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The Angel of the Annunciation, School of the Middle Rhine, c.1510 (oil on panel) (see also 123528-30)
The Angel of the Annunciation, School of the Middle Rhine, c.1510 (oil on panel) (see also 123528-30)

PFA123531: The Angel of the Annunciation, School of the Middle Rhine, c.1510 (oil on panel) (see also 123528-30), German School, (16th century) / Bridgeman Images

Fox in a Winter Landscape (oil on canvas)
Fox in a Winter Landscape (oil on canvas)

PFA123581: Fox in a Winter Landscape (oil on canvas), Liljefors, Bruno Andreas (1860-1939) / Bridgeman Images

Portrait of a Lady, 1646 (oil on canvas)
Portrait of a Lady, 1646 (oil on canvas)

FIT113925: Portrait of a Lady, 1646 (oil on canvas), Janssen van Ceulen, Cornelius (1593-1661) / Bridgeman Images

Portrait of Sir Robert Dudley, Earl of Leicester (c.1532-88) 16th century (oil on canvas) (detail)
Portrait of Sir Robert Dudley, Earl of Leicester (c.1532-88) 16th century (oil on canvas) (detail)

MFI123665: Portrait of Sir Robert Dudley, Earl of Leicester (c.1532-88) 16th century (oil on canvas) (detail), English School, (16th century) / Bridgeman Images

Tudor Garden (photo)
Tudor Garden (photo)

MFI123675: Tudor Garden (photo), Fiennes, Mark / Bridgeman Images

Panel bearing the initials of Katherine Parr (1512-48) probably from Nonesuch Palace (photo)
Panel bearing the initials of Katherine Parr (1512-48) probably from Nonesuch Palace (photo)

MFI123683: Panel bearing the initials of Katherine Parr (1512-48) probably from Nonesuch Palace (photo) / Bridgeman Images

The Castle from the Meadow (photo)
The Castle from the Meadow (photo)

MFI123689: The Castle from the Meadow (photo) / Bridgeman Images

The Great Hall (photo)
The Great Hall (photo)

MFI123735: The Great Hall (photo) / Bridgeman Images

View of the front entrance (photo)
View of the front entrance (photo)

MFI123744: View of the front entrance (photo) / Bridgeman Images

View of Vinegar Hill on the North East Side, plate from 'Memoirs of the Different Rebellions in Ireland' by Sir Richard Musgrave, 1801 (engraving)
View of Vinegar Hill on the North East Side, plate from 'Memoirs of the Different Rebellions in Ireland' by Sir Richard Musgrave, 1801 (engraving)

TPG123757: View of Vinegar Hill on the North East Side, plate from 'Memoirs of the Different Rebellions in Ireland' by Sir Richard Musgrave, 1801 (engraving), Irish School, (19th century) / Bridgeman Images

Dungiven Abbey, County Derry, (sepia photo)
Dungiven Abbey, County Derry, (sepia photo)

TPG123773: Dungiven Abbey, County Derry, (sepia photo), Lawrence, William M. (1840-1932) / Bridgeman Images

By the Lake (oil on canvas)
By the Lake (oil on canvas)

PFA123836: By the Lake (oil on canvas), Henry, George F. (1858-1943) / Bridgeman Images

Walking Man, 1986 (bronze with green patination)
Walking Man, 1986 (bronze with green patination)

PFA123841: Walking Man, 1986 (bronze with green patination), Frink, Elisabeth (1930-93) / Bridgeman Images

Costume design for Sancho Panza (w/c over pencil on paper)
Costume design for Sancho Panza (w/c over pencil on paper)

PFA123850: Costume design for Sancho Panza (w/c over pencil on paper), Burra, Edward (1905-76) / Bridgeman Images

Portrait Miniature of Charles I (1600-49) (oil on panel)
Portrait Miniature of Charles I (1600-49) (oil on panel)

MOU123922: Portrait Miniature of Charles I (1600-49) (oil on panel), Lely, Peter (1618-80) (circle of) / Bridgeman Images

