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Gabriel Faure (1845-1924) to Louveciennes, with Ch Dettelbach and his wife, H Regnier de la Briere, Rose Caron and his sister in 1895
Gabriel Faure (1845-1924) to Louveciennes, with Ch Dettelbach and his wife, H Regnier de la Briere, Rose Caron and his sister in 1895

ORI4197533: Gabriel Faure (1845-1924) to Louveciennes, with Ch Dettelbach and his wife, H Regnier de la Briere, Rose Caron and his sister in 1895 / Bridgeman Images

ID: ORI4197533

Gabriel Faure (1845-1924) to Louveciennes, with Ch Dettelbach and his wife, H Regnier de la Briere, Rose Caron and his sister in 1895

Children dance round with alphabetical letters with an elf body. Chromolithography of English origin in “” Father Christmas Alphabet”” Back cover. Editons A. Capendu, Paris, circa 1900. Dim: 315 x 255 mm. Private Collection
Children dance round with alphabetical letters with an elf body. Chromolithography of English origin in “” Father Christmas Alphabet”” Back cover. Editons A. Capendu, Paris, circa 1900. Dim: 315 x 255 mm. Private Collection

DUV4197624: Children dance round with alphabetical letters with an elf body. Chromolithography of English origin in “” Father Christmas Alphabet”” Back cover. Editons A. Capendu, Paris, circa 1900. Dim: 315 x 255 mm. Private Collection / Bridgeman Images

ID: DUV4197624

Children dance round with alphabetical letters with an elf body. Chromolithography of English origin in “” Father Christmas Alphabet”” Back cover. Editons A. Capendu, Paris, circa 1900. Dim: 315 x 255 mm. Private Collection

Illustrations of the letters W and X. A family around a Christmas tree. Chromolithography of English origin in “” Father Christmas Alphabet”” Back cover. Editons A. Capendu, Paris, circa 1900. Dim: 315 x 255 mm. Private Collection
Illustrations of the letters W and X. A family around a Christmas tree. Chromolithography of English origin in “” Father Christmas Alphabet”” Back cover. Editons A. Capendu, Paris, circa 1900. Dim: 315 x 255 mm. Private Collection

DUV4197654: Illustrations of the letters W and X. A family around a Christmas tree. Chromolithography of English origin in “” Father Christmas Alphabet”” Back cover. Editons A. Capendu, Paris, circa 1900. Dim: 315 x 255 mm. Private Collection / Bridgeman Images

ID: DUV4197654

Illustrations of the letters W and X. A family around a Christmas tree. Chromolithography of English origin in “” Father Christmas Alphabet”” Back cover. Editons A. Capendu, Paris, circa 1900. Dim: 315 x 255 mm. Private Collection

Letter C as a canoer. Alphabet of monkeys.1863 (Epinal print)
Letter C as a canoer. Alphabet of monkeys.1863 (Epinal print)

DUV4197791: Letter C as a canoer. Alphabet of monkeys.1863 (Epinal print), French School, (19th century) / Bridgeman Images

ID: DUV4197791

Letter C as a canoer. Alphabet of monkeys.1863 (Epinal print)

French School, (19th century)

R as round. Alphabet on the theme of games. Chromolithography of B. Sirven, late 19th century. Dim: 12x8,5cm
R as round. Alphabet on the theme of games. Chromolithography of B. Sirven, late 19th century. Dim: 12x8,5cm

DUV4198129: R as round. Alphabet on the theme of games. Chromolithography of B. Sirven, late 19th century. Dim: 12x8,5cm, French School, (19th century) / Bridgeman Images

ID: DUV4198129

R as round. Alphabet on the theme of games. Chromolithography of B. Sirven, late 19th century. Dim: 12x8,5cm

French School, (19th century)

