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Two large Canosan Oinochoai, each in the form of a female head with radiant diadem, c.4th century BC
Two large Canosan Oinochoai, each in the form of a female head with radiant diadem, c.4th century BC

BON94239: Two large Canosan Oinochoai, each in the form of a female head with radiant diadem, c.4th century BC / Bridgeman Images

ID: BON94239

Two large Canosan Oinochoai, each in the form of a female head with radiant diadem, c.4th century BC

Comic actor's mask with pierced pupils, Roman, c.2nd century (marble)
Comic actor's mask with pierced pupils, Roman, c.2nd century (marble)

BON94242: Comic actor's mask with pierced pupils, Roman, c.2nd century (marble) / Bridgeman Images

ID: BON94242

Comic actor's mask with pierced pupils, Roman, c.2nd century (marble)

View of the Ancient City of Babylon, from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut)
View of the Ancient City of Babylon, from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut)

STC94271: View of the Ancient City of Babylon, from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut), German School, (15th century) / Bridgeman Images

ID: STC94271

View of the Ancient City of Babylon, from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut)

German School, (15th century)

'Lady' Armchair, designed for Arflex by Marco Zanuso (b.1916) 1951 (foam rubber) (b/w photo)
'Lady' Armchair, designed for Arflex by Marco Zanuso (b.1916) 1951 (foam rubber) (b/w photo)

BON94335: 'Lady' Armchair, designed for Arflex by Marco Zanuso (b.1916) 1951 (foam rubber) (b/w photo) / Bridgeman Images

ID: BON94335

'Lady' Armchair, designed for Arflex by Marco Zanuso (b.1916) 1951 (foam rubber) (b/w photo)

St. Benedict Saving a Monk from the Devil, detail from the fresco cycle of the Life of St. Benedict from the Chiostro degli Aranci (Cloister of the Oranges) c.1430's (fresco)
St. Benedict Saving a Monk from the Devil, detail from the fresco cycle of the Life of St. Benedict from the Chiostro degli Aranci (Cloister of the Oranges) c.1430's (fresco)

BAT94346: St. Benedict Saving a Monk from the Devil, detail from the fresco cycle of the Life of St. Benedict from the Chiostro degli Aranci (Cloister of the Oranges) c.1430's (fresco), Giovanni di Consalvo (15th century) (attr. to) / Bridgeman Images

ID: BAT94346

St. Benedict Saving a Monk from the Devil, detail from the fresco cycle of the Life of St. Benedict from the Chiostro degli Aranci (Cloister of the Oranges) c.1430's (fresco)

Giovanni di Consalvo (15th century) (attr. to)

Poster for the Odeon Casino, 1920 (litho)
Poster for the Odeon Casino, 1920 (litho)

STC94402: Poster for the Odeon Casino, 1920 (litho), Schnackenberg, Walter (1880-1961) / Bridgeman Images

ID: STC94402

Poster for the Odeon Casino, 1920 (litho)

Schnackenberg, Walter (1880-1961)

Costume Design for Marina in 'Boris Godunov' by Modest Petrovich Moussorgsky (1835-81) (w/c on paper)
Costume Design for Marina in 'Boris Godunov' by Modest Petrovich Moussorgsky (1835-81) (w/c on paper)

STC94407: Costume Design for Marina in 'Boris Godunov' by Modest Petrovich Moussorgsky (1835-81) (w/c on paper), Bakst, Leon (1866-1924) / Bridgeman Images

ID: STC94407

Costume Design for Marina in 'Boris Godunov' by Modest Petrovich Moussorgsky (1835-81) (w/c on paper)

Bakst, Leon (1866-1924)

Elegant Lady at a Fitting with her Tailor, plate from 'Galerie des Modes et Costumes Francais', engraved by Dupin, 1778 (engraving)
Elegant Lady at a Fitting with her Tailor, plate from 'Galerie des Modes et Costumes Francais', engraved by Dupin, 1778 (engraving)

