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View of the facade of Palazzo Massimi alla Valle, Rome, designed by Baldassarre Peruzzi (1481-1536) in 1532 (engraving)
View of the facade of Palazzo Massimi alla Valle, Rome, designed by Baldassarre Peruzzi (1481-1536) in 1532 (engraving)

STC120503: View of the facade of Palazzo Massimi alla Valle, Rome, designed by Baldassarre Peruzzi (1481-1536) in 1532 (engraving), Ferrerio, Pietro (1600-54) (after) / Bridgeman Images

ID: STC120503

View of the facade of Palazzo Massimi alla Valle, Rome, designed by Baldassarre Peruzzi (1481-1536) in 1532 (engraving)

Ferrerio, Pietro (1600-54) (after)

Florian, Piazza di San Marco (oil on canvas)
Florian, Piazza di San Marco (oil on canvas)

LOW120549: Florian, Piazza di San Marco (oil on canvas), Lowndes, Rosemary (1937-2001) / Bridgeman Images

ID: LOW120549

Florian, Piazza di San Marco (oil on canvas)

Lowndes, Rosemary (1937-2001)

An African seaman's testimonial, c.1812-13 (faceted & engraved ivory tusk)
An African seaman's testimonial, c.1812-13 (faceted & engraved ivory tusk)

MGS120606: An African seaman's testimonial, c.1812-13 (faceted & engraved ivory tusk) / Bridgeman Images

ID: MGS120606

An African seaman's testimonial, c.1812-13 (faceted & engraved ivory tusk)

The Forgotten Task (w/c on paper)
The Forgotten Task (w/c on paper)

NWP132608: The Forgotten Task (w/c on paper), Rowney, Lilian (fl.1893-1934) / Bridgeman Images

ID: NWP132608

The Forgotten Task (w/c on paper)

Rowney, Lilian (fl.1893-1934)

The Fairground (oil on canvas)
The Fairground (oil on canvas)

BON110536: The Fairground (oil on canvas), Brown, John (1887-1966) / Bridgeman Images

ID: BON110536

The Fairground (oil on canvas)

Brown, John (1887-1966)

Fountain of Siloam, Near Jerusalem, from 'Views of Palestine', Vol.II, published by R. Bowyer Historic Gallery, London, 1804 (coloured aquatint) (see 83256)
Fountain of Siloam, Near Jerusalem, from 'Views of Palestine', Vol.II, published by R. Bowyer Historic Gallery, London, 1804 (coloured aquatint) (see 83256)

STC132640: Fountain of Siloam, Near Jerusalem, from 'Views of Palestine', Vol.II, published by R. Bowyer Historic Gallery, London, 1804 (coloured aquatint) (see 83256), Mayer, Luigi (fl.1776-92) / Bridgeman Images

ID: STC132640

Fountain of Siloam, Near Jerusalem, from 'Views of Palestine', Vol.II, published by R. Bowyer Historic Gallery, London, 1804 (coloured aquatint) (see 83256)

Mayer, Luigi (fl.1776-92)

Building the Stationary Engine House, Camden Town, April 28th 1837, engraved by the artist, 1839 (colour litho)
Building the Stationary Engine House, Camden Town, April 28th 1837, engraved by the artist, 1839 (colour litho)

STC110562: Building the Stationary Engine House, Camden Town, April 28th 1837, engraved by the artist, 1839 (colour litho), Bourne, James (1773-1854) / Bridgeman Images

ID: STC110562

Building the Stationary Engine House, Camden Town, April 28th 1837, engraved by the artist, 1839 (colour litho)

Bourne, James (1773-1854)

Interior of the City of Kandahar from the House of the Sirdar 'Meer Dil Khaun' Brother of the King of Caubul, plate 23 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by R. Carrick (c.1829-1904), 1848 (litho)
Interior of the City of Kandahar from the House of the Sirdar 'Meer Dil Khaun' Brother of the King of Caubul, plate 23 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by R. Carrick (c.1829-1904), 1848 (litho)

