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2497571 Search Results

The ramps, in Algiers, colour postcard, 1931. Leonard de Selva Collection.
The ramps, in Algiers, colour postcard, 1931. Leonard de Selva Collection.

LSE4330822: The ramps, in Algiers, colour postcard, 1931. Leonard de Selva Collection. / Bridgeman Images

L'unnecessary beaute, collection of short stories by Guy de Maupassant (1850-1893), flammarion edition, 1926, Paris, cover illustration. Selva Collection.
L'unnecessary beaute, collection of short stories by Guy de Maupassant (1850-1893), flammarion edition, 1926, Paris, cover illustration. Selva Collection.

LSE4330845: L'unnecessary beaute, collection of short stories by Guy de Maupassant (1850-1893), flammarion edition, 1926, Paris, cover illustration. Selva Collection. / Bridgeman Images

The works of natural history, in Chipaque (Colombia), the preparation of the desiccation of plants for herbarium, under the curious gaze of the Indians, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller entrusted with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The works of natural history, in Chipaque (Colombia), the preparation of the desiccation of plants for herbarium, under the curious gaze of the Indians, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller entrusted with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331026: The works of natural history, in Chipaque (Colombia), the preparation of the desiccation of plants for herbarium, under the curious gaze of the Indians, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller entrusted with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

The trapiche, or sugar mill to grind the canes in Panche (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The trapiche, or sugar mill to grind the canes in Panche (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331102: The trapiche, or sugar mill to grind the canes in Panche (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

A sorcerer in the midst of divination, throwing seeds of different colors from a horn cup on a cat's skin, while recitating incantations, drawing by Kauffmann, to illustrate the story of a trip to the Ouanika on the coast of Zanguebar (East Africa: Tanzania, Kenya and southern Somalia), in 1874, by Achille Raffray, charge of a scientific mission by the French Ministry of Public Education. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
A sorcerer in the midst of divination, throwing seeds of different colors from a horn cup on a cat's skin, while recitating incantations, drawing by Kauffmann, to illustrate the story of a trip to the Ouanika on the coast of Zanguebar (East Africa: Tanzania, Kenya and southern Somalia), in 1874, by Achille Raffray, charge of a scientific mission by the French Ministry of Public Education. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331144: A sorcerer in the midst of divination, throwing seeds of different colors from a horn cup on a cat's skin, while recitating incantations, drawing by Kauffmann, to illustrate the story of a trip to the Ouanika on the coast of Zanguebar (East Africa: Tanzania, Kenya and southern Somalia), in 1874, by Achille Raffray, charge of a scientific mission by the French Ministry of Public Education. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Kauffmann, P. (fl.1920) / Bridgeman Images

The baptism of the line, a sailor wore an old cassock and haranges the other sailors of the crew, each weapon of a bucket of water, which they pour on the moss or the young sailor who passes for the first time the imaginary line of Ecuador, drawing by E.Riou, to illustrate the voyage to equinoxial America (Colombia, Ecuador, Peru), in 1875-1875-1876, by Edouard Andre (1833-1894), traveller in charge of a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The baptism of the line, a sailor wore an old cassock and haranges the other sailors of the crew, each weapon of a bucket of water, which they pour on the moss or the young sailor who passes for the first time the imaginary line of Ecuador, drawing by E.Riou, to illustrate the voyage to equinoxial America (Colombia, Ecuador, Peru), in 1875-1875-1876, by Edouard Andre (1833-1894), traveller in charge of a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331025: The baptism of the line, a sailor wore an old cassock and haranges the other sailors of the crew, each weapon of a bucket of water, which they pour on the moss or the young sailor who passes for the first time the imaginary line of Ecuador, drawing by E.Riou, to illustrate the voyage to equinoxial America (Colombia, Ecuador, Peru), in 1875-1875-1876, by Edouard Andre (1833-1894), traveller in charge of a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

General view of a Buddhist chapel, drawing by H.Clerget to illustrate the trip to Mongolia and the country of the Tangutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
General view of a Buddhist chapel, drawing by H.Clerget to illustrate the trip to Mongolia and the country of the Tangutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331050: General view of a Buddhist chapel, drawing by H.Clerget to illustrate the trip to Mongolia and the country of the Tangutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Clerget, Hubert (1818-1899) / Bridgeman Images

The rent of the tax, drawing by Kauffmann, to illustrate the story of a trip to Greece, in 1861,1868 and 1874, by Henri Belle. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The rent of the tax, drawing by Kauffmann, to illustrate the story of a trip to Greece, in 1861,1868 and 1874, by Henri Belle. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331163: The rent of the tax, drawing by Kauffmann, to illustrate the story of a trip to Greece, in 1861,1868 and 1874, by Henri Belle. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Kauffmann, P. (fl.1920) / Bridgeman Images

