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Messer Gaster (le ventre) - engraving of 1823 in “” Songes drolatiques de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection
Messer Gaster (le ventre) - engraving of 1823 in “” Songes drolatiques de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection

JEB4934781: Messer Gaster (le ventre) - engraving of 1823 in “” Songes drolatiques de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection / Bridgeman Images

Louis de Breze (1463-1531) - engraving of 1823 in “” Drolatic Songes de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection
Louis de Breze (1463-1531) - engraving of 1823 in “” Drolatic Songes de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection

JEB4934867: Louis de Breze (1463-1531) - engraving of 1823 in “” Drolatic Songes de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection / Bridgeman Images

Niphlaseth - engraving of 1823 in “” Drolatic Songes de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection
Niphlaseth - engraving of 1823 in “” Drolatic Songes de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection

JEB4934888: Niphlaseth - engraving of 1823 in “” Drolatic Songes de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection / Bridgeman Images

Le roy Benius ou Saint Benoit (Saint Benoit de Nursie, 480-587) - engraving of 1823 in “” Songes drolatiques de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection
Le roy Benius ou Saint Benoit (Saint Benoit de Nursie, 480-587) - engraving of 1823 in “” Songes drolatiques de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection

JEB4935408: Le roy Benius ou Saint Benoit (Saint Benoit de Nursie, 480-587) - engraving of 1823 in “” Songes drolatiques de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection / Bridgeman Images

Frere Jean des Entommeures or Cardinal Jean du Bellay (1492 or 1498-1560) - engraving of 1823 in “” Drolatic Songes de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection
Frere Jean des Entommeures or Cardinal Jean du Bellay (1492 or 1498-1560) - engraving of 1823 in “” Drolatic Songes de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection

JEB4935532: Frere Jean des Entommeures or Cardinal Jean du Bellay (1492 or 1498-1560) - engraving of 1823 in “” Drolatic Songes de Pantagruel”” by Francois Rabelais (1494-1553) - (The Capricious Dreams of Pantagruel) - Private collection / Bridgeman Images

La lecture, scene du monument dedicated to Clovis Hugues (1851-1907) - Sculpture by Jeanne Royannez Hugues (1855-1932), garden of the archeveche in Embrun (Hautes Alpes)
La lecture, scene du monument dedicated to Clovis Hugues (1851-1907) - Sculpture by Jeanne Royannez Hugues (1855-1932), garden of the archeveche in Embrun (Hautes Alpes)

JEB4937434: La lecture, scene du monument dedicated to Clovis Hugues (1851-1907) - Sculpture by Jeanne Royannez Hugues (1855-1932), garden of the archeveche in Embrun (Hautes Alpes), Hugues, Jeanne Royannez (1855-1932) / Bridgeman Images

The deposition of Croix - Fresco of the chapel of Saint Martin, late 12th century, of the medieval city of Limeuil (Dordogne, Perigord)
The deposition of Croix - Fresco of the chapel of Saint Martin, late 12th century, of the medieval city of Limeuil (Dordogne, Perigord)

JEB4938235: The deposition of Croix - Fresco of the chapel of Saint Martin, late 12th century, of the medieval city of Limeuil (Dordogne, Perigord) / Bridgeman Images

Adam and Eve - Stained glass in the chapel of Purgatory, by Arnaud de Moles (1470-1520) completed in 1513 - Cathedrale Sainte Marie d'Auch (Gers) (15th-17th century)
Adam and Eve - Stained glass in the chapel of Purgatory, by Arnaud de Moles (1470-1520) completed in 1513 - Cathedrale Sainte Marie d'Auch (Gers) (15th-17th century)

JEB4938678: Adam and Eve - Stained glass in the chapel of Purgatory, by Arnaud de Moles (1470-1520) completed in 1513 - Cathedrale Sainte Marie d'Auch (Gers) (15th-17th century), Moles, Arnaud de (1470-1520) / Bridgeman Images

