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Excerpt from L'Histoire de France elementaire by Ernest Lavisse, Librairie Armand Colin 1922 - Les conquetes de la France: conquete de l'Algerie - Africa, Algerie francaise, flag, colony, colonies, colonialism, colonial war, settlers, arabic and negre -
Excerpt from L'Histoire de France elementaire by Ernest Lavisse, Librairie Armand Colin 1922 - Les conquetes de la France: conquete de l'Algerie - Africa, Algerie francaise, flag, colony, colonies, colonialism, colonial war, settlers, arabic and negre -

PCT4292932: Excerpt from L'Histoire de France elementaire by Ernest Lavisse, Librairie Armand Colin 1922 - Les conquetes de la France: conquete de l'Algerie - Africa, Algerie francaise, flag, colony, colonies, colonialism, colonial war, settlers, arabic and negre - / Bridgeman Images

ID: PCT4292932

Excerpt from L'Histoire de France elementaire by Ernest Lavisse, Librairie Armand Colin 1922 - Les conquetes de la France: conquete de l'Algerie - Africa, Algerie francaise, flag, colony, colonies, colonialism, colonial war, settlers, arabic and negre -

The tragedy of the aerostation on May 8, 1824: the misfortune Thomas Harris (d. 1824), an English naval officer, jumps into the void out of the balloon's naccelle to stop the fall of the aerostat and save his companion - engraving from Louis Figuier's “Wonders of Science”, 1868 -
The tragedy of the aerostation on May 8, 1824: the misfortune Thomas Harris (d. 1824), an English naval officer, jumps into the void out of the balloon's naccelle to stop the fall of the aerostat and save his companion - engraving from Louis Figuier's “Wonders of Science”, 1868 -

PCT4292909: The tragedy of the aerostation on May 8, 1824: the misfortune Thomas Harris (d. 1824), an English naval officer, jumps into the void out of the balloon's naccelle to stop the fall of the aerostat and save his companion - engraving from Louis Figuier's “Wonders of Science”, 1868 - / Bridgeman Images

ID: PCT4292909

The tragedy of the aerostation on May 8, 1824: the misfortune Thomas Harris (d. 1824), an English naval officer, jumps into the void out of the balloon's naccelle to stop the fall of the aerostat and save his companion - engraving from Louis Figuier's “Wonders of Science”, 1868 -

Lake and glaciers of Sylans, near Nantua (Ain): recollection of the ice - postcard beginning 20th century, photograph by F. Vialatte, Oyonnax -
Lake and glaciers of Sylans, near Nantua (Ain): recollection of the ice - postcard beginning 20th century, photograph by F. Vialatte, Oyonnax -

PCT4293174: Lake and glaciers of Sylans, near Nantua (Ain): recollection of the ice - postcard beginning 20th century, photograph by F. Vialatte, Oyonnax - / Bridgeman Images

ID: PCT4293174

Lake and glaciers of Sylans, near Nantua (Ain): recollection of the ice - postcard beginning 20th century, photograph by F. Vialatte, Oyonnax -

Naples, Italy (Napoli, Italia): general view of the city and bay (Gulf of Naples) and the harbour in the background - coastline, Tyrrhenian Sea, construction, town planning, church domes, cruise ship - Photo Patrice Cartier -
Naples, Italy (Napoli, Italia): general view of the city and bay (Gulf of Naples) and the harbour in the background - coastline, Tyrrhenian Sea, construction, town planning, church domes, cruise ship - Photo Patrice Cartier -

PCT4292584: Naples, Italy (Napoli, Italia): general view of the city and bay (Gulf of Naples) and the harbour in the background - coastline, Tyrrhenian Sea, construction, town planning, church domes, cruise ship - Photo Patrice Cartier -, Cartier, Patrice / Bridgeman Images

ID: PCT4292584

Naples, Italy (Napoli, Italia): general view of the city and bay (Gulf of Naples) and the harbour in the background - coastline, Tyrrhenian Sea, construction, town planning, church domes, cruise ship - Photo Patrice Cartier -

