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Law of 1901 on Associations.
Law of 1901 on Associations.

LSE4090898: Law of 1901 on Associations. "" Socialism realizes that the law could well reach first those it does not target "” (scene with monk and politician) - des. by Albert René, in "Le Charivari "of 24/01/1901., Albert-Rene, (active c.1901-1902) / Bridgeman Images

Gas cooker for restaurant, advertising, 1899.
Gas cooker for restaurant, advertising, 1899.

LSE4090948: Gas cooker for restaurant, advertising, 1899., French School, (19th century) / Bridgeman Images

Charles Lindbergh - in
Charles Lindbergh - in

LSE4089805: Charles Lindbergh - in "Le Monde illustré" from 04/06/1927, French Photographer, (20th century) / Bridgeman Images

Woman, allegory of the vine - drawing by Grandville, 19th century
Woman, allegory of the vine - drawing by Grandville, 19th century

LSE4089871: Woman, allegory of the vine - drawing by Grandville, 19th century, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The Port of Calais by Louis Garneray, sd. circa 1820, Oil on canvas, H. 0,330; L. 0,460. CCIP Coll.
The Port of Calais by Louis Garneray, sd. circa 1820, Oil on canvas, H. 0,330; L. 0,460. CCIP Coll.

LSE4089914: The Port of Calais by Louis Garneray, sd. circa 1820, Oil on canvas, H. 0,330; L. 0,460. CCIP Coll., Garneray, Ambroise-Louis (1783-1857) / Bridgeman Images

Le port du Havre, by Louis Garneray, sd. circa 1820, Oil on canvas, H. 0,330; L. 0,460. CCIP Coll.
Le port du Havre, by Louis Garneray, sd. circa 1820, Oil on canvas, H. 0,330; L. 0,460. CCIP Coll.

LSE4089923: Le port du Havre, by Louis Garneray, sd. circa 1820, Oil on canvas, H. 0,330; L. 0,460. CCIP Coll., Garneray, Ambroise-Louis (1783-1857) / Bridgeman Images

Pleasure des yeux - in “” Monseigneur le vin””, drawing by Charles Martin (1884-1934), fascicle des Etablissements Nicolas, 1927
Pleasure des yeux - in “” Monseigneur le vin””, drawing by Charles Martin (1884-1934), fascicle des Etablissements Nicolas, 1927

LSE4089962: Pleasure des yeux - in “” Monseigneur le vin””, drawing by Charles Martin (1884-1934), fascicle des Etablissements Nicolas, 1927, Martin, Charles (1848-1934) / Bridgeman Images

An Arlesienne - engraving, 1827
An Arlesienne - engraving, 1827

LSE4089978: An Arlesienne - engraving, 1827, French School, (19th century) / Bridgeman Images

Leopold II in a train in 'Le Cri de Paris' of 25/05/1902 (engraving)
Leopold II in a train in 'Le Cri de Paris' of 25/05/1902 (engraving)

LSE4092802: Leopold II in a train in 'Le Cri de Paris' of 25/05/1902 (engraving), Roubille, Auguste (1872-1955) / Bridgeman Images

On the fortifications: bad boy (thug) and his girlfriend - couv. “” The Eclipse””” of 16/02/1899.
On the fortifications: bad boy (thug) and his girlfriend - couv. “” The Eclipse””” of 16/02/1899.

LSE4092805: On the fortifications: bad boy (thug) and his girlfriend - couv. “” The Eclipse””” of 16/02/1899., French School, (19th century) / Bridgeman Images

Circumcision of Christ, after Flemish illumination around 1500, 19th century facsimile
Circumcision of Christ, after Flemish illumination around 1500, 19th century facsimile

LSE4092880: Circumcision of Christ, after Flemish illumination around 1500, 19th century facsimile, Unknown Artist, (19th century) / Bridgeman Images

L'poisonneuse de Saint-Clair: Rachel Galtié in front of the Gers - in “Le Petit Journal” of 13/11/1904 (engraving)
L'poisonneuse de Saint-Clair: Rachel Galtié in front of the Gers - in “Le Petit Journal” of 13/11/1904 (engraving)

LSE4093018: L'poisonneuse de Saint-Clair: Rachel Galtié in front of the Gers - in “Le Petit Journal” of 13/11/1904 (engraving), French School, (20th century) / Bridgeman Images

Plate of cups and corsets - in “Le Moniteur de la Mode””, 1854.
Plate of cups and corsets - in “Le Moniteur de la Mode””, 1854.

