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Revolt du Midi viticole, Montpellier demonstration, 9 June 1907: depart of the delegation of Cuxac d'Aude. There are many women among the “gueux”. One of them waved the flag of the village. Three days later, the entire region cut the bridges with the French central power, closing town halls and calling for a tax strike. On June 20, Clémenceau had the crowd shot at Narbonne. This view was taken by Narcotic photographer Sallis, who made numerous photographs of the events of 1907.
Revolt du Midi viticole, Montpellier demonstration, 9 June 1907: depart of the delegation of Cuxac d'Aude. There are many women among the “gueux”. One of them waved the flag of the village. Three days later, the entire region cut the bridges with the French central power, closing town halls and calling for a tax strike. On June 20, Clémenceau had the crowd shot at Narbonne. This view was taken by Narcotic photographer Sallis, who made numerous photographs of the events of 1907.

PCT4260685: Revolt du Midi viticole, Montpellier demonstration, 9 June 1907: depart of the delegation of Cuxac d'Aude. There are many women among the “gueux”. One of them waved the flag of the village. Three days later, the entire region cut the bridges with the French central power, closing town halls and calling for a tax strike. On June 20, Clémenceau had the crowd shot at Narbonne. This view was taken by Narcotic photographer Sallis, who made numerous photographs of the events of 1907. / Bridgeman Images

ID: PCT4260685

Revolt du Midi viticole, Montpellier demonstration, 9 June 1907: depart of the delegation of Cuxac d'Aude. There are many women among the “gueux”. One of them waved the flag of the village. Three days later, the entire region cut the bridges with the French central power, closing town halls and calling for a tax strike. On June 20, Clémenceau had the crowd shot at Narbonne. This view was taken by Narcotic photographer Sallis, who made numerous photographs of the events of 1907.

Detail of an engraving by Grandville, extracted from the book Private and Public Life of Animals (Les animaux ints par eux memes), edition Hetzel 1867 - Hippotamus worldly at a table raising his glass and carrying a toast.
Detail of an engraving by Grandville, extracted from the book Private and Public Life of Animals (Les animaux ints par eux memes), edition Hetzel 1867 - Hippotamus worldly at a table raising his glass and carrying a toast.

PCT4260874: Detail of an engraving by Grandville, extracted from the book Private and Public Life of Animals (Les animaux ints par eux memes), edition Hetzel 1867 - Hippotamus worldly at a table raising his glass and carrying a toast., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4260874

Detail of an engraving by Grandville, extracted from the book Private and Public Life of Animals (Les animaux ints par eux memes), edition Hetzel 1867 - Hippotamus worldly at a table raising his glass and carrying a toast.

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Child-dog produced by zoophilia: engraving of the book of Ambroise Pare: Monsters and Wonders (1573) - Excerpts from the text: “There are monsters that are born half of the figure of beets and the other human [...] that are produced by sodomites and atheists, who join and overflow against nature with the beets, and from it several monsters are born. hideous and greatly shameful to see and talk about it.
Child-dog produced by zoophilia: engraving of the book of Ambroise Pare: Monsters and Wonders (1573) - Excerpts from the text: “There are monsters that are born half of the figure of beets and the other human [...] that are produced by sodomites and atheists, who join and overflow against nature with the beets, and from it several monsters are born. hideous and greatly shameful to see and talk about it.

PCT4261026: Child-dog produced by zoophilia: engraving of the book of Ambroise Pare: Monsters and Wonders (1573) - Excerpts from the text: “There are monsters that are born half of the figure of beets and the other human [...] that are produced by sodomites and atheists, who join and overflow against nature with the beets, and from it several monsters are born. hideous and greatly shameful to see and talk about it. / Bridgeman Images

ID: PCT4261026

Child-dog produced by zoophilia: engraving of the book of Ambroise Pare: Monsters and Wonders (1573) - Excerpts from the text: “There are monsters that are born half of the figure of beets and the other human [...] that are produced by sodomites and atheists, who join and overflow against nature with the beets, and from it several monsters are born. hideous and greatly shameful to see and talk about it.

