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Toulouse, Cathedrale Saint-Etienne (Saint-Etienne). Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Houghton, Mifflin & Co, 1900 (French titles: “” Voyage en France” and “” Un petit tour en Languedoc”).
Toulouse, Cathedrale Saint-Etienne (Saint-Etienne). Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Houghton, Mifflin & Co, 1900 (French titles: “” Voyage en France” and “” Un petit tour en Languedoc”).

PCT4272222: Toulouse, Cathedrale Saint-Etienne (Saint-Etienne). Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Houghton, Mifflin & Co, 1900 (French titles: “” Voyage en France” and “” Un petit tour en Languedoc”)., Pennell, Joseph (1858-1926) / Bridgeman Images

ID: PCT4272222

Toulouse, Cathedrale Saint-Etienne (Saint-Etienne). Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Houghton, Mifflin & Co, 1900 (French titles: “” Voyage en France” and “” Un petit tour en Languedoc”).

Pennell, Joseph (1858-1926)

Tarascon: two mythical figures from Provence, Tartarin and Tarasque. The first, a character immortalized by Alphonse Daudet, the second monster tames according to the legend of Saint Martha. Engraving late 19th century illustrating an episode of Daudet's book “Port Tarascon””: Tartarin, accompanied by Bravida, fetches the Tarasque to embark it on the boat Turlu-Panpan (Turlu Panpan) departing for Port-Tarascon (Port Tarascon).
Tarascon: two mythical figures from Provence, Tartarin and Tarasque. The first, a character immortalized by Alphonse Daudet, the second monster tames according to the legend of Saint Martha. Engraving late 19th century illustrating an episode of Daudet's book “Port Tarascon””: Tartarin, accompanied by Bravida, fetches the Tarasque to embark it on the boat Turlu-Panpan (Turlu Panpan) departing for Port-Tarascon (Port Tarascon).

PCT4272292: Tarascon: two mythical figures from Provence, Tartarin and Tarasque. The first, a character immortalized by Alphonse Daudet, the second monster tames according to the legend of Saint Martha. Engraving late 19th century illustrating an episode of Daudet's book “Port Tarascon””: Tartarin, accompanied by Bravida, fetches the Tarasque to embark it on the boat Turlu-Panpan (Turlu Panpan) departing for Port-Tarascon (Port Tarascon). / Bridgeman Images

ID: PCT4272292

Tarascon: two mythical figures from Provence, Tartarin and Tarasque. The first, a character immortalized by Alphonse Daudet, the second monster tames according to the legend of Saint Martha. Engraving late 19th century illustrating an episode of Daudet's book “Port Tarascon””: Tartarin, accompanied by Bravida, fetches the Tarasque to embark it on the boat Turlu-Panpan (Turlu Panpan) departing for Port-Tarascon (Port Tarascon).

Nimes (Gard, Languedoc): the Roman arenes in 1888 (engraving)
Nimes (Gard, Languedoc): the Roman arenes in 1888 (engraving)

PCT4272334: Nimes (Gard, Languedoc): the Roman arenes in 1888 (engraving), Pennell, Joseph (1858-1926) / Bridgeman Images

ID: PCT4272334

Nimes (Gard, Languedoc): the Roman arenes in 1888 (engraving)

Pennell, Joseph (1858-1926)

Engraving illustrating the novel by Emile Zola “La terre””, edition Marpon and Flammarion 1889. Illustration by Georges Antoine Rochegrosse (1859-1938). A peasant calls “Jesus Christ” “whipping his daughter (nicknamed The Fearful) because he has just caught her “” having a good time””” with boys.
Engraving illustrating the novel by Emile Zola “La terre””, edition Marpon and Flammarion 1889. Illustration by Georges Antoine Rochegrosse (1859-1938). A peasant calls “Jesus Christ” “whipping his daughter (nicknamed The Fearful) because he has just caught her “” having a good time””” with boys.

PCT4272353: Engraving illustrating the novel by Emile Zola “La terre””, edition Marpon and Flammarion 1889. Illustration by Georges Antoine Rochegrosse (1859-1938). A peasant calls “Jesus Christ” “whipping his daughter (nicknamed The Fearful) because he has just caught her “” having a good time””” with boys. / Bridgeman Images

ID: PCT4272353

Engraving illustrating the novel by Emile Zola “La terre””, edition Marpon and Flammarion 1889. Illustration by Georges Antoine Rochegrosse (1859-1938). A peasant calls “Jesus Christ” “whipping his daughter (nicknamed The Fearful) because he has just caught her “” having a good time””” with boys.