STC94419: Elegant Lady at a Fitting with her Tailor, plate from 'Galerie des Modes et Costumes Francais', engraved by Dupin, 1778 (engraving), Le Clerc, Pierre Thomas (1739-c.1796) (after) / Bridgeman Images

ID: STC94419

Elegant Lady at a Fitting with her Tailor, plate from 'Galerie des Modes et Costumes Francais', engraved by Dupin, 1778 (engraving)

Le Clerc, Pierre Thomas (1739-c.1796) (after)

Woman in a Paris Dress and a Straw Hat Trimmed with Crepe Playing the Harp, illustration from the 'Ladies' Magazine', engraved by J. Mutlow (fl.1810-40) c.1817 (engraving)
Woman in a Paris Dress and a Straw Hat Trimmed with Crepe Playing the Harp, illustration from the 'Ladies' Magazine', engraved by J. Mutlow (fl.1810-40) c.1817 (engraving)

STC94429: Woman in a Paris Dress and a Straw Hat Trimmed with Crepe Playing the Harp, illustration from the 'Ladies' Magazine', engraved by J. Mutlow (fl.1810-40) c.1817 (engraving), English School, (19th century) / Bridgeman Images

ID: STC94429

Woman in a Paris Dress and a Straw Hat Trimmed with Crepe Playing the Harp, illustration from the 'Ladies' Magazine', engraved by J. Mutlow (fl.1810-40) c.1817 (engraving)

English School, (19th century)

Young Woman in a Pink Organdie Dress Trimmed with Black and a Crepe Beret with Satin Ribbons, advertisement from 'Modes de Paris', c.1825 (engraving)
Young Woman in a Pink Organdie Dress Trimmed with Black and a Crepe Beret with Satin Ribbons, advertisement from 'Modes de Paris', c.1825 (engraving)

STC94431: Young Woman in a Pink Organdie Dress Trimmed with Black and a Crepe Beret with Satin Ribbons, advertisement from 'Modes de Paris', c.1825 (engraving), French School, (19th century) / Bridgeman Images

ID: STC94431

Young Woman in a Pink Organdie Dress Trimmed with Black and a Crepe Beret with Satin Ribbons, advertisement from 'Modes de Paris', c.1825 (engraving)

French School, (19th century)

Bird's Eye View of a Temple, thought to be in Nineveh, taken from a Medallion found on an Egyptian Mummy, plate 10 from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)
Bird's Eye View of a Temple, thought to be in Nineveh, taken from a Medallion found on an Egyptian Mummy, plate 10 from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

STC94457: Bird's Eye View of a Temple, thought to be in Nineveh, taken from a Medallion found on an Egyptian Mummy, plate 10 from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

ID: STC94457

Bird's Eye View of a Temple, thought to be in Nineveh, taken from a Medallion found on an Egyptian Mummy, plate 10 from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

Fischer von Erlach, Johann Bernhard (1656-1723) (after)

The Two Pyramids of Moeris, King of Egypt and his Wife, plate 11 from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)
The Two Pyramids of Moeris, King of Egypt and his Wife, plate 11 from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

STC94458: The Two Pyramids of Moeris, King of Egypt and his Wife, plate 11 from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

ID: STC94458

The Two Pyramids of Moeris, King of Egypt and his Wife, plate 11 from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

Fischer von Erlach, Johann Bernhard (1656-1723) (after)

Bird's Eye View of Prague from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut)
Bird's Eye View of Prague from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut)

STC94463: Bird's Eye View of Prague from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut), German School, (15th century) / Bridgeman Images

ID: STC94463

Bird's Eye View of Prague from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut)

German School, (15th century)

Central American Utensils, plate 45 from 'The History of the Nations' (aquatint)
Central American Utensils, plate 45 from 'The History of the Nations' (aquatint)

STC94492: Central American Utensils, plate 45 from 'The History of the Nations' (aquatint), Italian School, (19th century) / Bridgeman Images