The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331249: The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A tuna fishing lodge in the bay of Proelucca, Gulf of Fiume (or Rijeka, Istria), three of the fishermen are still sleeping, wrapped in blankets, another will equip and replace the lookout, another will prepare the kitchen and the moss wanders at the foot of the rock. Dalmatia, by Charles Yriarte, in 1874, published in “Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A tuna fishing lodge in the bay of Proelucca, Gulf of Fiume (or Rijeka, Istria), three of the fishermen are still sleeping, wrapped in blankets, another will equip and replace the lookout, another will prepare the kitchen and the moss wanders at the foot of the rock. Dalmatia, by Charles Yriarte, in 1874, published in “Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330289: A tuna fishing lodge in the bay of Proelucca, Gulf of Fiume (or Rijeka, Istria), three of the fishermen are still sleeping, wrapped in blankets, another will equip and replace the lookout, another will prepare the kitchen and the moss wanders at the foot of the rock. Dalmatia, by Charles Yriarte, in 1874, published in “Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Weber, Theodore (1838-1907) / Bridgeman Images

The band of the children of the Gabon mission. Engraving after the drawing of E.Ronjat, to illustrate the cruise on the coast of Africa, by Vice Admiral Fleuriot de Langle, in 1868, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The band of the children of the Gabon mission. Engraving after the drawing of E.Ronjat, to illustrate the cruise on the coast of Africa, by Vice Admiral Fleuriot de Langle, in 1868, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330354: The band of the children of the Gabon mission. Engraving after the drawing of E.Ronjat, to illustrate the cruise on the coast of Africa, by Vice Admiral Fleuriot de Langle, in 1868, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

Type of Gallic warrior, with spear and epee nydam. Colour engraving after L.Hennin's drawing, in “France et les francais à travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Type of Gallic warrior, with spear and epee nydam. Colour engraving after L.Hennin's drawing, in “France et les francais à travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330554: Type of Gallic warrior, with spear and epee nydam. Colour engraving after L.Hennin's drawing, in “France et les francais à travers les siecles” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Costumes of wanted and crenequier, in 1400. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Costumes of wanted and crenequier, in 1400. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330603: Costumes of wanted and crenequier, in 1400. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Costume des garde du corps by Francois I 1494-1547. Colour engraving after a drawing by Gaignieres, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Costume des garde du corps by Francois I 1494-1547. Colour engraving after a drawing by Gaignieres, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330645: Costume des garde du corps by Francois I 1494-1547. Colour engraving after a drawing by Gaignieres, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Cover of the manual “The fun calculation: the table of Pythagoras”” by Trim, illustrated by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), Hachette, Paris, second half of the 19th century. Leonard de Selva collection.
Cover of the manual “The fun calculation: the table of Pythagoras”” by Trim, illustrated by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), Hachette, Paris, second half of the 19th century. Leonard de Selva collection.

LSE4330790: Cover of the manual “The fun calculation: the table of Pythagoras”” by Trim, illustrated by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), Hachette, Paris, second half of the 19th century. Leonard de Selva collection., Bertall, Charles Albert d'Arnoux (1820-82) / Bridgeman Images

A house of owner peasants, in the vicinity of Orezu (Walachia region, Romania). Engraving to illustrate the voyage from Paris to Bucharest, by Lancelot, draftsman, in 1860, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A house of owner peasants, in the vicinity of Orezu (Walachia region, Romania). Engraving to illustrate the voyage from Paris to Bucharest, by Lancelot, draftsman, in 1860, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328179: A house of owner peasants, in the vicinity of Orezu (Walachia region, Romania). Engraving to illustrate the voyage from Paris to Bucharest, by Lancelot, draftsman, in 1860, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

