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L'Assiette au Beurre, number 163, Satirique en couleurs, 1904_5_14: “”... And also to the mystery of the Trinity”” - Anticlericalism - Trinite, Eg with reactionaries - Magistrate, Military, Eveques, Soldiers (lithograph)
L'Assiette au Beurre, number 163, Satirique en couleurs, 1904_5_14: “”... And also to the mystery of the Trinity”” - Anticlericalism - Trinite, Eg with reactionaries - Magistrate, Military, Eveques, Soldiers (lithograph)

ICA4890086: L'Assiette au Beurre, number 163, Satirique en couleurs, 1904_5_14: “”... And also to the mystery of the Trinity”” - Anticlericalism - Trinite, Eg with reactionaries - Magistrate, Military, Eveques, Soldiers (lithograph), Jossot, Henri Gustave (1866-1951) / Bridgeman Images

L'Assiette au Beurre, number 178, Satirique en Couleurs, 1904_8_27: “” I have only spiritual children, they eat only bread to seal”” - Anticlericalism - Betity of the religious, Marriage of the religious - Cures (lithograph)
L'Assiette au Beurre, number 178, Satirique en Couleurs, 1904_8_27: “” I have only spiritual children, they eat only bread to seal”” - Anticlericalism - Betity of the religious, Marriage of the religious - Cures (lithograph)

ICA4892278: L'Assiette au Beurre, number 178, Satirique en Couleurs, 1904_8_27: “” I have only spiritual children, they eat only bread to seal”” - Anticlericalism - Betity of the religious, Marriage of the religious - Cures (lithograph), Jossot, Henri Gustave (1866-1951) / Bridgeman Images

Belt in carved wood bark, Gulf of Papua. Papua New Guinea (Papua New Guinea), 20th century. Dim: diameter 20 cm and depth 10 cm. Bark, champleve decor, lime, red pigment. Carved wood. Musee de l'hospice Saint-Roch, Issoudun (Donation of the Missionaries of the Sacre-Coeur, Issoudun, 2000). Mandatory mention:
Belt in carved wood bark, Gulf of Papua. Papua New Guinea (Papua New Guinea), 20th century. Dim: diameter 20 cm and depth 10 cm. Bark, champleve decor, lime, red pigment. Carved wood. Musee de l'hospice Saint-Roch, Issoudun (Donation of the Missionaries of the Sacre-Coeur, Issoudun, 2000). Mandatory mention:

JEB4892732: Belt in carved wood bark, Gulf of Papua. Papua New Guinea (Papua New Guinea), 20th century. Dim: diameter 20 cm and depth 10 cm. Bark, champleve decor, lime, red pigment. Carved wood. Musee de l'hospice Saint-Roch, Issoudun (Donation of the Missionaries of the Sacre-Coeur, Issoudun, 2000). Mandatory mention: / Bridgeman Images

The Baou du Redon a Cassis. Painting by Achille-Emile (Achille Emile) Othon Friesz (1879-1949), 1909. Oil on canvas Dim: 53x64cm. Mandatory mention: Collection fondation regards de Provence, Marseille
The Baou du Redon a Cassis. Painting by Achille-Emile (Achille Emile) Othon Friesz (1879-1949), 1909. Oil on canvas Dim: 53x64cm. Mandatory mention: Collection fondation regards de Provence, Marseille

JEB4893852: The Baou du Redon a Cassis. Painting by Achille-Emile (Achille Emile) Othon Friesz (1879-1949), 1909. Oil on canvas Dim: 53x64cm. Mandatory mention: Collection fondation regards de Provence, Marseille, Friesz, Achille Emile Othon (1879-1949) / Bridgeman Images

Cover of “ Le Journal Amusant
Cover of “ Le Journal Amusant

ICA4894823: Cover of “ Le Journal Amusant", 05 may 1859 (engraving), Nadar, (Gaspard Felix Tournachon) (1820-1910) / Bridgeman Images