Portrait Bust of Sir Robert Peel (1788-1850), 1853 (marble)
Portrait Bust of Sir Robert Peel (1788-1850), 1853 (marble)

MOU123939: Portrait Bust of Sir Robert Peel (1788-1850), 1853 (marble), Francis, John (1780-1861) / Bridgeman Images

Portrait Bust of Sir Winston Churchill (1874-1965), front view, 1958 (bronze) (see also 123943)
Portrait Bust of Sir Winston Churchill (1874-1965), front view, 1958 (bronze) (see also 123943)

MOU123942: Portrait Bust of Sir Winston Churchill (1874-1965), front view, 1958 (bronze) (see also 123943), McFall, David (1919-88) / Bridgeman Images

Theatre Costume, facsimile by A. Guillaumot Fils (colour engraving)
Theatre Costume, facsimile by A. Guillaumot Fils (colour engraving)

STC135405: Theatre Costume, facsimile by A. Guillaumot Fils (colour engraving), Silvestre (17th century) (after) / Bridgeman Images

Alice, the Daughter of Donald Beanham Preparing Breakfast for Edward Waverley (oil on canvas)
Alice, the Daughter of Donald Beanham Preparing Breakfast for Edward Waverley (oil on canvas)

JHB114306: Alice, the Daughter of Donald Beanham Preparing Breakfast for Edward Waverley (oil on canvas), Johnston, Alexander (1815-91) / Bridgeman Images

View of Blairquhan Across the River from the North East, 1946 (oil on canvas)
View of Blairquhan Across the River from the North East, 1946 (oil on canvas)

JHB114315: View of Blairquhan Across the River from the North East, 1946 (oil on canvas), Crosbie, William (1915-99) / Bridgeman Images

The Native Village, plate IX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)
The Native Village, plate IX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

XJF135626: The Native Village, plate IX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images

Inv no.38 recto Sketch of Horses, c. 1460-70 (pen and ink)
Inv no.38 recto Sketch of Horses, c. 1460-70 (pen and ink)

SNM135635: Inv no.38 recto Sketch of Horses, c. 1460-70 (pen and ink), Verrocchio, Andrea del (1435-88) (school of) / Bridgeman Images

Queen Anne (1665-1714), 1702 (engraving)
Queen Anne (1665-1714), 1702 (engraving)

CWA123954: Queen Anne (1665-1714), 1702 (engraving), Kneller, Godfrey (1646-1723) (after) / Bridgeman Images

Signora Collini (b.1784), First Singer of the King's Theatre, Haymarket in 1809 and 1810 (coloured engraving)
Signora Collini (b.1784), First Singer of the King's Theatre, Haymarket in 1809 and 1810 (coloured engraving)

CWA123982: Signora Collini (b.1784), First Singer of the King's Theatre, Haymarket in 1809 and 1810 (coloured engraving), English School, (19th century) / Bridgeman Images

South and West Fronts of the Treasury Extension, from 'Harper's New Monthly Magazine', 1859 (engraving) (b&w photo)
South and West Fronts of the Treasury Extension, from 'Harper's New Monthly Magazine', 1859 (engraving) (b&w photo)

BAL124133: South and West Fronts of the Treasury Extension, from 'Harper's New Monthly Magazine', 1859 (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

Tory Pandemonium, from John Trumbull's 'M'Fingal', engraved by Elkanah Tisdale (1768-1835) 1795 (engraving) (b&w photo)
Tory Pandemonium, from John Trumbull's 'M'Fingal', engraved by Elkanah Tisdale (1768-1835) 1795 (engraving) (b&w photo)

BAL124145: Tory Pandemonium, from John Trumbull's 'M'Fingal', engraved by Elkanah Tisdale (1768-1835) 1795 (engraving) (b&w photo), American School, (18th century) / Bridgeman Images

Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo)
Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo)