Cartier, Patrice

Sylans lake and glaciers near Nantua (Ain) - The glacier activity began in 1865. The ice was stored in a wooden cabin. Beginning in 1890 industrialization began by the glacier society of Paris with the construction of hard-wall buildings. The appearance of artificial ice, as well as the warming of the climate, making the collection of ice less important and then the outbreak of the First World War, caused the declination of exploitation which ceased definitively during the winter of 1916-1917 - postcard beginning 20th century, photograph of F. Vialatte, Oyonnax - see also GUT8419 and GUT8420 -
Sylans lake and glaciers near Nantua (Ain) - The glacier activity began in 1865. The ice was stored in a wooden cabin. Beginning in 1890 industrialization began by the glacier society of Paris with the construction of hard-wall buildings. The appearance of artificial ice, as well as the warming of the climate, making the collection of ice less important and then the outbreak of the First World War, caused the declination of exploitation which ceased definitively during the winter of 1916-1917 - postcard beginning 20th century, photograph of F. Vialatte, Oyonnax - see also GUT8419 and GUT8420 -

PCT4293220: Sylans lake and glaciers near Nantua (Ain) - The glacier activity began in 1865. The ice was stored in a wooden cabin. Beginning in 1890 industrialization began by the glacier society of Paris with the construction of hard-wall buildings. The appearance of artificial ice, as well as the warming of the climate, making the collection of ice less important and then the outbreak of the First World War, caused the declination of exploitation which ceased definitively during the winter of 1916-1917 - postcard beginning 20th century, photograph of F. Vialatte, Oyonnax - see also GUT8419 and GUT8420 - / Bridgeman Images

ID: PCT4293220

Sylans lake and glaciers near Nantua (Ain) - The glacier activity began in 1865. The ice was stored in a wooden cabin. Beginning in 1890 industrialization began by the glacier society of Paris with the construction of hard-wall buildings. The appearance of artificial ice, as well as the warming of the climate, making the collection of ice less important and then the outbreak of the First World War, caused the declination of exploitation which ceased definitively during the winter of 1916-1917 - postcard beginning 20th century, photograph of F. Vialatte, Oyonnax - see also GUT8419 and GUT8420 -

Lebanon: view of the site of Byblos (Goubla, Jebal, Gebal, Jbeil): Roman colonnade of the 3rd century and castle of the Croises, built in the 12th century on Phenician and Roman foundations, using the stones of ancient ruins -
Lebanon: view of the site of Byblos (Goubla, Jebal, Gebal, Jbeil): Roman colonnade of the 3rd century and castle of the Croises, built in the 12th century on Phenician and Roman foundations, using the stones of ancient ruins -

PCT4293316: Lebanon: view of the site of Byblos (Goubla, Jebal, Gebal, Jbeil): Roman colonnade of the 3rd century and castle of the Croises, built in the 12th century on Phenician and Roman foundations, using the stones of ancient ruins -, Cartier, Patrice / Bridgeman Images

ID: PCT4293316

Lebanon: view of the site of Byblos (Goubla, Jebal, Gebal, Jbeil): Roman colonnade of the 3rd century and castle of the Croises, built in the 12th century on Phenician and Roman foundations, using the stones of ancient ruins -

Cartier, Patrice

woman wearing a nice pair of horns on her head; “” don't cry, there are many like you! “” - postcard fantasy debut 20th century - wearing a pair of horns - cuckold - horned - corny - deceived woman - adultere couple - cocufidele - infidelite - see also GUT5978 -
woman wearing a nice pair of horns on her head; “” don't cry, there are many like you! “” - postcard fantasy debut 20th century - wearing a pair of horns - cuckold - horned - corny - deceived woman - adultere couple - cocufidele - infidelite - see also GUT5978 -

PCT4293263: woman wearing a nice pair of horns on her head; “” don't cry, there are many like you! “” - postcard fantasy debut 20th century - wearing a pair of horns - cuckold - horned - corny - deceived woman - adultere couple - cocufidele - infidelite - see also GUT5978 - / Bridgeman Images

ID: PCT4293263

woman wearing a nice pair of horns on her head; “” don't cry, there are many like you! “” - postcard fantasy debut 20th century - wearing a pair of horns - cuckold - horned - corny - deceived woman - adultere couple - cocufidele - infidelite - see also GUT5978 -

Naples, Italy (Napoli, Italia): street-art (street art) - forbidden sense sign make-up and graffiti on a wall - tag, look - Photo Patrice Cartier -
Naples, Italy (Napoli, Italia): street-art (street art) - forbidden sense sign make-up and graffiti on a wall - tag, look - Photo Patrice Cartier -