The Triton Fountain, in Rome, created in 1643 by Gian Lorenzo (Gianlorenzo) Bernini known as Le Bernini (1598-1680), on the Barberini Square. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The Triton Fountain, in Rome, created in 1643 by Gian Lorenzo (Gianlorenzo) Bernini known as Le Bernini (1598-1680), on the Barberini Square. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328203: The Triton Fountain, in Rome, created in 1643 by Gian Lorenzo (Gianlorenzo) Bernini known as Le Bernini (1598-1680), on the Barberini Square. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A pharmacy shop in Yedo (or Edo, present-day Tokyo), the pharmacist works with his help before the eyes of the public, protected by a wooden lacquer grid, in front of which the barges wait on the street to be served and then pay by passing the money through the bars. Every bourgeois puts in his belt a medicine box with different superimposed compartments, which usually contain opiaceous pills, mint oil powder and white sugar powder; he makes it garnish in his own right without a medical prescription. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A pharmacy shop in Yedo (or Edo, present-day Tokyo), the pharmacist works with his help before the eyes of the public, protected by a wooden lacquer grid, in front of which the barges wait on the street to be served and then pay by passing the money through the bars. Every bourgeois puts in his belt a medicine box with different superimposed compartments, which usually contain opiaceous pills, mint oil powder and white sugar powder; he makes it garnish in his own right without a medical prescription. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328318: A pharmacy shop in Yedo (or Edo, present-day Tokyo), the pharmacist works with his help before the eyes of the public, protected by a wooden lacquer grid, in front of which the barges wait on the street to be served and then pay by passing the money through the bars. Every bourgeois puts in his belt a medicine box with different superimposed compartments, which usually contain opiaceous pills, mint oil powder and white sugar powder; he makes it garnish in his own right without a medical prescription. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A funeral convoy in the Icelandic countryside, headed by a horse carrying the coffin, followed by about thirty people and a herd of dogs, shouting and barking throughout the day, stopping at each house to drink a glass of alcohol, so that the funebre procession ends up in a state of drunkenness. Engraving to illustrate the voyage in Iceland, story by Noel Nougaret, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A funeral convoy in the Icelandic countryside, headed by a horse carrying the coffin, followed by about thirty people and a herd of dogs, shouting and barking throughout the day, stopping at each house to drink a glass of alcohol, so that the funebre procession ends up in a state of drunkenness. Engraving to illustrate the voyage in Iceland, story by Noel Nougaret, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328357: A funeral convoy in the Icelandic countryside, headed by a horse carrying the coffin, followed by about thirty people and a herd of dogs, shouting and barking throughout the day, stopping at each house to drink a glass of alcohol, so that the funebre procession ends up in a state of drunkenness. Engraving to illustrate the voyage in Iceland, story by Noel Nougaret, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Indians of Cuzco (Peru), vetus of the manta, sandals and traditional sombrero, employed as labour for the exploitation of guano deposits in the Chincha Islands, drinking shisha, but fermented brandy. Engraving to illustrate Les iles Chincha, rect by L.Simonin, in 1860, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.
Indians of Cuzco (Peru), vetus of the manta, sandals and traditional sombrero, employed as labour for the exploitation of guano deposits in the Chincha Islands, drinking shisha, but fermented brandy. Engraving to illustrate Les iles Chincha, rect by L.Simonin, in 1860, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328379: Indians of Cuzco (Peru), vetus of the manta, sandals and traditional sombrero, employed as labour for the exploitation of guano deposits in the Chincha Islands, drinking shisha, but fermented brandy. Engraving to illustrate Les iles Chincha, rect by L.Simonin, in 1860, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The manufacture of palm leaf baskets, for the collection of coffee. Engraving to illustrate the voyage to Brazil, story by M. and Mme Agassiz, in 1865-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The manufacture of palm leaf baskets, for the collection of coffee. Engraving to illustrate the voyage to Brazil, story by M. and Mme Agassiz, in 1865-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328416: The manufacture of palm leaf baskets, for the collection of coffee. Engraving to illustrate the voyage to Brazil, story by M. and Mme Agassiz, in 1865-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A barber in the wind in the streets of Rome. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A barber in the wind in the streets of Rome. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328450: A barber in the wind in the streets of Rome. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The end of the pariah: the Yetas, excluded from Japanese society and deprived of the help of religion, have no right to any kind of ceremony, they organize cremation between yetas, the corpse is carried on a stretcher to a desert place, or the body covered with a straw mat is burned. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The end of the pariah: the Yetas, excluded from Japanese society and deprived of the help of religion, have no right to any kind of ceremony, they organize cremation between yetas, the corpse is carried on a stretcher to a desert place, or the body covered with a straw mat is burned. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328332: The end of the pariah: the Yetas, excluded from Japanese society and deprived of the help of religion, have no right to any kind of ceremony, they organize cremation between yetas, the corpse is carried on a stretcher to a desert place, or the body covered with a straw mat is burned. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Masks and disguises for the dance of medicine among the Naya Indians. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Masks and disguises for the dance of medicine among the Naya Indians. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328547: Masks and disguises for the dance of medicine among the Naya Indians. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The dance of the rice round, which takes place in the 10th month of the year, relates to cereal crops. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The dance of the rice round, which takes place in the 10th month of the year, relates to cereal crops. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328642: The dance of the rice round, which takes place in the 10th month of the year, relates to cereal crops. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The watchmaker and sundial manufacturer, in his workshop, squatting in front of a small anvil, his tools sparpilles on the floor around him. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
