Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497570 Search Results

Illustration of the book by Leo Taxil and J. Vindex “Marat ou les heros de la revolution””, Librairie anti-clericale (anti clerical, anticlerical) 1883 - Revolution Francaise - arrest of Jacques de Flesselles (1730-1789), holder of a ticket address to the governor of the Bastille - engraving by Cardon -
Illustration of the book by Leo Taxil and J. Vindex “Marat ou les heros de la revolution””, Librairie anti-clericale (anti clerical, anticlerical) 1883 - Revolution Francaise - arrest of Jacques de Flesselles (1730-1789), holder of a ticket address to the governor of the Bastille - engraving by Cardon -

PCT4285742: Illustration of the book by Leo Taxil and J. Vindex “Marat ou les heros de la revolution””, Librairie anti-clericale (anti clerical, anticlerical) 1883 - Revolution Francaise - arrest of Jacques de Flesselles (1730-1789), holder of a ticket address to the governor of the Bastille - engraving by Cardon - / Bridgeman Images

Beaulieu sur mer (Beaulieu-sur-Mer, Alpes-Maritimes, Alpes Maritimes, Cote d'Azur): general view, railway line, station - colorized postcard LL beginning 20th century -
Beaulieu sur mer (Beaulieu-sur-Mer, Alpes-Maritimes, Alpes Maritimes, Cote d'Azur): general view, railway line, station - colorized postcard LL beginning 20th century -

PCT4285890: Beaulieu sur mer (Beaulieu-sur-Mer, Alpes-Maritimes, Alpes Maritimes, Cote d'Azur): general view, railway line, station - colorized postcard LL beginning 20th century - / Bridgeman Images

Beaulieu sur mer (Beaulieu-sur-Mer, Alpes-Maritimes, Alpes Maritimes, Cote d'Azur): Interieur of the station, passengers on the quay waiting for the train - postcard Rostan and Munier (Nice), early 20th century (ca. 1920-1930) - true hotography -
Beaulieu sur mer (Beaulieu-sur-Mer, Alpes-Maritimes, Alpes Maritimes, Cote d'Azur): Interieur of the station, passengers on the quay waiting for the train - postcard Rostan and Munier (Nice), early 20th century (ca. 1920-1930) - true hotography -

PCT4285873: Beaulieu sur mer (Beaulieu-sur-Mer, Alpes-Maritimes, Alpes Maritimes, Cote d'Azur): Interieur of the station, passengers on the quay waiting for the train - postcard Rostan and Munier (Nice), early 20th century (ca. 1920-1930) - true hotography - / Bridgeman Images

Advertising card of the Michelin Brothers at the beginning of the 20th century: “In Malaysia, the Pacific buffalo also appreciates the comfort of the Michelin. People use tire waste as irons.” Tyre, pneumatic, industry, colony, colony, colonialism -
Advertising card of the Michelin Brothers at the beginning of the 20th century: “In Malaysia, the Pacific buffalo also appreciates the comfort of the Michelin. People use tire waste as irons.” Tyre, pneumatic, industry, colony, colony, colonialism -

PCT4285984: Advertising card of the Michelin Brothers at the beginning of the 20th century: “In Malaysia, the Pacific buffalo also appreciates the comfort of the Michelin. People use tire waste as irons.” Tyre, pneumatic, industry, colony, colony, colonialism - / Bridgeman Images

The opening of Avenue Napoleon, View from the roof of the Opera Garnier, leading to the Theatre Francais, 1869 (engraving)
The opening of Avenue Napoleon, View from the roof of the Opera Garnier, leading to the Theatre Francais, 1869 (engraving)

PCT4285906: The opening of Avenue Napoleon, View from the roof of the Opera Garnier, leading to the Theatre Francais, 1869 (engraving) / Bridgeman Images

Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285126: Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285150: Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Parisian suburbs in the 1900s (beginning of the 20th century): Aubervilliers (Seine Saint-Denis, Ile de France), the Saint-Denis canal and the St Gobain factory (St-Gobain - Saint-Gobain) - around Paris - peniches a quai - Postcard of the period, photograph E. Malcuit -
Parisian suburbs in the 1900s (beginning of the 20th century): Aubervilliers (Seine Saint-Denis, Ile de France), the Saint-Denis canal and the St Gobain factory (St-Gobain - Saint-Gobain) - around Paris - peniches a quai - Postcard of the period, photograph E. Malcuit -

PCT4285207: Parisian suburbs in the 1900s (beginning of the 20th century): Aubervilliers (Seine Saint-Denis, Ile de France), the Saint-Denis canal and the St Gobain factory (St-Gobain - Saint-Gobain) - around Paris - peniches a quai - Postcard of the period, photograph E. Malcuit - / Bridgeman Images

1895: the French industrialist Edouard Michelin (1859-1940) equips “” l'Eclair””, the first car on pneumatic tires, the ancestor of the modern car - automotive industry - cars, tires, tires, tires - Edouard Michelin sits on the passenger seat - quotations from Armand Peugeot: “As my mechanics will be well above it (1896)” and Count De Dion (Dion Button): “” we make the locomotive but Michelin supplied the rail (1897) - advertising card of Michelin Freres, early 20th century -
1895: the French industrialist Edouard Michelin (1859-1940) equips “” l'Eclair””, the first car on pneumatic tires, the ancestor of the modern car - automotive industry - cars, tires, tires, tires - Edouard Michelin sits on the passenger seat - quotations from Armand Peugeot: “As my mechanics will be well above it (1896)” and Count De Dion (Dion Button): “” we make the locomotive but Michelin supplied the rail (1897) - advertising card of Michelin Freres, early 20th century -

PCT4285963: 1895: the French industrialist Edouard Michelin (1859-1940) equips “” l'Eclair””, the first car on pneumatic tires, the ancestor of the modern car - automotive industry - cars, tires, tires, tires - Edouard Michelin sits on the passenger seat - quotations from Armand Peugeot: “As my mechanics will be well above it (1896)” and Count De Dion (Dion Button): “” we make the locomotive but Michelin supplied the rail (1897) - advertising card of Michelin Freres, early 20th century - / Bridgeman Images

The Richelieu Hall (Theatre de la Comedie Francaise or Theatre Francaise) at the end of the 13th century (18th) at the time when the building was called Theatre de la Republique. This facade built in 1780 by architect Victor Louis was transformed at the beginning of the 19th century -
The Richelieu Hall (Theatre de la Comedie Francaise or Theatre Francaise) at the end of the 13th century (18th) at the time when the building was called Theatre de la Republique. This facade built in 1780 by architect Victor Louis was transformed at the beginning of the 19th century -

PCT4285987: The Richelieu Hall (Theatre de la Comedie Francaise or Theatre Francaise) at the end of the 13th century (18th) at the time when the building was called Theatre de la Republique. This facade built in 1780 by architect Victor Louis was transformed at the beginning of the 19th century - / Bridgeman Images

Portrait of the Count of Permission, 1603 (woodcut)
Portrait of the Count of Permission, 1603 (woodcut)

PCT4284057: Portrait of the Count of Permission, 1603 (woodcut) / Bridgeman Images

Map of Merovingian France between 480 and 782 and successive division of Merovingian states - first division of his sons after the death of Clovis - board extracted from the “Atlas Universelle et Classique de Geographie ancienne, romaine, du middle ages, moderne et contemporaine” by M Drioux and Ch Leroy - Bookairie classique Eugene Belin 1886 -
Map of Merovingian France between 480 and 782 and successive division of Merovingian states - first division of his sons after the death of Clovis - board extracted from the “Atlas Universelle et Classique de Geographie ancienne, romaine, du middle ages, moderne et contemporaine” by M Drioux and Ch Leroy - Bookairie classique Eugene Belin 1886 -

