LLM6019179:
Charles A Platt: Timberline, Bryn Mawr, Pennsylvania, Terrace Fountain (b/w photo), American Photographer, (20th century) / Bridgeman Images
ID: LLM6019179
Charles A Platt: Timberline, Bryn Mawr, Pennsylvania, Terrace Fountain (b/w photo)
American Photographer, (20th century)
LLM6019182:
Charles A Platt: 125 East Sixty-Fifth Street, New York, Library (b/w photo), American Photographer, (20th century) / Bridgeman Images
ID: LLM6019182
Charles A Platt: 125 East Sixty-Fifth Street, New York, Library (b/w photo)
American Photographer, (20th century)
LLM6019198:
Charles A Platt: 844 Fifth Avenue, New York, Front Elevation, Basement Floor, First Floor Plan, Second Floor Plan (litho), American School, (20th century) / Bridgeman Images
ID: LLM6019198
Charles A Platt: 844 Fifth Avenue, New York, Front Elevation, Basement Floor, First Floor Plan, Second Floor Plan (litho)
LLM6001175:
Two saints and the Legend of William Tell, late 16th Century Swiss stained glass paintings (litho), French School, (19th century) / Bridgeman Images
ID: LLM6001175
Two saints and the Legend of William Tell, late 16th Century Swiss stained glass paintings (litho)
French School, (19th century)
LLM6001177:
Room at the Hotel de Cluny, Paris, where Mary Tudor spent her period of mourning in 1515 after the death of her husband, King Louis XII of France (litho), French School, (19th century) / Bridgeman Images
ID: LLM6001177
Room at the Hotel de Cluny, Paris, where Mary Tudor spent her period of mourning in 1515 after the death of her husband, King Louis XII of France (litho)
LLM5991740:
The Horse Dealers (colour litho), English School, (20th century) / Bridgeman Images
ID: LLM5991740
The Horse Dealers (colour litho)
English School, (20th century)
LLM5991756:
Illustration for Coleridge's Rime of The Ancient Mariner (engraving), Paton, Joseph Noel (1821-1901) (after) / Bridgeman Images
ID: LLM5991756
Illustration for Coleridge's Rime of The Ancient Mariner (engraving)
Paton, Joseph Noel (1821-1901) (after)
LLM5991770:
The next morning my farmer desired to speak to me alone (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5991770
The next morning my farmer desired to speak to me alone (engraving)
English School, (19th century)
LLM5991778:
Passed his time in continual watchfulness (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5991778
Passed his time in continual watchfulness (engraving)
English School, (19th century)
LLM5991781:
As brethren we joined together (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5991781
As brethren we joined together (engraving)
English School, (19th century)
LLM5991789:
Bade him place it on his finger (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5991789
Bade him place it on his finger (engraving)
English School, (19th century)
LLM5991792:
The next day the enchanted horse was placed in the great square before the palace (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5991792
The next day the enchanted horse was placed in the great square before the palace (engraving)
English School, (19th century)
LLM5991814:
Poured enough into every jar to stifle and destroy the robber within (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5991814
Poured enough into every jar to stifle and destroy the robber within (engraving)
English School, (19th century)
LLM5991829:
Dressed the body of the woman in her richest apparel (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5991829
Dressed the body of the woman in her richest apparel (engraving)
English School, (19th century)
LLM5991841:
He saw the nurse approaching (engraving), Robinson, William Heath (1872-1944) / Bridgeman Images
ID: LLM5991841
He saw the nurse approaching (engraving)
Robinson, William Heath (1872-1944)
LLM5991849:
Independent and content (engraving), Robinson, William Heath (1872-1944) / Bridgeman Images