N as Nurse. Alphabet illustrates each letter representing a child in a suit. Chromolithography of H. Battle, late 19th century. Abeedaire consists of 25 advertising images. Dim: 10x7cm
N as Nurse. Alphabet illustrates each letter representing a child in a suit. Chromolithography of H. Battle, late 19th century. Abeedaire consists of 25 advertising images. Dim: 10x7cm

DUV4198209: N as Nurse. Alphabet illustrates each letter representing a child in a suit. Chromolithography of H. Battle, late 19th century. Abeedaire consists of 25 advertising images. Dim: 10x7cm, French School, (19th century) / Bridgeman Images

ID: DUV4198209

N as Nurse. Alphabet illustrates each letter representing a child in a suit. Chromolithography of H. Battle, late 19th century. Abeedaire consists of 25 advertising images. Dim: 10x7cm

French School, (19th century)

Letter L: 13th century lettrine, Lapon, Lyon, Liseron, Lyre. Alphabet illustrates a character in traditional costume, a famous monument, a plant and an object or an insect. Edition the Parisian lithograph, end of the 19th century. Series of 25 advertising chromos for the Dijon manufacture of Biscuits Pernot, created in 1869
Letter L: 13th century lettrine, Lapon, Lyon, Liseron, Lyre. Alphabet illustrates a character in traditional costume, a famous monument, a plant and an object or an insect. Edition the Parisian lithograph, end of the 19th century. Series of 25 advertising chromos for the Dijon manufacture of Biscuits Pernot, created in 1869

DUV4198347: Letter L: 13th century lettrine, Lapon, Lyon, Liseron, Lyre. Alphabet illustrates a character in traditional costume, a famous monument, a plant and an object or an insect. Edition the Parisian lithograph, end of the 19th century. Series of 25 advertising chromos for the Dijon manufacture of Biscuits Pernot, created in 1869 / Bridgeman Images

ID: DUV4198347

Letter L: 13th century lettrine, Lapon, Lyon, Liseron, Lyre. Alphabet illustrates a character in traditional costume, a famous monument, a plant and an object or an insect. Edition the Parisian lithograph, end of the 19th century. Series of 25 advertising chromos for the Dijon manufacture of Biscuits Pernot, created in 1869

Letter E: Italian Renaissance, Scottish, Hermitage, Eglantines, Equerre. Alphabet illustrates a character in traditional costume, a famous monument, a plant and an object or an insect. Edition the Parisian lithograph, end of the 19th century. Series of 25 advertising chromos for the Dijon manufacture of Biscuits Pernot, created in 1869
Letter E: Italian Renaissance, Scottish, Hermitage, Eglantines, Equerre. Alphabet illustrates a character in traditional costume, a famous monument, a plant and an object or an insect. Edition the Parisian lithograph, end of the 19th century. Series of 25 advertising chromos for the Dijon manufacture of Biscuits Pernot, created in 1869

DUV4198377: Letter E: Italian Renaissance, Scottish, Hermitage, Eglantines, Equerre. Alphabet illustrates a character in traditional costume, a famous monument, a plant and an object or an insect. Edition the Parisian lithograph, end of the 19th century. Series of 25 advertising chromos for the Dijon manufacture of Biscuits Pernot, created in 1869 / Bridgeman Images

ID: DUV4198377

Letter E: Italian Renaissance, Scottish, Hermitage, Eglantines, Equerre. Alphabet illustrates a character in traditional costume, a famous monument, a plant and an object or an insect. Edition the Parisian lithograph, end of the 19th century. Series of 25 advertising chromos for the Dijon manufacture of Biscuits Pernot, created in 1869

Lion hunting scene. Syllabar alphabet of hunts Imaging of Epinal, 19th century. Chromolithography
Lion hunting scene. Syllabar alphabet of hunts Imaging of Epinal, 19th century. Chromolithography

DUV4198400: Lion hunting scene. Syllabar alphabet of hunts Imaging of Epinal, 19th century. Chromolithography, French School, (19th century) / Bridgeman Images