PCT4284038: Map of Merovingian France between 480 and 782 and successive division of Merovingian states - first division of his sons after the death of Clovis - board extracted from the “Atlas Universelle et Classique de Geographie ancienne, romaine, du middle ages, moderne et contemporaine” by M Drioux and Ch Leroy - Bookairie classique Eugene Belin 1886 - / Bridgeman Images

Albert Sarraut Museum (Musee du Cambodia), built between 1917 and 1924 north of the Royal Palace of Phnom Penh, capital of the country - It is the main historical and archeological museum of Cambodia - It contains one of the most important collections of Khmer art - Cree initiated by Albert Sarraut, then Governor General of Indochina Francaise, his architecture due to Georges Groslier is inspired by that of a Khmer temple - It underwent serious degrades during the Khmer Rouge era - Postcard SEK around 1920 -
Albert Sarraut Museum (Musee du Cambodia), built between 1917 and 1924 north of the Royal Palace of Phnom Penh, capital of the country - It is the main historical and archeological museum of Cambodia - It contains one of the most important collections of Khmer art - Cree initiated by Albert Sarraut, then Governor General of Indochina Francaise, his architecture due to Georges Groslier is inspired by that of a Khmer temple - It underwent serious degrades during the Khmer Rouge era - Postcard SEK around 1920 -

PCT4284155: Albert Sarraut Museum (Musee du Cambodia), built between 1917 and 1924 north of the Royal Palace of Phnom Penh, capital of the country - It is the main historical and archeological museum of Cambodia - It contains one of the most important collections of Khmer art - Cree initiated by Albert Sarraut, then Governor General of Indochina Francaise, his architecture due to Georges Groslier is inspired by that of a Khmer temple - It underwent serious degrades during the Khmer Rouge era - Postcard SEK around 1920 - / Bridgeman Images

Ramparts of Marrakech (Morocco) at the beginning of the 20th century - Photography Kricorian -
Ramparts of Marrakech (Morocco) at the beginning of the 20th century - Photography Kricorian -

PCT4284225: Ramparts of Marrakech (Morocco) at the beginning of the 20th century - Photography Kricorian - / Bridgeman Images

Image of a panel of La Morale by example by Lecerf and Dumoulin (Librairie d'Education Nationale) beginning 20th century - “” Work ensures well-being and leads to honour””: social duties, fraternity in the study - students of the faculty of letters meet the workers going to adult classes of the Popular University - A teacher of letters shakes hands of a worker - handgrip - salvation - respect -
Image of a panel of La Morale by example by Lecerf and Dumoulin (Librairie d'Education Nationale) beginning 20th century - “” Work ensures well-being and leads to honour””: social duties, fraternity in the study - students of the faculty of letters meet the workers going to adult classes of the Popular University - A teacher of letters shakes hands of a worker - handgrip - salvation - respect -

PCT4283016: Image of a panel of La Morale by example by Lecerf and Dumoulin (Librairie d'Education Nationale) beginning 20th century - “” Work ensures well-being and leads to honour””: social duties, fraternity in the study - students of the faculty of letters meet the workers going to adult classes of the Popular University - A teacher of letters shakes hands of a worker - handgrip - salvation - respect - / Bridgeman Images

Title page of the anticlerical novel by Leo Taxil and Paul Foucher “The religion of crime”” - anti-clerical bookshop 1880 - illustration by Frid Rick showing a cure (priest) suffocated by a snake (boa - python) in his rings -
Title page of the anticlerical novel by Leo Taxil and Paul Foucher “The religion of crime”” - anti-clerical bookshop 1880 - illustration by Frid Rick showing a cure (priest) suffocated by a snake (boa - python) in his rings -

PCT4283067: Title page of the anticlerical novel by Leo Taxil and Paul Foucher “The religion of crime”” - anti-clerical bookshop 1880 - illustration by Frid Rick showing a cure (priest) suffocated by a snake (boa - python) in his rings - / Bridgeman Images