Physical exercise: gymnastics makes it strong and prepares for the best soldier. Illustration of a school book for middle classes (children aged 9 to 11), 1887.
Physical exercise: gymnastics makes it strong and prepares for the best soldier. Illustration of a school book for middle classes (children aged 9 to 11), 1887.

PCT4273078: Physical exercise: gymnastics makes it strong and prepares for the best soldier. Illustration of a school book for middle classes (children aged 9 to 11), 1887. / Bridgeman Images

ID: PCT4273078

Physical exercise: gymnastics makes it strong and prepares for the best soldier. Illustration of a school book for middle classes (children aged 9 to 11), 1887.

Madonna has child and topless. Anonymous engraving 19th century (probably from a painting), distributed as a photographic cutie.
Madonna has child and topless. Anonymous engraving 19th century (probably from a painting), distributed as a photographic cutie.

PCT4271994: Madonna has child and topless. Anonymous engraving 19th century (probably from a painting), distributed as a photographic cutie. / Bridgeman Images

ID: PCT4271994

Madonna has child and topless. Anonymous engraving 19th century (probably from a painting), distributed as a photographic cutie.

Flood of the river Seine in Paris, 1910 (photo)
Flood of the river Seine in Paris, 1910 (photo)

PCT4272047: Flood of the river Seine in Paris, 1910 (photo), Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4272047

Flood of the river Seine in Paris, 1910 (photo)

Unknown photographer, (20th century)

La Cite des Angouiles. The city walls are made of pieces of cold cuts (sausage, pudding), a huge pig is perch on the roof of a tower of the entrance gate. Illustration by Albert Robida (1848-1926) for an episode of the Fourth Livre by Francois Rabelais - Librairie Armand Colin debut 20th century.
La Cite des Angouiles. The city walls are made of pieces of cold cuts (sausage, pudding), a huge pig is perch on the roof of a tower of the entrance gate. Illustration by Albert Robida (1848-1926) for an episode of the Fourth Livre by Francois Rabelais - Librairie Armand Colin debut 20th century.

PCT4272157: La Cite des Angouiles. The city walls are made of pieces of cold cuts (sausage, pudding), a huge pig is perch on the roof of a tower of the entrance gate. Illustration by Albert Robida (1848-1926) for an episode of the Fourth Livre by Francois Rabelais - Librairie Armand Colin debut 20th century., Robida, Albert (1848-1926) / Bridgeman Images

ID: PCT4272157

La Cite des Angouiles. The city walls are made of pieces of cold cuts (sausage, pudding), a huge pig is perch on the roof of a tower of the entrance gate. Illustration by Albert Robida (1848-1926) for an episode of the Fourth Livre by Francois Rabelais - Librairie Armand Colin debut 20th century.

Robida, Albert (1848-1926)

Events of Morocco, taken over from Marrakech by the troops of Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) and Charles Mangin (1866-1925). Commander Simon, after having fled the pretendant El-Hiba (El Hiba) (Ahmed al-Hiba (Al Hiba), released the nine Frenchmen he was detaining in Marrakesh. Drawing by Damblans in Le Pelerin n°1834, September 22, 1912. See also ref. GUT2011 & COR8869
Events of Morocco, taken over from Marrakech by the troops of Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) and Charles Mangin (1866-1925). Commander Simon, after having fled the pretendant El-Hiba (El Hiba) (Ahmed al-Hiba (Al Hiba), released the nine Frenchmen he was detaining in Marrakesh. Drawing by Damblans in Le Pelerin n°1834, September 22, 1912. See also ref. GUT2011 & COR8869

PCT4273366: Events of Morocco, taken over from Marrakech by the troops of Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) and Charles Mangin (1866-1925). Commander Simon, after having fled the pretendant El-Hiba (El Hiba) (Ahmed al-Hiba (Al Hiba), released the nine Frenchmen he was detaining in Marrakesh. Drawing by Damblans in Le Pelerin n°1834, September 22, 1912. See also ref. GUT2011 & COR8869, Damblans, Eugene (1865-1945) / Bridgeman Images