Entrepots Saint Bernard, Entrée des cellars underground, vers l'actuel quai Saint-Bernard, paris (View of the warehouses of Saint-Bernard, Jussieu district, entrance of the cellars, Paris) Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee
Entrepots Saint Bernard, Entrée des cellars underground, vers l'actuel quai Saint-Bernard, paris (View of the warehouses of Saint-Bernard, Jussieu district, entrance of the cellars, Paris) Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee

ELD4893602: Entrepots Saint Bernard, Entrée des cellars underground, vers l'actuel quai Saint-Bernard, paris (View of the warehouses of Saint-Bernard, Jussieu district, entrance of the cellars, Paris) Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee, Fraipont, Gustave (1849-1923) / Bridgeman Images

Walk in a park, 19th century (oil on canvas)
Walk in a park, 19th century (oil on canvas)

JEB4894983: Walk in a park, 19th century (oil on canvas), Monticelli, Adolphe Joseph Thomas (1824-86) / Bridgeman Images

View of the Point du Jour district, Boulogne Billancourt (View of the Point du Jour district, Boulogne-Billancourt) Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection
View of the Point du Jour district, Boulogne Billancourt (View of the Point du Jour district, Boulogne-Billancourt) Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection

ELD4894273: View of the Point du Jour district, Boulogne Billancourt (View of the Point du Jour district, Boulogne-Billancourt) Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Private collection, Fraipont, Gustave (1849-1923) / Bridgeman Images

View of the lift bridge of the rue de Crimee, Bassin de l'ourcq Paris (View of the lift bridge of the rue Crimee, Canal de l'Ourcq, Paris) Drawing by Gustave Fraipont (1849-1923) draws from Saint-Juirs, 1890 Collection privee
View of the lift bridge of the rue de Crimee, Bassin de l'ourcq Paris (View of the lift bridge of the rue Crimee, Canal de l'Ourcq, Paris) Drawing by Gustave Fraipont (1849-1923) draws from Saint-Juirs, 1890 Collection privee

ELD4894806: View of the lift bridge of the rue de Crimee, Bassin de l'ourcq Paris (View of the lift bridge of the rue Crimee, Canal de l'Ourcq, Paris) Drawing by Gustave Fraipont (1849-1923) draws from Saint-Juirs, 1890 Collection privee, Fraipont, Gustave (1849-1923) / Bridgeman Images

Serie
Serie

JEB4890868: Serie "Balli di sfessania": Characters of the commedia dell'arte, c.1622 (engraving), Callot, Jacques (1592-1635) / Bridgeman Images

Portrait of Camille Desmoulins (1760-1794), politician during the French Revolution. 19th century (engraving)
Portrait of Camille Desmoulins (1760-1794), politician during the French Revolution. 19th century (engraving)

ELD4890783: Portrait of Camille Desmoulins (1760-1794), politician during the French Revolution. 19th century (engraving) / Bridgeman Images

Pope Urbain II (Eudes de Chatillon or Odon de Lagery, 1042-1099) calling for the first crusade at the Council of Clermont in 1095. Colour engraving after a miniature of the Middle Ages.
Pope Urbain II (Eudes de Chatillon or Odon de Lagery, 1042-1099) calling for the first crusade at the Council of Clermont in 1095. Colour engraving after a miniature of the Middle Ages.

NWI4892332: Pope Urbain II (Eudes de Chatillon or Odon de Lagery, 1042-1099) calling for the first crusade at the Council of Clermont in 1095. Colour engraving after a miniature of the Middle Ages. / Bridgeman Images

Middle Ages: Jonathas (Jonathan) Macchabee (Maccabee or Macabee) succeeded his brother Judas at the head of the revolt against the Seleucides in 160 BC. Representation of the 19th century. The soldiers are in medieval costume. Reproduction of a 15th century French manuscript.
Middle Ages: Jonathas (Jonathan) Macchabee (Maccabee or Macabee) succeeded his brother Judas at the head of the revolt against the Seleucides in 160 BC. Representation of the 19th century. The soldiers are in medieval costume. Reproduction of a 15th century French manuscript.

