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St. Anthony's turnip or bulbous buttercup, Ranunculus bulbosus. Handcoloured lithograph by Henry Sowerby after an illustration by A.E. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.
St. Anthony's turnip or bulbous buttercup, Ranunculus bulbosus. Handcoloured lithograph by Henry Sowerby after an illustration by A.E. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

FLO4638191: St. Anthony's turnip or bulbous buttercup, Ranunculus bulbosus. Handcoloured lithograph by Henry Sowerby after an illustration by A.E. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852. / Bridgeman Images

ID: FLO4638191

St. Anthony's turnip or bulbous buttercup, Ranunculus bulbosus. Handcoloured lithograph by Henry Sowerby after an illustration by A.E. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

George Brooke, 9th Lord Cobham, 1497-1558. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
George Brooke, 9th Lord Cobham, 1497-1558. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4638406: George Brooke, 9th Lord Cobham, 1497-1558. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

ID: FLO4638406

George Brooke, 9th Lord Cobham, 1497-1558. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Margaret Wotton, Marchioness of Dorset, 1487-1541. Second wife to Thomas Grey, 2nd Marquess of Dorset. Mislabeled as Frances Wotton. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
Margaret Wotton, Marchioness of Dorset, 1487-1541. Second wife to Thomas Grey, 2nd Marquess of Dorset. Mislabeled as Frances Wotton. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4638547: Margaret Wotton, Marchioness of Dorset, 1487-1541. Second wife to Thomas Grey, 2nd Marquess of Dorset. Mislabeled as Frances Wotton. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

ID: FLO4638547

Margaret Wotton, Marchioness of Dorset, 1487-1541. Second wife to Thomas Grey, 2nd Marquess of Dorset. Mislabeled as Frances Wotton. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Lime hawk-moth, Mimas tillae, and common vapourer moth or rusty tussock, Orgyia antiqua, on lime leaves, Tillia europaea. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Lime hawk-moth, Mimas tillae, and common vapourer moth or rusty tussock, Orgyia antiqua, on lime leaves, Tillia europaea. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638702: Lime hawk-moth, Mimas tillae, and common vapourer moth or rusty tussock, Orgyia antiqua, on lime leaves, Tillia europaea. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

ID: FLO4638702

Lime hawk-moth, Mimas tillae, and common vapourer moth or rusty tussock, Orgyia antiqua, on lime leaves, Tillia europaea. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

Swallowtail butterfly, Papilio machaon. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Swallowtail butterfly, Papilio machaon. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638889: Swallowtail butterfly, Papilio machaon. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

ID: FLO4638889

Swallowtail butterfly, Papilio machaon. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

Etruscan civilization: bronze lebes decorate sphinx handles with a phrygian cap. 650 BC. From Vetulonia. Florence, Museo Archeologico
Etruscan civilization: bronze lebes decorate sphinx handles with a phrygian cap. 650 BC. From Vetulonia. Florence, Museo Archeologico

LRI4639295: Etruscan civilization: bronze lebes decorate sphinx handles with a phrygian cap. 650 BC. From Vetulonia. Florence, Museo Archeologico, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4639295

Etruscan civilization: bronze lebes decorate sphinx handles with a phrygian cap. 650 BC. From Vetulonia. Florence, Museo Archeologico

Etruscan, (7th century BC)

Large penguins (Pinguinus impennis) standing at the top of a cliff. This large bird, unable to fly, lived on the edge of the Atlantic Ocean, the species disappeared in the mid-19th century. Colour illustration by Heinrich Harder (1858-1935), in “” Tiere der Urwelt”” (Animals of Prehistory), texts by Wilhelm Bolsche (1861-1939), 1916, Hamburg (Germany). Image from a series of maps published by the Reichardt Cocoa company in 1908.
Large penguins (Pinguinus impennis) standing at the top of a cliff. This large bird, unable to fly, lived on the edge of the Atlantic Ocean, the species disappeared in the mid-19th century. Colour illustration by Heinrich Harder (1858-1935), in “” Tiere der Urwelt”” (Animals of Prehistory), texts by Wilhelm Bolsche (1861-1939), 1916, Hamburg (Germany). Image from a series of maps published by the Reichardt Cocoa company in 1908.

