WHD127437:
Anglo-Italian Combination, 1996 (w/c & gouache on board), Wheatland, Richard / Bridgeman Images
ID: WHD127437
Anglo-Italian Combination, 1996 (w/c & gouache on board)
Wheatland, Richard
LDB127665:
Troubles, Belfast, mid 1970s (w/c on paper), Burgh, Lydia de (1923-2007) / Bridgeman Images
ID: LDB127665
Troubles, Belfast, mid 1970s (w/c on paper)
Burgh, Lydia de (1923-2007)
CEC128111:
Mrs Croad, the Determined Widow, 1806 (black chalk and w/c on paper), Downman, John (c.1750-1824) / Bridgeman Images
ID: CEC128111
Mrs Croad, the Determined Widow, 1806 (black chalk and w/c on paper)
Downman, John (c.1750-1824)
NAT128226:
'Herod' from 'Everyman', published by Chapman & Hall, 1925 (colour litho), Austen, John (1886-1948) / Bridgeman Images
ID: NAT128226
'Herod' from 'Everyman', published by Chapman & Hall, 1925 (colour litho)
Austen, John (1886-1948)
MAD128254:
The White Bull (study), 1998 (charcoal on paper), Adlington, Mark / Bridgeman Images
ID: MAD128254
The White Bull (study), 1998 (charcoal on paper)
Adlington, Mark
JVH128389:
Prince Maurits and Frederik Hendrik of Nassau riding in a horsedrawn carriage, 1616 (oil on panel), Venne, Adriaen Pietersz. van de (1589-1662) / Bridgeman Images
ID: JVH128389
Prince Maurits and Frederik Hendrik of Nassau riding in a horsedrawn carriage, 1616 (oil on panel)
DRB128769:
In the Woods, 1904 (oil on canvas), Hornel, Edward Atkinson (1864-1933) / Bridgeman Images
ID: DRB128769
In the Woods, 1904 (oil on canvas)
Hornel, Edward Atkinson (1864-1933)
CWA124841:
"A Prophetic Sketch of the Club as Described in the 1st Book of Samuel, 22 Ch, 2 Ve", pub. by S.W. Fores, 1799 (coloured etching), English School, (18th century) / Bridgeman Images
ID: CWA124841
"A Prophetic Sketch of the Club as Described in the 1st Book of Samuel, 22 Ch, 2 Ve", pub. by S.W. Fores, 1799 (coloured etching)
English School, (18th century)
CWA124847:
The Puppeteer, 1748 (engraving), Italian School, (18th century) / Bridgeman Images
ID: CWA124847
The Puppeteer, 1748 (engraving)
Italian School, (18th century)
BCC125006:
Sketch for a velvet cushion (oil on paper), Desportes, Claude Francois (1695-1774) / Bridgeman Images
ID: BCC125006
Sketch for a velvet cushion (oil on paper)
Desportes, Claude Francois (1695-1774)
NUM125131:
Doctor Francois-Marie Demaisons, 1832 (oil on canvas), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images
ID: NUM125131
Doctor Francois-Marie Demaisons, 1832 (oil on canvas)
Delacroix, Ferdinand Victor Eugene (1798-1863)
NP125520:
The Shepherds, engraved by William Ward (1766-1826), pub. by H. Morland, 1806 (mezzotint engraving), Morland, George (1763-1804) (after) / Bridgeman Images
ID: NP125520
The Shepherds, engraved by William Ward (1766-1826), pub. by H. Morland, 1806 (mezzotint engraving)
Morland, George (1763-1804) (after)
NP125526:
The Honourable Mr Leicester Stanhope, engraved and pub. by Francesco Bartolozzi (1727-1815), 1789 (stipple engraving), Reynolds, Joshua (1723-92) (after) / Bridgeman Images
ID: NP125526
The Honourable Mr Leicester Stanhope, engraved and pub. by Francesco Bartolozzi (1727-1815), 1789 (stipple engraving)
Reynolds, Joshua (1723-92) (after)
NP125541:
Scarcity in India, engraved and pub. by Charles Knight (1743-c.1826), 1794 (stipple engraving) (pair of 125540), Singleton, Henry (1766-1839) (after) / Bridgeman Images
ID: NP125541
Scarcity in India, engraved and pub. by Charles Knight (1743-c.1826), 1794 (stipple engraving) (pair of 125540)
Singleton, Henry (1766-1839) (after)
NP125554:
