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The Angel of the Annunciation, School of the Middle Rhine, c.1510 (oil on panel) (see also 123528-30)
The Angel of the Annunciation, School of the Middle Rhine, c.1510 (oil on panel) (see also 123528-30)

PFA123531: The Angel of the Annunciation, School of the Middle Rhine, c.1510 (oil on panel) (see also 123528-30), German School, (16th century) / Bridgeman Images

ID: PFA123531

The Angel of the Annunciation, School of the Middle Rhine, c.1510 (oil on panel) (see also 123528-30)

German School, (16th century)

Fox in a Winter Landscape (oil on canvas)
Fox in a Winter Landscape (oil on canvas)

PFA123581: Fox in a Winter Landscape (oil on canvas), Liljefors, Bruno Andreas (1860-1939) / Bridgeman Images

ID: PFA123581

Fox in a Winter Landscape (oil on canvas)

Liljefors, Bruno Andreas (1860-1939)

Portrait of a Lady, 1646 (oil on canvas)
Portrait of a Lady, 1646 (oil on canvas)

FIT113925: Portrait of a Lady, 1646 (oil on canvas), Janssen van Ceulen, Cornelius (1593-1661) / Bridgeman Images

ID: FIT113925

Portrait of a Lady, 1646 (oil on canvas)

Janssen van Ceulen, Cornelius (1593-1661)

Portrait of Sir Robert Dudley, Earl of Leicester (c.1532-88) 16th century (oil on canvas) (detail)
Portrait of Sir Robert Dudley, Earl of Leicester (c.1532-88) 16th century (oil on canvas) (detail)

MFI123665: Portrait of Sir Robert Dudley, Earl of Leicester (c.1532-88) 16th century (oil on canvas) (detail), English School, (16th century) / Bridgeman Images

ID: MFI123665

Portrait of Sir Robert Dudley, Earl of Leicester (c.1532-88) 16th century (oil on canvas) (detail)

English School, (16th century)

Tudor Garden (photo)
Tudor Garden (photo)

MFI123675: Tudor Garden (photo), Fiennes, Mark / Bridgeman Images

ID: MFI123675

Tudor Garden (photo)

Fiennes, Mark

Panel bearing the initials of Katherine Parr (1512-48) probably from Nonesuch Palace (photo)
Panel bearing the initials of Katherine Parr (1512-48) probably from Nonesuch Palace (photo)

MFI123683: Panel bearing the initials of Katherine Parr (1512-48) probably from Nonesuch Palace (photo) / Bridgeman Images

ID: MFI123683

Panel bearing the initials of Katherine Parr (1512-48) probably from Nonesuch Palace (photo)

The Castle from the Meadow (photo)
The Castle from the Meadow (photo)

MFI123689: The Castle from the Meadow (photo) / Bridgeman Images

ID: MFI123689

The Castle from the Meadow (photo)

The Great Hall (photo)
The Great Hall (photo)

MFI123735: The Great Hall (photo) / Bridgeman Images

ID: MFI123735

The Great Hall (photo)

View of the front entrance (photo)
View of the front entrance (photo)

MFI123744: View of the front entrance (photo) / Bridgeman Images

ID: MFI123744

View of the front entrance (photo)

View of Vinegar Hill on the North East Side, plate from 'Memoirs of the Different Rebellions in Ireland' by Sir Richard Musgrave, 1801 (engraving)
View of Vinegar Hill on the North East Side, plate from 'Memoirs of the Different Rebellions in Ireland' by Sir Richard Musgrave, 1801 (engraving)

TPG123757: View of Vinegar Hill on the North East Side, plate from 'Memoirs of the Different Rebellions in Ireland' by Sir Richard Musgrave, 1801 (engraving), Irish School, (19th century) / Bridgeman Images

ID: TPG123757

View of Vinegar Hill on the North East Side, plate from 'Memoirs of the Different Rebellions in Ireland' by Sir Richard Musgrave, 1801 (engraving)

Irish School, (19th century)

Dungiven Abbey, County Derry, (sepia photo)
Dungiven Abbey, County Derry, (sepia photo)

TPG123773: Dungiven Abbey, County Derry, (sepia photo), Lawrence, William M. (1840-1932) / Bridgeman Images