ID: STC94492

Central American Utensils, plate 45 from 'The History of the Nations' (aquatint)

Italian School, (19th century)

Central American Antiquities, plate 46 from 'The History of the Nations' (aquatint)
Central American Antiquities, plate 46 from 'The History of the Nations' (aquatint)

STC94493: Central American Antiquities, plate 46 from 'The History of the Nations' (aquatint), Italian School, (19th century) / Bridgeman Images

ID: STC94493

Central American Antiquities, plate 46 from 'The History of the Nations' (aquatint)

Italian School, (19th century)

Centaur and female Lapith, metope no. 11 from the south frieze of the Parthenon, Greek, 447-440 BC (marble)
Centaur and female Lapith, metope no. 11 from the south frieze of the Parthenon, Greek, 447-440 BC (marble)

PWI94604: Centaur and female Lapith, metope no. 11 from the south frieze of the Parthenon, Greek, 447-440 BC (marble) / Bridgeman Images

ID: PWI94604

Centaur and female Lapith, metope no. 11 from the south frieze of the Parthenon, Greek, 447-440 BC (marble)

The Mares of Diomedes, detail of a horse's head from a series of metopes depicting the Labours of Herakles (Hercules) from the Temple of Zeus in Olympia, Greek, Early Classical Period, c.470-457 BC (Parian marble)
The Mares of Diomedes, detail of a horse's head from a series of metopes depicting the Labours of Herakles (Hercules) from the Temple of Zeus in Olympia, Greek, Early Classical Period, c.470-457 BC (Parian marble)

PWI94615: The Mares of Diomedes, detail of a horse's head from a series of metopes depicting the Labours of Herakles (Hercules) from the Temple of Zeus in Olympia, Greek, Early Classical Period, c.470-457 BC (Parian marble) / Bridgeman Images

ID: PWI94615

The Mares of Diomedes, detail of a horse's head from a series of metopes depicting the Labours of Herakles (Hercules) from the Temple of Zeus in Olympia, Greek, Early Classical Period, c.470-457 BC (Parian marble)

Statuette of Mercury, 2nd-3rd century BC (silver)
Statuette of Mercury, 2nd-3rd century BC (silver)

PWI94616: Statuette of Mercury, 2nd-3rd century BC (silver) / Bridgeman Images

ID: PWI94616

Statuette of Mercury, 2nd-3rd century BC (silver)

Torso of an athlete, Greek (Parian marble)
Torso of an athlete, Greek (Parian marble)

PWI94621: Torso of an athlete, Greek (Parian marble) / Bridgeman Images

ID: PWI94621

Torso of an athlete, Greek (Parian marble)

Tchao-Hoei in his Camp below the walls of Yerechim Receives the Homage of the Inhabitants of the Town and Province in July 1759, plate 4 from the series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1774 (engraving)
Tchao-Hoei in his Camp below the walls of Yerechim Receives the Homage of the Inhabitants of the Town and Province in July 1759, plate 4 from the series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1774 (engraving)

STC93616: Tchao-Hoei in his Camp below the walls of Yerechim Receives the Homage of the Inhabitants of the Town and Province in July 1759, plate 4 from the series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1774 (engraving), Damascene, Jean (An Tai) (d.1781) (after) / Bridgeman Images

ID: STC93616

Tchao-Hoei in his Camp below the walls of Yerechim Receives the Homage of the Inhabitants of the Town and Province in July 1759, plate 4 from the series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1774 (engraving)

Damascene, Jean (An Tai) (d.1781) (after)

Tchao-Hoei Occupies his Troops with Exercises and Military Games in 1758, plate 5 from a series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1772 (engraving)
Tchao-Hoei Occupies his Troops with Exercises and Military Games in 1758, plate 5 from a series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1772 (engraving)

STC93617: Tchao-Hoei Occupies his Troops with Exercises and Military Games in 1758, plate 5 from a series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1772 (engraving), Damascene, Jean (An Tai) (d.1781) (after) / Bridgeman Images