STC110578: Interior of the City of Kandahar from the House of the Sirdar 'Meer Dil Khaun' Brother of the King of Caubul, plate 23 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by R. Carrick (c.1829-1904), 1848 (litho), Rattray, James (fl.1847-51) (after) / Bridgeman Images

ID: STC110578

Interior of the City of Kandahar from the House of the Sirdar 'Meer Dil Khaun' Brother of the King of Caubul, plate 23 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by R. Carrick (c.1829-1904), 1848 (litho)

Rattray, James (fl.1847-51) (after)

Two female onlookers, detail from a wall painting depicting The Crucifixion of St. Peter (fresco) (see also 110618)
Two female onlookers, detail from a wall painting depicting The Crucifixion of St. Peter (fresco) (see also 110618)

PWI110619: Two female onlookers, detail from a wall painting depicting The Crucifixion of St. Peter (fresco) (see also 110618), French School, (12th century) / Bridgeman Images

ID: PWI110619

Two female onlookers, detail from a wall painting depicting The Crucifixion of St. Peter (fresco) (see also 110618)

French School, (12th century)

Maori Warriors Playing on a Swing, illustration from 'The Return to the World', 1865 (engraving)
Maori Warriors Playing on a Swing, illustration from 'The Return to the World', 1865 (engraving)

KWE110694: Maori Warriors Playing on a Swing, illustration from 'The Return to the World', 1865 (engraving), Spanish School / Bridgeman Images

ID: KWE110694

Maori Warriors Playing on a Swing, illustration from 'The Return to the World', 1865 (engraving)

Spanish School

Man Smoking a Pipe, Ottoman period, third quarter of 18th century (w/c on paper)
Man Smoking a Pipe, Ottoman period, third quarter of 18th century (w/c on paper)

UOL120676: Man Smoking a Pipe, Ottoman period, third quarter of 18th century (w/c on paper), French School, (18th century) / Bridgeman Images

ID: UOL120676

Man Smoking a Pipe, Ottoman period, third quarter of 18th century (w/c on paper)

French School, (18th century)

Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail) (see also 79781)
Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail) (see also 79781)

UOL120824: Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail) (see also 79781), Japanese School, (17th century) / Bridgeman Images

ID: UOL120824

Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail) (see also 79781)

Japanese School, (17th century)

Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail)
Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail)

UOL120827: Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail), Japanese School, (17th century) / Bridgeman Images

ID: UOL120827

Sixth Korean Embassy to Japan in Meireki 1 at the time of Tokugawa Ietsuna's succession in 1651, possibly by Kano Masunobu (1625-94) (scroll painting) (detail)

Japanese School, (17th century)

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120841: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: UOL120841

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120847: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: UOL120847

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120851: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: UOL120851

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Seated figure of Shou Xing, on a stag, Fuzho, Fujian, Qing dynasty, 19th century (gilt lacquer)
Seated figure of Shou Xing, on a stag, Fuzho, Fujian, Qing dynasty, 19th century (gilt lacquer)

ORM120897: Seated figure of Shou Xing, on a stag, Fuzho, Fujian, Qing dynasty, 19th century (gilt lacquer), Chinese School, (19th century) / Bridgeman Images

ID: ORM120897

Seated figure of Shou Xing, on a stag, Fuzho, Fujian, Qing dynasty, 19th century (gilt lacquer)

Chinese School, (19th century)

Air gun, by J.G. Kolbe, c.1750 (walnut inlaid with silver)
Air gun, by J.G. Kolbe, c.1750 (walnut inlaid with silver)

BAL120939: Air gun, by J.G. Kolbe, c.1750 (walnut inlaid with silver), English School, (18th century) / Bridgeman Images

ID: BAL120939

Air gun, by J.G. Kolbe, c.1750 (walnut inlaid with silver)

English School, (18th century)