ID: TPG123773

Dungiven Abbey, County Derry, (sepia photo)

Lawrence, William M. (1840-1932)

By the Lake (oil on canvas)
By the Lake (oil on canvas)

PFA123836: By the Lake (oil on canvas), Henry, George F. (1858-1943) / Bridgeman Images

ID: PFA123836

By the Lake (oil on canvas)

Henry, George F. (1858-1943)

Walking Man, 1986 (bronze with green patination)
Walking Man, 1986 (bronze with green patination)

PFA123841: Walking Man, 1986 (bronze with green patination), Frink, Elisabeth (1930-93) / Bridgeman Images

ID: PFA123841

Walking Man, 1986 (bronze with green patination)

Frink, Elisabeth (1930-93)

Costume design for Sancho Panza (w/c over pencil on paper)
Costume design for Sancho Panza (w/c over pencil on paper)

PFA123850: Costume design for Sancho Panza (w/c over pencil on paper), Burra, Edward (1905-76) / Bridgeman Images

ID: PFA123850

Costume design for Sancho Panza (w/c over pencil on paper)

Burra, Edward (1905-76)

Portrait Miniature of Charles I (1600-49) (oil on panel)
Portrait Miniature of Charles I (1600-49) (oil on panel)

MOU123922: Portrait Miniature of Charles I (1600-49) (oil on panel), Lely, Peter (1618-80) (circle of) / Bridgeman Images

ID: MOU123922

Portrait Miniature of Charles I (1600-49) (oil on panel)

Lely, Peter (1618-80) (circle of)

Portrait Bust of Sir Robert Peel (1788-1850), 1853 (marble)
Portrait Bust of Sir Robert Peel (1788-1850), 1853 (marble)

MOU123939: Portrait Bust of Sir Robert Peel (1788-1850), 1853 (marble), Francis, John (1780-1861) / Bridgeman Images

ID: MOU123939

Portrait Bust of Sir Robert Peel (1788-1850), 1853 (marble)

Francis, John (1780-1861)

Portrait Bust of Sir Winston Churchill (1874-1965), front view, 1958 (bronze) (see also 123943)
Portrait Bust of Sir Winston Churchill (1874-1965), front view, 1958 (bronze) (see also 123943)

MOU123942: Portrait Bust of Sir Winston Churchill (1874-1965), front view, 1958 (bronze) (see also 123943), McFall, David (1919-88) / Bridgeman Images

ID: MOU123942

Portrait Bust of Sir Winston Churchill (1874-1965), front view, 1958 (bronze) (see also 123943)

McFall, David (1919-88)

Theatre Costume, facsimile by A. Guillaumot Fils (colour engraving)
Theatre Costume, facsimile by A. Guillaumot Fils (colour engraving)

STC135405: Theatre Costume, facsimile by A. Guillaumot Fils (colour engraving), Silvestre (17th century) (after) / Bridgeman Images

ID: STC135405

Theatre Costume, facsimile by A. Guillaumot Fils (colour engraving)

Silvestre (17th century) (after)

Alice, the Daughter of Donald Beanham Preparing Breakfast for Edward Waverley (oil on canvas)
Alice, the Daughter of Donald Beanham Preparing Breakfast for Edward Waverley (oil on canvas)

JHB114306: Alice, the Daughter of Donald Beanham Preparing Breakfast for Edward Waverley (oil on canvas), Johnston, Alexander (1815-91) / Bridgeman Images

ID: JHB114306

Alice, the Daughter of Donald Beanham Preparing Breakfast for Edward Waverley (oil on canvas)

Johnston, Alexander (1815-91)

View of Blairquhan Across the River from the North East, 1946 (oil on canvas)
View of Blairquhan Across the River from the North East, 1946 (oil on canvas)

JHB114315: View of Blairquhan Across the River from the North East, 1946 (oil on canvas), Crosbie, William (1915-99) / Bridgeman Images

ID: JHB114315

View of Blairquhan Across the River from the North East, 1946 (oil on canvas)

Crosbie, William (1915-99)

The Native Village, plate IX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)
The Native Village, plate IX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

XJF135626: The Native Village, plate IX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images

ID: XJF135626

The Native Village, plate IX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

Pennell, Joseph (1858-1926)