LSE4092213: Plate of cups and corsets - in “Le Moniteur de la Mode””, 1854., French School, (19th century) / Bridgeman Images

Separation of Church and State: Republican and supporter of the Church fighting - by Vallotton, in “” The Witness”” of 09/11/1906.
Separation of Church and State: Republican and supporter of the Church fighting - by Vallotton, in “” The Witness”” of 09/11/1906.

LSE4093148: Separation of Church and State: Republican and supporter of the Church fighting - by Vallotton, in “” The Witness”” of 09/11/1906., Vallotton, Felix Edouard (1865-1925) / Bridgeman Images

Altar Saint Clair (also called altar Saint Roch), 1674. From left to right: Saint George has the fashion Henri III, Saint Clair and Saint Roche with the button of the plague. Church of Our Lady of the Assumption, Kidneys.
Altar Saint Clair (also called altar Saint Roch), 1674. From left to right: Saint George has the fashion Henri III, Saint Clair and Saint Roche with the button of the plague. Church of Our Lady of the Assumption, Kidneys.

LSE4093297: Altar Saint Clair (also called altar Saint Roch), 1674. From left to right: Saint George has the fashion Henri III, Saint Clair and Saint Roche with the button of the plague. Church of Our Lady of the Assumption, Kidneys., French School, (17th century) / Bridgeman Images

Vase a pharmacy of the 17th, 18th century. Musee Arbaud.
Vase a pharmacy of the 17th, 18th century. Musee Arbaud.

LSE4093309: Vase a pharmacy of the 17th, 18th century. Musee Arbaud., Unknown Artist, (17th-18th century) / Bridgeman Images

Dervich, or Turkish monk who dances by devotion, “” Collection of 100 prints representing different nations of the Levant in 1707 and 1708”” by orders of M. de Frriol, ambassador of the king at the Porte and updated in 1712-13 by the care of M. Le Hay, Bashan engraver, Paris, 1714.
Dervich, or Turkish monk who dances by devotion, “” Collection of 100 prints representing different nations of the Levant in 1707 and 1708”” by orders of M. de Frriol, ambassador of the king at the Porte and updated in 1712-13 by the care of M. Le Hay, Bashan engraver, Paris, 1714.

LSE4091946: Dervich, or Turkish monk who dances by devotion, “” Collection of 100 prints representing different nations of the Levant in 1707 and 1708”” by orders of M. de Frriol, ambassador of the king at the Porte and updated in 1712-13 by the care of M. Le Hay, Bashan engraver, Paris, 1714., Basan, Pierre François (1723-97) / Bridgeman Images

Romeo and Juliet - engraving by Eugene Delacroix, 19th century
Romeo and Juliet - engraving by Eugene Delacroix, 19th century

LSE4092036: Romeo and Juliet - engraving by Eugene Delacroix, 19th century, Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

Don Pedro's Salon at the Alcazar, Seville.
Don Pedro's Salon at the Alcazar, Seville.

LSE4093485: Don Pedro's Salon at the Alcazar, Seville., Unknown Artist, (19th century) / Bridgeman Images

Sardinian peasant sailors by Granchi-Taylor, 1900.
Sardinian peasant sailors by Granchi-Taylor, 1900.

LSE4093567: Sardinian peasant sailors by Granchi-Taylor, 1900., Granchi-Taylor, Achille (1857-1921) / Bridgeman Images

Sardine fishermen, Lorient, c. 1855
Sardine fishermen, Lorient, c. 1855

LSE4093570: Sardine fishermen, Lorient, c. 1855, French School, (19th century) / Bridgeman Images

Leaf, flowers and fruit of strychnos (vomic nut or nux vomica) - in “” Animated Flowers”” by Grandville, n.d. 19th.
Leaf, flowers and fruit of strychnos (vomic nut or nux vomica) - in “” Animated Flowers”” by Grandville, n.d. 19th.

LSE4093004: Leaf, flowers and fruit of strychnos (vomic nut or nux vomica) - in “” Animated Flowers”” by Grandville, n.d. 19th., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Witch on a unicorn goat - after Hane Lesker, v.1900.
Witch on a unicorn goat - after Hane Lesker, v.1900.

LSE4093054: Witch on a unicorn goat - after Hane Lesker, v.1900., Lesker, Hane (active c.1900) / Bridgeman Images

Vue de cite ouvriere a Droitaumont,
Vue de cite ouvriere a Droitaumont,

LSE4092545: Vue de cite ouvriere a Droitaumont, "Les Etablissements Schneider - Economie sociale”, Paris, imp. Lahure, 1912., Unknown photographer, (20th century) / Bridgeman Images

Gigantesque barrel - Maison Kramer - 1897 World Exhibition in Brussels.
Gigantesque barrel - Maison Kramer - 1897 World Exhibition in Brussels.