The Life of the Virgin, detail of the presentation at the temple of the child Jesus - Flemish tapestry 16th century of the cathedrale Notre Dame (1525-1535) by Saint Bertrand de Comminges (Haute Garonne, Midi Pyrenees)
The Life of the Virgin, detail of the presentation at the temple of the child Jesus - Flemish tapestry 16th century of the cathedrale Notre Dame (1525-1535) by Saint Bertrand de Comminges (Haute Garonne, Midi Pyrenees)

JEB4939772: The Life of the Virgin, detail of the presentation at the temple of the child Jesus - Flemish tapestry 16th century of the cathedrale Notre Dame (1525-1535) by Saint Bertrand de Comminges (Haute Garonne, Midi Pyrenees) / Bridgeman Images

Saint John the Baptist - Jube marquetry panel (1535) of the cathedrale Notre Dame (1525-1535) of Saint Bertrand de Comminges (Haute Garonne, Midi Pyrenees)
Saint John the Baptist - Jube marquetry panel (1535) of the cathedrale Notre Dame (1525-1535) of Saint Bertrand de Comminges (Haute Garonne, Midi Pyrenees)

JEB4939863: Saint John the Baptist - Jube marquetry panel (1535) of the cathedrale Notre Dame (1525-1535) of Saint Bertrand de Comminges (Haute Garonne, Midi Pyrenees) / Bridgeman Images

Italy Tuscany San Gimignano, Museum of Sacred Art: The Virgin in Majesty - Maesta de Filippo di Memmo dit Lippo Memmi (1291-1356), fresco, 1317
Italy Tuscany San Gimignano, Museum of Sacred Art: The Virgin in Majesty - Maesta de Filippo di Memmo dit Lippo Memmi (1291-1356), fresco, 1317

JEB4948019: Italy Tuscany San Gimignano, Museum of Sacred Art: The Virgin in Majesty - Maesta de Filippo di Memmo dit Lippo Memmi (1291-1356), fresco, 1317 / Bridgeman Images

Italy Tuscany Siena, Cathedrale Duomo: Piccolomini Library - Departure for the Council of Bale (1431). Enea (Enea Silvio Piccolomini, Pius II, 1405-1464) on his white horse - fresco by Pinturricchio (Bernardino di Betto) (1454-1513), 1505-1507
Italy Tuscany Siena, Cathedrale Duomo: Piccolomini Library - Departure for the Council of Bale (1431). Enea (Enea Silvio Piccolomini, Pius II, 1405-1464) on his white horse - fresco by Pinturricchio (Bernardino di Betto) (1454-1513), 1505-1507

JEB4948404: Italy Tuscany Siena, Cathedrale Duomo: Piccolomini Library - Departure for the Council of Bale (1431). Enea (Enea Silvio Piccolomini, Pius II, 1405-1464) on his white horse - fresco by Pinturricchio (Bernardino di Betto) (1454-1513), 1505-1507 / Bridgeman Images

Italy Tuscany Siena, Cathedrale Duomo: The Piccolomini Library - Enee Piccolimini (Pius II, 1405-1464) receives the hat of the Cardinal of Pope Calixte III (1378-1458) (Detail) - fresco by Pinturricchio (Bernardino di Betto) (1454-1513), 1505-1507
Italy Tuscany Siena, Cathedrale Duomo: The Piccolomini Library - Enee Piccolimini (Pius II, 1405-1464) receives the hat of the Cardinal of Pope Calixte III (1378-1458) (Detail) - fresco by Pinturricchio (Bernardino di Betto) (1454-1513), 1505-1507

JEB4948416: Italy Tuscany Siena, Cathedrale Duomo: The Piccolomini Library - Enee Piccolimini (Pius II, 1405-1464) receives the hat of the Cardinal of Pope Calixte III (1378-1458) (Detail) - fresco by Pinturricchio (Bernardino di Betto) (1454-1513), 1505-1507 / Bridgeman Images