ID: DUV4198400

Lion hunting scene. Syllabar alphabet of hunts Imaging of Epinal, 19th century. Chromolithography

French School, (19th century)

Letter A as Arab fiancee and B as Bavarian young woman. Women's alphabet . Series of 12 images. Liebig advertising, 19th century (chromolithograph)
Letter A as Arab fiancee and B as Bavarian young woman. Women's alphabet . Series of 12 images. Liebig advertising, 19th century (chromolithograph)

DUV4198439: Letter A as Arab fiancee and B as Bavarian young woman. Women's alphabet . Series of 12 images. Liebig advertising, 19th century (chromolithograph), French School, (19th century) / Bridgeman Images

ID: DUV4198439

Letter A as Arab fiancee and B as Bavarian young woman. Women's alphabet . Series of 12 images. Liebig advertising, 19th century (chromolithograph)

French School, (19th century)

Ceiling of the former Dominican Convent (hospital) (1664). 17th century painting. Dinan, Cotes d'Armor (Cotes-d'Armor) (22).
Ceiling of the former Dominican Convent (hospital) (1664). 17th century painting. Dinan, Cotes d'Armor (Cotes-d'Armor) (22).

LSE4196348: Ceiling of the former Dominican Convent (hospital) (1664). 17th century painting. Dinan, Cotes d'Armor (Cotes-d'Armor) (22)., French School, (17th century) / Bridgeman Images

ID: LSE4196348

Ceiling of the former Dominican Convent (hospital) (1664). 17th century painting. Dinan, Cotes d'Armor (Cotes-d'Armor) (22).

French School, (17th century)

The Chair of the Church of Notre Dame du bon Secours in Nancy (France).
The Chair of the Church of Notre Dame du bon Secours in Nancy (France).

LSE4196475: The Chair of the Church of Notre Dame du bon Secours in Nancy (France)., French School, (17th century) / Bridgeman Images

ID: LSE4196475

The Chair of the Church of Notre Dame du bon Secours in Nancy (France).

French School, (17th century)

Christian de Falbe with a Saint Bernard - Detail (1884, watercolor on paper). Private collection. Anders Zorn (1860-1920)
Christian de Falbe with a Saint Bernard - Detail (1884, watercolor on paper). Private collection. Anders Zorn (1860-1920)

SYC4195648: Christian de Falbe with a Saint Bernard - Detail (1884, watercolor on paper). Private collection. Anders Zorn (1860-1920) / Bridgeman Images

ID: SYC4195648

Christian de Falbe with a Saint Bernard - Detail (1884, watercolor on paper). Private collection. Anders Zorn (1860-1920)

Baroque architecture: Frescoes of the vaults of the Abbey Church of Saint Maurice (1709-1727). Inside view. Ebersmunster, Bas Rhin (Bas-Rhin) (67).
Baroque architecture: Frescoes of the vaults of the Abbey Church of Saint Maurice (1709-1727). Inside view. Ebersmunster, Bas Rhin (Bas-Rhin) (67).

LSE4196513: Baroque architecture: Frescoes of the vaults of the Abbey Church of Saint Maurice (1709-1727). Inside view. Ebersmunster, Bas Rhin (Bas-Rhin) (67)., Thumb, Peter (1681-1766) / Bridgeman Images

ID: LSE4196513

Baroque architecture: Frescoes of the vaults of the Abbey Church of Saint Maurice (1709-1727). Inside view. Ebersmunster, Bas Rhin (Bas-Rhin) (67).

Thumb, Peter (1681-1766)

Portrait of Dr. Charles Gouverne (detail) (1887). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.
Portrait of Dr. Charles Gouverne (detail) (1887). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.

SYC4195759: Portrait of Dr. Charles Gouverne (detail) (1887). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais. / Bridgeman Images

ID: SYC4195759

Portrait of Dr. Charles Gouverne (detail) (1887). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, Pepetit Palais.