BAL124154: Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

Cottage among Trees with a Sandbank, c.1830-36 (oil on canvas)
Cottage among Trees with a Sandbank, c.1830-36 (oil on canvas)

NUM124158: Cottage among Trees with a Sandbank, c.1830-36 (oil on canvas), Constable, John (1776-1837) / Bridgeman Images

'Mor o gan yw cymry I gyd': Mr Winston Churchill (1874-1965) Mr David Lloyd George (1863-1945) and Miss Lloyd George at the Eisteddfod, 9th September 1908 (b&w photo)
'Mor o gan yw cymry I gyd': Mr Winston Churchill (1874-1965) Mr David Lloyd George (1863-1945) and Miss Lloyd George at the Eisteddfod, 9th September 1908 (b&w photo)

ILN124190: 'Mor o gan yw cymry I gyd': Mr Winston Churchill (1874-1965) Mr David Lloyd George (1863-1945) and Miss Lloyd George at the Eisteddfod, 9th September 1908 (b&w photo), English School, (20th century) / Bridgeman Images

The Castle or Quetzalcoatl Kukalcan's Pyramid, seen from the Temple of the Warriors, Toltec-Mayan (photo)
The Castle or Quetzalcoatl Kukalcan's Pyramid, seen from the Temple of the Warriors, Toltec-Mayan (photo)

KW124236: The Castle or Quetzalcoatl Kukalcan's Pyramid, seen from the Temple of the Warriors, Toltec-Mayan (photo) / Bridgeman Images

View of the Forum of Trajan and Trajan's Column, Rome, Italy (photo)
View of the Forum of Trajan and Trajan's Column, Rome, Italy (photo)

AII135654: View of the Forum of Trajan and Trajan's Column, Rome, Italy (photo) / Bridgeman Images

A Cry of Terror Went Up, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) 1873 (engraving) (b/w photo)
A Cry of Terror Went Up, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) 1873 (engraving) (b/w photo)

CHT135674: A Cry of Terror Went Up, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) 1873 (engraving) (b/w photo), Benett, Leon (1839-1917) / Bridgeman Images

Passepartout Notices a Number of Natives, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Pan, 1873 (engraving) (b/w photo)
Passepartout Notices a Number of Natives, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Pan, 1873 (engraving) (b/w photo)

CHT135696: Passepartout Notices a Number of Natives, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Pan, 1873 (engraving) (b/w photo), Benett, Leon (1839-1917) / Bridgeman Images

Scene from The Importance of Being Earnest, by Oscar Wilde (1854-1900) Act I, at the Lyric Hammersmith, London, 7 July 1930 (b/w photo)
Scene from The Importance of Being Earnest, by Oscar Wilde (1854-1900) Act I, at the Lyric Hammersmith, London, 7 July 1930 (b/w photo)

STC135723: Scene from The Importance of Being Earnest, by Oscar Wilde (1854-1900) Act I, at the Lyric Hammersmith, London, 7 July 1930 (b/w photo), English Photographer, (20th century) / Bridgeman Images

Caricature of a literary figure (litho) (b/w photo)
Caricature of a literary figure (litho) (b/w photo)

STC135732: Caricature of a literary figure (litho) (b/w photo), Beerbohm, Max (1872-1956) / Bridgeman Images

Theatre programme for Lord Arthur Savile's Crime, adapted by Constance Cox from the story by Oscar Wilde (1854-1900) at the Royal Court Theatre Club, 7 October 1952 (b/w photo) (litho)
Theatre programme for Lord Arthur Savile's Crime, adapted by Constance Cox from the story by Oscar Wilde (1854-1900) at the Royal Court Theatre Club, 7 October 1952 (b/w photo) (litho)

STC135746: Theatre programme for Lord Arthur Savile's Crime, adapted by Constance Cox from the story by Oscar Wilde (1854-1900) at the Royal Court Theatre Club, 7 October 1952 (b/w photo) (litho), English School, (20th century) / Bridgeman Images


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