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Portrait of Ferdinand Raimund (Ferdinand Jakob Raimann, 1790-1836), Austrian playwright.
Portrait of Ferdinand Raimund (Ferdinand Jakob Raimann, 1790-1836), Austrian playwright.

XEE4182719: Portrait of Ferdinand Raimund (Ferdinand Jakob Raimann, 1790-1836), Austrian playwright., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4182719

Portrait of Ferdinand Raimund (Ferdinand Jakob Raimann, 1790-1836), Austrian playwright.

Unknown Artist, (19th century)

Le Havre, the stock exchange in “The world illustrates 168 views”” No date (late 19th century)
Le Havre, the stock exchange in “The world illustrates 168 views”” No date (late 19th century)

XEE4183545: Le Havre, the stock exchange in “The world illustrates 168 views”” No date (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4183545

Le Havre, the stock exchange in “The world illustrates 168 views”” No date (late 19th century)

Unknown Artist, (19th century)

Trynity church in New York, USA in “The world illustrates 168 views” Undated (late 19th century)
Trynity church in New York, USA in “The world illustrates 168 views” Undated (late 19th century)

XEE4183592: Trynity church in New York, USA in “The world illustrates 168 views” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4183592

Trynity church in New York, USA in “The world illustrates 168 views” Undated (late 19th century)

Unknown Artist, (19th century)

Mephistopheles (Mephisto) (1884, watercolor on paper) - Anders Zorn (1860-1920) - Stockholm, Nationalmuseum.
Mephistopheles (Mephisto) (1884, watercolor on paper) - Anders Zorn (1860-1920) - Stockholm, Nationalmuseum.

SYC4195543: Mephistopheles (Mephisto) (1884, watercolor on paper) - Anders Zorn (1860-1920) - Stockholm, Nationalmuseum. / Bridgeman Images

ID: SYC4195543

Mephistopheles (Mephisto) (1884, watercolor on paper) - Anders Zorn (1860-1920) - Stockholm, Nationalmuseum.

Les Demoiselles Schwarz drawing (1889, watercolor on paper). Anders Zorn (1860-1920) Paris, Musee d'Orsay, preserves at the Musee du Louvre
Les Demoiselles Schwarz drawing (1889, watercolor on paper). Anders Zorn (1860-1920) Paris, Musee d'Orsay, preserves at the Musee du Louvre

SYC4195618: Les Demoiselles Schwarz drawing (1889, watercolor on paper). Anders Zorn (1860-1920) Paris, Musee d'Orsay, preserves at the Musee du Louvre / Bridgeman Images

ID: SYC4195618

Les Demoiselles Schwarz drawing (1889, watercolor on paper). Anders Zorn (1860-1920) Paris, Musee d'Orsay, preserves at the Musee du Louvre

Portrait of Alfred Beurdeley (1847-1919), art ebenist and collector - painting by Anders Zorn (1860-1920) Paris, musee d Orsay.
Portrait of Alfred Beurdeley (1847-1919), art ebenist and collector - painting by Anders Zorn (1860-1920) Paris, musee d Orsay.

SYC4195530: Portrait of Alfred Beurdeley (1847-1919), art ebenist and collector - painting by Anders Zorn (1860-1920) Paris, musee d Orsay. / Bridgeman Images

ID: SYC4195530

Portrait of Alfred Beurdeley (1847-1919), art ebenist and collector - painting by Anders Zorn (1860-1920) Paris, musee d Orsay.

Sleeping odalisque (1886, watercolor on paper). Stockholm, private collection. Anders Zorn (1860-1920)
Sleeping odalisque (1886, watercolor on paper). Stockholm, private collection. Anders Zorn (1860-1920)

SYC4195574: Sleeping odalisque (1886, watercolor on paper). Stockholm, private collection. Anders Zorn (1860-1920) / Bridgeman Images

ID: SYC4195574

Sleeping odalisque (1886, watercolor on paper). Stockholm, private collection. Anders Zorn (1860-1920)

Christian de Falbe with a Saint Bernard (1884, watercolour on paper). Private collection. Anders Zorn (1860-1920)
Christian de Falbe with a Saint Bernard (1884, watercolour on paper). Private collection. Anders Zorn (1860-1920)