Italy Tuscany Siena, Cathedrale Duomo: The Piccolomini Library - Enee Piccolimini (Pius II, 1405-1464) receives the hat of the Cardinal of Pope Calixte III (1378-1458) - fresco by Pinturricchio (Bernardino di Betto) (1454-1513), 1505-1507
Italy Tuscany Siena, Cathedrale Duomo: The Piccolomini Library - Enee Piccolimini (Pius II, 1405-1464) receives the hat of the Cardinal of Pope Calixte III (1378-1458) - fresco by Pinturricchio (Bernardino di Betto) (1454-1513), 1505-1507

JEB4948442: Italy Tuscany Siena, Cathedrale Duomo: The Piccolomini Library - Enee Piccolimini (Pius II, 1405-1464) receives the hat of the Cardinal of Pope Calixte III (1378-1458) - fresco by Pinturricchio (Bernardino di Betto) (1454-1513), 1505-1507 / Bridgeman Images

Italy Tuscany Siena, Baptistere San Giovanni: Jesus in majesty and crucifixion scene - Fresco of the Vecchiatta (Francesco di Giorgio e di Lorenzo dit Vecchietta or Lorenzo di Pietro, circa 1410-1480)
Italy Tuscany Siena, Baptistere San Giovanni: Jesus in majesty and crucifixion scene - Fresco of the Vecchiatta (Francesco di Giorgio e di Lorenzo dit Vecchietta or Lorenzo di Pietro, circa 1410-1480)

JEB4948495: Italy Tuscany Siena, Baptistere San Giovanni: Jesus in majesty and crucifixion scene - Fresco of the Vecchiatta (Francesco di Giorgio e di Lorenzo dit Vecchietta or Lorenzo di Pietro, circa 1410-1480) / Bridgeman Images

Italy Tuscany Siena, Baptistere San Giovanni - Fresco of the Vecchiatta (Francesco di Giorgio e di Lorenzo dit Vecchietta or Lorenzo di Pietro, ca. 1410-1480)
Italy Tuscany Siena, Baptistere San Giovanni - Fresco of the Vecchiatta (Francesco di Giorgio e di Lorenzo dit Vecchietta or Lorenzo di Pietro, ca. 1410-1480)

JEB4948500: Italy Tuscany Siena, Baptistere San Giovanni - Fresco of the Vecchiatta (Francesco di Giorgio e di Lorenzo dit Vecchietta or Lorenzo di Pietro, ca. 1410-1480) / Bridgeman Images

Ex voto (ex-voto) representing a man holding a little noye boy. Anonymous painting from 1810. Musee Ziem, Martigues
Ex voto (ex-voto) representing a man holding a little noye boy. Anonymous painting from 1810. Musee Ziem, Martigues

JEB4959749: Ex voto (ex-voto) representing a man holding a little noye boy. Anonymous painting from 1810. Musee Ziem, Martigues / Bridgeman Images

View and plan of the city of Aix en Provence (Bouches du rhone) Engraving by Jean Boissevin (d. 1685) 17th century Musee d'Arbaud, Aix en Provence.
View and plan of the city of Aix en Provence (Bouches du rhone) Engraving by Jean Boissevin (d. 1685) 17th century Musee d'Arbaud, Aix en Provence.

JEB4959888: View and plan of the city of Aix en Provence (Bouches du rhone) Engraving by Jean Boissevin (d. 1685) 17th century Musee d'Arbaud, Aix en Provence. / Bridgeman Images

Architecture: east facing of the Palais du Parlement d'Aix en Provence (Bouches du rhone) Musee d'Arbaud, Aix en provence
Architecture: east facing of the Palais du Parlement d'Aix en Provence (Bouches du rhone) Musee d'Arbaud, Aix en provence

JEB4959918: Architecture: east facing of the Palais du Parlement d'Aix en Provence (Bouches du rhone) Musee d'Arbaud, Aix en provence / Bridgeman Images