The Wheel of Fortune: Bond draw at Credit Foncier. Last cover of the ” Supplement Litteraire du Petit Parisien” n° 713, October 5, 1902 (ingraving)
The Wheel of Fortune: Bond draw at Credit Foncier. Last cover of the ” Supplement Litteraire du Petit Parisien” n° 713, October 5, 1902 (ingraving)

PCT4261098: The Wheel of Fortune: Bond draw at Credit Foncier. Last cover of the ” Supplement Litteraire du Petit Parisien” n° 713, October 5, 1902 (ingraving), French School, (20th century) / Bridgeman Images

ID: PCT4261098

The Wheel of Fortune: Bond draw at Credit Foncier. Last cover of the ” Supplement Litteraire du Petit Parisien” n° 713, October 5, 1902 (ingraving)

French School, (20th century)

Illustration for
Illustration for

PCT4260855: Illustration for "The Spirit of Women”, 19th century (engraving), Grevin, Alfred (1827-92) / Bridgeman Images

ID: PCT4260855

Illustration for "The Spirit of Women”, 19th century (engraving)

Grevin, Alfred (1827-92)

Engraving of the book of Ambroise Pare: Monsters and Prodiges (1573) - Text: “” This present monster depicted here was found in an egg with the face and face of a man, all the hair of small snakes all alive, and the beard is fashionable and in the way of three snakes coming out of the chin: and was found on the fifteenth day of March last passed 1569 with a lawyer named Baucheron, in Authun in Burgundy, by a chambriere who broke eggs to put them in butter, between which he was: who was broken by her, saw the said monster come out, having human face, hair and beard of snakes, of which she was wonderfully frightened.”
Engraving of the book of Ambroise Pare: Monsters and Prodiges (1573) - Text: “” This present monster depicted here was found in an egg with the face and face of a man, all the hair of small snakes all alive, and the beard is fashionable and in the way of three snakes coming out of the chin: and was found on the fifteenth day of March last passed 1569 with a lawyer named Baucheron, in Authun in Burgundy, by a chambriere who broke eggs to put them in butter, between which he was: who was broken by her, saw the said monster come out, having human face, hair and beard of snakes, of which she was wonderfully frightened.”

PCT4261014: Engraving of the book of Ambroise Pare: Monsters and Prodiges (1573) - Text: “” This present monster depicted here was found in an egg with the face and face of a man, all the hair of small snakes all alive, and the beard is fashionable and in the way of three snakes coming out of the chin: and was found on the fifteenth day of March last passed 1569 with a lawyer named Baucheron, in Authun in Burgundy, by a chambriere who broke eggs to put them in butter, between which he was: who was broken by her, saw the said monster come out, having human face, hair and beard of snakes, of which she was wonderfully frightened.” / Bridgeman Images

ID: PCT4261014

Engraving of the book of Ambroise Pare: Monsters and Prodiges (1573) - Text: “” This present monster depicted here was found in an egg with the face and face of a man, all the hair of small snakes all alive, and the beard is fashionable and in the way of three snakes coming out of the chin: and was found on the fifteenth day of March last passed 1569 with a lawyer named Baucheron, in Authun in Burgundy, by a chambriere who broke eggs to put them in butter, between which he was: who was broken by her, saw the said monster come out, having human face, hair and beard of snakes, of which she was wonderfully frightened.”

Shark fishing. Engraving 19th by Yan Dargent. A shark came up at the end of a line aboard the boat.
Shark fishing. Engraving 19th by Yan Dargent. A shark came up at the end of a line aboard the boat.

PCT4261065: Shark fishing. Engraving 19th by Yan Dargent. A shark came up at the end of a line aboard the boat., Dargent, Jean Edouard (Yan) (1824-99) / Bridgeman Images

ID: PCT4261065

Shark fishing. Engraving 19th by Yan Dargent. A shark came up at the end of a line aboard the boat.

Dargent, Jean Edouard (Yan) (1824-99)

Engraving of the book of Ambrose Pare: Livre de la Unicorn (1580) - Pirassoipi, unicorn of Arabia has two frontal horns engraving after the fifth book of Andre Thevet's Cosmography.
Engraving of the book of Ambrose Pare: Livre de la Unicorn (1580) - Pirassoipi, unicorn of Arabia has two frontal horns engraving after the fifth book of Andre Thevet's Cosmography.

