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The descent of the cross (deposition). The body of Jesus Christ is carried by three men, including Joseph of Arimathia (left) and Nicodema (right). Painting by Hans MEMLING (1433-1494), years 1470. Flemish art. Oil on wood. Granada, Royal Chapel.
The descent of the cross (deposition). The body of Jesus Christ is carried by three men, including Joseph of Arimathia (left) and Nicodema (right). Painting by Hans MEMLING (1433-1494), years 1470. Flemish art. Oil on wood. Granada, Royal Chapel.

LRI4608879: The descent of the cross (deposition). The body of Jesus Christ is carried by three men, including Joseph of Arimathia (left) and Nicodema (right). Painting by Hans MEMLING (1433-1494), years 1470. Flemish art. Oil on wood. Granada, Royal Chapel., Memling, Hans (c.1433-94) / Bridgeman Images

ID: LRI4608879

The descent of the cross (deposition). The body of Jesus Christ is carried by three men, including Joseph of Arimathia (left) and Nicodema (right). Painting by Hans MEMLING (1433-1494), years 1470. Flemish art. Oil on wood. Granada, Royal Chapel.

Memling, Hans (c.1433-94)

The Apotle Saint John the Evangelist. 1602-1605 (Oil on canvas)
The Apotle Saint John the Evangelist. 1602-1605 (Oil on canvas)

LRI4606942: The Apotle Saint John the Evangelist. 1602-1605 (Oil on canvas), Greco, El (Domenico Theotocopuli) (1541-1614) / Bridgeman Images

ID: LRI4606942

The Apotle Saint John the Evangelist. 1602-1605 (Oil on canvas)

Greco, El (Domenico Theotocopuli) (1541-1614)

The Virgin among the saints, 1509 (oil on canvas)
The Virgin among the saints, 1509 (oil on canvas)

JLJ4608165: The Virgin among the saints, 1509 (oil on canvas), David, Gerard (c.1460-1523) / Bridgeman Images

ID: JLJ4608165

The Virgin among the saints, 1509 (oil on canvas)

David, Gerard (c.1460-1523)

Portrait of Francois Adrien Boieldieu (1755 - 1834), French composer, 19th century (oil on canvas)
Portrait of Francois Adrien Boieldieu (1755 - 1834), French composer, 19th century (oil on canvas)

JLJ4607551: Portrait of Francois Adrien Boieldieu (1755 - 1834), French composer, 19th century (oil on canvas), Riesener, Henri Francois (1767-1828) / Bridgeman Images

ID: JLJ4607551

Portrait of Francois Adrien Boieldieu (1755 - 1834), French composer, 19th century (oil on canvas)

Riesener, Henri Francois (1767-1828)

Bedroom of the Duchess of Berry at the Tuileries, 1822 (watercolour)
Bedroom of the Duchess of Berry at the Tuileries, 1822 (watercolour)

JLJ4607405: Bedroom of the Duchess of Berry at the Tuileries, 1822 (watercolour), Garneray, Auguste Simon (1785-1824) / Bridgeman Images

ID: JLJ4607405

Bedroom of the Duchess of Berry at the Tuileries, 1822 (watercolour)

Garneray, Auguste Simon (1785-1824)

Christ praying in the garden of olive trees, left part of the predelle, Altarpiece of San Zeno (tempera on wood, c.1457-1460)
Christ praying in the garden of olive trees, left part of the predelle, Altarpiece of San Zeno (tempera on wood, c.1457-1460)

LRI4608429: Christ praying in the garden of olive trees, left part of the predelle, Altarpiece of San Zeno (tempera on wood, c.1457-1460), Mantegna, Andrea (1431-1506) / Bridgeman Images

ID: LRI4608429

Christ praying in the garden of olive trees, left part of the predelle, Altarpiece of San Zeno (tempera on wood, c.1457-1460)

Mantegna, Andrea (1431-1506)

The Virgin of Louvain (oil on panel, c.1520)
The Virgin of Louvain (oil on panel, c.1520)

LRI4608253: The Virgin of Louvain (oil on panel, c.1520), Gossaert, Jan (Mabuse) (c.1472-c.1533) / Bridgeman Images