French soldiers in a trench at the front, bayonet with the barrel of their rifles, ready to go to the assault of enemy lines (German) - War 14-18 (1914-1918) - Cover illustration of one of the many popular fascicles published by the Rouff brothers after the First World War (“La prise de Tahure” by Leon Groc, collection “” Patrie”””””””
French soldiers in a trench at the front, bayonet with the barrel of their rifles, ready to go to the assault of enemy lines (German) - War 14-18 (1914-1918) - Cover illustration of one of the many popular fascicles published by the Rouff brothers after the First World War (“La prise de Tahure” by Leon Groc, collection “” Patrie”””””””

PCT4283156: French soldiers in a trench at the front, bayonet with the barrel of their rifles, ready to go to the assault of enemy lines (German) - War 14-18 (1914-1918) - Cover illustration of one of the many popular fascicles published by the Rouff brothers after the First World War (“La prise de Tahure” by Leon Groc, collection “” Patrie””””””” / Bridgeman Images

Cover of a booklet Rouff, collection “” Patrie””, published during the war of 14-18 (1914-1918) - “” The hunt at the Zeppelin” - a French airman - machine gun shot at a German airship in flight - air combat - aviation -
Cover of a booklet Rouff, collection “” Patrie””, published during the war of 14-18 (1914-1918) - “” The hunt at the Zeppelin” - a French airman - machine gun shot at a German airship in flight - air combat - aviation -

PCT4283246: Cover of a booklet Rouff, collection “” Patrie””, published during the war of 14-18 (1914-1918) - “” The hunt at the Zeppelin” - a French airman - machine gun shot at a German airship in flight - air combat - aviation - / Bridgeman Images

Inauguration of the Colonial Exhibition of Marseille, 1906: arrival of official personalites - Cliche Baudoin from a pamphlet notebook of the period -
Inauguration of the Colonial Exhibition of Marseille, 1906: arrival of official personalites - Cliche Baudoin from a pamphlet notebook of the period -

PCT4284167: Inauguration of the Colonial Exhibition of Marseille, 1906: arrival of official personalites - Cliche Baudoin from a pamphlet notebook of the period - / Bridgeman Images

Satirical postcard uniting the portraits of two “men of the day”, French police chief Louis Lepine (1846 - 1933) and Japanese general Oku Yasukata (1849-1930, heros of the Japanese Sino War (1894-1895) and the Russian-Japanese War of 1904-1905 - An unlikely assemblage of two personalites that nothing seems to justify, except the pleasure of mocking prefet Lepine by daring a pun as irreverent as it is scabrous: Lepine - Oku = pine au cul! As General Oku represented Japan in France at the beginning of the twentieth century, one might think that the two portraits were brought together without bad intention and the word play was fortuitous, but this is unlikely. In fact, at the same time, another humorous map proposed to discuss the Sea of Japan to name it “Sea of Oku”! - Yeah.
Satirical postcard uniting the portraits of two “men of the day”, French police chief Louis Lepine (1846 - 1933) and Japanese general Oku Yasukata (1849-1930, heros of the Japanese Sino War (1894-1895) and the Russian-Japanese War of 1904-1905 - An unlikely assemblage of two personalites that nothing seems to justify, except the pleasure of mocking prefet Lepine by daring a pun as irreverent as it is scabrous: Lepine - Oku = pine au cul! As General Oku represented Japan in France at the beginning of the twentieth century, one might think that the two portraits were brought together without bad intention and the word play was fortuitous, but this is unlikely. In fact, at the same time, another humorous map proposed to discuss the Sea of Japan to name it “Sea of Oku”! - Yeah.