PCT4292542: Naples, Italy (Napoli, Italia): street-art (street art) - forbidden sense sign make-up and graffiti on a wall - tag, look - Photo Patrice Cartier -, Cartier, Patrice / Bridgeman Images

ID: PCT4292542

Naples, Italy (Napoli, Italia): street-art (street art) - forbidden sense sign make-up and graffiti on a wall - tag, look - Photo Patrice Cartier -

Cartier, Patrice

Naples, Italy (Napoli, Italia): chiostro maiolicato, monastero di Santa Chiara - majolic cloitre (of faience) of the monastery of Santa Chiara, mid-18th century (architect Domenico Antonio Vaccaro, 1678-1745) - majolic with mythological scenes, landscape and polychrome maritime, due to ceramists Donato and Giato Massa - Photo Patrice Cartier -
Naples, Italy (Napoli, Italia): chiostro maiolicato, monastero di Santa Chiara - majolic cloitre (of faience) of the monastery of Santa Chiara, mid-18th century (architect Domenico Antonio Vaccaro, 1678-1745) - majolic with mythological scenes, landscape and polychrome maritime, due to ceramists Donato and Giato Massa - Photo Patrice Cartier -

PCT4292705: Naples, Italy (Napoli, Italia): chiostro maiolicato, monastero di Santa Chiara - majolic cloitre (of faience) of the monastery of Santa Chiara, mid-18th century (architect Domenico Antonio Vaccaro, 1678-1745) - majolic with mythological scenes, landscape and polychrome maritime, due to ceramists Donato and Giato Massa - Photo Patrice Cartier -, Cartier, Patrice / Bridgeman Images

ID: PCT4292705

Naples, Italy (Napoli, Italia): chiostro maiolicato, monastero di Santa Chiara - majolic cloitre (of faience) of the monastery of Santa Chiara, mid-18th century (architect Domenico Antonio Vaccaro, 1678-1745) - majolic with mythological scenes, landscape and polychrome maritime, due to ceramists Donato and Giato Massa - Photo Patrice Cartier -

Cartier, Patrice

Tour de France cyclist 2016: passage of the peloton of runners in the vineyards of Minervois in front of the village of Caunes-Minervois - Languedoc Midi-Pyrenees, Occitanie - cycling, sport, bike - photo Patrice Cartier - see Tour de France in 1936 (80 years ago): GUT4440 a 4442 -
Tour de France cyclist 2016: passage of the peloton of runners in the vineyards of Minervois in front of the village of Caunes-Minervois - Languedoc Midi-Pyrenees, Occitanie - cycling, sport, bike - photo Patrice Cartier - see Tour de France in 1936 (80 years ago): GUT4440 a 4442 -

PCT4291881: Tour de France cyclist 2016: passage of the peloton of runners in the vineyards of Minervois in front of the village of Caunes-Minervois - Languedoc Midi-Pyrenees, Occitanie - cycling, sport, bike - photo Patrice Cartier - see Tour de France in 1936 (80 years ago): GUT4440 a 4442 -, Cartier, Patrice / Bridgeman Images

ID: PCT4291881

Tour de France cyclist 2016: passage of the peloton of runners in the vineyards of Minervois in front of the village of Caunes-Minervois - Languedoc Midi-Pyrenees, Occitanie - cycling, sport, bike - photo Patrice Cartier - see Tour de France in 1936 (80 years ago): GUT4440 a 4442 -

Cartier, Patrice

Art 1900 - modern style (modern-style): classic box, padded interior with young woman sitting in the foreground in a lustful position - utilitarian and decorative object -photo Patrice Cartier -
Art 1900 - modern style (modern-style): classic box, padded interior with young woman sitting in the foreground in a lustful position - utilitarian and decorative object -photo Patrice Cartier -

PCT4291930: Art 1900 - modern style (modern-style): classic box, padded interior with young woman sitting in the foreground in a lustful position - utilitarian and decorative object -photo Patrice Cartier - / Bridgeman Images

ID: PCT4291930

Art 1900 - modern style (modern-style): classic box, padded interior with young woman sitting in the foreground in a lustful position - utilitarian and decorative object -photo Patrice Cartier -