French revolution: allegory dediee to the Third State. The Third State in the centre surrounds the Church and the Noblesse supporting an image of piety and devotion surmounted by the inscription in Latin “” nothing else in us”””. Engraving of the 19th century Musee Paul Arbaud, Aix en Provence
French revolution: allegory dediee to the Third State. The Third State in the centre surrounds the Church and the Noblesse supporting an image of piety and devotion surmounted by the inscription in Latin “” nothing else in us”””. Engraving of the 19th century Musee Paul Arbaud, Aix en Provence

JEB4959982: French revolution: allegory dediee to the Third State. The Third State in the centre surrounds the Church and the Noblesse supporting an image of piety and devotion surmounted by the inscription in Latin “” nothing else in us”””. Engraving of the 19th century Musee Paul Arbaud, Aix en Provence / Bridgeman Images

Portrait of a shouting man. Anonymous drawing. Musee Granet, Aix en provence
Portrait of a shouting man. Anonymous drawing. Musee Granet, Aix en provence

JEB4960052: Portrait of a shouting man. Anonymous drawing. Musee Granet, Aix en provence / Bridgeman Images

Desolation of the Oceanides at the foot of the rock or Promethee is chain Painting by Henri Lehmann (Karl Ernest (Ernst) Rudolf Heinrich Salem dit) (1814-1882). 19th century Departmental Museum of Gap
Desolation of the Oceanides at the foot of the rock or Promethee is chain Painting by Henri Lehmann (Karl Ernest (Ernst) Rudolf Heinrich Salem dit) (1814-1882). 19th century Departmental Museum of Gap

JEB4960169: Desolation of the Oceanides at the foot of the rock or Promethee is chain Painting by Henri Lehmann (Karl Ernest (Ernst) Rudolf Heinrich Salem dit) (1814-1882). 19th century Departmental Museum of Gap / Bridgeman Images

Gallo-Roman art: Stele de Briancon representing a couple and their two children. 1st century BC-5th century AD. Gap Departmental Museum
Gallo-Roman art: Stele de Briancon representing a couple and their two children. 1st century BC-5th century AD. Gap Departmental Museum

JEB4960255: Gallo-Roman art: Stele de Briancon representing a couple and their two children. 1st century BC-5th century AD. Gap Departmental Museum / Bridgeman Images

The beginning of the great degree and the bridge fortifies. Mont Saint Michel. Drawing by Emile Sagot. Municipal Museum of Avranches (Manche)
The beginning of the great degree and the bridge fortifies. Mont Saint Michel. Drawing by Emile Sagot. Municipal Museum of Avranches (Manche)

JEB4960445: The beginning of the great degree and the bridge fortifies. Mont Saint Michel. Drawing by Emile Sagot. Municipal Museum of Avranches (Manche), Sagot, Emile (1805-1890) / Bridgeman Images

The outside of the abbey of Mont Saint Michel. Drawing by Emile Sagot. Municipal Museum of Avranches (Manche)
The outside of the abbey of Mont Saint Michel. Drawing by Emile Sagot. Municipal Museum of Avranches (Manche)

JEB4960547: The outside of the abbey of Mont Saint Michel. Drawing by Emile Sagot. Municipal Museum of Avranches (Manche), Sagot, Emile (1805-1890) / Bridgeman Images

Chinese horoscope: the sign of the dragon.
Chinese horoscope: the sign of the dragon.

PLP5028371: Chinese horoscope: the sign of the dragon., La Porta, Patrizia / Bridgeman Images

Chinese horoscope: the sign of the goat.
Chinese horoscope: the sign of the goat.

PLP5028386: Chinese horoscope: the sign of the goat., La Porta, Patrizia / Bridgeman Images

Chinese horoscope: the sign of the monkey.
Chinese horoscope: the sign of the monkey.

PLP5028390: Chinese horoscope: the sign of the monkey., La Porta, Patrizia / Bridgeman Images

Chinese horoscope: the sign of the rabbit.
Chinese horoscope: the sign of the rabbit.

