-74 (pencil and wash on paper)

DRE144459: Two sketches of dromedaries, 1873-74 (pencil and wash on paper), Haag, Carl (1820-1915) / Bridgeman Images

ID: DRE144459

Two sketches of dromedaries, 1873-74 (pencil and wash on paper)

Haag, Carl (1820-1915)

Blayais, Gironde (oil on canvas)
Blayais, Gironde (oil on canvas)

ZEN144315: Blayais, Gironde (oil on canvas), Salez, Claude (b.1924) / Bridgeman Images

ID: ZEN144315

Blayais, Gironde (oil on canvas)

Salez, Claude (b.1924)

Hassin, the Wife of a Syrian Bedawee, 1859 (w/c on paper)
Hassin, the Wife of a Syrian Bedawee, 1859 (w/c on paper)

DRE144476: Hassin, the Wife of a Syrian Bedawee, 1859 (w/c on paper), Haag, Carl (1820-1915) / Bridgeman Images

ID: DRE144476

Hassin, the Wife of a Syrian Bedawee, 1859 (w/c on paper)

Haag, Carl (1820-1915)

The 'Chan Chaleel' Carpet Bazaar in Cairo, 1858 (pencil and brown wash on paper)
The 'Chan Chaleel' Carpet Bazaar in Cairo, 1858 (pencil and brown wash on paper)

DRE144488: The 'Chan Chaleel' Carpet Bazaar in Cairo, 1858 (pencil and brown wash on paper), Haag, Carl (1820-1915) / Bridgeman Images

ID: DRE144488

The 'Chan Chaleel' Carpet Bazaar in Cairo, 1858 (pencil and brown wash on paper)

Haag, Carl (1820-1915)

The Mother of God with the Infant Christ, 1470 (limestone) (detail of 144541)
The Mother of God with the Infant Christ, 1470 (limestone) (detail of 144541)

XKH144542: The Mother of God with the Infant Christ, 1470 (limestone) (detail of 144541), Lubeck or Westphalian Workshop (15th century) / Bridgeman Images

ID: XKH144542

The Mother of God with the Infant Christ, 1470 (limestone) (detail of 144541)

Lubeck or Westphalian Workshop (15th century)

Two Seated Ladies, One Playing the Samisen (woodblock print)
Two Seated Ladies, One Playing the Samisen (woodblock print)

LMG144564: Two Seated Ladies, One Playing the Samisen (woodblock print), Eisen, Keisai (Ikeda Yoshinobu) (1790-1848) / Bridgeman Images

ID: LMG144564

Two Seated Ladies, One Playing the Samisen (woodblock print)

Eisen, Keisai (Ikeda Yoshinobu) (1790-1848)

Portrait of a Lady (woodblock print)
Portrait of a Lady (woodblock print)

LMG144572: Portrait of a Lady (woodblock print), Kunisada, Utagawa (Toyokuni III) (1786-1865) / Bridgeman Images

ID: LMG144572

Portrait of a Lady (woodblock print)

Kunisada, Utagawa (Toyokuni III) (1786-1865)

Daniel Nicolaus Runge, Father of the Artist, 1806 (oil on canvas)
Daniel Nicolaus Runge, Father of the Artist, 1806 (oil on canvas)

XKH144709: Daniel Nicolaus Runge, Father of the Artist, 1806 (oil on canvas), Runge, Philipp Otto (1777-1810) / Bridgeman Images

ID: XKH144709

Daniel Nicolaus Runge, Father of the Artist, 1806 (oil on canvas)

Runge, Philipp Otto (1777-1810)

Demolishing St. James' Hall (etching)
Demolishing St. James' Hall (etching)

LMG144818: Demolishing St. James' Hall (etching), Bone, David Muirhead (1876-1953) / Bridgeman Images

ID: LMG144818

Demolishing St. James' Hall (etching)

Bone, David Muirhead (1876-1953)

Console table and pier glass, by Vile & Cobb, 1761 (photo)
Console table and pier glass, by Vile & Cobb, 1761 (photo)

LMG144838: Console table and pier glass, by Vile & Cobb, 1761 (photo), English School, (18th century) / Bridgeman Images

ID: LMG144838

Console table and pier glass, by Vile & Cobb, 1761 (photo)

English School, (18th century)

Stoke-by-Nayland, after Constable (etching)
Stoke-by-Nayland, after Constable (etching)

LMG144814: Stoke-by-Nayland, after Constable (etching), Lucas, David (1802-81) / Bridgeman Images

ID: LMG144814

Stoke-by-Nayland, after Constable (etching)

Lucas, David (1802-81)

A woodland scene with a shrine and lantern, Japanese, 19th century (ivory)
A woodland scene with a shrine and lantern, Japanese, 19th century (ivory)

LMG144928: A woodland scene with a shrine and lantern, Japanese, 19th century (ivory) / Bridgeman Images

ID: LMG144928

A woodland scene with a shrine and lantern, Japanese, 19th century (ivory)

Icon of St. John the Evangelist and his Disciple Prokhor (gold leaf and tempera on panel)
Icon of St. John the Evangelist and his Disciple Prokhor (gold leaf and tempera on panel)

MKG145061: Icon of St. John the Evangelist and his Disciple Prokhor (gold leaf and tempera on panel), Russian School, (17th century) / Bridgeman Images

ID: MKG145061

Icon of St. John the Evangelist and his Disciple Prokhor (gold leaf and tempera on panel)

Russian School, (17th century)

View of the Gothic Temple, from the South (photo) (see also 137193 & 95)
View of the Gothic Temple, from the South (photo) (see also 137193 & 95)

JB137194: View of the Gothic Temple, from the South (photo) (see also 137193 & 95), Bethell, John / Bridgeman Images