Reclaim (advertisement) for the electric car Electromotion, manufactured at the beginning of the 20th century in Paris (avenue Montaigne, Champs-Elysees) - this advertising postcard sent in 1902 shows a car with an electric motor passing another car with a thermal motor, whose passengers are ashixies by the smoke degagee by the combustion of fuel. In the foreground, a car carcass burned by a fire in the fuel tank - air pollution, ozone layer, greenhouse effect, fossil energy and “clean”, ecology -
Reclaim (advertisement) for the electric car Electromotion, manufactured at the beginning of the 20th century in Paris (avenue Montaigne, Champs-Elysees) - this advertising postcard sent in 1902 shows a car with an electric motor passing another car with a thermal motor, whose passengers are ashixies by the smoke degagee by the combustion of fuel. In the foreground, a car carcass burned by a fire in the fuel tank - air pollution, ozone layer, greenhouse effect, fossil energy and “clean”, ecology -

PCT4292973: Reclaim (advertisement) for the electric car Electromotion, manufactured at the beginning of the 20th century in Paris (avenue Montaigne, Champs-Elysees) - this advertising postcard sent in 1902 shows a car with an electric motor passing another car with a thermal motor, whose passengers are ashixies by the smoke degagee by the combustion of fuel. In the foreground, a car carcass burned by a fire in the fuel tank - air pollution, ozone layer, greenhouse effect, fossil energy and “clean”, ecology - / Bridgeman Images

ID: PCT4292973

Reclaim (advertisement) for the electric car Electromotion, manufactured at the beginning of the 20th century in Paris (avenue Montaigne, Champs-Elysees) - this advertising postcard sent in 1902 shows a car with an electric motor passing another car with a thermal motor, whose passengers are ashixies by the smoke degagee by the combustion of fuel. In the foreground, a car carcass burned by a fire in the fuel tank - air pollution, ozone layer, greenhouse effect, fossil energy and “clean”, ecology -

The pines of Rome and part of the arches of the section of the Acqua Claudia called aqueduct of Neron in the park of Mount Palatine (Monte Palatino, Roma, Italia) - in the background, the dome of the Basilica San Giovani e Paolo - Italy, tree, pine - Photo Patrice Cartier -
The pines of Rome and part of the arches of the section of the Acqua Claudia called aqueduct of Neron in the park of Mount Palatine (Monte Palatino, Roma, Italia) - in the background, the dome of the Basilica San Giovani e Paolo - Italy, tree, pine - Photo Patrice Cartier -

PCT4293362: The pines of Rome and part of the arches of the section of the Acqua Claudia called aqueduct of Neron in the park of Mount Palatine (Monte Palatino, Roma, Italia) - in the background, the dome of the Basilica San Giovani e Paolo - Italy, tree, pine - Photo Patrice Cartier -, Cartier, Patrice / Bridgeman Images

ID: PCT4293362

The pines of Rome and part of the arches of the section of the Acqua Claudia called aqueduct of Neron in the park of Mount Palatine (Monte Palatino, Roma, Italia) - in the background, the dome of the Basilica San Giovani e Paolo - Italy, tree, pine - Photo Patrice Cartier -

Cartier, Patrice

Lebanon: view of the site of Byblos (Goubla, Jebal, Gebal, Jbeil) - in the foreground, the stands of the Roman theatre (218 AD), in the background: Roman colonnade 3rd century and castle of the Croises, built in the 12th century on Phenician and Roman foundations, using the stones of ancient ruins -
Lebanon: view of the site of Byblos (Goubla, Jebal, Gebal, Jbeil) - in the foreground, the stands of the Roman theatre (218 AD), in the background: Roman colonnade 3rd century and castle of the Croises, built in the 12th century on Phenician and Roman foundations, using the stones of ancient ruins -

PCT4293327: Lebanon: view of the site of Byblos (Goubla, Jebal, Gebal, Jbeil) - in the foreground, the stands of the Roman theatre (218 AD), in the background: Roman colonnade 3rd century and castle of the Croises, built in the 12th century on Phenician and Roman foundations, using the stones of ancient ruins -, Cartier, Patrice / Bridgeman Images

ID: PCT4293327

Lebanon: view of the site of Byblos (Goubla, Jebal, Gebal, Jbeil) - in the foreground, the stands of the Roman theatre (218 AD), in the background: Roman colonnade 3rd century and castle of the Croises, built in the 12th century on Phenician and Roman foundations, using the stones of ancient ruins -