PCT4260968: Engraving of the book of Ambrose Pare: Livre de la Unicorn (1580) - Pirassoipi, unicorn of Arabia has two frontal horns engraving after the fifth book of Andre Thevet's Cosmography. / Bridgeman Images

ID: PCT4260968

Engraving of the book of Ambrose Pare: Livre de la Unicorn (1580) - Pirassoipi, unicorn of Arabia has two frontal horns engraving after the fifth book of Andre Thevet's Cosmography.

Young soldier who learnt to go to the front during the war of 1914-1918 - photo in the studio with his helmet poses on a tablet, in front of a painted background, signed by Paris-Photo, Nimes.
Young soldier who learnt to go to the front during the war of 1914-1918 - photo in the studio with his helmet poses on a tablet, in front of a painted background, signed by Paris-Photo, Nimes.

PCT4261368: Young soldier who learnt to go to the front during the war of 1914-1918 - photo in the studio with his helmet poses on a tablet, in front of a painted background, signed by Paris-Photo, Nimes., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4261368

Young soldier who learnt to go to the front during the war of 1914-1918 - photo in the studio with his helmet poses on a tablet, in front of a painted background, signed by Paris-Photo, Nimes.

Unknown photographer, (20th century)

Toy Museum of Canet (66): games early 20th century (c. 1900) - set of cubes illustrated by a Father Noel (Saint Nicholas) wearing toys - puppets and stuffed animals). In front of puppies representing the Father Christmas
Toy Museum of Canet (66): games early 20th century (c. 1900) - set of cubes illustrated by a Father Noel (Saint Nicholas) wearing toys - puppets and stuffed animals). In front of puppies representing the Father Christmas

PCT4261136: Toy Museum of Canet (66): games early 20th century (c. 1900) - set of cubes illustrated by a Father Noel (Saint Nicholas) wearing toys - puppets and stuffed animals). In front of puppies representing the Father Christmas, Unknown Artist, (19th century) / Bridgeman Images

ID: PCT4261136

Toy Museum of Canet (66): games early 20th century (c. 1900) - set of cubes illustrated by a Father Noel (Saint Nicholas) wearing toys - puppets and stuffed animals). In front of puppies representing the Father Christmas

Unknown Artist, (19th century)

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261322: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261322

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Postcard war 1914-1918 sent in 1916: hairy in its trench revant has a dawn of glory, rising on a battlefield with German helmet and cannon.
Postcard war 1914-1918 sent in 1916: hairy in its trench revant has a dawn of glory, rising on a battlefield with German helmet and cannon.

PCT4261821: Postcard war 1914-1918 sent in 1916: hairy in its trench revant has a dawn of glory, rising on a battlefield with German helmet and cannon., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4261821

Postcard war 1914-1918 sent in 1916: hairy in its trench revant has a dawn of glory, rising on a battlefield with German helmet and cannon.

Unknown photographer, (20th century)

2 portraits of a soldier of the war 1914-1918, made from the same photograph: a glorious portrait of this Languedoc soldier of the 96th infantry regiment, made in studio, embellished and coloured by photographer Reynes de Montpellier (Herault - 34); then a mourning card, made by a member of his family after that soldier was killed in combat.
2 portraits of a soldier of the war 1914-1918, made from the same photograph: a glorious portrait of this Languedoc soldier of the 96th infantry regiment, made in studio, embellished and coloured by photographer Reynes de Montpellier (Herault - 34); then a mourning card, made by a member of his family after that soldier was killed in combat.

PCT4261857: 2 portraits of a soldier of the war 1914-1918, made from the same photograph: a glorious portrait of this Languedoc soldier of the 96th infantry regiment, made in studio, embellished and coloured by photographer Reynes de Montpellier (Herault - 34); then a mourning card, made by a member of his family after that soldier was killed in combat., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4261857

2 portraits of a soldier of the war 1914-1918, made from the same photograph: a glorious portrait of this Languedoc soldier of the 96th infantry regiment, made in studio, embellished and coloured by photographer Reynes de Montpellier (Herault - 34); then a mourning card, made by a member of his family after that soldier was killed in combat.

Unknown photographer, (20th century)

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4261719: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261719

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

postcard of the war 1914-1918 (true photo): view of the German trenches at the Vimy coast.
postcard of the war 1914-1918 (true photo): view of the German trenches at the Vimy coast.

