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La Confidence (The Secret) (oil on board)
La Confidence (The Secret) (oil on board)

NGW184207: La Confidence (The Secret) (oil on board), Daumier, Honore (1808-79) / Bridgeman Images

ID: NGW184207

La Confidence (The Secret) (oil on board)

Daumier, Honore (1808-79)

Apollo and Marsyas, 1879 (oil on canvas)
Apollo and Marsyas, 1879 (oil on canvas)

NGW184256: Apollo and Marsyas, 1879 (oil on canvas), Strudwick, John Melhuish (1849-1937) / Bridgeman Images

ID: NGW184256

Apollo and Marsyas, 1879 (oil on canvas)

Strudwick, John Melhuish (1849-1937)

Looking out on Washington Square, 1933 (oil on panel)
Looking out on Washington Square, 1933 (oil on panel)

DAM184619: Looking out on Washington Square, 1933 (oil on panel), Sloan, John (1871-1951) / Bridgeman Images

ID: DAM184619

Looking out on Washington Square, 1933 (oil on panel)

Sloan, John (1871-1951)

Green Vest (Jennie Doyle) 1914-15 (oil on canvas)
Green Vest (Jennie Doyle) 1914-15 (oil on canvas)

DAM184622: Green Vest (Jennie Doyle) 1914-15 (oil on canvas), Sloan, John (1871-1951) / Bridgeman Images

ID: DAM184622

Green Vest (Jennie Doyle) 1914-15 (oil on canvas)

Sloan, John (1871-1951)

Vignette from 'A Puppet of Fate', 1899 (oil on paper)
Vignette from 'A Puppet of Fate', 1899 (oil on paper)

DAM184669: Vignette from 'A Puppet of Fate', 1899 (oil on paper), Pyle, Howard (1853-1911) / Bridgeman Images

ID: DAM184669

Vignette from 'A Puppet of Fate', 1899 (oil on paper)

Pyle, Howard (1853-1911)

Swords of Justice
Swords of Justice

MAE186805: Swords of Justice, Flemish School / Bridgeman Images

ID: MAE186805

Swords of Justice

Flemish School

The Last Supper (fresco)
The Last Supper (fresco)

MAE186810: The Last Supper (fresco), Flemish School / Bridgeman Images

ID: MAE186810

The Last Supper (fresco)

Flemish School

Sir Richard Crawshay (1739-1810) c.1790 (oil on canvas)
Sir Richard Crawshay (1739-1810) c.1790 (oil on canvas)

NGW186826: Sir Richard Crawshay (1739-1810) c.1790 (oil on canvas), English School, (18th century) / Bridgeman Images

ID: NGW186826

Sir Richard Crawshay (1739-1810) c.1790 (oil on canvas)

English School, (18th century)

St. Tropez, 1918 (w/c, charcoal & pencil on paper)
St. Tropez, 1918 (w/c, charcoal & pencil on paper)

NGW186837: St. Tropez, 1918 (w/c, charcoal & pencil on paper), Signac, Paul (1863-1935) / Bridgeman Images

ID: NGW186837

St. Tropez, 1918 (w/c, charcoal & pencil on paper)

Signac, Paul (1863-1935)

Nude (pencil on paper)
Nude (pencil on paper)

BRN187425: Nude (pencil on paper), Glackens, William James (1870-1938) / Bridgeman Images

ID: BRN187425

Nude (pencil on paper)

Glackens, William James (1870-1938)

Five Figures on Porch (ink on silk)
Five Figures on Porch (ink on silk)

BRN187434: Five Figures on Porch (ink on silk), Shih Fu Chuiu Ying (18th century) / Bridgeman Images

ID: BRN187434

Five Figures on Porch (ink on silk)

Shih Fu Chuiu Ying (18th century)

Geraniums and Roses, 1945 (oil on canvas)
Geraniums and Roses, 1945 (oil on canvas)

NIE180580: Geraniums and Roses, 1945 (oil on canvas), Skempton, Mary Nancy (1913-93) / Bridgeman Images

ID: NIE180580

Geraniums and Roses, 1945 (oil on canvas)

Skempton, Mary Nancy (1913-93)

Pickering Place, St. James's (oil on canvas)
Pickering Place, St. James's (oil on canvas)