SYC4195660: Christian de Falbe with a Saint Bernard (1884, watercolour on paper). Private collection. Anders Zorn (1860-1920) / Bridgeman Images

ID: SYC4195660

Christian de Falbe with a Saint Bernard (1884, watercolour on paper). Private collection. Anders Zorn (1860-1920)

Detail of: Summer holidays (1886, watercolor on paper). Stockholm, private collection. Anders Zorn (1860-1920)
Detail of: Summer holidays (1886, watercolor on paper). Stockholm, private collection. Anders Zorn (1860-1920)

SYC4195689: Detail of: Summer holidays (1886, watercolor on paper). Stockholm, private collection. Anders Zorn (1860-1920) / Bridgeman Images

ID: SYC4195689

Detail of: Summer holidays (1886, watercolor on paper). Stockholm, private collection. Anders Zorn (1860-1920)

The Bush of Spines - detail (1886, watercolor on paper).
The Bush of Spines - detail (1886, watercolor on paper).

SYC4195661: The Bush of Spines - detail (1886, watercolor on paper). / Bridgeman Images

ID: SYC4195661

The Bush of Spines - detail (1886, watercolor on paper).

Detail of: Summer holidays (1886, watercolor on paper). Stockholm, private collection. Anders Zorn (1860-1920)
Detail of: Summer holidays (1886, watercolor on paper). Stockholm, private collection. Anders Zorn (1860-1920)

SYC4195703: Detail of: Summer holidays (1886, watercolor on paper). Stockholm, private collection. Anders Zorn (1860-1920) / Bridgeman Images

ID: SYC4195703

Detail of: Summer holidays (1886, watercolor on paper). Stockholm, private collection. Anders Zorn (1860-1920)

Portrait of Dr. Charles Gouverne (1887). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.
Portrait of Dr. Charles Gouverne (1887). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.

SYC4195748: Portrait of Dr. Charles Gouverne (1887). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais. / Bridgeman Images

ID: SYC4195748

Portrait of Dr. Charles Gouverne (1887). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.

Portrait of Madame Marguerite Gouverne (1904). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
Portrait of Madame Marguerite Gouverne (1904). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

SYC4195792: Portrait of Madame Marguerite Gouverne (1904). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, PeuPalais. / Bridgeman Images

ID: SYC4195792

Portrait of Madame Marguerite Gouverne (1904). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

Nocturnal. Leman Lake - Souvenir of Villeneuve (1895). Alexandre Nozal (1852-1929). Pastel and watercolor on brown paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
Nocturnal. Leman Lake - Souvenir of Villeneuve (1895). Alexandre Nozal (1852-1929). Pastel and watercolor on brown paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

SYC4195844: Nocturnal. Leman Lake - Souvenir of Villeneuve (1895). Alexandre Nozal (1852-1929). Pastel and watercolor on brown paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais. / Bridgeman Images

ID: SYC4195844

Nocturnal. Leman Lake - Souvenir of Villeneuve (1895). Alexandre Nozal (1852-1929). Pastel and watercolor on brown paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

The sculptor Jean Paul Aube (1837-1916) and his son, Emile (detail) (1882). Paul Gauguin (1848-1903). Pastel on gray-beige paper glue on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
The sculptor Jean Paul Aube (1837-1916) and his son, Emile (detail) (1882). Paul Gauguin (1848-1903). Pastel on gray-beige paper glue on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

SYC4195915: The sculptor Jean Paul Aube (1837-1916) and his son, Emile (detail) (1882). Paul Gauguin (1848-1903). Pastel on gray-beige paper glue on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais. / Bridgeman Images

ID: SYC4195915

The sculptor Jean Paul Aube (1837-1916) and his son, Emile (detail) (1882). Paul Gauguin (1848-1903). Pastel on gray-beige paper glue on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

The sculptor Aube and his son, Emile (detail) (1882). Paul Gauguin (1848-1903). Pastel on gray-beige paper glue on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
The sculptor Aube and his son, Emile (detail) (1882). Paul Gauguin (1848-1903). Pastel on gray-beige paper glue on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