FLO4639319: Large penguins (Pinguinus impennis) standing at the top of a cliff. This large bird, unable to fly, lived on the edge of the Atlantic Ocean, the species disappeared in the mid-19th century. Colour illustration by Heinrich Harder (1858-1935), in “” Tiere der Urwelt”” (Animals of Prehistory), texts by Wilhelm Bolsche (1861-1939), 1916, Hamburg (Germany). Image from a series of maps published by the Reichardt Cocoa company in 1908. / Bridgeman Images

ID: FLO4639319

Large penguins (Pinguinus impennis) standing at the top of a cliff. This large bird, unable to fly, lived on the edge of the Atlantic Ocean, the species disappeared in the mid-19th century. Colour illustration by Heinrich Harder (1858-1935), in “” Tiere der Urwelt”” (Animals of Prehistory), texts by Wilhelm Bolsche (1861-1939), 1916, Hamburg (Germany). Image from a series of maps published by the Reichardt Cocoa company in 1908.

Etruscan civilization: stele of sepulchre in gres decoree of the silhouette of a lion wing from Londa in Italy. 550-500 BC. Florence, Museo Archeologico
Etruscan civilization: stele of sepulchre in gres decoree of the silhouette of a lion wing from Londa in Italy. 550-500 BC. Florence, Museo Archeologico

LRI4639325: Etruscan civilization: stele of sepulchre in gres decoree of the silhouette of a lion wing from Londa in Italy. 550-500 BC. Florence, Museo Archeologico, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4639325

Etruscan civilization: stele of sepulchre in gres decoree of the silhouette of a lion wing from Londa in Italy. 550-500 BC. Florence, Museo Archeologico

Etruscan, (6th century BC)

Aceratherium, genus of rhinoceros, epochs from the oligocene to Pliocene. Chromolithography by Heinrich Garden (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.
Aceratherium, genus of rhinoceros, epochs from the oligocene to Pliocene. Chromolithography by Heinrich Garden (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.

FLO4639414: Aceratherium, genus of rhinoceros, epochs from the oligocene to Pliocene. Chromolithography by Heinrich Garden (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche. / Bridgeman Images

ID: FLO4639414

Aceratherium, genus of rhinoceros, epochs from the oligocene to Pliocene. Chromolithography by Heinrich Garden (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.

Etruscan civilization: limestone woman's head. 650 BC approx. From the tumulus of the Pietrera di Vetulonia. Florence, Museo Archeologico
Etruscan civilization: limestone woman's head. 650 BC approx. From the tumulus of the Pietrera di Vetulonia. Florence, Museo Archeologico

LRI4639350: Etruscan civilization: limestone woman's head. 650 BC approx. From the tumulus of the Pietrera di Vetulonia. Florence, Museo Archeologico, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4639350

Etruscan civilization: limestone woman's head. 650 BC approx. From the tumulus of the Pietrera di Vetulonia. Florence, Museo Archeologico

Etruscan, (7th century BC)

Teleoceras, genus of rhinoceros, periods of Miocene at the beginning of Pliocene. Chromolithography by Heinrich Garden (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.
Teleoceras, genus of rhinoceros, periods of Miocene at the beginning of Pliocene. Chromolithography by Heinrich Garden (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.

FLO4639383: Teleoceras, genus of rhinoceros, periods of Miocene at the beginning of Pliocene. Chromolithography by Heinrich Garden (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche. / Bridgeman Images

ID: FLO4639383

Teleoceras, genus of rhinoceros, periods of Miocene at the beginning of Pliocene. Chromolithography by Heinrich Garden (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.

Elotherium or Entelodon, genus of giant phacochere, from the period of Eocene inferior to Oligocene. Chromolithography by Heinrich Garder (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.
Elotherium or Entelodon, genus of giant phacochere, from the period of Eocene inferior to Oligocene. Chromolithography by Heinrich Garder (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.

FLO4639475: Elotherium or Entelodon, genus of giant phacochere, from the period of Eocene inferior to Oligocene. Chromolithography by Heinrich Garder (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche. / Bridgeman Images

ID: FLO4639475

Elotherium or Entelodon, genus of giant phacochere, from the period of Eocene inferior to Oligocene. Chromolithography by Heinrich Garder (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.