ID: LRI4608253

The Virgin of Louvain (oil on panel, c.1520)

Gossaert, Jan (Mabuse) (c.1472-c.1533)

Panoramic view of the city of Paris, taken from the Bois de Boulogne to the Bois de Vincennes, 19th century (engraving)
Panoramic view of the city of Paris, taken from the Bois de Boulogne to the Bois de Vincennes, 19th century (engraving)

JLJ4605089: Panoramic view of the city of Paris, taken from the Bois de Boulogne to the Bois de Vincennes, 19th century (engraving), French School, (19th century) / Bridgeman Images

ID: JLJ4605089

Panoramic view of the city of Paris, taken from the Bois de Boulogne to the Bois de Vincennes, 19th century (engraving)

French School, (19th century)

Saint Francis receiving the stigmata (tempera on panel, 1370)
Saint Francis receiving the stigmata (tempera on panel, 1370)

LRI4605850: Saint Francis receiving the stigmata (tempera on panel, 1370), Fabriano, Gentile da (c.1370-1427) / Bridgeman Images

ID: LRI4605850

Saint Francis receiving the stigmata (tempera on panel, 1370)

Fabriano, Gentile da (c.1370-1427)

Portrait of Leandro Fernandez de Moratin, Spanish poet and playwright. (oil on canvas, 1799)
Portrait of Leandro Fernandez de Moratin, Spanish poet and playwright. (oil on canvas, 1799)

LRI4606154: Portrait of Leandro Fernandez de Moratin, Spanish poet and playwright. (oil on canvas, 1799), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: LRI4606154

Portrait of Leandro Fernandez de Moratin, Spanish poet and playwright. (oil on canvas, 1799)

Goya y Lucientes, Francisco Jose de (1746-1828)

Duck Hunting in the Lagoon Painting by Pietro Longhi (1702-1785) 1765-1770 Sun. 61x49,5 cm Venice Pinacoteca Querini-Stampalia
Duck Hunting in the Lagoon Painting by Pietro Longhi (1702-1785) 1765-1770 Sun. 61x49,5 cm Venice Pinacoteca Querini-Stampalia

LRI4607681: Duck Hunting in the Lagoon Painting by Pietro Longhi (1702-1785) 1765-1770 Sun. 61x49,5 cm Venice Pinacoteca Querini-Stampalia, Longhi, Pietro (c.1701-85) / Bridgeman Images

ID: LRI4607681

Duck Hunting in the Lagoon Painting by Pietro Longhi (1702-1785) 1765-1770 Sun. 61x49,5 cm Venice Pinacoteca Querini-Stampalia

Longhi, Pietro (c.1701-85)

The baptism of Christ (1551-1555, oil on canvas)
The baptism of Christ (1551-1555, oil on canvas)

LRI4608110: The baptism of Christ (1551-1555, oil on canvas), Lotto, Lorenzo (c.1480-1556) / Bridgeman Images

ID: LRI4608110

The baptism of Christ (1551-1555, oil on canvas)

Lotto, Lorenzo (c.1480-1556)

David, detail of The Eternal Father surrounds with prophets and Sibyls (fresco, 1498-1500)
David, detail of The Eternal Father surrounds with prophets and Sibyls (fresco, 1498-1500)

LRI4609800: David, detail of The Eternal Father surrounds with prophets and Sibyls (fresco, 1498-1500), Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: LRI4609800

David, detail of The Eternal Father surrounds with prophets and Sibyls (fresco, 1498-1500)

Perugino, Pietro (c.1445-1523)

Musical scene in the gardens of Versailles., 19th century (watercolour)
Musical scene in the gardens of Versailles., 19th century (watercolour)

JLJ4605115: Musical scene in the gardens of Versailles., 19th century (watercolour), French School, (19th century) / Bridgeman Images

ID: JLJ4605115

Musical scene in the gardens of Versailles., 19th century (watercolour)

French School, (19th century)

Detail of aquamarine china blue background soft porcelain, 18th century (porcelain)
Detail of aquamarine china blue background soft porcelain, 18th century (porcelain)

JLJ4607980: Detail of aquamarine china blue background soft porcelain, 18th century (porcelain), Chinese School, (18th century) / Bridgeman Images