ID: STC93617

Tchao-Hoei Occupies his Troops with Exercises and Military Games in 1758, plate 5 from a series of prints representing the conquests of Qianlong, the Emperor of China, engraved by Pierre Philippe Choffard (1730-1809) 1772 (engraving)

Damascene, Jean (An Tai) (d.1781) (after)

Interior of the Mosque of Kaid-Bey, plate 55 from 'Monuments and Buildings of Cairo', engraved by Auguste Hibon (1780-1857) 1829 (litho)
Interior of the Mosque of Kaid-Bey, plate 55 from 'Monuments and Buildings of Cairo', engraved by Auguste Hibon (1780-1857) 1829 (litho)

STC93637: Interior of the Mosque of Kaid-Bey, plate 55 from 'Monuments and Buildings of Cairo', engraved by Auguste Hibon (1780-1857) 1829 (litho), Coste, Pascal Xavier (1787-1879) (after) / Bridgeman Images

ID: STC93637

Interior of the Mosque of Kaid-Bey, plate 55 from 'Monuments and Buildings of Cairo', engraved by Auguste Hibon (1780-1857) 1829 (litho)

Coste, Pascal Xavier (1787-1879) (after)

Funerary plaque bearing the form of a woman known as the Lady of Antinoe, 2nd-3rd century
Funerary plaque bearing the form of a woman known as the Lady of Antinoe, 2nd-3rd century

PWI93794: Funerary plaque bearing the form of a woman known as the Lady of Antinoe, 2nd-3rd century / Bridgeman Images

ID: PWI93794

Funerary plaque bearing the form of a woman known as the Lady of Antinoe, 2nd-3rd century

T33968 Winter Landscape, 1886 (oil on landscape)
T33968 Winter Landscape, 1886 (oil on landscape)

PFA93801: T33968 Winter Landscape, 1886 (oil on landscape), Duntze, Johannes Bartolomaus (1823-95) / Bridgeman Images

ID: PFA93801

T33968 Winter Landscape, 1886 (oil on landscape)

Duntze, Johannes Bartolomaus (1823-95)

T34208 The Madonna in and Child with SS. Thomas, Catherine of Alexandria, John the Evangelist and Donor, c.1520 (oil on panel)
T34208 The Madonna in and Child with SS. Thomas, Catherine of Alexandria, John the Evangelist and Donor, c.1520 (oil on panel)

PFA93806: T34208 The Madonna in and Child with SS. Thomas, Catherine of Alexandria, John the Evangelist and Donor, c.1520 (oil on panel), German School, (16th century) / Bridgeman Images

ID: PFA93806

T34208 The Madonna in and Child with SS. Thomas, Catherine of Alexandria, John the Evangelist and Donor, c.1520 (oil on panel)

German School, (16th century)

The Abduction of the Daughters of Leucippus, 1911 (oil on canvas)
The Abduction of the Daughters of Leucippus, 1911 (oil on canvas)

PWI94158: The Abduction of the Daughters of Leucippus, 1911 (oil on canvas), Roussel, Ker Xavier (1867-1944) / Bridgeman Images

ID: PWI94158

The Abduction of the Daughters of Leucippus, 1911 (oil on canvas)

Roussel, Ker Xavier (1867-1944)

Monumental vase with relief decoration of a head with radiating sunrays (photo)
Monumental vase with relief decoration of a head with radiating sunrays (photo)

PWI94165: Monumental vase with relief decoration of a head with radiating sunrays (photo), French School, (17th century) / Bridgeman Images

ID: PWI94165

Monumental vase with relief decoration of a head with radiating sunrays (photo)

French School, (17th century)

Tennis Scene, c.1920 (stencil on paper)
Tennis Scene, c.1920 (stencil on paper)

STC92048: Tennis Scene, c.1920 (stencil on paper), Martin, Charles (1848-1934) / Bridgeman Images