Wild horses of the diluvian era, like equus ferus. Chromolithography by Heinrich Garden (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.
Wild horses of the diluvian era, like equus ferus. Chromolithography by Heinrich Garden (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.

FLO4639552: Wild horses of the diluvian era, like equus ferus. Chromolithography by Heinrich Garden (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche. / Bridgeman Images

ID: FLO4639552

Wild horses of the diluvian era, like equus ferus. Chromolithography by Heinrich Garden (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.

Apatosaurus excelsus, genus of sauropod dinosaur, also called the brontosaur, which lived during the Jurassic. Chromolithography of F. John (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1910, Hamburg (Germany), text by Wilhelm Bolsche.
Apatosaurus excelsus, genus of sauropod dinosaur, also called the brontosaur, which lived during the Jurassic. Chromolithography of F. John (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1910, Hamburg (Germany), text by Wilhelm Bolsche.

FLO4639825: Apatosaurus excelsus, genus of sauropod dinosaur, also called the brontosaur, which lived during the Jurassic. Chromolithography of F. John (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1910, Hamburg (Germany), text by Wilhelm Bolsche. / Bridgeman Images

ID: FLO4639825

Apatosaurus excelsus, genus of sauropod dinosaur, also called the brontosaur, which lived during the Jurassic. Chromolithography of F. John (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1910, Hamburg (Germany), text by Wilhelm Bolsche.

American yellow warbler, Setophaga petechia. (Yellow red-poll). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.
American yellow warbler, Setophaga petechia. (Yellow red-poll). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

FLO4639935: American yellow warbler, Setophaga petechia. (Yellow red-poll). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800. / Bridgeman Images

ID: FLO4639935

American yellow warbler, Setophaga petechia. (Yellow red-poll). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

Glycine botanical study, 1897 (lithograph)
Glycine botanical study, 1897 (lithograph)

FLO4637871: Glycine botanical study, 1897 (lithograph), Grasset, Eugene (1841-1917) / Bridgeman Images

ID: FLO4637871

Glycine botanical study, 1897 (lithograph)

Grasset, Eugene (1841-1917)

Nutmeg and mace tree, Myristica fragrans (Nux moschata). Handcoloured lithograph by A.M. Traice after an illustration by A.W. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.
Nutmeg and mace tree, Myristica fragrans (Nux moschata). Handcoloured lithograph by A.M. Traice after an illustration by A.W. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

FLO4638151: Nutmeg and mace tree, Myristica fragrans (Nux moschata). Handcoloured lithograph by A.M. Traice after an illustration by A.W. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852. / Bridgeman Images

ID: FLO4638151

Nutmeg and mace tree, Myristica fragrans (Nux moschata). Handcoloured lithograph by A.M. Traice after an illustration by A.W. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

Wild rose botanical study, 1897 (lithograph)
Wild rose botanical study, 1897 (lithograph)

FLO4637931: Wild rose botanical study, 1897 (lithograph), Grasset, Eugene (1841-1917) / Bridgeman Images

ID: FLO4637931

Wild rose botanical study, 1897 (lithograph)

Grasset, Eugene (1841-1917)

Cherry laurel, Prunus laurocerasus (Lauro-cerasus). Handcoloured lithograph by Henry Sowerby after an illustration by A.W. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.
Cherry laurel, Prunus laurocerasus (Lauro-cerasus). Handcoloured lithograph by Henry Sowerby after an illustration by A.W. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

FLO4638127: Cherry laurel, Prunus laurocerasus (Lauro-cerasus). Handcoloured lithograph by Henry Sowerby after an illustration by A.W. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852. / Bridgeman Images

ID: FLO4638127

Cherry laurel, Prunus laurocerasus (Lauro-cerasus). Handcoloured lithograph by Henry Sowerby after an illustration by A.W. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

