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Basilica Saint-Denis, interior view of the nave seen from the entrance, 1926 (b/w photo)
Basilica Saint-Denis, interior view of the nave seen from the entrance, 1926 (b/w photo)

XIR414685: Basilica Saint-Denis, interior view of the nave seen from the entrance, 1926 (b/w photo), Giraudon, studio (1912-53) / Bridgeman Images

Basilica Saint-Denis, interior view, 1818 (engraving)
Basilica Saint-Denis, interior view, 1818 (engraving)

XIR414686: Basilica Saint-Denis, interior view, 1818 (engraving), Couche, Louis Francois (1782-1849) / Bridgeman Images

Basilica Saint-Denis, the Valois Tower, c.1655 (engraving) (see also 414688, 414690)
Basilica Saint-Denis, the Valois Tower, c.1655 (engraving) (see also 414688, 414690)

XIR414689: Basilica Saint-Denis, the Valois Tower, c.1655 (engraving) (see also 414688, 414690), Marot, Jean (1619-79) / Bridgeman Images

Tomb of Henri II and Catherine de Medicis in the Valois mausoleum, illustration from 'Histoire de l'abbaye royale de Saint-Denis en France' by Dom Michel Felibien, 1706 edition (engraving)
Tomb of Henri II and Catherine de Medicis in the Valois mausoleum, illustration from 'Histoire de l'abbaye royale de Saint-Denis en France' by Dom Michel Felibien, 1706 edition (engraving)

XIR414693: Tomb of Henri II and Catherine de Medicis in the Valois mausoleum, illustration from 'Histoire de l'abbaye royale de Saint-Denis en France' by Dom Michel Felibien, 1706 edition (engraving), Le Blond, Jean Baptiste Alexandre (1679-1719) (after) / Bridgeman Images

Tomb of Charles VIII at the Basilica Saint-Denis (etching)
Tomb of Charles VIII at the Basilica Saint-Denis (etching)

XIR414694: Tomb of Charles VIII at the Basilica Saint-Denis (etching), Marot, Jean (1619-79) / Bridgeman Images

The Guitarist, 1950 (oil on canvas)
The Guitarist, 1950 (oil on canvas)

FNT414698: The Guitarist, 1950 (oil on canvas), Fontanarosa, Lucien Joseph (1912-75) / Bridgeman Images

Standing Harlequin with red background, c.1965-70 (oil on panel)
Standing Harlequin with red background, c.1965-70 (oil on panel)

FNT414703: Standing Harlequin with red background, c.1965-70 (oil on panel), Fontanarosa, Lucien Joseph (1912-75) / Bridgeman Images

Harlequin seated in the countryside, 1974 (oil on isorel)
Harlequin seated in the countryside, 1974 (oil on isorel)

FNT414705: Harlequin seated in the countryside, 1974 (oil on isorel), Fontanarosa, Lucien Joseph (1912-75) / Bridgeman Images

Coal miners, illustration from 'Germinal' by Emile Zola (1840-1902) published by NRF Gallimard, Paris, 1958 (gouache)
Coal miners, illustration from 'Germinal' by Emile Zola (1840-1902) published by NRF Gallimard, Paris, 1958 (gouache)

FNT414712: Coal miners, illustration from 'Germinal' by Emile Zola (1840-1902) published by NRF Gallimard, Paris, 1958 (gouache), Fontanarosa, Lucien Joseph (1912-75) / Bridgeman Images

Dancer, 1965 (charcoal on paper)
Dancer, 1965 (charcoal on paper)

FNT414717: Dancer, 1965 (charcoal on paper), Fontanarosa, Lucien Joseph (1912-75) / Bridgeman Images

Young flautist, 1969 (oil on canvas)
Young flautist, 1969 (oil on canvas)

FNT414726: Young flautist, 1969 (oil on canvas), Fontanarosa, Lucien Joseph (1912-75) / Bridgeman Images

San Giorgio Maggiore, Venice (oil on canvas)
San Giorgio Maggiore, Venice (oil on canvas)

FNT414737: San Giorgio Maggiore, Venice (oil on canvas), Fontanarosa, Lucien Joseph (1912-75) / Bridgeman Images

