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Monumental figures or moai on a ceremonial platform or ahus, Polynesian, c.1000-1500 (soft volcanic tuff rock) (photo)
Monumental figures or moai on a ceremonial platform or ahus, Polynesian, c.1000-1500 (soft volcanic tuff rock) (photo)

XAM93195: Monumental figures or moai on a ceremonial platform or ahus, Polynesian, c.1000-1500 (soft volcanic tuff rock) (photo) / Bridgeman Images

Painting, from a series of four illustrating the Fine Arts, from a design by Giuseppe Zocchi (1711-67) c.1780 (pietra dura, bronze)
Painting, from a series of four illustrating the Fine Arts, from a design by Giuseppe Zocchi (1711-67) c.1780 (pietra dura, bronze)

KAB93229: Painting, from a series of four illustrating the Fine Arts, from a design by Giuseppe Zocchi (1711-67) c.1780 (pietra dura, bronze) / Bridgeman Images

Tile with a Sunflower Design (pietra dura)
Tile with a Sunflower Design (pietra dura)

KAB93230: Tile with a Sunflower Design (pietra dura) / Bridgeman Images

The Temptation and Angels Ministering to Christ in the Wilderness, 1442 (fresco)
The Temptation and Angels Ministering to Christ in the Wilderness, 1442 (fresco)

BAT94756: The Temptation and Angels Ministering to Christ in the Wilderness, 1442 (fresco), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

The Martyrdom of St. Sebastian Altarpiece, side panel showing the Virgin and scenes from the martyrdom of the saint (tempera on panel) (detail from 94767)
The Martyrdom of St. Sebastian Altarpiece, side panel showing the Virgin and scenes from the martyrdom of the saint (tempera on panel) (detail from 94767)

BAT94770: The Martyrdom of St. Sebastian Altarpiece, side panel showing the Virgin and scenes from the martyrdom of the saint (tempera on panel) (detail from 94767), Giovanni di Niccolo del Biondo, (fl.1356-1392) / Bridgeman Images

Portrait of Walt Whitman (1819-91) (litho)
Portrait of Walt Whitman (1819-91) (litho)

TPG94822: Portrait of Walt Whitman (1819-91) (litho), American School, (19th century) / Bridgeman Images

Charles I as Prince of Wales on Horseback, from 'The Book of Kings', engraved by Renold Elstrack (1571-c.1630) 1618 (engraving)
Charles I as Prince of Wales on Horseback, from 'The Book of Kings', engraved by Renold Elstrack (1571-c.1630) 1618 (engraving)

STC94852: Charles I as Prince of Wales on Horseback, from 'The Book of Kings', engraved by Renold Elstrack (1571-c.1630) 1618 (engraving), English School, (17th century) / Bridgeman Images

Charles I (1600-49) and Henrietta Maria (1609-69) engraved by George Vertue (1684-1756) after a painting of 1634, 1742 (engraving)
Charles I (1600-49) and Henrietta Maria (1609-69) engraved by George Vertue (1684-1756) after a painting of 1634, 1742 (engraving)

STC94853: Charles I (1600-49) and Henrietta Maria (1609-69) engraved by George Vertue (1684-1756) after a painting of 1634, 1742 (engraving), Dyck, Anthony van (1599-1641) (after) / Bridgeman Images

Portrait of Henrietta Maria (1609-69) Queen of England, engraved by Pieter de Jode (1606-c.1674) 1632 (engraving)
Portrait of Henrietta Maria (1609-69) Queen of England, engraved by Pieter de Jode (1606-c.1674) 1632 (engraving)

STC94854: Portrait of Henrietta Maria (1609-69) Queen of England, engraved by Pieter de Jode (1606-c.1674) 1632 (engraving), Dyck, Anthony van (1599-1641) (after) / Bridgeman Images

Portrait of Thomas, Lord Fairfax (1612-71) engraved by William Faithorne (1616-91) (engraving)
Portrait of Thomas, Lord Fairfax (1612-71) engraved by William Faithorne (1616-91) (engraving)

STC94858: Portrait of Thomas, Lord Fairfax (1612-71) engraved by William Faithorne (1616-91) (engraving), Walker, Robert (1599-1658) (after) / Bridgeman Images

The Tarascon Pieta, Provencal School (oil on panel)
The Tarascon Pieta, Provencal School (oil on panel)

PWI94907: The Tarascon Pieta, Provencal School (oil on panel), French School, (14th century) / Bridgeman Images

Temperance (alabaster)
Temperance (alabaster)

PWI94916: Temperance (alabaster), Fiorentino, Domenico (Ricoveri del Barbiere) (c.1506-70/71) / Bridgeman Images

St. Cecilia, statue from the choir enclosure, 1474-83
St. Cecilia, statue from the choir enclosure, 1474-83