NWI4891775: Middle Ages: Jonathas (Jonathan) Macchabee (Maccabee or Macabee) succeeded his brother Judas at the head of the revolt against the Seleucides in 160 BC. Representation of the 19th century. The soldiers are in medieval costume. Reproduction of a 15th century French manuscript. / Bridgeman Images

Servants looking after an English princess from the 14th century.
Servants looking after an English princess from the 14th century.

NWI4893554: Servants looking after an English princess from the 14th century. / Bridgeman Images

History of Indigenous Peoples: Native American Indian building a birch canoe on the edge of a watercourse. Colourful engraving of the 19th century.
History of Indigenous Peoples: Native American Indian building a birch canoe on the edge of a watercourse. Colourful engraving of the 19th century.

NWI4893755: History of Indigenous Peoples: Native American Indian building a birch canoe on the edge of a watercourse. Colourful engraving of the 19th century. / Bridgeman Images

Indians Timucua of Florida (USA), collecting in baskets, hunting products, crocodiles, fish and other wild animals, as well as edible plants and fruit, 1591. Lithography, engraving by Theodore DeBry after a painting by Lemoyne, 19th century.
Indians Timucua of Florida (USA), collecting in baskets, hunting products, crocodiles, fish and other wild animals, as well as edible plants and fruit, 1591. Lithography, engraving by Theodore DeBry after a painting by Lemoyne, 19th century.

NWI4894886: Indians Timucua of Florida (USA), collecting in baskets, hunting products, crocodiles, fish and other wild animals, as well as edible plants and fruit, 1591. Lithography, engraving by Theodore DeBry after a painting by Lemoyne, 19th century. / Bridgeman Images

Middle Ages: Knights in Battle Armor from the time of the Norman invasions in England, 1066. Colour engraving of the 19th century.
Middle Ages: Knights in Battle Armor from the time of the Norman invasions in England, 1066. Colour engraving of the 19th century.

NWI4891965: Middle Ages: Knights in Battle Armor from the time of the Norman invasions in England, 1066. Colour engraving of the 19th century. / Bridgeman Images

Middle Ages: Business traders and farmer selling sheep, 14th century. Colour engraving of the 19th century
Middle Ages: Business traders and farmer selling sheep, 14th century. Colour engraving of the 19th century

NWI4892575: Middle Ages: Business traders and farmer selling sheep, 14th century. Colour engraving of the 19th century / Bridgeman Images

Passengers from the interdeck of a steamboat, European candidates for immigration, en route to America, around 1890. Colour engraving, illustration by Bacher, 1891, 19th century.
Passengers from the interdeck of a steamboat, European candidates for immigration, en route to America, around 1890. Colour engraving, illustration by Bacher, 1891, 19th century.

NWI4890709: Passengers from the interdeck of a steamboat, European candidates for immigration, en route to America, around 1890. Colour engraving, illustration by Bacher, 1891, 19th century. / Bridgeman Images

Families of Swedish immigrants crossing Boston, Massachusetts, en route to the Midwest, circa 1850. Colour engraving, 19th century.
Families of Swedish immigrants crossing Boston, Massachusetts, en route to the Midwest, circa 1850. Colour engraving, 19th century.

NWI4891061: Families of Swedish immigrants crossing Boston, Massachusetts, en route to the Midwest, circa 1850. Colour engraving, 19th century. / Bridgeman Images

Feodalite: peasants (serfs) working in their field with a hoe and a shovel. 12th century. Coloring engraving.
Feodalite: peasants (serfs) working in their field with a hoe and a shovel. 12th century. Coloring engraving.