Santa Maria della Salute seen from Riva degli Schiavoni, Venice, 1962 (oil on canvas)
Santa Maria della Salute seen from Riva degli Schiavoni, Venice, 1962 (oil on canvas)

FNT414740: Santa Maria della Salute seen from Riva degli Schiavoni, Venice, 1962 (oil on canvas), Fontanarosa, Lucien Joseph (1912-75) / Bridgeman Images

Explosion of the pre-dreadnought battleship 'Liberte' in Toulon harbour on 25th September 1911, illustration from 'Le Petit Journal', 1911 (colour litho)
Explosion of the pre-dreadnought battleship 'Liberte' in Toulon harbour on 25th September 1911, illustration from 'Le Petit Journal', 1911 (colour litho)

XIR414753: Explosion of the pre-dreadnought battleship 'Liberte' in Toulon harbour on 25th September 1911, illustration from 'Le Petit Journal', 1911 (colour litho), French School, (20th century) / Bridgeman Images

The new President of the French Republic, Raymond Poincare, with his family, front cover illustration from 'Le Petit Journal', supplement illustre, 2nd February 1913 (colour litho)
The new President of the French Republic, Raymond Poincare, with his family, front cover illustration from 'Le Petit Journal', supplement illustre, 2nd February 1913 (colour litho)

XIR414760: The new President of the French Republic, Raymond Poincare, with his family, front cover illustration from 'Le Petit Journal', supplement illustre, 2nd February 1913 (colour litho), French School, (20th century) / Bridgeman Images

Fanatic Buddhist monks set their temple on fire and throw themselves into the flames, Island of Formosa, back cover illustration from 'Le Petit Journal', supplement illustre, 25th May 1913 (colour litho)
Fanatic Buddhist monks set their temple on fire and throw themselves into the flames, Island of Formosa, back cover illustration from 'Le Petit Journal', supplement illustre, 25th May 1913 (colour litho)

XIR414783: Fanatic Buddhist monks set their temple on fire and throw themselves into the flames, Island of Formosa, back cover illustration from 'Le Petit Journal', supplement illustre, 25th May 1913 (colour litho), French School, (20th century) / Bridgeman Images

Musical section of the Algerian infantrymen parading at the review of the 14th July, front cover illustration from 'Le Petit Journal', supplement illustre, 20th July 1913 (colour litho)
Musical section of the Algerian infantrymen parading at the review of the 14th July, front cover illustration from 'Le Petit Journal', supplement illustre, 20th July 1913 (colour litho)

XIR414873: Musical section of the Algerian infantrymen parading at the review of the 14th July, front cover illustration from 'Le Petit Journal', supplement illustre, 20th July 1913 (colour litho), French School, (20th century) / Bridgeman Images

Head of Christ (fresco)
Head of Christ (fresco)

XIR440719: Head of Christ (fresco), Italian School, (14th century) / Bridgeman Images

Seminarians in Red, or German Seminarians, Rome, 1932 (oil on canvas)
Seminarians in Red, or German Seminarians, Rome, 1932 (oil on canvas)

XIR440742: Seminarians in Red, or German Seminarians, Rome, 1932 (oil on canvas), Brayer, Yves (1907-1990) / Bridgeman Images

The Stairs and Capitoline Hill, Rome, 1970 (oil on canvas)
The Stairs and Capitoline Hill, Rome, 1970 (oil on canvas)

XIR440745: The Stairs and Capitoline Hill, Rome, 1970 (oil on canvas), Brayer, Yves (1907-1990) / Bridgeman Images

Knights' Square, Pisa, 1970 (oil on canvas)
Knights' Square, Pisa, 1970 (oil on canvas)

XIR440749: Knights' Square, Pisa, 1970 (oil on canvas), Brayer, Yves (1907-1990) / Bridgeman Images

Saint Peter's Square, Rome, 1933 (oil on canvas)
Saint Peter's Square, Rome, 1933 (oil on canvas)

XIR440753: Saint Peter's Square, Rome, 1933 (oil on canvas), Brayer, Yves (1907-1990) / Bridgeman Images

Still life with a bouquet, 1957 (oil on canvas)
Still life with a bouquet, 1957 (oil on canvas)