The flower fees, that of the olive, sleeping in a cotton cap, the night beauty, the immortelle with a crown and a snake aureole, the myrtle in an old man, the tobacco smoking the cigar and the laurel in an old musketeer - Eau forte by Charles Geoffroy (1819-1882), following an illustration by Jean Ignace Isidore Gerard dit J.J.J.J.Granville (3-1847), for Les fleurs animees, 1847 - Flower fairies of tobacco, everlasting, olive, marvel of Peru, laurel and myrtle - Handcoloured steel engraving by C. Geoffrois after an illustration by Jean Ignace Isidore Grandville from “” Les Fleurs Animees””, 1847
The flower fees, that of the olive, sleeping in a cotton cap, the night beauty, the immortelle with a crown and a snake aureole, the myrtle in an old man, the tobacco smoking the cigar and the laurel in an old musketeer - Eau forte by Charles Geoffroy (1819-1882), following an illustration by Jean Ignace Isidore Gerard dit J.J.J.J.Granville (3-1847), for Les fleurs animees, 1847 - Flower fairies of tobacco, everlasting, olive, marvel of Peru, laurel and myrtle - Handcoloured steel engraving by C. Geoffrois after an illustration by Jean Ignace Isidore Grandville from “” Les Fleurs Animees””, 1847

FLO4637940: The flower fees, that of the olive, sleeping in a cotton cap, the night beauty, the immortelle with a crown and a snake aureole, the myrtle in an old man, the tobacco smoking the cigar and the laurel in an old musketeer - Eau forte by Charles Geoffroy (1819-1882), following an illustration by Jean Ignace Isidore Gerard dit J.J.J.J.Granville (3-1847), for Les fleurs animees, 1847 - Flower fairies of tobacco, everlasting, olive, marvel of Peru, laurel and myrtle - Handcoloured steel engraving by C. Geoffrois after an illustration by Jean Ignace Isidore Grandville from “” Les Fleurs Animees””, 1847 / Bridgeman Images

ID: FLO4637940

The flower fees, that of the olive, sleeping in a cotton cap, the night beauty, the immortelle with a crown and a snake aureole, the myrtle in an old man, the tobacco smoking the cigar and the laurel in an old musketeer - Eau forte by Charles Geoffroy (1819-1882), following an illustration by Jean Ignace Isidore Gerard dit J.J.J.J.Granville (3-1847), for Les fleurs animees, 1847 - Flower fairies of tobacco, everlasting, olive, marvel of Peru, laurel and myrtle - Handcoloured steel engraving by C. Geoffrois after an illustration by Jean Ignace Isidore Grandville from “” Les Fleurs Animees””, 1847

Roughbark lignum-vitae or guaiacwood, Guaiacum officinale. Endangered. Handcoloured illustration drawn and lithographed by Henry Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.
Roughbark lignum-vitae or guaiacwood, Guaiacum officinale. Endangered. Handcoloured illustration drawn and lithographed by Henry Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

FLO4638108: Roughbark lignum-vitae or guaiacwood, Guaiacum officinale. Endangered. Handcoloured illustration drawn and lithographed by Henry Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852. / Bridgeman Images

ID: FLO4638108

Roughbark lignum-vitae or guaiacwood, Guaiacum officinale. Endangered. Handcoloured illustration drawn and lithographed by Henry Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

Strychnine tree or poison nut, Strychnos nux-vomica. Handcoloured lithograph by A.M. Traice from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.
Strychnine tree or poison nut, Strychnos nux-vomica. Handcoloured lithograph by A.M. Traice from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

FLO4638163: Strychnine tree or poison nut, Strychnos nux-vomica. Handcoloured lithograph by A.M. Traice from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852. / Bridgeman Images

ID: FLO4638163

Strychnine tree or poison nut, Strychnos nux-vomica. Handcoloured lithograph by A.M. Traice from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

Opium poppy, Papaver somniferum. Handcoloured lithograph by Henry Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.
Opium poppy, Papaver somniferum. Handcoloured lithograph by Henry Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

FLO4638177: Opium poppy, Papaver somniferum. Handcoloured lithograph by Henry Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852. / Bridgeman Images

ID: FLO4638177

Opium poppy, Papaver somniferum. Handcoloured lithograph by Henry Sowerby from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

Common Street, Ruta graveolens. Handcoloured lithograph by Henry Sowerby after an illustration by L.W. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.
Common Street, Ruta graveolens. Handcoloured lithograph by Henry Sowerby after an illustration by L.W. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

FLO4638210: Common Street, Ruta graveolens. Handcoloured lithograph by Henry Sowerby after an illustration by L.W. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852. / Bridgeman Images

ID: FLO4638210

Common Street, Ruta graveolens. Handcoloured lithograph by Henry Sowerby after an illustration by L.W. from Edward Hamilton's Flora Homeopathica, Bailliere, London, 1852.