PLP5028409: Chinese horoscope: the sign of the rabbit., La Porta, Patrizia / Bridgeman Images

Portrait of a pirate (privateer) or sailor sitting in the daylight. Colour drawing by Alessandro Lonati.
Portrait of a pirate (privateer) or sailor sitting in the daylight. Colour drawing by Alessandro Lonati.

LTI5028653: Portrait of a pirate (privateer) or sailor sitting in the daylight. Colour drawing by Alessandro Lonati., Lonati, Alessandro (b.1980) / Bridgeman Images

Portrait of a pirate (privateer) or sailor wearing a tricorn with a map of the treasor in his hands. Colour drawing by Alessandro Lonati.
Portrait of a pirate (privateer) or sailor wearing a tricorn with a map of the treasor in his hands. Colour drawing by Alessandro Lonati.

LTI5028659: Portrait of a pirate (privateer) or sailor wearing a tricorn with a map of the treasor in his hands. Colour drawing by Alessandro Lonati., Lonati, Alessandro (b.1980) / Bridgeman Images

Portrait of a pirate woman (privateer) or sailor in the night, illuminated by another pirate's lantern. Colour drawing by Alessandro Lonati.
Portrait of a pirate woman (privateer) or sailor in the night, illuminated by another pirate's lantern. Colour drawing by Alessandro Lonati.

LTI5028672: Portrait of a pirate woman (privateer) or sailor in the night, illuminated by another pirate's lantern. Colour drawing by Alessandro Lonati., Lonati, Alessandro (b.1980) / Bridgeman Images

Second Empire (1852-1870): Italian unification (Risorgimento), volunteer officer of the Garibaldian army known as “red shirt” fighter for the cause of Giuseppe Garibaldi (1807-1882) in Italy, 1866. Drawing by Alessandro Lonati
Second Empire (1852-1870): Italian unification (Risorgimento), volunteer officer of the Garibaldian army known as “red shirt” fighter for the cause of Giuseppe Garibaldi (1807-1882) in Italy, 1866. Drawing by Alessandro Lonati

LTI5028816: Second Empire (1852-1870): Italian unification (Risorgimento), volunteer officer of the Garibaldian army known as “red shirt” fighter for the cause of Giuseppe Garibaldi (1807-1882) in Italy, 1866. Drawing by Alessandro Lonati, Lonati, Alessandro (b.1980) / Bridgeman Images

First empire (1804-1814 and 1815): Italian Grenadier soldiers near the canal of Milan with the cathedral in the background. Drawing by Alessandro Lonati
First empire (1804-1814 and 1815): Italian Grenadier soldiers near the canal of Milan with the cathedral in the background. Drawing by Alessandro Lonati

LTI5028845: First empire (1804-1814 and 1815): Italian Grenadier soldiers near the canal of Milan with the cathedral in the background. Drawing by Alessandro Lonati, Lonati, Alessandro (b.1980) / Bridgeman Images

First Empire (1804-1814 and 1815): soldiers of the great Napoleonic army in Italy to help a wounded comrade. Drawing by Alessandro Lonati
First Empire (1804-1814 and 1815): soldiers of the great Napoleonic army in Italy to help a wounded comrade. Drawing by Alessandro Lonati

LTI5028851: First Empire (1804-1814 and 1815): soldiers of the great Napoleonic army in Italy to help a wounded comrade. Drawing by Alessandro Lonati, Lonati, Alessandro (b.1980) / Bridgeman Images

First Empire (1804-1814 and 1815): Velite soldier of the great Napoleonic army in Italy opening a cartridge. Drawing by Alessandro Lonati
First Empire (1804-1814 and 1815): Velite soldier of the great Napoleonic army in Italy opening a cartridge. Drawing by Alessandro Lonati

LTI5028862: First Empire (1804-1814 and 1815): Velite soldier of the great Napoleonic army in Italy opening a cartridge. Drawing by Alessandro Lonati, Lonati, Alessandro (b.1980) / Bridgeman Images


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