PCT4261851: postcard of the war 1914-1918 (true photo): view of the German trenches at the Vimy coast., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4261851

postcard of the war 1914-1918 (true photo): view of the German trenches at the Vimy coast.

Unknown photographer, (20th century)

The king of France Francois 1st arriving on horseback in front of the Cite de Carcassonne, Porte Narbonnaise. Illustration by Albert Robida (1848-1926): frontispiece of the book “Le tresor de Carcassonne”” first edition H. Laurens 1921.
The king of France Francois 1st arriving on horseback in front of the Cite de Carcassonne, Porte Narbonnaise. Illustration by Albert Robida (1848-1926): frontispiece of the book “Le tresor de Carcassonne”” first edition H. Laurens 1921.

PCT4262199: The king of France Francois 1st arriving on horseback in front of the Cite de Carcassonne, Porte Narbonnaise. Illustration by Albert Robida (1848-1926): frontispiece of the book “Le tresor de Carcassonne”” first edition H. Laurens 1921., Robida, Albert (1848-1926) / Bridgeman Images

ID: PCT4262199

The king of France Francois 1st arriving on horseback in front of the Cite de Carcassonne, Porte Narbonnaise. Illustration by Albert Robida (1848-1926): frontispiece of the book “Le tresor de Carcassonne”” first edition H. Laurens 1921.

Robida, Albert (1848-1926)

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261291: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261291

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Illustration for 'Les Fleurs Animees', 1857 (engraving)
Illustration for 'Les Fleurs Animees', 1857 (engraving)

PCT4261389: Illustration for 'Les Fleurs Animees', 1857 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: PCT4261389

Illustration for 'Les Fleurs Animees', 1857 (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Adventures and adventures of the Baron de Munchhausen (Munchausen). Illustration in chromolithography of the edition Hachette 1879 by E.Bichard. The Baron climbs to the Moon climbing the stem of a giant flower.
Adventures and adventures of the Baron de Munchhausen (Munchausen). Illustration in chromolithography of the edition Hachette 1879 by E.Bichard. The Baron climbs to the Moon climbing the stem of a giant flower.

PCT4271280: Adventures and adventures of the Baron de Munchhausen (Munchausen). Illustration in chromolithography of the edition Hachette 1879 by E.Bichard. The Baron climbs to the Moon climbing the stem of a giant flower. / Bridgeman Images

ID: PCT4271280

Adventures and adventures of the Baron de Munchhausen (Munchausen). Illustration in chromolithography of the edition Hachette 1879 by E.Bichard. The Baron climbs to the Moon climbing the stem of a giant flower.

La Bourree d'Auvergne: two couples of villagers in traditional costumes dance in their house, in front of the fireplace. A musician playing bagpipes (cabrette, musette) settled on a table next to a bottle of wine and a glass. This folkloric scene is actually completely reconstructed in a studio for the photographer: at the top of the picture, the piece is a painted background, held by a stem! Postcard around 1930.
La Bourree d'Auvergne: two couples of villagers in traditional costumes dance in their house, in front of the fireplace. A musician playing bagpipes (cabrette, musette) settled on a table next to a bottle of wine and a glass. This folkloric scene is actually completely reconstructed in a studio for the photographer: at the top of the picture, the piece is a painted background, held by a stem! Postcard around 1930.

PCT4270779: La Bourree d'Auvergne: two couples of villagers in traditional costumes dance in their house, in front of the fireplace. A musician playing bagpipes (cabrette, musette) settled on a table next to a bottle of wine and a glass. This folkloric scene is actually completely reconstructed in a studio for the photographer: at the top of the picture, the piece is a painted background, held by a stem! Postcard around 1930., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4270779

La Bourree d'Auvergne: two couples of villagers in traditional costumes dance in their house, in front of the fireplace. A musician playing bagpipes (cabrette, musette) settled on a table next to a bottle of wine and a glass. This folkloric scene is actually completely reconstructed in a studio for the photographer: at the top of the picture, the piece is a painted background, held by a stem! Postcard around 1930.