ID: PCT4273366

Events of Morocco, taken over from Marrakech by the troops of Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) and Charles Mangin (1866-1925). Commander Simon, after having fled the pretendant El-Hiba (El Hiba) (Ahmed al-Hiba (Al Hiba), released the nine Frenchmen he was detaining in Marrakesh. Drawing by Damblans in Le Pelerin n°1834, September 22, 1912. See also ref. GUT2011 & COR8869

Damblans, Eugene (1865-1945)

Photograph taken from the magazine 'Le nu ideal' 1905 (print)
Photograph taken from the magazine 'Le nu ideal' 1905 (print)

PCT4272243: Photograph taken from the magazine 'Le nu ideal' 1905 (print) / Bridgeman Images

ID: PCT4272243

Photograph taken from the magazine 'Le nu ideal' 1905 (print)

Tarascon, the Tarasque. Monster - dragon - folklore - tradition. Postcard beginning 20th century after an ancient engraving.
Tarascon, the Tarasque. Monster - dragon - folklore - tradition. Postcard beginning 20th century after an ancient engraving.

PCT4272311: Tarascon, the Tarasque. Monster - dragon - folklore - tradition. Postcard beginning 20th century after an ancient engraving., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4272311

Tarascon, the Tarasque. Monster - dragon - folklore - tradition. Postcard beginning 20th century after an ancient engraving.

Unknown Artist, (20th century)

Engraving illustrating the novel by Emile Zola “La terre””, edition Marpon and Flammarion 1889. Drunk Gedeon donkey, after drinking a bucket of wine. Illustration by Georges Antoine Rochegrosse (1859-1938).
Engraving illustrating the novel by Emile Zola “La terre””, edition Marpon and Flammarion 1889. Drunk Gedeon donkey, after drinking a bucket of wine. Illustration by Georges Antoine Rochegrosse (1859-1938).

PCT4272349: Engraving illustrating the novel by Emile Zola “La terre””, edition Marpon and Flammarion 1889. Drunk Gedeon donkey, after drinking a bucket of wine. Illustration by Georges Antoine Rochegrosse (1859-1938). / Bridgeman Images

ID: PCT4272349

Engraving illustrating the novel by Emile Zola “La terre””, edition Marpon and Flammarion 1889. Drunk Gedeon donkey, after drinking a bucket of wine. Illustration by Georges Antoine Rochegrosse (1859-1938).

Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century.
Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century.

PCT4273557: Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century. / Bridgeman Images

ID: PCT4273557

Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century.

Portrait of Emma Bovary, illustration by Achille Deveria for Gustave Flaubert's novel “” Madame Bovary””, 19th century.
Portrait of Emma Bovary, illustration by Achille Deveria for Gustave Flaubert's novel “” Madame Bovary””, 19th century.

PCT4268604: Portrait of Emma Bovary, illustration by Achille Deveria for Gustave Flaubert's novel “” Madame Bovary””, 19th century. / Bridgeman Images

ID: PCT4268604

Portrait of Emma Bovary, illustration by Achille Deveria for Gustave Flaubert's novel “” Madame Bovary””, 19th century.

The Catholic Robinson, Adventures of Owen Evans by W.H. Anderdon, Mame a Tours edition 1878. Frontispice and title page
The Catholic Robinson, Adventures of Owen Evans by W.H. Anderdon, Mame a Tours edition 1878. Frontispice and title page

PCT4268677: The Catholic Robinson, Adventures of Owen Evans by W.H. Anderdon, Mame a Tours edition 1878. Frontispice and title page / Bridgeman Images

ID: PCT4268677

The Catholic Robinson, Adventures of Owen Evans by W.H. Anderdon, Mame a Tours edition 1878. Frontispice and title page

Works by Jean Baptiste Poquelin dit Moliere (1622-1673). Back of a red leather binding with gold and gold nerves, Garnier edition, 2nd half 19th century.
Works by Jean Baptiste Poquelin dit Moliere (1622-1673). Back of a red leather binding with gold and gold nerves, Garnier edition, 2nd half 19th century.