Elizabeth Tuke, Lady Audley. Wife to George Tuchet, 9th Baron Audley. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
Elizabeth Tuke, Lady Audley. Wife to George Tuchet, 9th Baron Audley. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4638614: Elizabeth Tuke, Lady Audley. Wife to George Tuchet, 9th Baron Audley. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

ID: FLO4638614

Elizabeth Tuke, Lady Audley. Wife to George Tuchet, 9th Baron Audley. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Still life with flowers and fruits Painting by Isaac Soreau (1604-1644) 17th century Turin Galleria Sabauda, inv 758
Still life with flowers and fruits Painting by Isaac Soreau (1604-1644) 17th century Turin Galleria Sabauda, inv 758

LRI4638749: Still life with flowers and fruits Painting by Isaac Soreau (1604-1644) 17th century Turin Galleria Sabauda, inv 758, Soreau, Isaac (b.1604) / Bridgeman Images

ID: LRI4638749

Still life with flowers and fruits Painting by Isaac Soreau (1604-1644) 17th century Turin Galleria Sabauda, inv 758

Soreau, Isaac (b.1604)

Small pearl bordered fritillary butterfly, Boloria selene, and Clifden nonpareil moth, Catocala fraxini. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.
Small pearl bordered fritillary butterfly, Boloria selene, and Clifden nonpareil moth, Catocala fraxini. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

FLO4638849: Small pearl bordered fritillary butterfly, Boloria selene, and Clifden nonpareil moth, Catocala fraxini. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840. / Bridgeman Images

ID: FLO4638849

Small pearl bordered fritillary butterfly, Boloria selene, and Clifden nonpareil moth, Catocala fraxini. Handcoloured lithograph after an illustration by Moses Harris from “The Aurelian; a Natural History of English Moths and Butterflies,””” new edition edited by J. O. Westwood, published by Henry Bohn, London, 1840.

Dorcatherium, species of the order of tragules, shrew deer under wood Chromolithography by Heinrich garderer (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.
Dorcatherium, species of the order of tragules, shrew deer under wood Chromolithography by Heinrich garderer (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.

FLO4639378: Dorcatherium, species of the order of tragules, shrew deer under wood Chromolithography by Heinrich garderer (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche. / Bridgeman Images

ID: FLO4639378

Dorcatherium, species of the order of tragules, shrew deer under wood Chromolithography by Heinrich garderer (1858-1935) (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1916, Hamburg (Germany), text by Wilhelm Bolsche.

Dimetrodon, like Permian carnivorous synapsid. Chromolithography of F. John (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1910, Hamburg (Germany), text by Wilhelm Bolsche.
Dimetrodon, like Permian carnivorous synapsid. Chromolithography of F. John (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1910, Hamburg (Germany), text by Wilhelm Bolsche.

FLO4639840: Dimetrodon, like Permian carnivorous synapsid. Chromolithography of F. John (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1910, Hamburg (Germany), text by Wilhelm Bolsche. / Bridgeman Images

ID: FLO4639840

Dimetrodon, like Permian carnivorous synapsid. Chromolithography of F. John (series prehistoric animals of the Reichardt Cocoa Company), originally published in “Animals of the Prehistoric World”, 1910, Hamburg (Germany), text by Wilhelm Bolsche.