The watchmaker and sundial manufacturer, in his workshop, squatting in front of a small anvil, his tools sparpilles on the floor around him. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328669: The watchmaker and sundial manufacturer, in his workshop, squatting in front of a small anvil, his tools sparpilles on the floor around him. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A stage of the Japanese theatre, in Yokohama, with three galleries for the reception of spectators; the actors play on a high stage, each accompanied by a man holding a long stick at the end of which a candle is held; during the performance, it is not uncommon for the spectators to intervene and give the actors a replica. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
A stage of the Japanese theatre, in Yokohama, with three galleries for the reception of spectators; the actors play on a high stage, each accompanied by a man holding a long stick at the end of which a candle is held; during the performance, it is not uncommon for the spectators to intervene and give the actors a replica. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328714: A stage of the Japanese theatre, in Yokohama, with three galleries for the reception of spectators; the actors play on a high stage, each accompanied by a man holding a long stick at the end of which a candle is held; during the performance, it is not uncommon for the spectators to intervene and give the actors a replica. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The main gopuram of the temple of Rama a Combaronum, composed of 11 floors, and topped by 11 balls, the various faces of this pyramidal tower are completely covered with statues.Engraving to illustrate the journey to the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” the tour du monde”, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
The main gopuram of the temple of Rama a Combaronum, composed of 11 floors, and topped by 11 balls, the various faces of this pyramidal tower are completely covered with statues.Engraving to illustrate the journey to the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” the tour du monde”, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328757: The main gopuram of the temple of Rama a Combaronum, composed of 11 floors, and topped by 11 balls, the various faces of this pyramidal tower are completely covered with statues.Engraving to illustrate the journey to the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” the tour du monde”, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Women of the people of the Concau Coast (or Konkan, northern coast of India). Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Women of the people of the Concau Coast (or Konkan, northern coast of India). Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328777: Women of the people of the Concau Coast (or Konkan, northern coast of India). Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The living room of a rich Tatar house in Schusha (Transcaucasia, Russia), where men gather, sitting on carpets to smoke the pipe and chat. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The living room of a rich Tatar house in Schusha (Transcaucasia, Russia), where men gather, sitting on carpets to smoke the pipe and chat. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328611: The living room of a rich Tatar house in Schusha (Transcaucasia, Russia), where men gather, sitting on carpets to smoke the pipe and chat. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Mowing a sheep by a young Tatar man, in Schusha (Transcaucasia, Russia). Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Mowing a sheep by a young Tatar man, in Schusha (Transcaucasia, Russia). Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328619: Mowing a sheep by a young Tatar man, in Schusha (Transcaucasia, Russia). Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A discount cloth dealer makes the article to a young woman carrying her toddler on her back. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
A discount cloth dealer makes the article to a young woman carrying her toddler on her back. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328650: A discount cloth dealer makes the article to a young woman carrying her toddler on her back. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Brahmane kneels before the altar of offerings, praying. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, edited by Edouard Charton, Hachette, Paris 1869.Selva Collection.
Brahmane kneels before the altar of offerings, praying. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, edited by Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328754: Brahmane kneels before the altar of offerings, praying. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, edited by Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Parsi dealers and merchants at the Bombay cotton market. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Parsi dealers and merchants at the Bombay cotton market. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328769: Parsi dealers and merchants at the Bombay cotton market. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The family of the inventors of sake, composed of parents and their eight children, collective bosses of brewery, they live on the coast of the great Ocean, wear a belt of oak leaves and a long redhead hair that covers them up to the hips, arms of bowls and sinks, they dance rounds around a huge garter sunset. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The family of the inventors of sake, composed of parents and their eight children, collective bosses of brewery, they live on the coast of the great Ocean, wear a belt of oak leaves and a long redhead hair that covers them up to the hips, arms of bowls and sinks, they dance rounds around a huge garter sunset. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328831: The family of the inventors of sake, composed of parents and their eight children, collective bosses of brewery, they live on the coast of the great Ocean, wear a belt of oak leaves and a long redhead hair that covers them up to the hips, arms of bowls and sinks, they dance rounds around a huge garter sunset. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Appearance of a street in Edo (Tokyo) on the first day of the year, the transvestite inhabitants walk around and children's games are omnipresent: kites (kites) of paper, stitches, tops and hoops, snowshoes, puppies and effigies made of paper mache, among the clamors and songs. confederation suisse, in 1863-1864, published in “Le tour du monde”” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Appearance of a street in Edo (Tokyo) on the first day of the year, the transvestite inhabitants walk around and children's games are omnipresent: kites (kites) of paper, stitches, tops and hoops, snowshoes, puppies and effigies made of paper mache, among the clamors and songs. confederation suisse, in 1863-1864, published in “Le tour du monde”” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328844: Appearance of a street in Edo (Tokyo) on the first day of the year, the transvestite inhabitants walk around and children's games are omnipresent: kites (kites) of paper, stitches, tops and hoops, snowshoes, puppies and effigies made of paper mache, among the clamors and songs. confederation suisse, in 1863-1864, published in “Le tour du monde”” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images


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