A Country Attorney and his Clients, pub. by Bowles & Carver, 1800 (mezzotint engraving), Dighton, Robert (1752-1814) (after) / Bridgeman Images
ID: NP125554
A Country Attorney and his Clients, pub. by Bowles & Carver, 1800 (mezzotint engraving)
Dighton, Robert (1752-1814) (after)
NP125556:
Fatal Curiosity, pub. by Robert Sayer & J. Bennett, 1784 (mezzotint engraving), English School, (18th century) / Bridgeman Images
ID: NP125556
Fatal Curiosity, pub. by Robert Sayer & J. Bennett, 1784 (mezzotint engraving)
English School, (18th century)
NP125592:
The Mask, engraved by Luigi Schiavonetti (1765-1810), pub. by T. Simpson and Darling & Thompson, 1794 (stipple engraving) (pair of 125591, see also 91069), Reynolds, Joshua (1723-92) (after) / Bridgeman Images
ID: NP125592
The Mask, engraved by Luigi Schiavonetti (1765-1810), pub. by T. Simpson and Darling & Thompson, 1794 (stipple engraving) (pair of 125591, see also 91069)
Reynolds, Joshua (1723-92) (after)
AGN125621:
Head of a Girl (oil on panel), Etty, William (1787-1849) / Bridgeman Images
ID: AGN125621
Head of a Girl (oil on panel)
Etty, William (1787-1849)
AGN125627:
Dapple Grey Hunter, 1838 (oil on canvas), Ferneley, John E. (1782-1860) / Bridgeman Images
ID: AGN125627
Dapple Grey Hunter, 1838 (oil on canvas)
Ferneley, John E. (1782-1860)
AGN125677:
Illustration to Milton's Lycidas (w/c and gouache on paper), Palmer, Samuel (1805-81) / Bridgeman Images
ID: AGN125677
Illustration to Milton's Lycidas (w/c and gouache on paper)
Palmer, Samuel (1805-81)
AGN125689:
Magdalen College, Oxford, 1904 (w/c on paper), Goodwin, Albert (1845-1932) / Bridgeman Images
ID: AGN125689
Magdalen College, Oxford, 1904 (w/c on paper)
Goodwin, Albert (1845-1932)
NP125702:
French Soldiers on Parade (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ID: NP125702
French Soldiers on Parade (pen & w/c on paper)
Rowlandson, Thomas (1756-1827)
NP125703:
Gluttony (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ID: NP125703
Gluttony (pen & w/c on paper)
Rowlandson, Thomas (1756-1827)
NP125720:
"Four o'Clock in Town", pub. 1788 (coloured etching with aquatint) (pair of 125721), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ID: NP125720
"Four o'Clock in Town", pub. 1788 (coloured etching with aquatint) (pair of 125721)
Rowlandson, Thomas (1756-1827)
NP125732:
"Box Lobby Loungers", etched by Rowlandson from a design by Henry Wigstead (c.1745-93), pub. by John Raphael Smith, 1786 (sepia etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ID: NP125732
"Box Lobby Loungers", etched by Rowlandson from a design by Henry Wigstead (c.1745-93), pub. by John Raphael Smith, 1786 (sepia etching)
Rowlandson, Thomas (1756-1827)
NP125747:
Return from Epsom Races, 1823 (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ID: NP125747
Return from Epsom Races, 1823 (pen, w/c & pencil on paper)
Rowlandson, Thomas (1756-1827)
NP125779:
Temple Bar, from the Strand, from 'London As It Is', engraved and pub. by the artist, 1842 (colour litho), Boys, Thomas Shotter (1803-74) / Bridgeman Images
ID: NP125779
Temple Bar, from the Strand, from 'London As It Is', engraved and pub. by the artist, 1842 (colour litho)
Boys, Thomas Shotter (1803-74)
CEC131737:
Female Head: Study for 'The Car of Love', 1895 (pencil), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images
ID: CEC131737
Female Head: Study for 'The Car of Love', 1895 (pencil)
Burne-Jones, Edward Coley (1833-98)
RAF132001:
Figures outside a Cottage in a Country Landscape (oil on canvas), Oosten, Isaak van (1613-61) / Bridgeman Images
ID: RAF132001
Figures outside a Cottage in a Country Landscape (oil on canvas)