Portrait of J.R. Mortimer, plate XIII from 'The Naturalist', pub. 1911 (engraving)
Portrait of J.R. Mortimer, plate XIII from 'The Naturalist', pub. 1911 (engraving)

ERM110788: Portrait of J.R. Mortimer, plate XIII from 'The Naturalist', pub. 1911 (engraving) / Bridgeman Images

ID: ERM110788

Portrait of J.R. Mortimer, plate XIII from 'The Naturalist', pub. 1911 (engraving)

Market Tanganyika, 1880s (engraving)
Market Tanganyika, 1880s (engraving)

KWE110801: Market Tanganyika, 1880s (engraving), English School, (19th century) / Bridgeman Images

ID: KWE110801

Market Tanganyika, 1880s (engraving)

English School, (19th century)

Philippe Petain (1856-1951) seen in railway carriage office in Autumn 1915 (photo)
Philippe Petain (1856-1951) seen in railway carriage office in Autumn 1915 (photo)

KWE110847: Philippe Petain (1856-1951) seen in railway carriage office in Autumn 1915 (photo), Unknown photographer, (20th century) / Bridgeman Images

ID: KWE110847

Philippe Petain (1856-1951) seen in railway carriage office in Autumn 1915 (photo)

Unknown photographer, (20th century)

Two Medallions depicting the Crucifixion, 1410-15 (enamel)
Two Medallions depicting the Crucifixion, 1410-15 (enamel)

PWI110929: Two Medallions depicting the Crucifixion, 1410-15 (enamel) / Bridgeman Images

ID: PWI110929

Two Medallions depicting the Crucifixion, 1410-15 (enamel)

St John (tempera on panel)
St John (tempera on panel)

PWI110936: St John (tempera on panel), Russian School, (16th century) / Bridgeman Images

ID: PWI110936

St John (tempera on panel)

Russian School, (16th century)

Diana (marble)
Diana (marble)

PWI110952: Diana (marble) / Bridgeman Images

ID: PWI110952

Diana (marble)

Bab El-Futuh (Gate of Victories) engraved by Pierre Nicolas Ransonette (1745-1810) from Volume III of 'Voyage Pittoresque', published by Letronne, Paris, 1799 (engraving)
Bab El-Futuh (Gate of Victories) engraved by Pierre Nicolas Ransonette (1745-1810) from Volume III of 'Voyage Pittoresque', published by Letronne, Paris, 1799 (engraving)

STC132655: Bab El-Futuh (Gate of Victories) engraved by Pierre Nicolas Ransonette (1745-1810) from Volume III of 'Voyage Pittoresque', published by Letronne, Paris, 1799 (engraving), Cassas, Louis Francois (1756-1827) (after) / Bridgeman Images

ID: STC132655

Bab El-Futuh (Gate of Victories) engraved by Pierre Nicolas Ransonette (1745-1810) from Volume III of 'Voyage Pittoresque', published by Letronne, Paris, 1799 (engraving)

Cassas, Louis Francois (1756-1827) (after)

Street Scene with a Procession in Progress, Cairo (litho)
Street Scene with a Procession in Progress, Cairo (litho)

STC132674: Street Scene with a Procession in Progress, Cairo (litho), Bodmer, Karl (1809-93) (after) / Bridgeman Images

ID: STC132674

Street Scene with a Procession in Progress, Cairo (litho)

Bodmer, Karl (1809-93) (after)

Portrait of Antonio de Solis y Rivadeneira (1610-86) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)
Portrait of Antonio de Solis y Rivadeneira (1610-86) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

BAL111029: Portrait of Antonio de Solis y Rivadeneira (1610-86) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving), English School, (19th century) / Bridgeman Images

ID: BAL111029

Portrait of Antonio de Solis y Rivadeneira (1610-86) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

English School, (19th century)

The Cossacks on the Champs Elysees, 1815 (w/c on paper)
The Cossacks on the Champs Elysees, 1815 (w/c on paper)