Portrait of Yvonne Gouverne (1890-1982) (1893). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
Portrait of Yvonne Gouverne (1890-1982) (1893). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

SYC4195803: Portrait of Yvonne Gouverne (1890-1982) (1893). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, PeuPalais. / Bridgeman Images

ID: SYC4195803

Portrait of Yvonne Gouverne (1890-1982) (1893). Charles Leandre (1862-1934). Pastel on paper. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

Sheaves Binders (detail) (1897). Leon Lhermitte (1844-1925). Pastel on gray paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
Sheaves Binders (detail) (1897). Leon Lhermitte (1844-1925). Pastel on gray paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

SYC4195872: Sheaves Binders (detail) (1897). Leon Lhermitte (1844-1925). Pastel on gray paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais. / Bridgeman Images

ID: SYC4195872

Sheaves Binders (detail) (1897). Leon Lhermitte (1844-1925). Pastel on gray paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

Detail of the manuscript dedication on the passage everywhere of: The sculptor Jean Paul Aube and his son, Emile (detail) (1882). Paul Gauguin (1848-1903). Pastel on gray-beige paper glue on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
Detail of the manuscript dedication on the passage everywhere of: The sculptor Jean Paul Aube and his son, Emile (detail) (1882). Paul Gauguin (1848-1903). Pastel on gray-beige paper glue on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

SYC4195927: Detail of the manuscript dedication on the passage everywhere of: The sculptor Jean Paul Aube and his son, Emile (detail) (1882). Paul Gauguin (1848-1903). Pastel on gray-beige paper glue on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais. / Bridgeman Images

ID: SYC4195927

Detail of the manuscript dedication on the passage everywhere of: The sculptor Jean Paul Aube and his son, Emile (detail) (1882). Paul Gauguin (1848-1903). Pastel on gray-beige paper glue on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

Baroque architecture: Hotel Dieu (1741-1748) by architect Jacques Germain (Jacques-Germain) Soufflot (1713-1780). Internal view. Lyon, Rhone (69).
Baroque architecture: Hotel Dieu (1741-1748) by architect Jacques Germain (Jacques-Germain) Soufflot (1713-1780). Internal view. Lyon, Rhone (69).

LSE4196656: Baroque architecture: Hotel Dieu (1741-1748) by architect Jacques Germain (Jacques-Germain) Soufflot (1713-1780). Internal view. Lyon, Rhone (69)., Soufflot, Jacques Germain (1713-80) / Bridgeman Images

ID: LSE4196656

Baroque architecture: Hotel Dieu (1741-1748) by architect Jacques Germain (Jacques-Germain) Soufflot (1713-1780). Internal view. Lyon, Rhone (69).

Soufflot, Jacques Germain (1713-80)

La Grande Cote a Royan (detail) (no date). Iwill (known as Leon Clavel, 1850-1923). Pastel on paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
La Grande Cote a Royan (detail) (no date). Iwill (known as Leon Clavel, 1850-1923). Pastel on paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

SYC4195987: La Grande Cote a Royan (detail) (no date). Iwill (known as Leon Clavel, 1850-1923). Pastel on paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais. / Bridgeman Images

ID: SYC4195987

La Grande Cote a Royan (detail) (no date). Iwill (known as Leon Clavel, 1850-1923). Pastel on paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.

Interior of the City Hall of Dijon: Gabriel staircase.
Interior of the City Hall of Dijon: Gabriel staircase.

LSE4196320: Interior of the City Hall of Dijon: Gabriel staircase., French School, (17th century) / Bridgeman Images

ID: LSE4196320

Interior of the City Hall of Dijon: Gabriel staircase.

French School, (17th century)

Self-portrait in red (1915, oil on canvas).
Self-portrait in red (1915, oil on canvas).

SYC4195571: Self-portrait in red (1915, oil on canvas)., Zorn, Anders Leonard (1860-1920) / Bridgeman Images

ID: SYC4195571

Self-portrait in red (1915, oil on canvas).