JBA181119: Pickering Place, St. James's (oil on canvas), Barrow, Julian (1939-2013) / Bridgeman Images

ID: JBA181119

Pickering Place, St. James's (oil on canvas)

Barrow, Julian (1939-2013)

The Old Schools, Harrow (oil on canvas)
The Old Schools, Harrow (oil on canvas)

JBA181127: The Old Schools, Harrow (oil on canvas), Barrow, Julian (1939-2013) / Bridgeman Images

ID: JBA181127

The Old Schools, Harrow (oil on canvas)

Barrow, Julian (1939-2013)

View of the ceiling and dome (photo)
View of the ceiling and dome (photo)

MAE181386: View of the ceiling and dome (photo), Spanish School / Bridgeman Images

ID: MAE181386

View of the ceiling and dome (photo)

Spanish School

Triptych from the Capilla de las Reliquias (oil on panel)
Triptych from the Capilla de las Reliquias (oil on panel)

MAE181389: Triptych from the Capilla de las Reliquias (oil on panel), Spanish School, (16th century) / Bridgeman Images

ID: MAE181389

Triptych from the Capilla de las Reliquias (oil on panel)

Spanish School, (16th century)

Portrait of Sir Christopher Hatton (1540-91) from 'Lodge's British Portraits', 1823 (litho)
Portrait of Sir Christopher Hatton (1540-91) from 'Lodge's British Portraits', 1823 (litho)

KW181442: Portrait of Sir Christopher Hatton (1540-91) from 'Lodge's British Portraits', 1823 (litho), English School, (19th century) / Bridgeman Images

ID: KW181442

Portrait of Sir Christopher Hatton (1540-91) from 'Lodge's British Portraits', 1823 (litho)

English School, (19th century)

Hassan II Mosque, built 1986-93 (photo)
Hassan II Mosque, built 1986-93 (photo)

HJA186504: Hassan II Mosque, built 1986-93 (photo) / Bridgeman Images

ID: HJA186504

Hassan II Mosque, built 1986-93 (photo)

To the Christening the Fairies were invited (w/c on wellum)
To the Christening the Fairies were invited (w/c on wellum)

SAG186619: To the Christening the Fairies were invited (w/c on wellum), King, Jessie Marion (1875-1949) / Bridgeman Images

ID: SAG186619

To the Christening the Fairies were invited (w/c on wellum)

King, Jessie Marion (1875-1949)

Madonna and Child, 1650-80 (oil on canvas)
Madonna and Child, 1650-80 (oil on canvas)

SAG186623: Madonna and Child, 1650-80 (oil on canvas), Sassoferrato, Il (Giovanni Battista Salvi) (1609-85) (attr.to) / Bridgeman Images

ID: SAG186623

Madonna and Child, 1650-80 (oil on canvas)

Sassoferrato, Il (Giovanni Battista Salvi) (1609-85) (attr.to)

The Temple of Minerva, Medica, Rome (w/c on paper)
The Temple of Minerva, Medica, Rome (w/c on paper)

SAG186662: The Temple of Minerva, Medica, Rome (w/c on paper), Cozens, John Robert (1752-99) / Bridgeman Images

ID: SAG186662

The Temple of Minerva, Medica, Rome (w/c on paper)

Cozens, John Robert (1752-99)

View in Ireland (gouache on paper)
View in Ireland (gouache on paper)

SAG186682: View in Ireland (gouache on paper), Gabrielli, Gaspare (1795-1830) / Bridgeman Images

ID: SAG186682

View in Ireland (gouache on paper)

Gabrielli, Gaspare (1795-1830)

Mask with Horns, Mossi Society, Burkina Faso (painted wood) (see also 181694)
Mask with Horns, Mossi Society, Burkina Faso (painted wood) (see also 181694)

HSC181695: Mask with Horns, Mossi Society, Burkina Faso (painted wood) (see also 181694), African School / Bridgeman Images

ID: HSC181695

Mask with Horns, Mossi Society, Burkina Faso (painted wood) (see also 181694)

African School

The prodigal son watching his swine, from a tapestry series depicting the parable of the Prodigal Son (tapestry)
The prodigal son watching his swine, from a tapestry series depicting the parable of the Prodigal Son (tapestry)