ID: JLJ4607980

Detail of aquamarine china blue background soft porcelain, 18th century (porcelain)

Chinese School, (18th century)

Saint Louis (Louis IX, 1214-1270) - Stained glass by Simone Martini (ca. 1284-1344), cm. 570x400. Basilica of St. Francis of Assisi, Lower Church, Chapel of St. Louis, Assisi
Saint Louis (Louis IX, 1214-1270) - Stained glass by Simone Martini (ca. 1284-1344), cm. 570x400. Basilica of St. Francis of Assisi, Lower Church, Chapel of St. Louis, Assisi

LRI4608758: Saint Louis (Louis IX, 1214-1270) - Stained glass by Simone Martini (ca. 1284-1344), cm. 570x400. Basilica of St. Francis of Assisi, Lower Church, Chapel of St. Louis, Assisi, Martini, Simone (1284-1344) / Bridgeman Images

ID: LRI4608758

Saint Louis (Louis IX, 1214-1270) - Stained glass by Simone Martini (ca. 1284-1344), cm. 570x400. Basilica of St. Francis of Assisi, Lower Church, Chapel of St. Louis, Assisi

Martini, Simone (1284-1344)

Portrait of Albertine Marat, sister of Jean-Paul Marat (1743-1793), 18th century (miniature)
Portrait of Albertine Marat, sister of Jean-Paul Marat (1743-1793), 18th century (miniature)

JLJ4609288: Portrait of Albertine Marat, sister of Jean-Paul Marat (1743-1793), 18th century (miniature), French School, (18th century) / Bridgeman Images

ID: JLJ4609288

Portrait of Albertine Marat, sister of Jean-Paul Marat (1743-1793), 18th century (miniature)

French School, (18th century)

Angel of Annunciation, 1650 (oil on canvas)
Angel of Annunciation, 1650 (oil on canvas)

JLJ4607127: Angel of Annunciation, 1650 (oil on canvas), Romanelli, Giovanni Francesco (Il Viterbese) (1610-62) / Bridgeman Images

ID: JLJ4607127

Angel of Annunciation, 1650 (oil on canvas)

Romanelli, Giovanni Francesco (Il Viterbese) (1610-62)

French Revolution, 1789: Phrygian hat, dagger, dead leaves and convocation of 2 members of the National Guard of Paris, 1789 (object)
French Revolution, 1789: Phrygian hat, dagger, dead leaves and convocation of 2 members of the National Guard of Paris, 1789 (object)

JLJ4608468: French Revolution, 1789: Phrygian hat, dagger, dead leaves and convocation of 2 members of the National Guard of Paris, 1789 (object), French School, (18th century) / Bridgeman Images

ID: JLJ4608468

French Revolution, 1789: Phrygian hat, dagger, dead leaves and convocation of 2 members of the National Guard of Paris, 1789 (object)

French School, (18th century)

Jean de la Fontaine, French poet and fabulist, 1621-1695, within oval above a vignette of a fable. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Jean de la Fontaine, French poet and fabulist, 1621-1695, within oval above a vignette of a fable. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4608015: Jean de la Fontaine, French poet and fabulist, 1621-1695, within oval above a vignette of a fable. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4608015

Jean de la Fontaine, French poet and fabulist, 1621-1695, within oval above a vignette of a fable. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Portrait of Alexander Pope, 18th-century English poet and satirist. Copperplate engraving by Joshua Collyer after a painting by Jean-Baptiste van Loo from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Portrait of Alexander Pope, 18th-century English poet and satirist. Copperplate engraving by Joshua Collyer after a painting by Jean-Baptiste van Loo from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4608139: Portrait of Alexander Pope, 18th-century English poet and satirist. Copperplate engraving by Joshua Collyer after a painting by Jean-Baptiste van Loo from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4608139

Portrait of Alexander Pope, 18th-century English poet and satirist. Copperplate engraving by Joshua Collyer after a painting by Jean-Baptiste van Loo from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