ID: JB137194

View of the Gothic Temple, from the South (photo) (see also 137193 & 95)

Bethell, John

Statue in the Parterre Garden (photo)
Statue in the Parterre Garden (photo)

JB137297: Statue in the Parterre Garden (photo), Bethell, John / Bridgeman Images

ID: JB137297

Statue in the Parterre Garden (photo)

Bethell, John

Coal Heavers, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)
Coal Heavers, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

STC137307: Coal Heavers, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho), Pyne, William Henry (1769-1843) / Bridgeman Images

ID: STC137307

Coal Heavers, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

Pyne, William Henry (1769-1843)

The Eleven-Acre Lake, in late afternoon (photo)
The Eleven-Acre Lake, in late afternoon (photo)

JB137196: The Eleven-Acre Lake, in late afternoon (photo), Bethell, John / Bridgeman Images

ID: JB137196

The Eleven-Acre Lake, in late afternoon (photo)

Bethell, John

British Fishermen, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)
British Fishermen, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

STC137324: British Fishermen, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho), Pyne, William Henry (1769-1843) / Bridgeman Images

ID: STC137324

British Fishermen, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

Pyne, William Henry (1769-1843)

Notre Dame, from 'Views on the Seine', engraved by Daniel Havell (1785-1826) published by R. Ackermann (1764-1834) 1821 (colour litho)
Notre Dame, from 'Views on the Seine', engraved by Daniel Havell (1785-1826) published by R. Ackermann (1764-1834) 1821 (colour litho)

STC137348: Notre Dame, from 'Views on the Seine', engraved by Daniel Havell (1785-1826) published by R. Ackermann (1764-1834) 1821 (colour litho), Havell, Daniel (1785-1826) / Bridgeman Images

ID: STC137348

Notre Dame, from 'Views on the Seine', engraved by Daniel Havell (1785-1826) published by R. Ackermann (1764-1834) 1821 (colour litho)

Havell, Daniel (1785-1826)

A Franciscan monk copying a manuscript (engraving)
A Franciscan monk copying a manuscript (engraving)

XJF137494: A Franciscan monk copying a manuscript (engraving), German School, (16th century) / Bridgeman Images

ID: XJF137494

A Franciscan monk copying a manuscript (engraving)

German School, (16th century)

Wooded Landscape with Gypsies Round a Fire (oil on canvas)
Wooded Landscape with Gypsies Round a Fire (oil on canvas)

DRE137504: Wooded Landscape with Gypsies Round a Fire (oil on canvas), Barker, Joseph (1782-1868) / Bridgeman Images

ID: DRE137504

Wooded Landscape with Gypsies Round a Fire (oil on canvas)

Barker, Joseph (1782-1868)

The Flirtation Outside the Master's House, 1862 (oil on canvas)
The Flirtation Outside the Master's House, 1862 (oil on canvas)

DRE137508: The Flirtation Outside the Master's House, 1862 (oil on canvas), Horsley, John Callcott (1817-1903) / Bridgeman Images

ID: DRE137508

The Flirtation Outside the Master's House, 1862 (oil on canvas)

Horsley, John Callcott (1817-1903)

Privy Garden with Banqueting House beyond (photo)
Privy Garden with Banqueting House beyond (photo)

JB137652: Privy Garden with Banqueting House beyond (photo), Bethell, John / Bridgeman Images

ID: JB137652

Privy Garden with Banqueting House beyond (photo)

Bethell, John

The Assumption of the Virgin (oil on canvas)
The Assumption of the Virgin (oil on canvas)

KAB137908: The Assumption of the Virgin (oil on canvas), Italian School, (16th century) / Bridgeman Images

ID: KAB137908

The Assumption of the Virgin (oil on canvas)

Italian School, (16th century)

Portrait of Flora Macdonald (1722-90) (engraving)
Portrait of Flora Macdonald (1722-90) (engraving)

XJF138665: Portrait of Flora Macdonald (1722-90) (engraving), Markluin, J (18th century) (after) / Bridgeman Images

ID: XJF138665

Portrait of Flora Macdonald (1722-90) (engraving)

Markluin, J (18th century) (after)

Relief depicting Ramesses and baboons worshipping Re's barque, from a lintel in one of the sanctuaries of the Mortuary Temple of Ramesses III (c.1184-1153 BC) New Kingdom (photo)
Relief depicting Ramesses and baboons worshipping Re's barque, from a lintel in one of the sanctuaries of the Mortuary Temple of Ramesses III (c.1184-1153 BC) New Kingdom (photo)

JBG138864: Relief depicting Ramesses and baboons worshipping Re's barque, from a lintel in one of the sanctuaries of the Mortuary Temple of Ramesses III (c.1184-1153 BC) New Kingdom (photo), Page, Julian / Bridgeman Images

ID: JBG138864

Relief depicting Ramesses and baboons worshipping Re's barque, from a lintel in one of the sanctuaries of the Mortuary Temple of Ramesses III (c.1184-1153 BC) New Kingdom (photo)

Page, Julian

Temple of Friendship from the south, built in 1739 (photo)
Temple of Friendship from the south, built in 1739 (photo)

JB138893: Temple of Friendship from the south, built in 1739 (photo), Gibbs, James (1662-1754) / Bridgeman Images

ID: JB138893

Temple of Friendship from the south, built in 1739 (photo)

Gibbs, James (1662-1754)

View into Anne Boleyn's Garden, Hever Castle, Kent (photo)
View into Anne Boleyn's Garden, Hever Castle, Kent (photo)

JB138510: View into Anne Boleyn's Garden, Hever Castle, Kent (photo), Bethell, John / Bridgeman Images

ID: JB138510

View into Anne Boleyn's Garden, Hever Castle, Kent (photo)

Bethell, John


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