PCT4268861: Works by Jean Baptiste Poquelin dit Moliere (1622-1673). Back of a red leather binding with gold and gold nerves, Garnier edition, 2nd half 19th century. / Bridgeman Images

ID: PCT4268861

Works by Jean Baptiste Poquelin dit Moliere (1622-1673). Back of a red leather binding with gold and gold nerves, Garnier edition, 2nd half 19th century.

78 rpm 'Gramophone' record (photo)
78 rpm 'Gramophone' record (photo)

PCT4269098: 78 rpm 'Gramophone' record (photo), Cartier, Patrice / Bridgeman Images

ID: PCT4269098

78 rpm 'Gramophone' record (photo)

Cartier, Patrice

Rennes le Chateau (Rennes-le-Chateau, Aude, Pays Cathare, Languedoc). The Magdala Tower (20th century), which served as a library for Abbe Berenger Sauniere. The latter would have hid a fabulous treasure in the vicinity, whose mystery remains complete. Photo by Patrice Cartier
Rennes le Chateau (Rennes-le-Chateau, Aude, Pays Cathare, Languedoc). The Magdala Tower (20th century), which served as a library for Abbe Berenger Sauniere. The latter would have hid a fabulous treasure in the vicinity, whose mystery remains complete. Photo by Patrice Cartier

PCT4268954: Rennes le Chateau (Rennes-le-Chateau, Aude, Pays Cathare, Languedoc). The Magdala Tower (20th century), which served as a library for Abbe Berenger Sauniere. The latter would have hid a fabulous treasure in the vicinity, whose mystery remains complete. Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4268954

Rennes le Chateau (Rennes-le-Chateau, Aude, Pays Cathare, Languedoc). The Magdala Tower (20th century), which served as a library for Abbe Berenger Sauniere. The latter would have hid a fabulous treasure in the vicinity, whose mystery remains complete. Photo by Patrice Cartier

Cartier, Patrice

The fool who sells wisdom: La Fontaine's fable, 19th century (engraving)
The fool who sells wisdom: La Fontaine's fable, 19th century (engraving)

PCT4269323: The fool who sells wisdom: La Fontaine's fable, 19th century (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4269323

The fool who sells wisdom: La Fontaine's fable, 19th century (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Francois Mitterrand in a meeting in Carcassonne, 1985 (photo)
Francois Mitterrand in a meeting in Carcassonne, 1985 (photo)

PCT4268224: Francois Mitterrand in a meeting in Carcassonne, 1985 (photo), Cartier, Patrice / Bridgeman Images

ID: PCT4268224

Francois Mitterrand in a meeting in Carcassonne, 1985 (photo)

Cartier, Patrice

Detail of the back of a postcard sent in 1964, bearing an obliteration of the stamp and a postmark indicating that the city of Saint John? is a city of congresses. NB: The names of the recipient and the destination city have been changed for privacy protection.
Detail of the back of a postcard sent in 1964, bearing an obliteration of the stamp and a postmark indicating that the city of Saint John? is a city of congresses. NB: The names of the recipient and the destination city have been changed for privacy protection.

PCT4268372: Detail of the back of a postcard sent in 1964, bearing an obliteration of the stamp and a postmark indicating that the city of Saint John? is a city of congresses. NB: The names of the recipient and the destination city have been changed for privacy protection., Cartier, Patrice / Bridgeman Images

ID: PCT4268372

Detail of the back of a postcard sent in 1964, bearing an obliteration of the stamp and a postmark indicating that the city of Saint John? is a city of congresses. NB: The names of the recipient and the destination city have been changed for privacy protection.

Cartier, Patrice

Caunes in Minervois (Aude, Languedoc). Pink marble quarry. View of the operation in May 2009. Photo by Patrice Cartier
Caunes in Minervois (Aude, Languedoc). Pink marble quarry. View of the operation in May 2009. Photo by Patrice Cartier

PCT4269698: Caunes in Minervois (Aude, Languedoc). Pink marble quarry. View of the operation in May 2009. Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4269698

Caunes in Minervois (Aude, Languedoc). Pink marble quarry. View of the operation in May 2009. Photo by Patrice Cartier

Cartier, Patrice

Scene from
Scene from

PCT4269785: Scene from "Les animaux peints par eux-memes - Vie privee et publique des animaux" written by Balzac, 19th century (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4269785