Unknown photographer, (20th century)

Roman mausolee discovered in Carcassonne (Aude) in the summer of 2009. This monument, the tomb of an edile, whose base remains only, dates from - 30 to - 40 BC. No such monument is known only in Greece. Photo by Patrice Cartier
Roman mausolee discovered in Carcassonne (Aude) in the summer of 2009. This monument, the tomb of an edile, whose base remains only, dates from - 30 to - 40 BC. No such monument is known only in Greece. Photo by Patrice Cartier

PCT4270941: Roman mausolee discovered in Carcassonne (Aude) in the summer of 2009. This monument, the tomb of an edile, whose base remains only, dates from - 30 to - 40 BC. No such monument is known only in Greece. Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4270941

Roman mausolee discovered in Carcassonne (Aude) in the summer of 2009. This monument, the tomb of an edile, whose base remains only, dates from - 30 to - 40 BC. No such monument is known only in Greece. Photo by Patrice Cartier

Cartier, Patrice

The fall and defeat of Vallombreuse. Engraving by Gustave Dore illustrating the picaresque novel of cape and epee by Theophile Gautier “” Le capitaine Fracasse””, edition Charpentier 1863.
The fall and defeat of Vallombreuse. Engraving by Gustave Dore illustrating the picaresque novel of cape and epee by Theophile Gautier “” Le capitaine Fracasse””, edition Charpentier 1863.

PCT4271492: The fall and defeat of Vallombreuse. Engraving by Gustave Dore illustrating the picaresque novel of cape and epee by Theophile Gautier “” Le capitaine Fracasse””, edition Charpentier 1863. / Bridgeman Images

ID: PCT4271492

The fall and defeat of Vallombreuse. Engraving by Gustave Dore illustrating the picaresque novel of cape and epee by Theophile Gautier “” Le capitaine Fracasse””, edition Charpentier 1863.

Cover of a volume of selected works by satirical cartoonist Paul Gavarni (1804-1866), showing the artist at work in front of his painter easel. Edition Hetzel 1845.
Cover of a volume of selected works by satirical cartoonist Paul Gavarni (1804-1866), showing the artist at work in front of his painter easel. Edition Hetzel 1845.

PCT4271779: Cover of a volume of selected works by satirical cartoonist Paul Gavarni (1804-1866), showing the artist at work in front of his painter easel. Edition Hetzel 1845., Cartier, Patrice / Bridgeman Images

ID: PCT4271779

Cover of a volume of selected works by satirical cartoonist Paul Gavarni (1804-1866), showing the artist at work in front of his painter easel. Edition Hetzel 1845.

Cartier, Patrice

Adventures and adventures of the Baron de Munchhausen (Munchausen). Illustration in chromolithography of the edition Hachette 1879 by E.Bichard. The Baron is taken to the sky by a flight of wild ducks.
Adventures and adventures of the Baron de Munchhausen (Munchausen). Illustration in chromolithography of the edition Hachette 1879 by E.Bichard. The Baron is taken to the sky by a flight of wild ducks.

PCT4271300: Adventures and adventures of the Baron de Munchhausen (Munchausen). Illustration in chromolithography of the edition Hachette 1879 by E.Bichard. The Baron is taken to the sky by a flight of wild ducks. / Bridgeman Images

ID: PCT4271300

Adventures and adventures of the Baron de Munchhausen (Munchausen). Illustration in chromolithography of the edition Hachette 1879 by E.Bichard. The Baron is taken to the sky by a flight of wild ducks.

Girls pass, crowned with joy and flowers, in the wheat fields, Victor Hugo (Songs of the streets and the woods) (print)
Girls pass, crowned with joy and flowers, in the wheat fields, Victor Hugo (Songs of the streets and the woods) (print)

PCT4271906: Girls pass, crowned with joy and flowers, in the wheat fields, Victor Hugo (Songs of the streets and the woods) (print), Iessel, Manon (1909-1985) / Bridgeman Images

ID: PCT4271906

Girls pass, crowned with joy and flowers, in the wheat fields, Victor Hugo (Songs of the streets and the woods) (print)

Iessel, Manon (1909-1985)

Baron de Sigognac. Engraving by Gustave Dore illustrating Theophile Gautier's novel “” Le capitaine Fracasse””, edition Charpentier 1863.
Baron de Sigognac. Engraving by Gustave Dore illustrating Theophile Gautier's novel “” Le capitaine Fracasse””, edition Charpentier 1863.