PCT4284204: Satirical postcard uniting the portraits of two “men of the day”, French police chief Louis Lepine (1846 - 1933) and Japanese general Oku Yasukata (1849-1930, heros of the Japanese Sino War (1894-1895) and the Russian-Japanese War of 1904-1905 - An unlikely assemblage of two personalites that nothing seems to justify, except the pleasure of mocking prefet Lepine by daring a pun as irreverent as it is scabrous: Lepine - Oku = pine au cul! As General Oku represented Japan in France at the beginning of the twentieth century, one might think that the two portraits were brought together without bad intention and the word play was fortuitous, but this is unlikely. In fact, at the same time, another humorous map proposed to discuss the Sea of Japan to name it “Sea of Oku”! - Yeah. / Bridgeman Images

The little artist: illustration signed Montaut d'Oloron (detail) of a book of edifying readings of the 19th century: “” Who gives the poor ready to God””” by Leon Guerin, editon Vermot - a child makes the portrait (drawing - painting - caricature) of a hunter with a long nose -
The little artist: illustration signed Montaut d'Oloron (detail) of a book of edifying readings of the 19th century: “” Who gives the poor ready to God””” by Leon Guerin, editon Vermot - a child makes the portrait (drawing - painting - caricature) of a hunter with a long nose -

PCT4284251: The little artist: illustration signed Montaut d'Oloron (detail) of a book of edifying readings of the 19th century: “” Who gives the poor ready to God””” by Leon Guerin, editon Vermot - a child makes the portrait (drawing - painting - caricature) of a hunter with a long nose - / Bridgeman Images

First World War 1914-1918 - a statue of Germania conforming to the taste of the German people: with beer mug, sausage rosary, cold cuts and pipe (tobacco) - French satirical postcard 1915 -
First World War 1914-1918 - a statue of Germania conforming to the taste of the German people: with beer mug, sausage rosary, cold cuts and pipe (tobacco) - French satirical postcard 1915 -

PCT4284414: First World War 1914-1918 - a statue of Germania conforming to the taste of the German people: with beer mug, sausage rosary, cold cuts and pipe (tobacco) - French satirical postcard 1915 - / Bridgeman Images

The 1903 Salon of the Societe des artistes francais in Paris: the interior of the Grand Palais before the opening to the public - sculpture, assembly of a group of statues - postcard Neurdein Freres period -
The 1903 Salon of the Societe des artistes francais in Paris: the interior of the Grand Palais before the opening to the public - sculpture, assembly of a group of statues - postcard Neurdein Freres period -

PCT4284367: The 1903 Salon of the Societe des artistes francais in Paris: the interior of the Grand Palais before the opening to the public - sculpture, assembly of a group of statues - postcard Neurdein Freres period - / Bridgeman Images

First World War 1914-1918: the rat hunt is open in the trenches of the Front - two French soldiers (hairy) present the one-night hunting table in their trench: more than 20 rodents! photograph in Le Flambeau No. 6 of July 3, 1915 -
First World War 1914-1918: the rat hunt is open in the trenches of the Front - two French soldiers (hairy) present the one-night hunting table in their trench: more than 20 rodents! photograph in Le Flambeau No. 6 of July 3, 1915 -

PCT4284409: First World War 1914-1918: the rat hunt is open in the trenches of the Front - two French soldiers (hairy) present the one-night hunting table in their trench: more than 20 rodents! photograph in Le Flambeau No. 6 of July 3, 1915 - / Bridgeman Images

Lettrine opening a chapter of Gulliver's adventures by Swift: the letter L is held between his teeth by the mouth of a giant - Garnier edition late 19th century, illustration by Grandville -
Lettrine opening a chapter of Gulliver's adventures by Swift: the letter L is held between his teeth by the mouth of a giant - Garnier edition late 19th century, illustration by Grandville -

PCT4284510: Lettrine opening a chapter of Gulliver's adventures by Swift: the letter L is held between his teeth by the mouth of a giant - Garnier edition late 19th century, illustration by Grandville - / Bridgeman Images

The catastrophe of Saint-Gervais-les-Bains in 1892 (photo)
The catastrophe of Saint-Gervais-les-Bains in 1892 (photo)