Cartier, Patrice

Fair monster: the woman with three heads, 19th century (engraving)
Fair monster: the woman with three heads, 19th century (engraving)

PCT4293421: Fair monster: the woman with three heads, 19th century (engraving), Tilly, E. A. (fl.c.1890) / Bridgeman Images

ID: PCT4293421

Fair monster: the woman with three heads, 19th century (engraving)

Tilly, E. A. (fl.c.1890)

Herculanum (Herculaneum, Ercolano, Italia, Italy) - thermopolium marble counter - tavern (street restaurant, fast food) - Photo Patrice Cartier -
Herculanum (Herculaneum, Ercolano, Italia, Italy) - thermopolium marble counter - tavern (street restaurant, fast food) - Photo Patrice Cartier -

PCT4293479: Herculanum (Herculaneum, Ercolano, Italia, Italy) - thermopolium marble counter - tavern (street restaurant, fast food) - Photo Patrice Cartier -, Roman / Bridgeman Images

ID: PCT4293479

Herculanum (Herculaneum, Ercolano, Italia, Italy) - thermopolium marble counter - tavern (street restaurant, fast food) - Photo Patrice Cartier -

Roman

Naples, Italy (Napoli, Italia): chiostro maiolicato, monastero di Santa Chiara - majolic cloister (of faience) of the monastery of Santa Chiara, mid-18th century - majolic decorees of mythological scenes, countryside and polychrome maritime scenes, due to the ceramists Donato and Giuseppe Massa - Neapolitan landscape - Photo Patrice Cartier
Naples, Italy (Napoli, Italia): chiostro maiolicato, monastero di Santa Chiara - majolic cloister (of faience) of the monastery of Santa Chiara, mid-18th century - majolic decorees of mythological scenes, countryside and polychrome maritime scenes, due to the ceramists Donato and Giuseppe Massa - Neapolitan landscape - Photo Patrice Cartier

PCT4292682: Naples, Italy (Napoli, Italia): chiostro maiolicato, monastero di Santa Chiara - majolic cloister (of faience) of the monastery of Santa Chiara, mid-18th century - majolic decorees of mythological scenes, countryside and polychrome maritime scenes, due to the ceramists Donato and Giuseppe Massa - Neapolitan landscape - Photo Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4292682

Naples, Italy (Napoli, Italia): chiostro maiolicato, monastero di Santa Chiara - majolic cloister (of faience) of the monastery of Santa Chiara, mid-18th century - majolic decorees of mythological scenes, countryside and polychrome maritime scenes, due to the ceramists Donato and Giuseppe Massa - Neapolitan landscape - Photo Patrice Cartier

Cartier, Patrice

Ischia Island in the Gulf of Naples, Tyrrhenian Sea, Phlegreenne Islands, view from the Aragonese castle (Italy, Italia, Golfo di Napoli, Castello Aragonese) - photo Patrice Cartier -
Ischia Island in the Gulf of Naples, Tyrrhenian Sea, Phlegreenne Islands, view from the Aragonese castle (Italy, Italia, Golfo di Napoli, Castello Aragonese) - photo Patrice Cartier -

PCT4292721: Ischia Island in the Gulf of Naples, Tyrrhenian Sea, Phlegreenne Islands, view from the Aragonese castle (Italy, Italia, Golfo di Napoli, Castello Aragonese) - photo Patrice Cartier -, Cartier, Patrice / Bridgeman Images

ID: PCT4292721

Ischia Island in the Gulf of Naples, Tyrrhenian Sea, Phlegreenne Islands, view from the Aragonese castle (Italy, Italia, Golfo di Napoli, Castello Aragonese) - photo Patrice Cartier -

Cartier, Patrice

Grenoble (Isere, Dauphine): the city center at the beginning of the 20th century - Hotel de Savoie, avenue de la gare et d'Alsace-Lorraine - animation, tram, carriage, carriage, chain des Alpes - postcard sent in 1918-
Grenoble (Isere, Dauphine): the city center at the beginning of the 20th century - Hotel de Savoie, avenue de la gare et d'Alsace-Lorraine - animation, tram, carriage, carriage, chain des Alpes - postcard sent in 1918-