Aborigines of the Blue Mountains. At the top, portraits of men living on the shores of the Hawkesbury River (Nepean River), in the centre, Spring Wood chief Aurang Jack frames two of his wives. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Australian aborigines from the Blue Mountains. Men from the banks of the Nepean river at top, Aurang Jack, chief of Spring-Wood in the middle and his two wives. Handcoloured lithograph from Friedrich Wilhelm Goedsch's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Aborigines of the Blue Mountains. At the top, portraits of men living on the shores of the Hawkesbury River (Nepean River), in the centre, Spring Wood chief Aurang Jack frames two of his wives. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Australian aborigines from the Blue Mountains. Men from the banks of the Nepean river at top, Aurang Jack, chief of Spring-Wood in the middle and his two wives. Handcoloured lithograph from Friedrich Wilhelm Goedsch's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4636188: Aborigines of the Blue Mountains. At the top, portraits of men living on the shores of the Hawkesbury River (Nepean River), in the centre, Spring Wood chief Aurang Jack frames two of his wives. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Australian aborigines from the Blue Mountains. Men from the banks of the Nepean river at top, Aurang Jack, chief of Spring-Wood in the middle and his two wives. Handcoloured lithograph from Friedrich Wilhelm Goedsch's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4636188

Aborigines of the Blue Mountains. At the top, portraits of men living on the shores of the Hawkesbury River (Nepean River), in the centre, Spring Wood chief Aurang Jack frames two of his wives. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Australian aborigines from the Blue Mountains. Men from the banks of the Nepean river at top, Aurang Jack, chief of Spring-Wood in the middle and his two wives. Handcoloured lithograph from Friedrich Wilhelm Goedsch's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Indigenous women Chamarro from Guam Island, Mariana Islands (USA), including a woman veiled with a rosary around her neck, going to the church. Illustration from Voyage Around the World (1824) by Louis de Freycinet (1779-1842). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Native Chamorro women of the island of Guam, Pacific Ocean, in checkered skirt, and woman in veil and rosary on her way to church. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Indigenous women Chamarro from Guam Island, Mariana Islands (USA), including a woman veiled with a rosary around her neck, going to the church. Illustration from Voyage Around the World (1824) by Louis de Freycinet (1779-1842). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Native Chamorro women of the island of Guam, Pacific Ocean, in checkered skirt, and woman in veil and rosary on her way to church. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4636237: Indigenous women Chamarro from Guam Island, Mariana Islands (USA), including a woman veiled with a rosary around her neck, going to the church. Illustration from Voyage Around the World (1824) by Louis de Freycinet (1779-1842). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Native Chamorro women of the island of Guam, Pacific Ocean, in checkered skirt, and woman in veil and rosary on her way to church. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4636237

Indigenous women Chamarro from Guam Island, Mariana Islands (USA), including a woman veiled with a rosary around her neck, going to the church. Illustration from Voyage Around the World (1824) by Louis de Freycinet (1779-1842). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Native Chamorro women of the island of Guam, Pacific Ocean, in checkered skirt, and woman in veil and rosary on her way to church. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Group of chamarro reparting and checking their fishing nets, on the coast of the Mariana Islands (USA). Others sin. Illustration from Voyage Around the World (1824) by Louis de Freycinet (1779-1842). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Naked Chamorro men and women mending and casting nets as they fish on the coast of the Mariana islands. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Group of chamarro reparting and checking their fishing nets, on the coast of the Mariana Islands (USA). Others sin. Illustration from Voyage Around the World (1824) by Louis de Freycinet (1779-1842). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Naked Chamorro men and women mending and casting nets as they fish on the coast of the Mariana islands. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4636290: Group of chamarro reparting and checking their fishing nets, on the coast of the Mariana Islands (USA). Others sin. Illustration from Voyage Around the World (1824) by Louis de Freycinet (1779-1842). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Naked Chamorro men and women mending and casting nets as they fish on the coast of the Mariana islands. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4636290

Group of chamarro reparting and checking their fishing nets, on the coast of the Mariana Islands (USA). Others sin. Illustration from Voyage Around the World (1824) by Louis de Freycinet (1779-1842). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Naked Chamorro men and women mending and casting nets as they fish on the coast of the Mariana islands. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