PCT4271576: Baron de Sigognac. Engraving by Gustave Dore illustrating Theophile Gautier's novel “” Le capitaine Fracasse””, edition Charpentier 1863. / Bridgeman Images

ID: PCT4271576

Baron de Sigognac. Engraving by Gustave Dore illustrating Theophile Gautier's novel “” Le capitaine Fracasse””, edition Charpentier 1863.

Hamlet and Ophelie (Hamlet and Ophelia) in a scene inspired by Shakespeare's play. Photoglypie Goupil from a painting by H. Merle, 2nd half 19th century.
Hamlet and Ophelie (Hamlet and Ophelia) in a scene inspired by Shakespeare's play. Photoglypie Goupil from a painting by H. Merle, 2nd half 19th century.

PCT4272033: Hamlet and Ophelie (Hamlet and Ophelia) in a scene inspired by Shakespeare's play. Photoglypie Goupil from a painting by H. Merle, 2nd half 19th century. / Bridgeman Images

ID: PCT4272033

Hamlet and Ophelie (Hamlet and Ophelia) in a scene inspired by Shakespeare's play. Photoglypie Goupil from a painting by H. Merle, 2nd half 19th century.

Portrait of the character of Quaresmeprenant (Careme - face of Careme - skinny as a day without bread), character of the Fourth Book of Rabelais. Illustration of Robida (1848-1926) for a book from the work of Rabelais, Librairie Armand Colin beginning 20th century.
Portrait of the character of Quaresmeprenant (Careme - face of Careme - skinny as a day without bread), character of the Fourth Book of Rabelais. Illustration of Robida (1848-1926) for a book from the work of Rabelais, Librairie Armand Colin beginning 20th century.

PCT4272156: Portrait of the character of Quaresmeprenant (Careme - face of Careme - skinny as a day without bread), character of the Fourth Book of Rabelais. Illustration of Robida (1848-1926) for a book from the work of Rabelais, Librairie Armand Colin beginning 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4272156

Portrait of the character of Quaresmeprenant (Careme - face of Careme - skinny as a day without bread), character of the Fourth Book of Rabelais. Illustration of Robida (1848-1926) for a book from the work of Rabelais, Librairie Armand Colin beginning 20th century.

Unknown Artist, (20th century)

Religion and Politics drawing from the magazine Le Pelerin, n°2605 27 February 1927
Religion and Politics drawing from the magazine Le Pelerin, n°2605 27 February 1927

PCT4271803: Religion and Politics drawing from the magazine Le Pelerin, n°2605 27 February 1927, Cip (fl. 1929) / Bridgeman Images

ID: PCT4271803

Religion and Politics drawing from the magazine Le Pelerin, n°2605 27 February 1927

Cip (fl. 1929)

Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century.
Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century.

PCT4271857: Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century. / Bridgeman Images

ID: PCT4271857

Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century.

Toulouse, the Garonne. Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Heinemann 1900 (French titles: “Voyage en France” and “Un petit tour en Languedoc”).
Toulouse, the Garonne. Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Heinemann 1900 (French titles: “Voyage en France” and “Un petit tour en Languedoc”).

PCT4272227: Toulouse, the Garonne. Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Heinemann 1900 (French titles: “Voyage en France” and “Un petit tour en Languedoc”)., Pennell, Joseph (1858-1926) / Bridgeman Images

ID: PCT4272227

Toulouse, the Garonne. Engraving after a watercolour by Joseph Pennell (1857-1926) illustrating Henry James's book “A little tour in France”” edition Heinemann 1900 (French titles: “Voyage en France” and “Un petit tour en Languedoc”).

Pennell, Joseph (1858-1926)

Procession of the Tarasque to Tarascon. Colorful postcard (1907) from a Blanchin photograph.
Procession of the Tarasque to Tarascon. Colorful postcard (1907) from a Blanchin photograph.

PCT4272308: Procession of the Tarasque to Tarascon. Colorful postcard (1907) from a Blanchin photograph., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4272308

Procession of the Tarasque to Tarascon. Colorful postcard (1907) from a Blanchin photograph.