ID: STC92048

Tennis Scene, c.1920 (stencil on paper)

Martin, Charles (1848-1934)

Horse Racing, c.1920 (stencil on paper)
Horse Racing, c.1920 (stencil on paper)

STC92051: Horse Racing, c.1920 (stencil on paper), Martin, Charles (1848-1934) / Bridgeman Images

ID: STC92051

Horse Racing, c.1920 (stencil on paper)

Martin, Charles (1848-1934)

Panoramic View of Derwentwater and the Vale of Keswick, detail of Skiddaw and Keswick, c.1772 (pencil & wash on paper) (see 92086-88 and 92090-91)
Panoramic View of Derwentwater and the Vale of Keswick, detail of Skiddaw and Keswick, c.1772 (pencil & wash on paper) (see 92086-88 and 92090-91)

SC92089: Panoramic View of Derwentwater and the Vale of Keswick, detail of Skiddaw and Keswick, c.1772 (pencil & wash on paper) (see 92086-88 and 92090-91), Griffith, Moses (1747-1819) (attr. to) / Bridgeman Images

ID: SC92089

Panoramic View of Derwentwater and the Vale of Keswick, detail of Skiddaw and Keswick, c.1772 (pencil & wash on paper) (see 92086-88 and 92090-91)

Griffith, Moses (1747-1819) (attr. to)

Four-way Arch of Marcus Aurelius and Lucius Verus, detail of the carved decoration, AD 163 (photo) (detail of 92102)
Four-way Arch of Marcus Aurelius and Lucius Verus, detail of the carved decoration, AD 163 (photo) (detail of 92102)

XAM92101: Four-way Arch of Marcus Aurelius and Lucius Verus, detail of the carved decoration, AD 163 (photo) (detail of 92102) / Bridgeman Images

ID: XAM92101

Four-way Arch of Marcus Aurelius and Lucius Verus, detail of the carved decoration, AD 163 (photo) (detail of 92102)

View of the Roman theatre, 168-169 AD (photo) (see also 92109 & 92111)
View of the Roman theatre, 168-169 AD (photo) (see also 92109 & 92111)

XAM92110: View of the Roman theatre, 168-169 AD (photo) (see also 92109 & 92111) / Bridgeman Images

ID: XAM92110

View of the Roman theatre, 168-169 AD (photo) (see also 92109 & 92111)

View of the Roman theatre, 168-169 AD (photo) (see also 92109-10)
View of the Roman theatre, 168-169 AD (photo) (see also 92109-10)

XAM92111: View of the Roman theatre, 168-169 AD (photo) (see also 92109-10) / Bridgeman Images

ID: XAM92111

View of the Roman theatre, 168-169 AD (photo) (see also 92109-10)

View of the Capitolium, front facade, 166-167 AD (photo) (see also 92114)
View of the Capitolium, front facade, 166-167 AD (photo) (see also 92114)

XAM92113: View of the Capitolium, front facade, 166-167 AD (photo) (see also 92114), Roman, (2nd century) / Bridgeman Images

ID: XAM92113

View of the Capitolium, front facade, 166-167 AD (photo) (see also 92114)

Roman, (2nd century)

Fragments and Parts of the Exterior of Henry the Seventh Chapel, plate 12 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)
Fragments and Parts of the Exterior of Henry the Seventh Chapel, plate 12 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

STC92141: Fragments and Parts of the Exterior of Henry the Seventh Chapel, plate 12 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

ID: STC92141

Fragments and Parts of the Exterior of Henry the Seventh Chapel, plate 12 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

Mackenzie, Frederick (c.1788-1854) (after)

Fragments of Ceilings, plate 15 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)
Fragments of Ceilings, plate 15 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

STC92144: Fragments of Ceilings, plate 15 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

ID: STC92144

Fragments of Ceilings, plate 15 from 'Westminster Abbey', engraved by Thomas Sutherland, pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint)

Mackenzie, Frederick (c.1788-1854) (after)


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