British antiquite (pre-Roman period, before 1st century): a Druidic student, wearing a cup and a dove and a novice, in front of British straw houses - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick's original Costume of British Islanders (1783-1848), 1821 - Druidic Awenydd (Bardic disciple) and novice, from the Pre-roman era - In the background are British straw-roofed wooden cabin, the disciple carries a cup and a dove, bird of good omen - Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821
British antiquite (pre-Roman period, before 1st century): a Druidic student, wearing a cup and a dove and a novice, in front of British straw houses - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick's original Costume of British Islanders (1783-1848), 1821 - Druidic Awenydd (Bardic disciple) and novice, from the Pre-roman era - In the background are British straw-roofed wooden cabin, the disciple carries a cup and a dove, bird of good omen - Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821

FLO4608243: British antiquite (pre-Roman period, before 1st century): a Druidic student, wearing a cup and a dove and a novice, in front of British straw houses - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick's original Costume of British Islanders (1783-1848), 1821 - Druidic Awenydd (Bardic disciple) and novice, from the Pre-roman era - In the background are British straw-roofed wooden cabin, the disciple carries a cup and a dove, bird of good omen - Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821 / Bridgeman Images

ID: FLO4608243

British antiquite (pre-Roman period, before 1st century): a Druidic student, wearing a cup and a dove and a novice, in front of British straw houses - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick's original Costume of British Islanders (1783-1848), 1821 - Druidic Awenydd (Bardic disciple) and novice, from the Pre-roman era - In the background are British straw-roofed wooden cabin, the disciple carries a cup and a dove, bird of good omen - Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821

Napoleon Bonaparte ordering his troops to storm the fortress of Acre. Egyptian Campaign, 1799. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Napoleon Bonaparte ordering his troops to storm the fortress of Acre. Egyptian Campaign, 1799. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608539: Napoleon Bonaparte ordering his troops to storm the fortress of Acre. Egyptian Campaign, 1799. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

ID: FLO4608539

Napoleon Bonaparte ordering his troops to storm the fortress of Acre. Egyptian Campaign, 1799. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

Nalta jute, tossa jute, Jew's mallow, Corchorus olitorius. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Nalta jute, tossa jute, Jew's mallow, Corchorus olitorius. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608763: Nalta jute, tossa jute, Jew's mallow, Corchorus olitorius. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

ID: FLO4608763

Nalta jute, tossa jute, Jew's mallow, Corchorus olitorius. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

St. Francis of Paola with a devoted (oil on panel, 16th century)
St. Francis of Paola with a devoted (oil on panel, 16th century)

LRI4608492: St. Francis of Paola with a devoted (oil on panel, 16th century), D'Oggiono, Marco (1470-1549) / Bridgeman Images

ID: LRI4608492

St. Francis of Paola with a devoted (oil on panel, 16th century)

D'Oggiono, Marco (1470-1549)

Virgin and Child (tempera on wood, 1321)
Virgin and Child (tempera on wood, 1321)

LRI4608536: Virgin and Child (tempera on wood, 1321), Martini, Simone (1284-1344) / Bridgeman Images

ID: LRI4608536

Virgin and Child (tempera on wood, 1321)

Martini, Simone (1284-1344)

Common fennel and maceron (or horse parsley). Coloriee copper engraving, in herbarium of English medicinal plants (published by Joshua Hamilton in 1792) by Nicolas Culpeper (1616-1654), English herbalist, botanist, and astrologer. Fennel, Foeniculum vulgare and Alexanders, Smyrmium olusatrum. Handcoloured copperplate engraving from Joshua Hamilton's “Culpeper's English Family Physician” 1792. Nicholas Culpeper (1616-1654) was an English botanist, herbalist and astrologer famous for his “” Complete Herbal””” of 1653.
Common fennel and maceron (or horse parsley). Coloriee copper engraving, in herbarium of English medicinal plants (published by Joshua Hamilton in 1792) by Nicolas Culpeper (1616-1654), English herbalist, botanist, and astrologer. Fennel, Foeniculum vulgare and Alexanders, Smyrmium olusatrum. Handcoloured copperplate engraving from Joshua Hamilton's “Culpeper's English Family Physician” 1792. Nicholas Culpeper (1616-1654) was an English botanist, herbalist and astrologer famous for his “” Complete Herbal””” of 1653.