MAE181722: The prodigal son watching his swine, from a tapestry series depicting the parable of the Prodigal Son (tapestry), Flemish School / Bridgeman Images

ID: MAE181722

The prodigal son watching his swine, from a tapestry series depicting the parable of the Prodigal Son (tapestry)

Flemish School

Ground plan of the Royal Institution leases, 1863 (pen & ink and w/c on paper)
Ground plan of the Royal Institution leases, 1863 (pen & ink and w/c on paper)

TRI181942: Ground plan of the Royal Institution leases, 1863 (pen & ink and w/c on paper), English School, (19th century) / Bridgeman Images

ID: TRI181942

Ground plan of the Royal Institution leases, 1863 (pen & ink and w/c on paper)

English School, (19th century)

Adam and Eve, from Book V of 'Paradise Lost' by John Milton (1608-74) engraved by Stephane Pannemaker (1847-1930) c.1868 (engraving)
Adam and Eve, from Book V of 'Paradise Lost' by John Milton (1608-74) engraved by Stephane Pannemaker (1847-1930) c.1868 (engraving)

OTB182317: Adam and Eve, from Book V of 'Paradise Lost' by John Milton (1608-74) engraved by Stephane Pannemaker (1847-1930) c.1868 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: OTB182317

Adam and Eve, from Book V of 'Paradise Lost' by John Milton (1608-74) engraved by Stephane Pannemaker (1847-1930) c.1868 (engraving)

Dore, Gustave (1832-83) (after)

A Nocturnal Discourse, from 'Don Quixote de la Mancha' by Miguel Cervantes (1547-1616) engraved by Heliodore Joseph Pisan (1822-90) c.1868 (engraving)
A Nocturnal Discourse, from 'Don Quixote de la Mancha' by Miguel Cervantes (1547-1616) engraved by Heliodore Joseph Pisan (1822-90) c.1868 (engraving)

OTB182320: A Nocturnal Discourse, from 'Don Quixote de la Mancha' by Miguel Cervantes (1547-1616) engraved by Heliodore Joseph Pisan (1822-90) c.1868 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: OTB182320

A Nocturnal Discourse, from 'Don Quixote de la Mancha' by Miguel Cervantes (1547-1616) engraved by Heliodore Joseph Pisan (1822-90) c.1868 (engraving)

Dore, Gustave (1832-83) (after)

Study for the Head of Alex Pope (1688-1744) introduction to Dryden, At Butler's Coffee House (pencil, chalk & charcoal on paper)
Study for the Head of Alex Pope (1688-1744) introduction to Dryden, At Butler's Coffee House (pencil, chalk & charcoal on paper)

BOL229445: Study for the Head of Alex Pope (1688-1744) introduction to Dryden, At Butler's Coffee House (pencil, chalk & charcoal on paper), English School, (18th century) / Bridgeman Images

ID: BOL229445

Study for the Head of Alex Pope (1688-1744) introduction to Dryden, At Butler's Coffee House (pencil, chalk & charcoal on paper)

English School, (18th century)

Procession on the Feast of Corpus Christi, Naples (w/c on paper)
Procession on the Feast of Corpus Christi, Naples (w/c on paper)

BOL229484: Procession on the Feast of Corpus Christi, Naples (w/c on paper), Harding, James Duffield (1798-1863) / Bridgeman Images

ID: BOL229484

Procession on the Feast of Corpus Christi, Naples (w/c on paper)

Harding, James Duffield (1798-1863)

'The Laputians beheld me with all the marks and circumstances of wonder', illustration from 'Gulliver's Travels' by Jonathan Swift (1667-1745) published 1904 (colour litho)
'The Laputians beheld me with all the marks and circumstances of wonder', illustration from 'Gulliver's Travels' by Jonathan Swift (1667-1745) published 1904 (colour litho)

EWD229635: 'The Laputians beheld me with all the marks and circumstances of wonder', illustration from 'Gulliver's Travels' by Jonathan Swift (1667-1745) published 1904 (colour litho), Baghot de la Bere, Stephen (1887-1927) / Bridgeman Images

ID: EWD229635

'The Laputians beheld me with all the marks and circumstances of wonder', illustration from 'Gulliver's Travels' by Jonathan Swift (1667-1745) published 1904 (colour litho)