LSE4093726: Gigantesque barrel - Maison Kramer - 1897 World Exhibition in Brussels., Unknown Artist, (19th century) / Bridgeman Images

White colon on sedan chair, Madagascar - Chromo, 19th century.
White colon on sedan chair, Madagascar - Chromo, 19th century.

LSE4093812: White colon on sedan chair, Madagascar - Chromo, 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portraits in medallion by Victor Emmanuel III and Helene of Montenegro, Sovereign of Italy, cover “The Petit Journal” 5/7/1903 (engraving)
Portraits in medallion by Victor Emmanuel III and Helene of Montenegro, Sovereign of Italy, cover “The Petit Journal” 5/7/1903 (engraving)

LSE4093948: Portraits in medallion by Victor Emmanuel III and Helene of Montenegro, Sovereign of Italy, cover “The Petit Journal” 5/7/1903 (engraving), French School, (20th century) / Bridgeman Images

Beaumarchais whipping in Saint Lazare - scene of fustigation by Beaumarchais, holding in hand the brochure of the Folle journee - from ap. painting of the Comedie Francaise, engraving, 18th century
Beaumarchais whipping in Saint Lazare - scene of fustigation by Beaumarchais, holding in hand the brochure of the Folle journee - from ap. painting of the Comedie Francaise, engraving, 18th century

LSE4093232: Beaumarchais whipping in Saint Lazare - scene of fustigation by Beaumarchais, holding in hand the brochure of the Folle journee - from ap. painting of the Comedie Francaise, engraving, 18th century, French School, (18th century) / Bridgeman Images

Theatre scene, France, 18th century.
Theatre scene, France, 18th century.

LSE4093241: Theatre scene, France, 18th century., French School, (18th century) / Bridgeman Images

Pierre Laval's arrest in 1945 (photo)
Pierre Laval's arrest in 1945 (photo)

LSE4093256: Pierre Laval's arrest in 1945 (photo), French Photographer, (20th century) / Bridgeman Images

Vue du kiosque à musique des Champs-Elysées v. 1870 - in “” Les Promenades de Paris”” by Alphand, J. Rothschild ed., Paris, 1867-1873.
Vue du kiosque à musique des Champs-Elysées v. 1870 - in “” Les Promenades de Paris”” by Alphand, J. Rothschild ed., Paris, 1867-1873.

LSE4093275: Vue du kiosque à musique des Champs-Elysées v. 1870 - in “” Les Promenades de Paris”” by Alphand, J. Rothschild ed., Paris, 1867-1873., Hochereau, Emile (1828-1905) / Bridgeman Images

Andalusian smuggler (costume), 1848.
Andalusian smuggler (costume), 1848.

LSE4093279: Andalusian smuggler (costume), 1848., Unknown Artist, (19th century) / Bridgeman Images

Christ and the pilgrims of Emmaus. Altarpiece of the Church of Trets.
Christ and the pilgrims of Emmaus. Altarpiece of the Church of Trets.

LSE4093311: Christ and the pilgrims of Emmaus. Altarpiece of the Church of Trets., Unknown Artist, (16th century) / Bridgeman Images

Portrait-charge of Pierre Jules Hetzel offering Stahl's works (his pseudonym) to toddlers, “” The Men of Today””, n.d. late 19th.
Portrait-charge of Pierre Jules Hetzel offering Stahl's works (his pseudonym) to toddlers, “” The Men of Today””, n.d. late 19th.

LSE4092845: Portrait-charge of Pierre Jules Hetzel offering Stahl's works (his pseudonym) to toddlers, “” The Men of Today””, n.d. late 19th., Gill, Andre (1840-85) / Bridgeman Images

Christ and Peter's mother-in-law, 19th century facsimile reproducing a mural mosaic, Sicily, 12th century.
Christ and Peter's mother-in-law, 19th century facsimile reproducing a mural mosaic, Sicily, 12th century.

LSE4092884: Christ and Peter's mother-in-law, 19th century facsimile reproducing a mural mosaic, Sicily, 12th century., Unknown Artist, (19th century) / Bridgeman Images

Musicians transformed into machines and giving a “” Concert à la steam”” - in “” Un autre monde”” by Grandville, late 19th century.
Musicians transformed into machines and giving a “” Concert à la steam”” - in “” Un autre monde”” by Grandville, late 19th century.

LSE4094023: Musicians transformed into machines and giving a “” Concert à la steam”” - in “” Un autre monde”” by Grandville, late 19th century., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images


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