SYC4195918: The sculptor Aube and his son, Emile (detail) (1882). Paul Gauguin (1848-1903). Pastel on gray-beige paper glue on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais. / Bridgeman Images

ID: SYC4195918

The sculptor Aube and his son, Emile (detail) (1882). Paul Gauguin (1848-1903). Pastel on gray-beige paper glue on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

Return of the march (detail) (before 1907). Louise Breslau (1856-1927). Pastel on paper glue in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.
Return of the march (detail) (before 1907). Louise Breslau (1856-1927). Pastel on paper glue in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.

SYC4195728: Return of the march (detail) (before 1907). Louise Breslau (1856-1927). Pastel on paper glue in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais. / Bridgeman Images

ID: SYC4195728

Return of the march (detail) (before 1907). Louise Breslau (1856-1927). Pastel on paper glue in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.

Portrait of Mademoiselle Ehrler (detail) (1861). Leon Riesener (1808-1878). Pastel and charcoal on gray paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.
Portrait of Mademoiselle Ehrler (detail) (1861). Leon Riesener (1808-1878). Pastel and charcoal on gray paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.

SYC4195781: Portrait of Mademoiselle Ehrler (detail) (1861). Leon Riesener (1808-1878). Pastel and charcoal on gray paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais. / Bridgeman Images

ID: SYC4195781

Portrait of Mademoiselle Ehrler (detail) (1861). Leon Riesener (1808-1878). Pastel and charcoal on gray paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.

Little Dutch girl (detail) (before 1916). Guillaume-Roger (1867-1943). Pastel on paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, Petite Palais.
Little Dutch girl (detail) (before 1916). Guillaume-Roger (1867-1943). Pastel on paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, Petite Palais.

SYC4195822: Little Dutch girl (detail) (before 1916). Guillaume-Roger (1867-1943). Pastel on paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, Petite Palais. / Bridgeman Images

ID: SYC4195822

Little Dutch girl (detail) (before 1916). Guillaume-Roger (1867-1943). Pastel on paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, Petite Palais.

In the evening, Paris under the snow (1892). Iwill (known as Leon Clavel, 1850-1923). Pastel on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
In the evening, Paris under the snow (1892). Iwill (known as Leon Clavel, 1850-1923). Pastel on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

SYC4195899: In the evening, Paris under the snow (1892). Iwill (known as Leon Clavel, 1850-1923). Pastel on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais. / Bridgeman Images

ID: SYC4195899

In the evening, Paris under the snow (1892). Iwill (known as Leon Clavel, 1850-1923). Pastel on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

Advertising bookmark, representing a train, promoting the network of public railways serving Normandy, Brittany and South West. Annees 1910-1920 Private Collection
Advertising bookmark, representing a train, promoting the network of public railways serving Normandy, Brittany and South West. Annees 1910-1920 Private Collection

XEE4191031: Advertising bookmark, representing a train, promoting the network of public railways serving Normandy, Brittany and South West. Annees 1910-1920 Private Collection, Anonymous / Bridgeman Images

ID: XEE4191031

Advertising bookmark, representing a train, promoting the network of public railways serving Normandy, Brittany and South West. Annees 1910-1920 Private Collection

Anonymous

Daily life in Spain: a religious procession in a village, beg of 20th century (chromo)
Daily life in Spain: a religious procession in a village, beg of 20th century (chromo)

XEE4190648: Daily life in Spain: a religious procession in a village, beg of 20th century (chromo), French School, (20th century) / Bridgeman Images

ID: XEE4190648

Daily life in Spain: a religious procession in a village, beg of 20th century (chromo)

French School, (20th century)

Entomology: representation of a long-head grasshopper, insect series, beg of 20th century (chromo)
Entomology: representation of a long-head grasshopper, insect series, beg of 20th century (chromo)

XEE4190678: Entomology: representation of a long-head grasshopper, insect series, beg of 20th century (chromo) / Bridgeman Images

ID: XEE4190678

Entomology: representation of a long-head grasshopper, insect series, beg of 20th century (chromo)