Scene from "Les animaux peints par eux-memes - Vie privee et publique des animaux" written by Balzac, 19th century (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Hall and brick church of Mazeres, medieval bastide of Lauragais founded in 1252. (Haute Garonne, Midi Pyrenees, Pays Cathare). Photo by Patrice Cartier
Hall and brick church of Mazeres, medieval bastide of Lauragais founded in 1252. (Haute Garonne, Midi Pyrenees, Pays Cathare). Photo by Patrice Cartier

PCT4270135: Hall and brick church of Mazeres, medieval bastide of Lauragais founded in 1252. (Haute Garonne, Midi Pyrenees, Pays Cathare). Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4270135

Hall and brick church of Mazeres, medieval bastide of Lauragais founded in 1252. (Haute Garonne, Midi Pyrenees, Pays Cathare). Photo by Patrice Cartier

Cartier, Patrice

Moliere's theatre group played ” The Imaginary Malad” in the gardens of Versailles, c.1940 (illustration).
Moliere's theatre group played ” The Imaginary Malad” in the gardens of Versailles, c.1940 (illustration).

PCT4270180: Moliere's theatre group played ” The Imaginary Malad” in the gardens of Versailles, c.1940 (illustration)., Carlier, Alfred (active 1930-1935) / Bridgeman Images

ID: PCT4270180

Moliere's theatre group played ” The Imaginary Malad” in the gardens of Versailles, c.1940 (illustration).

Carlier, Alfred (active 1930-1935)

Toulouse: Occitan knight, stone sculpture in a brick wall at n°31 of rue Escoussiere-Montgaillard (Escoussiere Montgaillard), not far from the old city walls. Photo by Patrice Cartier
Toulouse: Occitan knight, stone sculpture in a brick wall at n°31 of rue Escoussiere-Montgaillard (Escoussiere Montgaillard), not far from the old city walls. Photo by Patrice Cartier

PCT4270235: Toulouse: Occitan knight, stone sculpture in a brick wall at n°31 of rue Escoussiere-Montgaillard (Escoussiere Montgaillard), not far from the old city walls. Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4270235

Toulouse: Occitan knight, stone sculpture in a brick wall at n°31 of rue Escoussiere-Montgaillard (Escoussiere Montgaillard), not far from the old city walls. Photo by Patrice Cartier

Cartier, Patrice

Illustration for
Illustration for

PCT4270277: Illustration for "Les Malheurs de Sophie" written by Countess of Segur, 1851 (engraving), Castelli, Horace (1825-1889) / Bridgeman Images

ID: PCT4270277

Illustration for "Les Malheurs de Sophie" written by Countess of Segur, 1851 (engraving)

Castelli, Horace (1825-1889)

I offer you this trefle, picked from the rosee, to bring you happiness all year long. Couple of lovers. Postcard beginning 20th century
I offer you this trefle, picked from the rosee, to bring you happiness all year long. Couple of lovers. Postcard beginning 20th century

PCT4270520: I offer you this trefle, picked from the rosee, to bring you happiness all year long. Couple of lovers. Postcard beginning 20th century, Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4270520

I offer you this trefle, picked from the rosee, to bring you happiness all year long. Couple of lovers. Postcard beginning 20th century

Unknown photographer, (20th century)

Caunes in Minervois (Aude, Languedoc). Pink marble quarry. View of the operation in May 2009. Photo by Patrice Cartier
Caunes in Minervois (Aude, Languedoc). Pink marble quarry. View of the operation in May 2009. Photo by Patrice Cartier

PCT4269694: Caunes in Minervois (Aude, Languedoc). Pink marble quarry. View of the operation in May 2009. Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4269694

Caunes in Minervois (Aude, Languedoc). Pink marble quarry. View of the operation in May 2009. Photo by Patrice Cartier

Cartier, Patrice

Donkey Academician carrying his books for Balzac's
Donkey Academician carrying his books for Balzac's

PCT4269779: Donkey Academician carrying his books for Balzac's "Guide-Ane a l'usage des animaux qui veulent parvenir aux honneurs", 1841 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4269779

Donkey Academician carrying his books for Balzac's "Guide-Ane a l'usage des animaux qui veulent parvenir aux honneurs", 1841 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Exotic lovers: seduction “” a Spanish”””. A couple of flamenco dancers, the man is dressed as a bullfighter (toreador). The reference to Carmen is reinforced by the name of the publishing house of this postcard from the beginning of the 20th century: Carmela!
Exotic lovers: seduction “” a Spanish”””. A couple of flamenco dancers, the man is dressed as a bullfighter (toreador). The reference to Carmen is reinforced by the name of the publishing house of this postcard from the beginning of the 20th century: Carmela!