PWI94636: St. Cecilia, statue from the choir enclosure, 1474-83 / Bridgeman Images

Portal tympanum depicting the Madonna and Child (photo)
Portal tympanum depicting the Madonna and Child (photo)

PWI94642: Portal tympanum depicting the Madonna and Child (photo) / Bridgeman Images

Head of St. Peter, 15th century (stone)
Head of St. Peter, 15th century (stone)

PWI94651: Head of St. Peter, 15th century (stone) / Bridgeman Images

Head of an Angel, front view, fragment from a statue, 16th century (marble) (see also 94668)
Head of an Angel, front view, fragment from a statue, 16th century (marble) (see also 94668)

PWI94667: Head of an Angel, front view, fragment from a statue, 16th century (marble) (see also 94668) / Bridgeman Images

Dummy window in the entrance facade with a figure of a woman looking out, possibly the wife of Jacques Coeur, 1443-51 (photo)
Dummy window in the entrance facade with a figure of a woman looking out, possibly the wife of Jacques Coeur, 1443-51 (photo)

PWI94669: Dummy window in the entrance facade with a figure of a woman looking out, possibly the wife of Jacques Coeur, 1443-51 (photo), French School, (15th century) / Bridgeman Images

The Flight into Egypt, from the wall of the Choir, 12th-13th century (fresco)
The Flight into Egypt, from the wall of the Choir, 12th-13th century (fresco)

PWI94676: The Flight into Egypt, from the wall of the Choir, 12th-13th century (fresco) / Bridgeman Images

View of the South facade, c.1140-45 (photo)
View of the South facade, c.1140-45 (photo)

PWI94696: View of the South facade, c.1140-45 (photo) / Bridgeman Images

The Great Council Altarpiece, detail depicting two cherubs, 1510 (oil on panel) (detail of 94753) (see also 94717-21)
The Great Council Altarpiece, detail depicting two cherubs, 1510 (oil on panel) (detail of 94753) (see also 94717-21)

BAT94719: The Great Council Altarpiece, detail depicting two cherubs, 1510 (oil on panel) (detail of 94753) (see also 94717-21), Bartolomeo, Fra (Baccio della Porta) (1472-1517) / Bridgeman Images

The Great Council Altarpiece, detail depicting musical angels holding aloft a book, 1510 (oil on panel) (detail from 94753) (see also 94717-20)
The Great Council Altarpiece, detail depicting musical angels holding aloft a book, 1510 (oil on panel) (detail from 94753) (see also 94717-20)

BAT94721: The Great Council Altarpiece, detail depicting musical angels holding aloft a book, 1510 (oil on panel) (detail from 94753) (see also 94717-20), Bartolomeo, Fra (Baccio della Porta) (1472-1517) / Bridgeman Images

Portrait of Baradar Nawab Aslam Khan, late Shah Jehan (1627-57) or early Awrangzib Period, Mughal, c.1660 (pigment on paper)
Portrait of Baradar Nawab Aslam Khan, late Shah Jehan (1627-57) or early Awrangzib Period, Mughal, c.1660 (pigment on paper)

BON93423: Portrait of Baradar Nawab Aslam Khan, late Shah Jehan (1627-57) or early Awrangzib Period, Mughal, c.1660 (pigment on paper) / Bridgeman Images

Model in the form of a section of Granada architecture with two windows above a shouldered arch, framed as a corner panel, Hispano-Moresque (painted plaster of Paris)
Model in the form of a section of Granada architecture with two windows above a shouldered arch, framed as a corner panel, Hispano-Moresque (painted plaster of Paris)

BON93425: Model in the form of a section of Granada architecture with two windows above a shouldered arch, framed as a corner panel, Hispano-Moresque (painted plaster of Paris) / Bridgeman Images

Hilya or hilyeh with thuluth and naskhi script surrounded by a floral border, signed by Mohammad Javad, Ottoman, from Turkey, early 20th century manuscript
Hilya or hilyeh with thuluth and naskhi script surrounded by a floral border, signed by Mohammad Javad, Ottoman, from Turkey, early 20th century manuscript

BON93428: Hilya or hilyeh with thuluth and naskhi script surrounded by a floral border, signed by Mohammad Javad, Ottoman, from Turkey, early 20th century manuscript / Bridgeman Images

Elegant Company on the Beach at Scheveningen, 1787 (oil on canvas)
Elegant Company on the Beach at Scheveningen, 1787 (oil on canvas)

BAL93451: Elegant Company on the Beach at Scheveningen, 1787 (oil on canvas), Meyer, Hendrick de (1737-93) / Bridgeman Images