Bridge architecture: representation of the aqueduct bridge of Roquefavour in the Bouches du Rhone, series on bridges, beg of 20th century (chromo)
Bridge architecture: representation of the aqueduct bridge of Roquefavour in the Bouches du Rhone, series on bridges, beg of 20th century (chromo)

XEE4190733: Bridge architecture: representation of the aqueduct bridge of Roquefavour in the Bouches du Rhone, series on bridges, beg of 20th century (chromo) / Bridgeman Images

ID: XEE4190733

Bridge architecture: representation of the aqueduct bridge of Roquefavour in the Bouches du Rhone, series on bridges, beg of 20th century (chromo)

The chateaux of the Loire: the chateau of Blois , beg of 20th century (chromo)
The chateaux of the Loire: the chateau of Blois , beg of 20th century (chromo)

XEE4190783: The chateaux of the Loire: the chateau of Blois , beg of 20th century (chromo) / Bridgeman Images

ID: XEE4190783

The chateaux of the Loire: the chateau of Blois , beg of 20th century (chromo)

Gringoire, Quasimodo, La Esmeralda, La Sachette and Phoebus. Main characters in the theatre piece “” Notre Dame de Paris””, drama by Paul Meurice (1912-1979) by Victor Hugo (1802-1885) represented at the Theatre des Nations. Engraving in “” Le Monde illustrious””, 1886. Private collection.
Gringoire, Quasimodo, La Esmeralda, La Sachette and Phoebus. Main characters in the theatre piece “” Notre Dame de Paris””, drama by Paul Meurice (1912-1979) by Victor Hugo (1802-1885) represented at the Theatre des Nations. Engraving in “” Le Monde illustrious””, 1886. Private collection.

XEE4191268: Gringoire, Quasimodo, La Esmeralda, La Sachette and Phoebus. Main characters in the theatre piece “” Notre Dame de Paris””, drama by Paul Meurice (1912-1979) by Victor Hugo (1802-1885) represented at the Theatre des Nations. Engraving in “” Le Monde illustrious””, 1886. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191268

Gringoire, Quasimodo, La Esmeralda, La Sachette and Phoebus. Main characters in the theatre piece “” Notre Dame de Paris””, drama by Paul Meurice (1912-1979) by Victor Hugo (1802-1885) represented at the Theatre des Nations. Engraving in “” Le Monde illustrious””, 1886. Private collection.

Unknown Artist, (19th century)

Scientific shows: living spectra. Cup of the room showing the device of experience with comedian fighting a ghost. Engraving in “” La Nature””, 1883. Private collection.
Scientific shows: living spectra. Cup of the room showing the device of experience with comedian fighting a ghost. Engraving in “” La Nature””, 1883. Private collection.

XEE4191336: Scientific shows: living spectra. Cup of the room showing the device of experience with comedian fighting a ghost. Engraving in “” La Nature””, 1883. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191336

Scientific shows: living spectra. Cup of the room showing the device of experience with comedian fighting a ghost. Engraving in “” La Nature””, 1883. Private collection.

Unknown Artist, (19th century)

The illustrious theatre: Otello (Othello), opera by Giuseppe Verdi (1813-1901), Italian composer, represented at the Scala Theatre in Milan on February 12. Engraving in “” Le monde illustrious””, 1887. Private collection.
The illustrious theatre: Otello (Othello), opera by Giuseppe Verdi (1813-1901), Italian composer, represented at the Scala Theatre in Milan on February 12. Engraving in “” Le monde illustrious””, 1887. Private collection.

XEE4191410: The illustrious theatre: Otello (Othello), opera by Giuseppe Verdi (1813-1901), Italian composer, represented at the Scala Theatre in Milan on February 12. Engraving in “” Le monde illustrious””, 1887. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191410

The illustrious theatre: Otello (Othello), opera by Giuseppe Verdi (1813-1901), Italian composer, represented at the Scala Theatre in Milan on February 12. Engraving in “” Le monde illustrious””, 1887. Private collection.