PCT4270472: Exotic lovers: seduction “” a Spanish”””. A couple of flamenco dancers, the man is dressed as a bullfighter (toreador). The reference to Carmen is reinforced by the name of the publishing house of this postcard from the beginning of the 20th century: Carmela!, Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4270472

Exotic lovers: seduction “” a Spanish”””. A couple of flamenco dancers, the man is dressed as a bullfighter (toreador). The reference to Carmen is reinforced by the name of the publishing house of this postcard from the beginning of the 20th century: Carmela!

Unknown photographer, (20th century)

Young woman in love writing to the young man about her thoughts. “” It rests on my heart, my card is a lucky charm!” Postcard beginning 20th century (1906)
Young woman in love writing to the young man about her thoughts. “” It rests on my heart, my card is a lucky charm!” Postcard beginning 20th century (1906)

PCT4270495: Young woman in love writing to the young man about her thoughts. “” It rests on my heart, my card is a lucky charm!” Postcard beginning 20th century (1906), Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4270495

Young woman in love writing to the young man about her thoughts. “” It rests on my heart, my card is a lucky charm!” Postcard beginning 20th century (1906)

Unknown photographer, (20th century)

Christmas in the countryside, The Victuailles, 1884 (engraving)
Christmas in the countryside, The Victuailles, 1884 (engraving)

PCT4270543: Christmas in the countryside, The Victuailles, 1884 (engraving), Lhermitte, Leon Augustin (1844-1925) / Bridgeman Images

ID: PCT4270543

Christmas in the countryside, The Victuailles, 1884 (engraving)

Lhermitte, Leon Augustin (1844-1925)

Country love: a young bride shows her husband the cabbage or, it is said, the children are born. Postcard beginning 20th century.
Country love: a young bride shows her husband the cabbage or, it is said, the children are born. Postcard beginning 20th century.

PCT4270605: Country love: a young bride shows her husband the cabbage or, it is said, the children are born. Postcard beginning 20th century., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4270605

Country love: a young bride shows her husband the cabbage or, it is said, the children are born. Postcard beginning 20th century.

Unknown photographer, (20th century)

Two Breton musicians in traditional costume, juches on cider barrels: a bomber ringer (left) and a biniou player (bagpipe of Brittany - right). Postcard beginning 20th century. Patrice Cartier Collection
Two Breton musicians in traditional costume, juches on cider barrels: a bomber ringer (left) and a biniou player (bagpipe of Brittany - right). Postcard beginning 20th century. Patrice Cartier Collection

PCT4270684: Two Breton musicians in traditional costume, juches on cider barrels: a bomber ringer (left) and a biniou player (bagpipe of Brittany - right). Postcard beginning 20th century. Patrice Cartier Collection, Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4270684

Two Breton musicians in traditional costume, juches on cider barrels: a bomber ringer (left) and a biniou player (bagpipe of Brittany - right). Postcard beginning 20th century. Patrice Cartier Collection

Unknown photographer, (20th century)

Isthmus des Nongous, Basin (pond) of Thau, between Cap d'Agde and Sete (Herault, Languedoc, Mediterranean Sea). Passage of the train (railway) between the sea and the pond. Engraving 19th century.
Isthmus des Nongous, Basin (pond) of Thau, between Cap d'Agde and Sete (Herault, Languedoc, Mediterranean Sea). Passage of the train (railway) between the sea and the pond. Engraving 19th century.

PCT4269937: Isthmus des Nongous, Basin (pond) of Thau, between Cap d'Agde and Sete (Herault, Languedoc, Mediterranean Sea). Passage of the train (railway) between the sea and the pond. Engraving 19th century. / Bridgeman Images

ID: PCT4269937

Isthmus des Nongous, Basin (pond) of Thau, between Cap d'Agde and Sete (Herault, Languedoc, Mediterranean Sea). Passage of the train (railway) between the sea and the pond. Engraving 19th century.


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