Inv no.38 recto Sketch of Horses, c. 1460-70 (pen and ink)
Inv no.38 recto Sketch of Horses, c. 1460-70 (pen and ink)

SNM135635: Inv no.38 recto Sketch of Horses, c. 1460-70 (pen and ink), Verrocchio, Andrea del (1435-88) (school of) / Bridgeman Images

ID: SNM135635

Inv no.38 recto Sketch of Horses, c. 1460-70 (pen and ink)

Verrocchio, Andrea del (1435-88) (school of)

Queen Anne (1665-1714), 1702 (engraving)
Queen Anne (1665-1714), 1702 (engraving)

CWA123954: Queen Anne (1665-1714), 1702 (engraving), Kneller, Godfrey (1646-1723) (after) / Bridgeman Images

ID: CWA123954

Queen Anne (1665-1714), 1702 (engraving)

Kneller, Godfrey (1646-1723) (after)

Signora Collini (b.1784), First Singer of the King's Theatre, Haymarket in 1809 and 1810 (coloured engraving)
Signora Collini (b.1784), First Singer of the King's Theatre, Haymarket in 1809 and 1810 (coloured engraving)

CWA123982: Signora Collini (b.1784), First Singer of the King's Theatre, Haymarket in 1809 and 1810 (coloured engraving), English School, (19th century) / Bridgeman Images

ID: CWA123982

Signora Collini (b.1784), First Singer of the King's Theatre, Haymarket in 1809 and 1810 (coloured engraving)

English School, (19th century)

South and West Fronts of the Treasury Extension, from 'Harper's New Monthly Magazine', 1859 (engraving) (b&w photo)
South and West Fronts of the Treasury Extension, from 'Harper's New Monthly Magazine', 1859 (engraving) (b&w photo)

BAL124133: South and West Fronts of the Treasury Extension, from 'Harper's New Monthly Magazine', 1859 (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

ID: BAL124133

South and West Fronts of the Treasury Extension, from 'Harper's New Monthly Magazine', 1859 (engraving) (b&w photo)

American School, (19th century)

Tory Pandemonium, from John Trumbull's 'M'Fingal', engraved by Elkanah Tisdale (1768-1835) 1795 (engraving) (b&w photo)
Tory Pandemonium, from John Trumbull's 'M'Fingal', engraved by Elkanah Tisdale (1768-1835) 1795 (engraving) (b&w photo)

BAL124145: Tory Pandemonium, from John Trumbull's 'M'Fingal', engraved by Elkanah Tisdale (1768-1835) 1795 (engraving) (b&w photo), American School, (18th century) / Bridgeman Images

ID: BAL124145

Tory Pandemonium, from John Trumbull's 'M'Fingal', engraved by Elkanah Tisdale (1768-1835) 1795 (engraving) (b&w photo)

American School, (18th century)

Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo)
Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo)

BAL124154: Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

ID: BAL124154

Storming of Monterey. Attack on the Bishop's Palace in 1846, 1847 (engraving) (b&w photo)

American School, (19th century)

Cottage among Trees with a Sandbank, c.1830-36 (oil on canvas)
Cottage among Trees with a Sandbank, c.1830-36 (oil on canvas)

NUM124158: Cottage among Trees with a Sandbank, c.1830-36 (oil on canvas), Constable, John (1776-1837) / Bridgeman Images

ID: NUM124158

Cottage among Trees with a Sandbank, c.1830-36 (oil on canvas)

Constable, John (1776-1837)

'Mor o gan yw cymry I gyd': Mr Winston Churchill (1874-1965) Mr David Lloyd George (1863-1945) and Miss Lloyd George at the Eisteddfod, 9th September 1908 (b&w photo)
'Mor o gan yw cymry I gyd': Mr Winston Churchill (1874-1965) Mr David Lloyd George (1863-1945) and Miss Lloyd George at the Eisteddfod, 9th September 1908 (b&w photo)

ILN124190: 'Mor o gan yw cymry I gyd': Mr Winston Churchill (1874-1965) Mr David Lloyd George (1863-1945) and Miss Lloyd George at the Eisteddfod, 9th September 1908 (b&w photo), English School, (20th century) / Bridgeman Images