PCT4292800: Grenoble (Isere, Dauphine): the city center at the beginning of the 20th century - Hotel de Savoie, avenue de la gare et d'Alsace-Lorraine - animation, tram, carriage, carriage, chain des Alpes - postcard sent in 1918- / Bridgeman Images

ID: PCT4292800

Grenoble (Isere, Dauphine): the city center at the beginning of the 20th century - Hotel de Savoie, avenue de la gare et d'Alsace-Lorraine - animation, tram, carriage, carriage, chain des Alpes - postcard sent in 1918-

Flood of the Isere in 1859 in Grenoble - floods, rescue of inhabitants in a cart, Place Sainte-Claire (St. Clair) on 3 November - engraving of the Illustrous World -
Flood of the Isere in 1859 in Grenoble - floods, rescue of inhabitants in a cart, Place Sainte-Claire (St. Clair) on 3 November - engraving of the Illustrous World -

PCT4292866: Flood of the Isere in 1859 in Grenoble - floods, rescue of inhabitants in a cart, Place Sainte-Claire (St. Clair) on 3 November - engraving of the Illustrous World - / Bridgeman Images

ID: PCT4292866

Flood of the Isere in 1859 in Grenoble - floods, rescue of inhabitants in a cart, Place Sainte-Claire (St. Clair) on 3 November - engraving of the Illustrous World -

Horace Wells proceed with the extraction of a tooth in front of his students in 1844 (engraving)
Horace Wells proceed with the extraction of a tooth in front of his students in 1844 (engraving)

PCT4292926: Horace Wells proceed with the extraction of a tooth in front of his students in 1844 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: PCT4292926

Horace Wells proceed with the extraction of a tooth in front of his students in 1844 (engraving)

Unknown Artist, (19th century)

Herculanum (Herculaneum, Ercolano, Italia, Italy) - bas-relief: character lengthening, decoration detail - roman art - Photo Patrice Cartier -
Herculanum (Herculaneum, Ercolano, Italia, Italy) - bas-relief: character lengthening, decoration detail - roman art - Photo Patrice Cartier -

PCT4293502: Herculanum (Herculaneum, Ercolano, Italia, Italy) - bas-relief: character lengthening, decoration detail - roman art - Photo Patrice Cartier -, Roman / Bridgeman Images

ID: PCT4293502

Herculanum (Herculaneum, Ercolano, Italia, Italy) - bas-relief: character lengthening, decoration detail - roman art - Photo Patrice Cartier -

Roman

Manuel Valls, former Minister of the Interior and former Prime Minister, candidate for the President of the French Republic 2017, in a meeting in Villemoustaussou, near Carcassonne (11, Aude) on 12/12/2016 - candidate presidential election - primary of the left - Socialist Party - Photo Patrice Cartier -
Manuel Valls, former Minister of the Interior and former Prime Minister, candidate for the President of the French Republic 2017, in a meeting in Villemoustaussou, near Carcassonne (11, Aude) on 12/12/2016 - candidate presidential election - primary of the left - Socialist Party - Photo Patrice Cartier -

PCT4293783: Manuel Valls, former Minister of the Interior and former Prime Minister, candidate for the President of the French Republic 2017, in a meeting in Villemoustaussou, near Carcassonne (11, Aude) on 12/12/2016 - candidate presidential election - primary of the left - Socialist Party - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4293783

Manuel Valls, former Minister of the Interior and former Prime Minister, candidate for the President of the French Republic 2017, in a meeting in Villemoustaussou, near Carcassonne (11, Aude) on 12/12/2016 - candidate presidential election - primary of the left - Socialist Party - Photo Patrice Cartier -

The bank of the Saone, Trevoux, 18th century (engraving)
The bank of the Saone, Trevoux, 18th century (engraving)

PCT4293193: The bank of the Saone, Trevoux, 18th century (engraving) / Bridgeman Images

ID: PCT4293193

The bank of the Saone, Trevoux, 18th century (engraving)

Lebanon: view of the site of Byblos (Goubla, Jebal, Gebal, Jbeil): the temple of Baalat, 2800 BC and Roman colonnade of the 3rd century.
Lebanon: view of the site of Byblos (Goubla, Jebal, Gebal, Jbeil): the temple of Baalat, 2800 BC and Roman colonnade of the 3rd century.