Unknown photographer, (20th century)

Nimes (Gard, Languedoc): the Magne Tower seen from the Fontaine Garden in 1888(engraving)
Nimes (Gard, Languedoc): the Magne Tower seen from the Fontaine Garden in 1888(engraving)

PCT4272336: Nimes (Gard, Languedoc): the Magne Tower seen from the Fontaine Garden in 1888(engraving), Pennell, Joseph (1858-1926) / Bridgeman Images

ID: PCT4272336

Nimes (Gard, Languedoc): the Magne Tower seen from the Fontaine Garden in 1888(engraving)

Pennell, Joseph (1858-1926)

Narbonne. Women doing laundry in the Robine Canal. In the background, the Gilles-Aycelin keep (Gilles Aycelin) and the Cathedrale Saint-Just (Saint Just). Watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””, edition Heinemann 1900.
Narbonne. Women doing laundry in the Robine Canal. In the background, the Gilles-Aycelin keep (Gilles Aycelin) and the Cathedrale Saint-Just (Saint Just). Watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””, edition Heinemann 1900.

PCT4272027: Narbonne. Women doing laundry in the Robine Canal. In the background, the Gilles-Aycelin keep (Gilles Aycelin) and the Cathedrale Saint-Just (Saint Just). Watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””, edition Heinemann 1900., Pennell, Joseph (1858-1926) / Bridgeman Images

ID: PCT4272027

Narbonne. Women doing laundry in the Robine Canal. In the background, the Gilles-Aycelin keep (Gilles Aycelin) and the Cathedrale Saint-Just (Saint Just). Watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””, edition Heinemann 1900.

Pennell, Joseph (1858-1926)

Postcard of love, sent on January 13, 1919 from Taranto (port of southern Italy) by Basil, a young Marseille sailor, to his fiancee Baptistine: “Dear little aimee, we will leave in an hour, before leaving I write you these two words in speed. I'm still healthy. Nothing yet. A thousand beaks on your cherished eyes. Your darling who loves you.” The legend of this Revenge 330 card says: “” On the edge of the waves, I love you (sic), you love me, let us love us: love gives us an appointment! “” In an open medallion on the facade of a beachfront house, a young sailor has pompom offers his heart to his beautiful against the background of the setting sun.
Postcard of love, sent on January 13, 1919 from Taranto (port of southern Italy) by Basil, a young Marseille sailor, to his fiancee Baptistine: “Dear little aimee, we will leave in an hour, before leaving I write you these two words in speed. I'm still healthy. Nothing yet. A thousand beaks on your cherished eyes. Your darling who loves you.” The legend of this Revenge 330 card says: “” On the edge of the waves, I love you (sic), you love me, let us love us: love gives us an appointment! “” In an open medallion on the facade of a beachfront house, a young sailor has pompom offers his heart to his beautiful against the background of the setting sun.

PCT4272077: Postcard of love, sent on January 13, 1919 from Taranto (port of southern Italy) by Basil, a young Marseille sailor, to his fiancee Baptistine: “Dear little aimee, we will leave in an hour, before leaving I write you these two words in speed. I'm still healthy. Nothing yet. A thousand beaks on your cherished eyes. Your darling who loves you.” The legend of this Revenge 330 card says: “” On the edge of the waves, I love you (sic), you love me, let us love us: love gives us an appointment! “” In an open medallion on the facade of a beachfront house, a young sailor has pompom offers his heart to his beautiful against the background of the setting sun., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4272077

Postcard of love, sent on January 13, 1919 from Taranto (port of southern Italy) by Basil, a young Marseille sailor, to his fiancee Baptistine: “Dear little aimee, we will leave in an hour, before leaving I write you these two words in speed. I'm still healthy. Nothing yet. A thousand beaks on your cherished eyes. Your darling who loves you.” The legend of this Revenge 330 card says: “” On the edge of the waves, I love you (sic), you love me, let us love us: love gives us an appointment! “” In an open medallion on the facade of a beachfront house, a young sailor has pompom offers his heart to his beautiful against the background of the setting sun.

Unknown photographer, (20th century)

Photograph taken from the magazine 'Le nu ideal' 1905 (print)
Photograph taken from the magazine 'Le nu ideal' 1905 (print)

PCT4272545: Photograph taken from the magazine 'Le nu ideal' 1905 (print) / Bridgeman Images

ID: PCT4272545

Photograph taken from the magazine 'Le nu ideal' 1905 (print)


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