Zorn, Anders Leonard (1860-1920)

Altarpiece of the Chapel of Corpus Domini - Cathedrale Sainte Marie Majeure, Toulon
Altarpiece of the Chapel of Corpus Domini - Cathedrale Sainte Marie Majeure, Toulon

LSE4196437: Altarpiece of the Chapel of Corpus Domini - Cathedrale Sainte Marie Majeure, Toulon, Veyrier, Christophe (1637-89) / Bridgeman Images

ID: LSE4196437

Altarpiece of the Chapel of Corpus Domini - Cathedrale Sainte Marie Majeure, Toulon

Veyrier, Christophe (1637-89)

Baroque architecture: octagonal rotunda of the Chapel (1691). Chateau des Rochers. Sevigne, Maine et Loire (Maine-et-Loire) (49).
Baroque architecture: octagonal rotunda of the Chapel (1691). Chateau des Rochers. Sevigne, Maine et Loire (Maine-et-Loire) (49).

LSE4196476: Baroque architecture: octagonal rotunda of the Chapel (1691). Chateau des Rochers. Sevigne, Maine et Loire (Maine-et-Loire) (49)., French School, (17th century) / Bridgeman Images

ID: LSE4196476

Baroque architecture: octagonal rotunda of the Chapel (1691). Chateau des Rochers. Sevigne, Maine et Loire (Maine-et-Loire) (49).

French School, (17th century)

My workshop in London - detail (1883, oil on wood). Mora, Zornmuseet. Anders Zorn (1860-1920)
My workshop in London - detail (1883, oil on wood). Mora, Zornmuseet. Anders Zorn (1860-1920)

SYC4195688: My workshop in London - detail (1883, oil on wood). Mora, Zornmuseet. Anders Zorn (1860-1920) / Bridgeman Images

ID: SYC4195688

My workshop in London - detail (1883, oil on wood). Mora, Zornmuseet. Anders Zorn (1860-1920)

Letter B like Baladin. Small encyclopedic alphabet, c.1860 (Epinal print)
Letter B like Baladin. Small encyclopedic alphabet, c.1860 (Epinal print)

DUV4200777: Letter B like Baladin. Small encyclopedic alphabet, c.1860 (Epinal print), French School, (19th century) / Bridgeman Images

ID: DUV4200777

Letter B like Baladin. Small encyclopedic alphabet, c.1860 (Epinal print)

French School, (19th century)

Frontispice of the small encyclopedic alphabet, c.1860 (Epinal print)
Frontispice of the small encyclopedic alphabet, c.1860 (Epinal print)

DUV4200879: Frontispice of the small encyclopedic alphabet, c.1860 (Epinal print), French School, (19th century) / Bridgeman Images

ID: DUV4200879

Frontispice of the small encyclopedic alphabet, c.1860 (Epinal print)

French School, (19th century)

Frontispice of Alphabet de l'Empire Français ou Alphabet La France et ses colonies, 1945 (engraving)
Frontispice of Alphabet de l'Empire Français ou Alphabet La France et ses colonies, 1945 (engraving)

DUV4200903: Frontispice of Alphabet de l'Empire Français ou Alphabet La France et ses colonies, 1945 (engraving), Baudouin, P. (fl.1945) / Bridgeman Images

ID: DUV4200903

Frontispice of Alphabet de l'Empire Français ou Alphabet La France et ses colonies, 1945 (engraving)

Baudouin, P. (fl.1945)

Letter J:
Letter J:

DUV4200949: Letter J: "Justice, you protect us", in My Alphabet, c.1942 (engraving), F. Touzet (fl. c.1942) / Bridgeman Images

ID: DUV4200949

Letter J: "Justice, you protect us", in My Alphabet, c.1942 (engraving)

F. Touzet (fl. c.1942)

Letter N:
Letter N:

DUV4200966: Letter N: "Don't forget your glorious past", in My Alphabet, c.1942 (engraving), F. Touzet (fl. c.1942) / Bridgeman Images

ID: DUV4200966

Letter N: "Don't forget your glorious past", in My Alphabet, c.1942 (engraving)

F. Touzet (fl. c.1942)

Letter R:
Letter R:

DUV4200986: Letter R: "Let's join the leader", in My Alphabet, c.1942 (engraving), F. Touzet (fl. c.1942) / Bridgeman Images

ID: DUV4200986

Letter R: "Let's join the leader", in My Alphabet, c.1942 (engraving)

F. Touzet (fl. c.1942)

Reception of the President of the Republic Adolphe Thiers at the Palais de l'Elysee. Engraving in “” L'Univers illustrious””, 1872. Private collection.
Reception of the President of the Republic Adolphe Thiers at the Palais de l'Elysee. Engraving in “” L'Univers illustrious””, 1872. Private collection.

XEE4192228: Reception of the President of the Republic Adolphe Thiers at the Palais de l'Elysee. Engraving in “” L'Univers illustrious””, 1872. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4192228

Reception of the President of the Republic Adolphe Thiers at the Palais de l'Elysee. Engraving in “” L'Univers illustrious””, 1872. Private collection.

Unknown Artist, (19th century)

Portrait de Henri-Paul (Henri Paul) Nenot (1853-1934), architecte francais, qui realisa la Nouvelle Sorbonne de Paris. Gravure in
Portrait de Henri-Paul (Henri Paul) Nenot (1853-1934), architecte francais, qui realisa la Nouvelle Sorbonne de Paris. Gravure in

XEE4192533: Portrait de Henri-Paul (Henri Paul) Nenot (1853-1934), architecte francais, qui realisa la Nouvelle Sorbonne de Paris. Gravure in ""Le Monde Illustre"", 1er aout 1885., French School, (19th century) / Bridgeman Images

ID: XEE4192533

Portrait de Henri-Paul (Henri Paul) Nenot (1853-1934), architecte francais, qui realisa la Nouvelle Sorbonne de Paris. Gravure in ""Le Monde Illustre"", 1er aout 1885.

French School, (19th century)

Portrait of Francois Claude Amour, Marquis de Bouille (1739-1800), French general. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection
Portrait of Francois Claude Amour, Marquis de Bouille (1739-1800), French general. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection

XEE4192388: Portrait of Francois Claude Amour, Marquis de Bouille (1739-1800), French general. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection, French School, (19th century) / Bridgeman Images

ID: XEE4192388

Portrait of Francois Claude Amour, Marquis de Bouille (1739-1800), French general. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection

French School, (19th century)

Don Juan discussed with Anne of Austria (1549-1580) his possible union with Prince Don Carlos (1545-1568), son of King Philip II of Spain (1527-1598). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).
Don Juan discussed with Anne of Austria (1549-1580) his possible union with Prince Don Carlos (1545-1568), son of King Philip II of Spain (1527-1598). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

XEE4192677: Don Juan discussed with Anne of Austria (1549-1580) his possible union with Prince Don Carlos (1545-1568), son of King Philip II of Spain (1527-1598). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

ID: XEE4192677

Don Juan discussed with Anne of Austria (1549-1580) his possible union with Prince Don Carlos (1545-1568), son of King Philip II of Spain (1527-1598). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

French School, (19th century)

The King of France Louis XIII (1601-1643) is caught with migraine when he speaks to Queen Anne of Austria (1601-1666). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).
The King of France Louis XIII (1601-1643) is caught with migraine when he speaks to Queen Anne of Austria (1601-1666). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

XEE4192649: The King of France Louis XIII (1601-1643) is caught with migraine when he speaks to Queen Anne of Austria (1601-1666). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

ID: XEE4192649

The King of France Louis XIII (1601-1643) is caught with migraine when he speaks to Queen Anne of Austria (1601-1666). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

French School, (19th century)


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