PCT4293310: Lebanon: view of the site of Byblos (Goubla, Jebal, Gebal, Jbeil): the temple of Baalat, 2800 BC and Roman colonnade of the 3rd century., Cartier, Patrice / Bridgeman Images

ID: PCT4293310

Lebanon: view of the site of Byblos (Goubla, Jebal, Gebal, Jbeil): the temple of Baalat, 2800 BC and Roman colonnade of the 3rd century.

Cartier, Patrice

Syria: the city of Aleppo in the 19th century - citadel, minarets, cemetery - engraving of the Universal Geography of Malte-Brun (Brown Malta), mid-nineteenth century -
Syria: the city of Aleppo in the 19th century - citadel, minarets, cemetery - engraving of the Universal Geography of Malte-Brun (Brown Malta), mid-nineteenth century -

PCT4293422: Syria: the city of Aleppo in the 19th century - citadel, minarets, cemetery - engraving of the Universal Geography of Malte-Brun (Brown Malta), mid-nineteenth century - / Bridgeman Images

ID: PCT4293422

Syria: the city of Aleppo in the 19th century - citadel, minarets, cemetery - engraving of the Universal Geography of Malte-Brun (Brown Malta), mid-nineteenth century -

Portrait of Don Bernardo de Iriarte (1735-1814). Painting by Francisco de Goya (1746-1828), oil on canvas, 1797. Spanish art, 18th century. Strasbourg Museum of Fine Arts.
Portrait of Don Bernardo de Iriarte (1735-1814). Painting by Francisco de Goya (1746-1828), oil on canvas, 1797. Spanish art, 18th century. Strasbourg Museum of Fine Arts.

LSE4315753: Portrait of Don Bernardo de Iriarte (1735-1814). Painting by Francisco de Goya (1746-1828), oil on canvas, 1797. Spanish art, 18th century. Strasbourg Museum of Fine Arts., Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: LSE4315753

Portrait of Don Bernardo de Iriarte (1735-1814). Painting by Francisco de Goya (1746-1828), oil on canvas, 1797. Spanish art, 18th century. Strasbourg Museum of Fine Arts.

Goya y Lucientes, Francisco Jose de (1746-1828)

Bacchus and Ariane. Painting by Gottlieb Schick (1776-1812), Oil On Canvas, 1810. German Art, 19th century. Staatsgalerie, Stuttgart (Germany).
Bacchus and Ariane. Painting by Gottlieb Schick (1776-1812), Oil On Canvas, 1810. German Art, 19th century. Staatsgalerie, Stuttgart (Germany).

LSE4315841: Bacchus and Ariane. Painting by Gottlieb Schick (1776-1812), Oil On Canvas, 1810. German Art, 19th century. Staatsgalerie, Stuttgart (Germany)., Schick, Gottlieb (1776-1812) / Bridgeman Images

ID: LSE4315841

Bacchus and Ariane. Painting by Gottlieb Schick (1776-1812), Oil On Canvas, 1810. German Art, 19th century. Staatsgalerie, Stuttgart (Germany).

Schick, Gottlieb (1776-1812)

Portrait of a group of young people from the countryside, some with band instrument. At the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of a group of young people from the countryside, some with band instrument. At the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316114: Portrait of a group of young people from the countryside, some with band instrument. At the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316114

Portrait of a group of young people from the countryside, some with band instrument. At the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

Portrait of the cochers, with a hitch in the courtyard of the Parisian home of Count Ducos. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of the cochers, with a hitch in the courtyard of the Parisian home of Count Ducos. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316162: Portrait of the cochers, with a hitch in the courtyard of the Parisian home of Count Ducos. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316162

Portrait of the cochers, with a hitch in the courtyard of the Parisian home of Count Ducos. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

Alexander the Great (356-323 BC) fighting the Persians - Plaque d'azulejos de Lisbon, ca. 1745 (Alexander fighting the Persians, tiles, Lisbon, circa 1745) - National Museum of Azulejos, Lisbon (Portugal) Â
Alexander the Great (356-323 BC) fighting the Persians - Plaque d'azulejos de Lisbon, ca. 1745 (Alexander fighting the Persians, tiles, Lisbon, circa 1745) - National Museum of Azulejos, Lisbon (Portugal) Â