NWI4892833: Feodalite: peasants (serfs) working in their field with a hoe and a shovel. 12th century. Coloring engraving. / Bridgeman Images

San Juan Chef Apaches Mescalero, Sorcerer Gorgonio, and Chief Warrior Nantzili, 1880s (engraving)
San Juan Chef Apaches Mescalero, Sorcerer Gorgonio, and Chief Warrior Nantzili, 1880s (engraving)

NWI4894425: San Juan Chef Apaches Mescalero, Sorcerer Gorgonio, and Chief Warrior Nantzili, 1880s (engraving) / Bridgeman Images

History of Indigenous Peoples: Map of Six Iroquois Nations in Pennsylvania and New York, 1771. Reproduction of an 18th century document.
History of Indigenous Peoples: Map of Six Iroquois Nations in Pennsylvania and New York, 1771. Reproduction of an 18th century document.

NWI4894892: History of Indigenous Peoples: Map of Six Iroquois Nations in Pennsylvania and New York, 1771. Reproduction of an 18th century document. / Bridgeman Images

View of the quai d'ivry near the rue des fauconniers Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee
View of the quai d'ivry near the rue des fauconniers Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee

ELD4893234: View of the quai d'ivry near the rue des fauconniers Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee, Fraipont, Gustave (1849-1923) / Bridgeman Images

Carpet dealer in the streets of Istanbul's Stamboul district. Turkey. Painting by Herman David Salomon Corrodi (1844-1905) cm 110x81 Oil on canvas Mandatory mention: Collection foundation regards of Provence Marseille
Carpet dealer in the streets of Istanbul's Stamboul district. Turkey. Painting by Herman David Salomon Corrodi (1844-1905) cm 110x81 Oil on canvas Mandatory mention: Collection foundation regards of Provence Marseille

JEB4893861: Carpet dealer in the streets of Istanbul's Stamboul district. Turkey. Painting by Herman David Salomon Corrodi (1844-1905) cm 110x81 Oil on canvas Mandatory mention: Collection foundation regards of Provence Marseille, Corrodi, Herman David Salomon (1844-1905) / Bridgeman Images

Ivry sur Seine, wood trains (Timber rafting on the Seine river, Ivry-sur-Seine) Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee
Ivry sur Seine, wood trains (Timber rafting on the Seine river, Ivry-sur-Seine) Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee

ELD4893185: Ivry sur Seine, wood trains (Timber rafting on the Seine river, Ivry-sur-Seine) Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee, Fraipont, Gustave (1849-1923) / Bridgeman Images

View of the footbridge of Passy (now bridge of Bir Hakeim) in Paris Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Collection privee
View of the footbridge of Passy (now bridge of Bir Hakeim) in Paris Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Collection privee

ELD4894345: View of the footbridge of Passy (now bridge of Bir Hakeim) in Paris Drawing by Gustave Fraipont (1849-1923) from Saint-Juirs, 1890 Collection privee, Fraipont, Gustave (1849-1923) / Bridgeman Images

L'Assiette au Beurre, number 163, Satirique en couleurs, 1904_5_14: “”... To the fraternity!” - War, Germany Prussia, Armea, Couple, Patriotism, Franco-German relations - Soldiers (lithograph)
L'Assiette au Beurre, number 163, Satirique en couleurs, 1904_5_14: “”... To the fraternity!” - War, Germany Prussia, Armea, Couple, Patriotism, Franco-German relations - Soldiers (lithograph)

ICA4890232: L'Assiette au Beurre, number 163, Satirique en couleurs, 1904_5_14: “”... To the fraternity!” - War, Germany Prussia, Armea, Couple, Patriotism, Franco-German relations - Soldiers (lithograph), Jossot, Henri Gustave (1866-1951) / Bridgeman Images

L'Assiette au Beurre', number 167, Satirical in Colours, 1904_6_11
L'Assiette au Beurre', number 167, Satirical in Colours, 1904_6_11

ICA4890682: L'Assiette au Beurre', number 167, Satirical in Colours, 1904_6_11, Camara, Leal de (1877-1948) / Bridgeman Images

L' Assiette au Beurre, number 188, