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2533406 Search Results

Tinn waterfall, 1902
Tinn waterfall, 1902

OVR6352505: Tinn waterfall, 1902, Holmboe, Thorolf (1866-1935) / Bridgeman Images

Purple
Purple

AGK6352795: Purple, Kuper, Mary / Bridgeman Images

Yellow
Yellow

AGK6352796: Yellow, Kuper, Mary / Bridgeman Images

Young Lion in the Grass, 2020, (oil on canvas)
Young Lion in the Grass, 2020, (oil on canvas)

MAD6352832: Young Lion in the Grass, 2020, (oil on canvas), Adlington, Mark / Bridgeman Images

The Hunting Instructors, 2019, (conté and pastel on paper)
The Hunting Instructors, 2019, (conté and pastel on paper)

MAD6352840: The Hunting Instructors, 2019, (conté and pastel on paper), Adlington, Mark / Bridgeman Images

Yogi Lioness, 2019, (conté and pastel on paper)
Yogi Lioness, 2019, (conté and pastel on paper)

MAD6352843: Yogi Lioness, 2019, (conté and pastel on paper), Adlington, Mark / Bridgeman Images

Celadon and Amelia, 1766 (etching & engraving in ink on laid paper)
Celadon and Amelia, 1766 (etching & engraving in ink on laid paper)

DTR6353160: Celadon and Amelia, 1766 (etching & engraving in ink on laid paper), Woollett, William (1735-85) / Bridgeman Images

Lookout, 2019, (conté and pastel on paper)
Lookout, 2019, (conté and pastel on paper)

MAD6353183: Lookout, 2019, (conté and pastel on paper), Adlington, Mark / Bridgeman Images

Fierce cub, Masai Mara, 2019, (conté and pastel on paper)
Fierce cub, Masai Mara, 2019, (conté and pastel on paper)

MAD6353184: Fierce cub, Masai Mara, 2019, (conté and pastel on paper), Adlington, Mark / Bridgeman Images

The Christ we meet in Holy Communion is as if at the 'doorway' of three areas, 2003 (w/c on paper)
The Christ we meet in Holy Communion is as if at the 'doorway' of three areas, 2003 (w/c on paper)

WNG6344701: The Christ we meet in Holy Communion is as if at the 'doorway' of three areas, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Christ who welcomes us to the tabernacle is also waiting to welcome us into Heaven - if we have repented of our sins, 2003 (w/c on paper)
Christ who welcomes us to the tabernacle is also waiting to welcome us into Heaven - if we have repented of our sins, 2003 (w/c on paper)

WNG6344713: Christ who welcomes us to the tabernacle is also waiting to welcome us into Heaven - if we have repented of our sins, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Christ saw, from the Cross, a crowd of onlookers: the puzzled, the curious, the hostile and the sympathetic, 2003 (w/c on paper)
Christ saw, from the Cross, a crowd of onlookers: the puzzled, the curious, the hostile and the sympathetic, 2003 (w/c on paper)

WNG6344719: Christ saw, from the Cross, a crowd of onlookers: the puzzled, the curious, the hostile and the sympathetic, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

In God's sight, little babies who die - before birth or after - are like shooting stars which flare briefly and then fall from the sky, 2002 (w/c on paper)
In God's sight, little babies who die - before birth or after - are like shooting stars which flare briefly and then fall from the sky, 2002 (w/c on paper)

WNG6344733: In God's sight, little babies who die - before birth or after - are like shooting stars which flare briefly and then fall from the sky, 2002 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Through union with the Father, through Christ, in the Spirit, and in confident prayer, it is as though the 'doors' to Heaven open, 2002 (w/c on paper)
Through union with the Father, through Christ, in the Spirit, and in confident prayer, it is as though the 'doors' to Heaven open, 2002 (w/c on paper)

WNG6344741: Through union with the Father, through Christ, in the Spirit, and in confident prayer, it is as though the 'doors' to Heaven open, 2002 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

After reflecting on my day I can 'strain' out faults and failings, by contrition, as I once 'sieved out' stones from a flowerbed, 2002 (w/c on paper)
After reflecting on my day I can 'strain' out faults and failings, by contrition, as I once 'sieved out' stones from a flowerbed, 2002 (w/c on paper)

WNG6344746: After reflecting on my day I can 'strain' out faults and failings, by contrition, as I once 'sieved out' stones from a flowerbed, 2002 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Our prayer is like a lifeline let down from Heaven to help those lost and trapped in difficulties, 2002 (w/c on paper)
Our prayer is like a lifeline let down from Heaven to help those lost and trapped in difficulties, 2002 (w/c on paper)

WNG6344749: Our prayer is like a lifeline let down from Heaven to help those lost and trapped in difficulties, 2002 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Christ's expression of love ascends from the altar; yet the same love was expressed before time began, and will continue eternally, 2003 (w/c on paper)
Christ's expression of love ascends from the altar; yet the same love was expressed before time began, and will continue eternally, 2003 (w/c on paper)

WNG6344753: Christ's expression of love ascends from the altar; yet the same love was expressed before time began, and will continue eternally, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Our Blessed Lady appeared in a Radiant Light, close by us, delighting in our devotion as we all prayed the rosary, in May, 2003 (w/c on paper)
Our Blessed Lady appeared in a Radiant Light, close by us, delighting in our devotion as we all prayed the rosary, in May, 2003 (w/c on paper)

WNG6344754: Our Blessed Lady appeared in a Radiant Light, close by us, delighting in our devotion as we all prayed the rosary, in May, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

The Blessed Trinity can be seen as a Triple Light with Christ the God-man at the centre, 2003 (w/c on paper)
The Blessed Trinity can be seen as a Triple Light with Christ the God-man at the centre, 2003 (w/c on paper)

WNG6344755: The Blessed Trinity can be seen as a Triple Light with Christ the God-man at the centre, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

By representations, in our sanctuaries, of Heavenly realities, people find it easier to pray: hearts and minds are raised to God, 2003 (w/c on paper)
By representations, in our sanctuaries, of Heavenly realities, people find it easier to pray: hearts and minds are raised to God, 2003 (w/c on paper)

WNG6344758: By representations, in our sanctuaries, of Heavenly realities, people find it easier to pray: hearts and minds are raised to God, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

God holds in existence all things, and all people, including those who question His existence, 2003 (w/c on paper)
God holds in existence all things, and all people, including those who question His existence, 2003 (w/c on paper)

WNG6344761: God holds in existence all things, and all people, including those who question His existence, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

In private prayer we can arise in spirit to be united with the Communion of Saints in Heaven in praise of the Father, through Christ, 2003 (w/c on paper)
In private prayer we can arise in spirit to be united with the Communion of Saints in Heaven in praise of the Father, through Christ, 2003 (w/c on paper)

WNG6344764: In private prayer we can arise in spirit to be united with the Communion of Saints in Heaven in praise of the Father, through Christ, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

God's inner life of self-giving is mirrored by those who love Him, and who themselves reach out in love to others, 2003 (oil on board)
God's inner life of self-giving is mirrored by those who love Him, and who themselves reach out in love to others, 2003 (oil on board)

WNG6344765: God's inner life of self-giving is mirrored by those who love Him, and who themselves reach out in love to others, 2003 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

A person who refuses to forgive is like someone who piles up furniture against the 'door' of his own soul. God's light can not come in. That man makes a tomb of his own soul, 2003 (w/c on paper)
A person who refuses to forgive is like someone who piles up furniture against the 'door' of his own soul. God's light can not come in. That man makes a tomb of his own soul, 2003 (w/c on paper)

WNG6344769: A person who refuses to forgive is like someone who piles up furniture against the 'door' of his own soul. God's light can not come in. That man makes a tomb of his own soul, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

The Pope is so important that even if a large group of Bishops were to break away from him they would not undermine the essential unity of the Church or her teaching office, 2003 (w/c on paper)
The Pope is so important that even if a large group of Bishops were to break away from him they would not undermine the essential unity of the Church or her teaching office, 2003 (w/c on paper)

WNG6344776: The Pope is so important that even if a large group of Bishops were to break away from him they would not undermine the essential unity of the Church or her teaching office, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Portrait of Zhong Kui, 1794 (ink and w/c)
Portrait of Zhong Kui, 1794 (ink and w/c)

SEM6347894: Portrait of Zhong Kui, 1794 (ink and w/c), Yang Bin (18th century) / Bridgeman Images

Rooster by a Rock, late 18th or early 19th
century (Hanging scroll: ink and colour on silk, wood)
Rooster by a Rock, late 18th or early 19th
century (Hanging scroll: ink and colour on silk, wood)

SEM6347907: Rooster by a Rock, late 18th or early 19th century (Hanging scroll: ink and colour on silk, wood), Japanese School, (18th-19th century) / Bridgeman Images

Mural painting: Descent of twenty-five
bodhisattvas (attendants of Amitabha triad),
18th century (Triptych hanging scrolls: ink, colour and gold
leaf on paper, brass)
Mural painting: Descent of twenty-five
bodhisattvas (attendants of Amitabha triad),
18th century (Triptych hanging scrolls: ink, colour and gold
leaf on paper, brass)

SEM6347911: Mural painting: Descent of twenty-five bodhisattvas (attendants of Amitabha triad), 18th century (Triptych hanging scrolls: ink, colour and gold leaf on paper, brass), Japanese School, (18th century) / Bridgeman Images

Man Leaning on His Spade, 19th century (Print)
Man Leaning on His Spade, 19th century (Print)

SEM6347938: Man Leaning on His Spade, 19th century (Print), Millet, Jean Francois I (1642-79) / Bridgeman Images

Kakemono, early 19th century
Kakemono, early 19th century

SEM6347962: Kakemono, early 19th century, Japanese School, (19th century) / Bridgeman Images

Crows, early 17th century (Pair of six panel screens; ink and gold on
paper)
Crows, early 17th century (Pair of six panel screens; ink and gold on
paper)

SEM6347973: Crows, early 17th century (Pair of six panel screens; ink and gold on paper), Japanese School, (17th century) / Bridgeman Images

Crows, early 17th century (Pair of six panel screens; ink and gold on
paper)
Crows, early 17th century (Pair of six panel screens; ink and gold on
paper)

SEM6347974: Crows, early 17th century (Pair of six panel screens; ink and gold on paper), Japanese School, (17th century) / Bridgeman Images

Fish in a Lake, 19th century (ink and colour on paper)
Fish in a Lake, 19th century (ink and colour on paper)

SEM6347990: Fish in a Lake, 19th century (ink and colour on paper), Laian (19th cnetury) / Bridgeman Images

Landscape, late 18th to early 19th century
Landscape, late 18th to early 19th century

SEM6348036: Landscape, late 18th to early 19th century, Japanese School, (18th-19th century) / Bridgeman Images

Firemen Marching to their Festival,
1615-1868 (ink on paper)
Firemen Marching to their Festival,
1615-1868 (ink on paper)

SEM6348052: Firemen Marching to their Festival, 1615-1868 (ink on paper), Hokusai, Katsushika (1760-1849) / Bridgeman Images

Mustard Seed Garden, 1796-1820 (wood block)
Mustard Seed Garden, 1796-1820 (wood block)

SEM6348056: Mustard Seed Garden, 1796-1820 (wood block), Chang Ki (19th century) / Bridgeman Images


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