Baghot de la Bere, Stephen (1887-1927)

Niagara Falls, from 'Recueil des cartes et des vues du voyage en Amerique en Italie en Sicile et en Egypt' by de Montule, 1821 (litho) (b/w photo)
Niagara Falls, from 'Recueil des cartes et des vues du voyage en Amerique en Italie en Sicile et en Egypt' by de Montule, 1821 (litho) (b/w photo)

TRV230411: Niagara Falls, from 'Recueil des cartes et des vues du voyage en Amerique en Italie en Sicile et en Egypt' by de Montule, 1821 (litho) (b/w photo), Montule, Edouard de (fl.1816-21) / Bridgeman Images

ID: TRV230411

Niagara Falls, from 'Recueil des cartes et des vues du voyage en Amerique en Italie en Sicile et en Egypt' by de Montule, 1821 (litho) (b/w photo)

Montule, Edouard de (fl.1816-21)

Titlepage to volume I of 'Delle Navigationi et Viaggi' by Giovanni Ramusio (1485-1557) published 1613 (engraving) (b/w photo)
Titlepage to volume I of 'Delle Navigationi et Viaggi' by Giovanni Ramusio (1485-1557) published 1613 (engraving) (b/w photo)

TRV230431: Titlepage to volume I of 'Delle Navigationi et Viaggi' by Giovanni Ramusio (1485-1557) published 1613 (engraving) (b/w photo), Italian School, (17th century) / Bridgeman Images

ID: TRV230431

Titlepage to volume I of 'Delle Navigationi et Viaggi' by Giovanni Ramusio (1485-1557) published 1613 (engraving) (b/w photo)

Italian School, (17th century)

Bird's-eye View of the Great Cataracts of the Zambesi (Victoria Falls) from 'Narrative of an Exhibition to the Zambesi and its Tributaries', published 1865 (engraving) (b/w photo)
Bird's-eye View of the Great Cataracts of the Zambesi (Victoria Falls) from 'Narrative of an Exhibition to the Zambesi and its Tributaries', published 1865 (engraving) (b/w photo)

TRV230442: Bird's-eye View of the Great Cataracts of the Zambesi (Victoria Falls) from 'Narrative of an Exhibition to the Zambesi and its Tributaries', published 1865 (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

ID: TRV230442

Bird's-eye View of the Great Cataracts of the Zambesi (Victoria Falls) from 'Narrative of an Exhibition to the Zambesi and its Tributaries', published 1865 (engraving) (b/w photo)

English School, (19th century)

Titlepage for 'Voyages en Guinee et dans les Iles Caraibes en Amerique' by Paul Erdman Isert, published 1743 (engraving) (b/w photo)
Titlepage for 'Voyages en Guinee et dans les Iles Caraibes en Amerique' by Paul Erdman Isert, published 1743 (engraving) (b/w photo)

TRV230470: Titlepage for 'Voyages en Guinee et dans les Iles Caraibes en Amerique' by Paul Erdman Isert, published 1743 (engraving) (b/w photo), French School, (18th century) / Bridgeman Images

ID: TRV230470

Titlepage for 'Voyages en Guinee et dans les Iles Caraibes en Amerique' by Paul Erdman Isert, published 1743 (engraving) (b/w photo)

French School, (18th century)

Angel, 2004 (oil on board)
Angel, 2004 (oil on board)

SOW231303: Angel, 2004 (oil on board), Bower, Susan / Bridgeman Images

ID: SOW231303

Angel, 2004 (oil on board)

Bower, Susan

Ms Hunter 653 Plate XVI, Anatomical drawing, c.1610 (pencil & chalk on paper)
Ms Hunter 653 Plate XVI, Anatomical drawing, c.1610 (pencil & chalk on paper)

GUL232021: Ms Hunter 653 Plate XVI, Anatomical drawing, c.1610 (pencil & chalk on paper), Cortona, Pietro da (Berrettini) (1596-1669) / Bridgeman Images

ID: GUL232021

Ms Hunter 653 Plate XVI, Anatomical drawing, c.1610 (pencil & chalk on paper)

Cortona, Pietro da (Berrettini) (1596-1669)


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