ID: ILN124190

'Mor o gan yw cymry I gyd': Mr Winston Churchill (1874-1965) Mr David Lloyd George (1863-1945) and Miss Lloyd George at the Eisteddfod, 9th September 1908 (b&w photo)

English School, (20th century)

The Castle or Quetzalcoatl Kukalcan's Pyramid, seen from the Temple of the Warriors, Toltec-Mayan (photo)
The Castle or Quetzalcoatl Kukalcan's Pyramid, seen from the Temple of the Warriors, Toltec-Mayan (photo)

KW124236: The Castle or Quetzalcoatl Kukalcan's Pyramid, seen from the Temple of the Warriors, Toltec-Mayan (photo) / Bridgeman Images

ID: KW124236

The Castle or Quetzalcoatl Kukalcan's Pyramid, seen from the Temple of the Warriors, Toltec-Mayan (photo)

View of the Forum of Trajan and Trajan's Column, Rome, Italy (photo)
View of the Forum of Trajan and Trajan's Column, Rome, Italy (photo)

AII135654: View of the Forum of Trajan and Trajan's Column, Rome, Italy (photo) / Bridgeman Images

ID: AII135654

View of the Forum of Trajan and Trajan's Column, Rome, Italy (photo)

A Cry of Terror Went Up, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) 1873 (engraving) (b/w photo)
A Cry of Terror Went Up, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) 1873 (engraving) (b/w photo)

CHT135674: A Cry of Terror Went Up, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) 1873 (engraving) (b/w photo), Benett, Leon (1839-1917) / Bridgeman Images

ID: CHT135674

A Cry of Terror Went Up, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) 1873 (engraving) (b/w photo)

Benett, Leon (1839-1917)

Passepartout Notices a Number of Natives, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Pan, 1873 (engraving) (b/w photo)
Passepartout Notices a Number of Natives, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Pan, 1873 (engraving) (b/w photo)

CHT135696: Passepartout Notices a Number of Natives, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Pan, 1873 (engraving) (b/w photo), Benett, Leon (1839-1917) / Bridgeman Images

ID: CHT135696

Passepartout Notices a Number of Natives, illustration from 'Around the World in Eighty Days' by Jules Verne (1828-1905) engraved by Pan, 1873 (engraving) (b/w photo)

Benett, Leon (1839-1917)

Scene from The Importance of Being Earnest, by Oscar Wilde (1854-1900) Act I, at the Lyric Hammersmith, London, 7 July 1930 (b/w photo)
Scene from The Importance of Being Earnest, by Oscar Wilde (1854-1900) Act I, at the Lyric Hammersmith, London, 7 July 1930 (b/w photo)

STC135723: Scene from The Importance of Being Earnest, by Oscar Wilde (1854-1900) Act I, at the Lyric Hammersmith, London, 7 July 1930 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: STC135723

Scene from The Importance of Being Earnest, by Oscar Wilde (1854-1900) Act I, at the Lyric Hammersmith, London, 7 July 1930 (b/w photo)

English Photographer, (20th century)

Caricature of a literary figure (litho) (b/w photo)
Caricature of a literary figure (litho) (b/w photo)

STC135732: Caricature of a literary figure (litho) (b/w photo), Beerbohm, Max (1872-1956) / Bridgeman Images

ID: STC135732

Caricature of a literary figure (litho) (b/w photo)

Beerbohm, Max (1872-1956)

Theatre programme for Lord Arthur Savile's Crime, adapted by Constance Cox from the story by Oscar Wilde (1854-1900) at the Royal Court Theatre Club, 7 October 1952 (b/w photo) (litho)
Theatre programme for Lord Arthur Savile's Crime, adapted by Constance Cox from the story by Oscar Wilde (1854-1900) at the Royal Court Theatre Club, 7 October 1952 (b/w photo) (litho)

STC135746: Theatre programme for Lord Arthur Savile's Crime, adapted by Constance Cox from the story by Oscar Wilde (1854-1900) at the Royal Court Theatre Club, 7 October 1952 (b/w photo) (litho), English School, (20th century) / Bridgeman Images

ID: STC135746

Theatre programme for Lord Arthur Savile's Crime, adapted by Constance Cox from the story by Oscar Wilde (1854-1900) at the Royal Court Theatre Club, 7 October 1952 (b/w photo) (litho)

English School, (20th century)


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