XIR440760: Still life with a bouquet, 1957 (oil on canvas), Brayer, Yves (1907-1990) / Bridgeman Images

The Promenade of the Seminarians, Rome, 1934 (oil on canvas)
The Promenade of the Seminarians, Rome, 1934 (oil on canvas)

XIR440767: The Promenade of the Seminarians, Rome, 1934 (oil on canvas), Brayer, Yves (1907-1990) / Bridgeman Images

General map of the camps and marches of the army in America on the orders of Rochambeau, detail of the right side, from 'Guerre de l'Amerique', c.1780-81 (colour engraving) (see also 440788)
General map of the camps and marches of the army in America on the orders of Rochambeau, detail of the right side, from 'Guerre de l'Amerique', c.1780-81 (colour engraving) (see also 440788)

XIR440787: General map of the camps and marches of the army in America on the orders of Rochambeau, detail of the right side, from 'Guerre de l'Amerique', c.1780-81 (colour engraving) (see also 440788), Dubourg, F. (fl.1780-82) / Bridgeman Images

Letter to Miss Gordon, thanking her for the gift of a Bible which had belonged to her brother, General Gordon, and asking how long Gordon had owned this 'treasure', written at Windsor Castle, 16 March, 1885 (pen & ink on paper)
Letter to Miss Gordon, thanking her for the gift of a Bible which had belonged to her brother, General Gordon, and asking how long Gordon had owned this 'treasure', written at Windsor Castle, 16 March, 1885 (pen & ink on paper)

KDC441021: Letter to Miss Gordon, thanking her for the gift of a Bible which had belonged to her brother, General Gordon, and asking how long Gordon had owned this 'treasure', written at Windsor Castle, 16 March, 1885 (pen & ink on paper), Queen Victoria (1819-1901) / Bridgeman Images

Letter to Charles Kent, written from Gad's Hill Place, the day before his death, making an appointment to meet the next day, 8 June, 1870 (pen & ink on paper)
Letter to Charles Kent, written from Gad's Hill Place, the day before his death, making an appointment to meet the next day, 8 June, 1870 (pen & ink on paper)

KDC441026: Letter to Charles Kent, written from Gad's Hill Place, the day before his death, making an appointment to meet the next day, 8 June, 1870 (pen & ink on paper), Dickens, Charles John Huffam (1812-70) / Bridgeman Images

Letter written by David Hume to Richard Davenport referring to the great difficulties of his relationship with Jean-Jacques Rousseau, Rousseau's refusal to accept a pension and his quarrels with Hume, 8 July, 1766 (pen & ink on paper)
Letter written by David Hume to Richard Davenport referring to the great difficulties of his relationship with Jean-Jacques Rousseau, Rousseau's refusal to accept a pension and his quarrels with Hume, 8 July, 1766 (pen & ink on paper)

KDC441040: Letter written by David Hume to Richard Davenport referring to the great difficulties of his relationship with Jean-Jacques Rousseau, Rousseau's refusal to accept a pension and his quarrels with Hume, 8 July, 1766 (pen & ink on paper) / Bridgeman Images

Letter written in Latin from Erasmus to Nicolaas Everaerts concerning the marriage of Martin Luther, stating that 'Luther begins to be gentler... there is nothing so fierce that a wife cannot tame', written at Basel, 24 December, 1525 (pen & ink on paper)
Letter written in Latin from Erasmus to Nicolaas Everaerts concerning the marriage of Martin Luther, stating that 'Luther begins to be gentler... there is nothing so fierce that a wife cannot tame', written at Basel, 24 December, 1525 (pen & ink on paper)

KDC441042: Letter written in Latin from Erasmus to Nicolaas Everaerts concerning the marriage of Martin Luther, stating that 'Luther begins to be gentler... there is nothing so fierce that a wife cannot tame', written at Basel, 24 December, 1525 (pen & ink on paper) / Bridgeman Images

Letter giving Rousseau's reasons for not writing further in support of French Protestants, written at Motiers, 15 July, 1764 (pen & ink on paper)
Letter giving Rousseau's reasons for not writing further in support of French Protestants, written at Motiers, 15 July, 1764 (pen & ink on paper)