FLO4608682: Common fennel and maceron (or horse parsley). Coloriee copper engraving, in herbarium of English medicinal plants (published by Joshua Hamilton in 1792) by Nicolas Culpeper (1616-1654), English herbalist, botanist, and astrologer. Fennel, Foeniculum vulgare and Alexanders, Smyrmium olusatrum. Handcoloured copperplate engraving from Joshua Hamilton's “Culpeper's English Family Physician” 1792. Nicholas Culpeper (1616-1654) was an English botanist, herbalist and astrologer famous for his “” Complete Herbal””” of 1653. / Bridgeman Images

ID: FLO4608682

Common fennel and maceron (or horse parsley). Coloriee copper engraving, in herbarium of English medicinal plants (published by Joshua Hamilton in 1792) by Nicolas Culpeper (1616-1654), English herbalist, botanist, and astrologer. Fennel, Foeniculum vulgare and Alexanders, Smyrmium olusatrum. Handcoloured copperplate engraving from Joshua Hamilton's “Culpeper's English Family Physician” 1792. Nicholas Culpeper (1616-1654) was an English botanist, herbalist and astrologer famous for his “” Complete Herbal””” of 1653.

Chrysanthemum, Chrysanthemum indicum. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819.
Chrysanthemum, Chrysanthemum indicum. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819.

FLO4609124: Chrysanthemum, Chrysanthemum indicum. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819. / Bridgeman Images

ID: FLO4609124

Chrysanthemum, Chrysanthemum indicum. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819.

Field pink, Rosa arvensis. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.
Field pink, Rosa arvensis. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.

FLO4609156: Field pink, Rosa arvensis. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819. / Bridgeman Images

ID: FLO4609156

Field pink, Rosa arvensis. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.

Alpine thyme. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Alpine thyme. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609476: Alpine thyme. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609476

Alpine thyme. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

Jewel orchid, Ludisia discolor (Goodyera discolor). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.
Jewel orchid, Ludisia discolor (Goodyera discolor). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.

FLO4609162: Jewel orchid, Ludisia discolor (Goodyera discolor). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819. / Bridgeman Images

ID: FLO4609162

Jewel orchid, Ludisia discolor (Goodyera discolor). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.

Spineless butcher's broom, Ruscus hypophyllum. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819.
Spineless butcher's broom, Ruscus hypophyllum. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819.

FLO4609136: Spineless butcher's broom, Ruscus hypophyllum. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819. / Bridgeman Images

ID: FLO4609136

Spineless butcher's broom, Ruscus hypophyllum. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819.

Portrait of Count Pietro Secco-Suardi Painting by Giovan Battista Moroni (Giovanbattista, Giovanni Battista) (ca. 1529-1578) 1563 Sun. 182x102 cm Florence, Galleria degli Uffizi (Uffizi)
Portrait of Count Pietro Secco-Suardi Painting by Giovan Battista Moroni (Giovanbattista, Giovanni Battista) (ca. 1529-1578) 1563 Sun. 182x102 cm Florence, Galleria degli Uffizi (Uffizi)

LRI4609200: Portrait of Count Pietro Secco-Suardi Painting by Giovan Battista Moroni (Giovanbattista, Giovanni Battista) (ca. 1529-1578) 1563 Sun. 182x102 cm Florence, Galleria degli Uffizi (Uffizi), Moroni, Giovanni Battista (c.1525-79) / Bridgeman Images

ID: LRI4609200

Portrait of Count Pietro Secco-Suardi Painting by Giovan Battista Moroni (Giovanbattista, Giovanni Battista) (ca. 1529-1578) 1563 Sun. 182x102 cm Florence, Galleria degli Uffizi (Uffizi)

Moroni, Giovanni Battista (c.1525-79)

East scutellaire. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.
East scutellaire. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

FLO4609276: East scutellaire. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609276

East scutellaire. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

Ternate liana or Ternate clitory or Moorea butterfly peas. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.
Ternate liana or Ternate clitory or Moorea butterfly peas. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

FLO4609257: Ternate liana or Ternate clitory or Moorea butterfly peas. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609257

Ternate liana or Ternate clitory or Moorea butterfly peas. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

Crinole. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.
Crinole. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

FLO4609271: Crinole. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609271

Crinole. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.


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