The Radcliffe Library, illustration from the 'History of Oxford', engraved by J. Bluck (fl.1791-1831) pub. by R. Ackermann, 1813 (aquatint)
The Radcliffe Library, illustration from the 'History of Oxford', engraved by J. Bluck (fl.1791-1831) pub. by R. Ackermann, 1813 (aquatint)

STC93542: The Radcliffe Library, illustration from the 'History of Oxford', engraved by J. Bluck (fl.1791-1831) pub. by R. Ackermann, 1813 (aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

Interior of the Library of All Souls College, illustration from the 'History of Oxford', engraved by J. Bluck (fl.1791-1831) pub. by R. Ackermann, 1814 (aquatint)
Interior of the Library of All Souls College, illustration from the 'History of Oxford', engraved by J. Bluck (fl.1791-1831) pub. by R. Ackermann, 1814 (aquatint)

STC93543: Interior of the Library of All Souls College, illustration from the 'History of Oxford', engraved by J. Bluck (fl.1791-1831) pub. by R. Ackermann, 1814 (aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

Exterior of Wadham Hall seen from the parks, illustration from the 'History of Oxford', engraved by J. Hill, pub. by R. Ackermann. 1813 (aquatint)
Exterior of Wadham Hall seen from the parks, illustration from the 'History of Oxford', engraved by J. Hill, pub. by R. Ackermann. 1813 (aquatint)

STC93547: Exterior of Wadham Hall seen from the parks, illustration from the 'History of Oxford', engraved by J. Hill, pub. by R. Ackermann. 1813 (aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

View of the ruins with standing columns, Roman (photo)
View of the ruins with standing columns, Roman (photo)

XAM93573: View of the ruins with standing columns, Roman (photo) / Bridgeman Images

T34244 Piazza San Pietro, Rome, 1929 (oil on canvasboard)
T34244 Piazza San Pietro, Rome, 1929 (oil on canvasboard)

PFA93585: T34244 Piazza San Pietro, Rome, 1929 (oil on canvasboard), Whistler, Rex (1905-44) / Bridgeman Images

Roman Chariots, Trophies and Military Monuments, detail of plate 20, class 5 of Part I of 'The History of the Nations', engraved by Marco Comirato (c.1800-69) (aquatint) (see also 93291)
Roman Chariots, Trophies and Military Monuments, detail of plate 20, class 5 of Part I of 'The History of the Nations', engraved by Marco Comirato (c.1800-69) (aquatint) (see also 93291)

STC93290: Roman Chariots, Trophies and Military Monuments, detail of plate 20, class 5 of Part I of 'The History of the Nations', engraved by Marco Comirato (c.1800-69) (aquatint) (see also 93291), Italian School, (19th century) / Bridgeman Images

Plans of the House of the Questor and the House of the Faun, Pompeii, plate 25A, class 5 from Part I of 'The History of the Nations' (aquatint)
Plans of the House of the Questor and the House of the Faun, Pompeii, plate 25A, class 5 from Part I of 'The History of the Nations' (aquatint)

STC93296: Plans of the House of the Questor and the House of the Faun, Pompeii, plate 25A, class 5 from Part I of 'The History of the Nations' (aquatint), Italian School, (19th century) / Bridgeman Images

Portrait of a Turk Smoking a Hookah, 1907 (oil on canvas)
Portrait of a Turk Smoking a Hookah, 1907 (oil on canvas)

BON93372: Portrait of a Turk Smoking a Hookah, 1907 (oil on canvas), Baird, C.M. (20th century) / Bridgeman Images

Damascus glass fronted display cabinet inlaid with mother of pearl, Syrian, 20th century (mother-of-pearl & wood)
Damascus glass fronted display cabinet inlaid with mother of pearl, Syrian, 20th century (mother-of-pearl & wood)

BON93378: Damascus glass fronted display cabinet inlaid with mother of pearl, Syrian, 20th century (mother-of-pearl & wood) / Bridgeman Images

Bottom part of the right hand column of a Qajar architectural arch decorated with polychrome Cuerda Seca tiles, from Shiraz, Persian, 19th century (pottery) (see also 93388-91)
Bottom part of the right hand column of a Qajar architectural arch decorated with polychrome Cuerda Seca tiles, from Shiraz, Persian, 19th century (pottery) (see also 93388-91)

BON93392: Bottom part of the right hand column of a Qajar architectural arch decorated with polychrome Cuerda Seca tiles, from Shiraz, Persian, 19th century (pottery) (see also 93388-91) / Bridgeman Images

Four Damascus Cuerda Seca tiles, Syrian, 16th century (pottery)
Four Damascus Cuerda Seca tiles, Syrian, 16th century (pottery)

BON93396: Four Damascus Cuerda Seca tiles, Syrian, 16th century (pottery) / Bridgeman Images


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