LSE4317200: Alexander the Great (356-323 BC) fighting the Persians - Plaque d'azulejos de Lisbon, ca. 1745 (Alexander fighting the Persians, tiles, Lisbon, circa 1745) - National Museum of Azulejos, Lisbon (Portugal) Â, Portuguese School, (18th century) / Bridgeman Images

ID: LSE4317200

Alexander the Great (356-323 BC) fighting the Persians - Plaque d'azulejos de Lisbon, ca. 1745 (Alexander fighting the Persians, tiles, Lisbon, circa 1745) - National Museum of Azulejos, Lisbon (Portugal) Â

Portuguese School, (18th century)

Geometric schema of a pentagon, Tin glazed earthenware, Lisbon second half of 18th century - Musee national des azulejos, Lisbon (Portugal)
Geometric schema of a pentagon, Tin glazed earthenware, Lisbon second half of 18th century - Musee national des azulejos, Lisbon (Portugal)

LSE4317213: Geometric schema of a pentagon, Tin glazed earthenware, Lisbon second half of 18th century - Musee national des azulejos, Lisbon (Portugal), Portuguese School, (18th century) / Bridgeman Images

ID: LSE4317213

Geometric schema of a pentagon, Tin glazed earthenware, Lisbon second half of 18th century - Musee national des azulejos, Lisbon (Portugal)

Portuguese School, (18th century)

Statues in the Buddha eden garden, a Bombarral (Portugal), 21st century - (Sculptures in the Buddha Eden Garden in Bombarral, Portugal) -
Statues in the Buddha eden garden, a Bombarral (Portugal), 21st century - (Sculptures in the Buddha Eden Garden in Bombarral, Portugal) -

LSE4317259: Statues in the Buddha eden garden, a Bombarral (Portugal), 21st century - (Sculptures in the Buddha Eden Garden in Bombarral, Portugal) -, Unknown Artist / Bridgeman Images

ID: LSE4317259

Statues in the Buddha eden garden, a Bombarral (Portugal), 21st century - (Sculptures in the Buddha Eden Garden in Bombarral, Portugal) -

Unknown Artist

Angels carrying the Holy Shroud - Painting from the workshop of Frere Carlos (Flemish painter active between 1517-1544), oil on wood, circa 1520-1530 (Angels with the Saint Face, by the workshop of Friar Carlos, oil on panel, circa 1520-1530) - Musee d'Evora (Portugal)
Angels carrying the Holy Shroud - Painting from the workshop of Frere Carlos (Flemish painter active between 1517-1544), oil on wood, circa 1520-1530 (Angels with the Saint Face, by the workshop of Friar Carlos, oil on panel, circa 1520-1530) - Musee d'Evora (Portugal)

LSE4317311: Angels carrying the Holy Shroud - Painting from the workshop of Frere Carlos (Flemish painter active between 1517-1544), oil on wood, circa 1520-1530 (Angels with the Saint Face, by the workshop of Friar Carlos, oil on panel, circa 1520-1530) - Musee d'Evora (Portugal), Carlos, Taborda Vlame Frey, (fl.1517-40) / Bridgeman Images

ID: LSE4317311

Angels carrying the Holy Shroud - Painting from the workshop of Frere Carlos (Flemish painter active between 1517-1544), oil on wood, circa 1520-1530 (Angels with the Saint Face, by the workshop of Friar Carlos, oil on panel, circa 1520-1530) - Musee d'Evora (Portugal)

Carlos, Taborda Vlame Frey, (fl.1517-40)

Assignat de fifty livres - Engraving by Pierre Didot (1760-1853), ink on paper, 1790 - Musee de l'imprimerie Lyon, France -
Assignat de fifty livres - Engraving by Pierre Didot (1760-1853), ink on paper, 1790 - Musee de l'imprimerie Lyon, France -

LSE4317372: Assignat de fifty livres - Engraving by Pierre Didot (1760-1853), ink on paper, 1790 - Musee de l'imprimerie Lyon, France -, Didot, Pierre (1760-1853) / Bridgeman Images

ID: LSE4317372

Assignat de fifty livres - Engraving by Pierre Didot (1760-1853), ink on paper, 1790 - Musee de l'imprimerie Lyon, France -

Didot, Pierre (1760-1853)

Portrait of two women, two cures and a child. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of two women, two cures and a child. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316266: Portrait of two women, two cures and a child. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316266

Portrait of two women, two cures and a child. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)


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