NUM111333: The Cossacks on the Champs Elysees, 1815 (w/c on paper), French School, (19th century) / Bridgeman Images

ID: NUM111333

The Cossacks on the Champs Elysees, 1815 (w/c on paper)

French School, (19th century)

Battle of Paceo (Manila), Philippines, 4th-5th February 1899 (litho) (b&w photo)
Battle of Paceo (Manila), Philippines, 4th-5th February 1899 (litho) (b&w photo)

BAL111647: Battle of Paceo (Manila), Philippines, 4th-5th February 1899 (litho) (b&w photo), American School, (19th century) / Bridgeman Images

ID: BAL111647

Battle of Paceo (Manila), Philippines, 4th-5th February 1899 (litho) (b&w photo)

American School, (19th century)

Virginia Indians making dugout boats, from 'Americae', written and engraved by Theodor de Bry (1525-75) (engraving) (b/w photo)
Virginia Indians making dugout boats, from 'Americae', written and engraved by Theodor de Bry (1525-75) (engraving) (b/w photo)

BAL111666: Virginia Indians making dugout boats, from 'Americae', written and engraved by Theodor de Bry (1525-75) (engraving) (b/w photo), Le Moyne, Jacques (de Morgues) (d.1587/88) (after) / Bridgeman Images

ID: BAL111666

Virginia Indians making dugout boats, from 'Americae', written and engraved by Theodor de Bry (1525-75) (engraving) (b/w photo)

Le Moyne, Jacques (de Morgues) (d.1587/88) (after)

Sake ewer with Silver Cover, Japanese, early 20th century (iron) (see also 121546)
Sake ewer with Silver Cover, Japanese, early 20th century (iron) (see also 121546)

PFR121559: Sake ewer with Silver Cover, Japanese, early 20th century (iron) (see also 121546) / Bridgeman Images

ID: PFR121559

Sake ewer with Silver Cover, Japanese, early 20th century (iron) (see also 121546)

MS.149.f65v Adoration of the Magi, Italian Horae, c.1470 (vellum)
MS.149.f65v Adoration of the Magi, Italian Horae, c.1470 (vellum)

FIT111734: MS.149.f65v Adoration of the Magi, Italian Horae, c.1470 (vellum) / Bridgeman Images

ID: FIT111734

MS.149.f65v Adoration of the Magi, Italian Horae, c.1470 (vellum)

MS.McClean.77.f95v The Flight into Egypt, French Horae, early 15th century (vellum)
MS.McClean.77.f95v The Flight into Egypt, French Horae, early 15th century (vellum)

FIT111741: MS.McClean.77.f95v The Flight into Egypt, French Horae, early 15th century (vellum) / Bridgeman Images

ID: FIT111741

MS.McClean.77.f95v The Flight into Egypt, French Horae, early 15th century (vellum)

A Farewell to Father (oil on canvas)
A Farewell to Father (oil on canvas)

BOW111861: A Farewell to Father (oil on canvas), Sadee, Philip Lodewijk Jacob Frederick (1837-1904) / Bridgeman Images

ID: BOW111861

A Farewell to Father (oil on canvas)

Sadee, Philip Lodewijk Jacob Frederick (1837-1904)

The Sun, relief tile from the Campanile (ceramic and marble)
The Sun, relief tile from the Campanile (ceramic and marble)

BAT121672: The Sun, relief tile from the Campanile (ceramic and marble), Italian School, (14th century) / Bridgeman Images

ID: BAT121672

The Sun, relief tile from the Campanile (ceramic and marble)

Italian School, (14th century)

The Strange Bird (oil on canvas)
The Strange Bird (oil on canvas)

BOW111892: The Strange Bird (oil on canvas), Weight, Carel (1908-97) / Bridgeman Images

ID: BOW111892

The Strange Bird (oil on canvas)

Weight, Carel (1908-97)


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