KDC441043: Letter giving Rousseau's reasons for not writing further in support of French Protestants, written at Motiers, 15 July, 1764 (pen & ink on paper), Rousseau, Jean Jacques (1712-78) / Bridgeman Images

Original score of the beginning of the symphony accompaning the entry of Alcides in Tobias Smollett's play 'Alcestes', set to music by Handel between 27 December. 1749 and 8 January, 1750, 1750 (pen and ink on paper)
Original score of the beginning of the symphony accompaning the entry of Alcides in Tobias Smollett's play 'Alcestes', set to music by Handel between 27 December. 1749 and 8 January, 1750, 1750 (pen and ink on paper)

KDC441045: Original score of the beginning of the symphony accompaning the entry of Alcides in Tobias Smollett's play 'Alcestes', set to music by Handel between 27 December. 1749 and 8 January, 1750, 1750 (pen and ink on paper), Handel, George Frederick (1685-1759) / Bridgeman Images

Extract from King Edward VI's diary describing his sister Mary's visit to him at Westminster, his attempts to persuade her to change her practice of religion and to cease attendance at the Catholic Mass,  18-20 March, 1551 (pen & ink on vellum)
Extract from King Edward VI's diary describing his sister Mary's visit to him at Westminster, his attempts to persuade her to change her practice of religion and to cease attendance at the Catholic Mass,  18-20 March, 1551 (pen & ink on vellum)

KDC441047: Extract from King Edward VI's diary describing his sister Mary's visit to him at Westminster, his attempts to persuade her to change her practice of religion and to cease attendance at the Catholic Mass, 18-20 March, 1551 (pen & ink on vellum) / Bridgeman Images

Letter from Prime Minister Lord John Russell to the Bishop of Durham, denouncing the aggression of the Pope by establishing Roman Catholic bishoprics in England, written at Downing Street, 4 November, 1850 (pen & ink on paper)
Letter from Prime Minister Lord John Russell to the Bishop of Durham, denouncing the aggression of the Pope by establishing Roman Catholic bishoprics in England, written at Downing Street, 4 November, 1850 (pen & ink on paper)

KDC441048: Letter from Prime Minister Lord John Russell to the Bishop of Durham, denouncing the aggression of the Pope by establishing Roman Catholic bishoprics in England, written at Downing Street, 4 November, 1850 (pen & ink on paper) / Bridgeman Images

Letter from Richard Cobden to Theodore Benard on the subject of the importance of free trade between all nations, 13 September, 1848 (pen & ink on paper)
Letter from Richard Cobden to Theodore Benard on the subject of the importance of free trade between all nations, 13 September, 1848 (pen & ink on paper)

KDC441053: Letter from Richard Cobden to Theodore Benard on the subject of the importance of free trade between all nations, 13 September, 1848 (pen & ink on paper) / Bridgeman Images

Letter written by John Donne to Sir Robert Cotton, returning, with criticisms, a copy of the treatise 'De Dignitate regum regnorumque Hispaniae' by Jacobus Valdesius (Diego de Valdes) on the precedency of Spain over other nations, 1602 (pen & ink on paper)
Letter written by John Donne to Sir Robert Cotton, returning, with criticisms, a copy of the treatise 'De Dignitate regum regnorumque Hispaniae' by Jacobus Valdesius (Diego de Valdes) on the precedency of Spain over other nations, 1602 (pen & ink on paper)

KDC441059: Letter written by John Donne to Sir Robert Cotton, returning, with criticisms, a copy of the treatise 'De Dignitate regum regnorumque Hispaniae' by Jacobus Valdesius (Diego de Valdes) on the precedency of Spain over other nations, 1602 (pen & ink on paper) / Bridgeman Images

'The Paris Urchin in the Tuileries', from 'Le Charivari', 4 March, 1848 (litho)
'The Paris Urchin in the Tuileries', from 'Le Charivari', 4 March, 1848 (litho)

XJF441078: 'The Paris Urchin in the Tuileries', from 'Le Charivari', 4 March, 1848 (litho), Daumier, Honore (1808-79) / Bridgeman Images


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