Unknown Artist, (19th century)

Illustration for the Tales written by Hans Christian Handersen, c.1945 (print)
Illustration for the Tales written by Hans Christian Handersen, c.1945 (print)

XEE4191220: Illustration for the Tales written by Hans Christian Handersen, c.1945 (print), Resignani, Angela (20th century) / Bridgeman Images

ID: XEE4191220

Illustration for the Tales written by Hans Christian Handersen, c.1945 (print)

Resignani, Angela (20th century)

Exercises performed by elephants at the Paris racecourse. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
Exercises performed by elephants at the Paris racecourse. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192110: Exercises performed by elephants at the Paris racecourse. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192110

Exercises performed by elephants at the Paris racecourse. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

French School, (19th century)

Legislative elections that saw the victory of the Left Bloc, one of the candidates, promised free bread to citizens after a tax increase, 1902 (print)
Legislative elections that saw the victory of the Left Bloc, one of the candidates, promised free bread to citizens after a tax increase, 1902 (print)

XEE4191882: Legislative elections that saw the victory of the Left Bloc, one of the candidates, promised free bread to citizens after a tax increase, 1902 (print) / Bridgeman Images

ID: XEE4191882

Legislative elections that saw the victory of the Left Bloc, one of the candidates, promised free bread to citizens after a tax increase, 1902 (print)

Winter game and sport: the Tobogan slide, roller coaster in Montreal Park, Canada. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1891.
Winter game and sport: the Tobogan slide, roller coaster in Montreal Park, Canada. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1891.

XEE4192198: Winter game and sport: the Tobogan slide, roller coaster in Montreal Park, Canada. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1891., French School, (19th century) / Bridgeman Images

ID: XEE4192198

Winter game and sport: the Tobogan slide, roller coaster in Montreal Park, Canada. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1891.

French School, (19th century)

Portrait of Lelio Orsi, Italian painter. engraving of 1859 in
Portrait of Lelio Orsi, Italian painter. engraving of 1859 in

XEE4191969: Portrait of Lelio Orsi, Italian painter. engraving of 1859 in "the galleries of Europe - Italy "by Armandaud., Anonymous / Bridgeman Images

ID: XEE4191969

Portrait of Lelio Orsi, Italian painter. engraving of 1859 in "the galleries of Europe - Italy "by Armandaud.

Anonymous

Portrait of the Marquis Anne Pierre Comte de Montesquiou Fezensac (Montesquiou-Fezensac, 1739-1798) general and French politician. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection
Portrait of the Marquis Anne Pierre Comte de Montesquiou Fezensac (Montesquiou-Fezensac, 1739-1798) general and French politician. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection

XEE4192385: Portrait of the Marquis Anne Pierre Comte de Montesquiou Fezensac (Montesquiou-Fezensac, 1739-1798) general and French politician. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection, French School, (19th century) / Bridgeman Images

ID: XEE4192385

Portrait of the Marquis Anne Pierre Comte de Montesquiou Fezensac (Montesquiou-Fezensac, 1739-1798) general and French politician. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection

French School, (19th century)

Chinese Compact: Magnetic statue of a Japanese magnetic car, in 658, this figure whose finger always points towards the south guided the courses and expeditions. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
Chinese Compact: Magnetic statue of a Japanese magnetic car, in 658, this figure whose finger always points towards the south guided the courses and expeditions. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192152: Chinese Compact: Magnetic statue of a Japanese magnetic car, in 658, this figure whose finger always points towards the south guided the courses and expeditions. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192152

Chinese Compact: Magnetic statue of a Japanese magnetic car, in 658, this figure whose finger always points towards the south guided the courses and expeditions. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

French School, (19th century)

Portrait of Louis Auguste Victor de Ghaisne de Bourmont (1773-1846), marechal of France. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection
Portrait of Louis Auguste Victor de Ghaisne de Bourmont (1773-1846), marechal of France. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection

XEE4192401: Portrait of Louis Auguste Victor de Ghaisne de Bourmont (1773-1846), marechal of France. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection, French School, (19th century) / Bridgeman Images

ID: XEE4192401

Portrait of Louis Auguste Victor de Ghaisne de Bourmont (1773-1846), marechal of France. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection

French School, (19th century)


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