French explorers and botanist in the ruins of a chamarro site of stone pillars on Rota Island (Mariana Islands, USA). Illustration from Voyage Around the World (1824) by Louis de Freycinet (1779-1842). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. English explorers and botanist at the ruins of ancient Chamorro stone structures on the island of Rota, north of Guam. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
French explorers and botanist in the ruins of a chamarro site of stone pillars on Rota Island (Mariana Islands, USA). Illustration from Voyage Around the World (1824) by Louis de Freycinet (1779-1842). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. English explorers and botanist at the ruins of ancient Chamorro stone structures on the island of Rota, north of Guam. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4636301: French explorers and botanist in the ruins of a chamarro site of stone pillars on Rota Island (Mariana Islands, USA). Illustration from Voyage Around the World (1824) by Louis de Freycinet (1779-1842). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. English explorers and botanist at the ruins of ancient Chamorro stone structures on the island of Rota, north of Guam. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4636301

French explorers and botanist in the ruins of a chamarro site of stone pillars on Rota Island (Mariana Islands, USA). Illustration from Voyage Around the World (1824) by Louis de Freycinet (1779-1842). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. English explorers and botanist at the ruins of ancient Chamorro stone structures on the island of Rota, north of Guam. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Native to Papua Island (New Guinee and Indonesia), inhabitants of coastal areas with combs and scarifications and indigenous people of the island off Rawak Waigeo. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Natives of the island of Papua (New Guinea): coastal dwellers with hair combs and body scarification at top, and natives of Rawak island off Waigeo. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Native to Papua Island (New Guinee and Indonesia), inhabitants of coastal areas with combs and scarifications and indigenous people of the island off Rawak Waigeo. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Natives of the island of Papua (New Guinea): coastal dwellers with hair combs and body scarification at top, and natives of Rawak island off Waigeo. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4636143: Native to Papua Island (New Guinee and Indonesia), inhabitants of coastal areas with combs and scarifications and indigenous people of the island off Rawak Waigeo. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Natives of the island of Papua (New Guinea): coastal dwellers with hair combs and body scarification at top, and natives of Rawak island off Waigeo. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4636143

Native to Papua Island (New Guinee and Indonesia), inhabitants of coastal areas with combs and scarifications and indigenous people of the island off Rawak Waigeo. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Amérique et d'Australie”” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Natives of the island of Papua (New Guinea): coastal dwellers with hair combs and body scarification at top, and natives of Rawak island off Waigeo. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Edmund Elys or Ellis, English clergy, poet and writer, 1633-1708. Copperplate engraving after W. Faithorne, from William Richardson's Portraits Illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector.
Edmund Elys or Ellis, English clergy, poet and writer, 1633-1708. Copperplate engraving after W. Faithorne, from William Richardson's Portraits Illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector.

FLO4636587: Edmund Elys or Ellis, English clergy, poet and writer, 1633-1708. Copperplate engraving after W. Faithorne, from William Richardson's Portraits Illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector. / Bridgeman Images

ID: FLO4636587

Edmund Elys or Ellis, English clergy, poet and writer, 1633-1708. Copperplate engraving after W. Faithorne, from William Richardson's Portraits Illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector.

Francis Bell or the Blessed Arthur Bell (1590-1643), English Franciscan martyr hanged, drawn and quartered at Tyburn. Copperplate engraving from William Richard's Portraits illustrating Granger's Biographical History of England, London, 1792Ð1812. James Granger (1723Ð1776) was an English clergy, biographer, and print collector.
Francis Bell or the Blessed Arthur Bell (1590-1643), English Franciscan martyr hanged, drawn and quartered at Tyburn. Copperplate engraving from William Richard's Portraits illustrating Granger's Biographical History of England, London, 1792Ð1812. James Granger (1723Ð1776) was an English clergy, biographer, and print collector.

FLO4636723: Francis Bell or the Blessed Arthur Bell (1590-1643), English Franciscan martyr hanged, drawn and quartered at Tyburn. Copperplate engraving from William Richard's Portraits illustrating Granger's Biographical History of England, London, 1792Ð1812. James Granger (1723Ð1776) was an English clergy, biographer, and print collector. / Bridgeman Images

ID: FLO4636723

Francis Bell or the Blessed Arthur Bell (1590-1643), English Franciscan martyr hanged, drawn and quartered at Tyburn. Copperplate engraving from William Richard's Portraits illustrating Granger's Biographical History of England, London, 1792Ð1812. James Granger (1723Ð1776) was an English clergy, biographer, and print collector.


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