PCT4283359: The catastrophe of Saint-Gervais-les-Bains in 1892 (photo) / Bridgeman Images

Marrakech, Morocco: interior of Dar Si Said - stucco - arabesques - Photo Patrice Cartier -
Marrakech, Morocco: interior of Dar Si Said - stucco - arabesques - Photo Patrice Cartier -

PCT4283527: Marrakech, Morocco: interior of Dar Si Said - stucco - arabesques - Photo Patrice Cartier -, Cartier, Patrice / Bridgeman Images

Albert Robida (1848-1926), French cartoonist, lithographer, aquafortiste, cartoonist, journalist and novelist.
Albert Robida (1848-1926), French cartoonist, lithographer, aquafortiste, cartoonist, journalist and novelist.

PCT4284549: Albert Robida (1848-1926), French cartoonist, lithographer, aquafortiste, cartoonist, journalist and novelist. / Bridgeman Images

French Revolution: Interpellation of Robespierre on 27 July 1794 (9 Thermidor year II) at the tribune of the Convention - Engravure extracted from the Histoire de France Populaire by Henri Martin (edition Furne et Juvet 19th century) -
French Revolution: Interpellation of Robespierre on 27 July 1794 (9 Thermidor year II) at the tribune of the Convention - Engravure extracted from the Histoire de France Populaire by Henri Martin (edition Furne et Juvet 19th century) -

PCT4284570: French Revolution: Interpellation of Robespierre on 27 July 1794 (9 Thermidor year II) at the tribune of the Convention - Engravure extracted from the Histoire de France Populaire by Henri Martin (edition Furne et Juvet 19th century) - / Bridgeman Images

Colonial Exhibition Marseille, 1906: visitors in front of the drink pavilion (aperitif) Amer Picon, flying over the captive balloon - Phototypie Lacour -
Colonial Exhibition Marseille, 1906: visitors in front of the drink pavilion (aperitif) Amer Picon, flying over the captive balloon - Phototypie Lacour -

PCT4284171: Colonial Exhibition Marseille, 1906: visitors in front of the drink pavilion (aperitif) Amer Picon, flying over the captive balloon - Phototypie Lacour - / Bridgeman Images

A history course illustrated by cinematographic projections in 1950 - Drawing of anticipation published in 1917 in Mon Journal by Albert Robida (1848-1926) -
A history course illustrated by cinematographic projections in 1950 - Drawing of anticipation published in 1917 in Mon Journal by Albert Robida (1848-1926) -

PCT4284915: A history course illustrated by cinematographic projections in 1950 - Drawing of anticipation published in 1917 in Mon Journal by Albert Robida (1848-1926) -, Robida, Albert (1848-1926) / Bridgeman Images

The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285108: The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Marrakech (Morocco) the minaret of the Koutoubia - esplanade (promenade) with palm trees - Photo Patrice Cartier -
Marrakech (Morocco) the minaret of the Koutoubia - esplanade (promenade) with palm trees - Photo Patrice Cartier -

PCT4284220: Marrakech (Morocco) the minaret of the Koutoubia - esplanade (promenade) with palm trees - Photo Patrice Cartier -, Cartier, Patrice / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -
Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -

PCT4285061: Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -, Dore, Gustave (1832-83) / Bridgeman Images

The ruins of the Great War: entrance to the Fort of Vaux near Verdun - trench, beards, fortifications, underground - postcard from 1914-1918- First World War 14-18 -
The ruins of the Great War: entrance to the Fort of Vaux near Verdun - trench, beards, fortifications, underground - postcard from 1914-1918- First World War 14-18 -

PCT4284282: The ruins of the Great War: entrance to the Fort of Vaux near Verdun - trench, beards, fortifications, underground - postcard from 1914-1918- First World War 14-18 -, Unknown photographer, (20th century) / Bridgeman Images

The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection
The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection

PCT4285148: The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images


Back to top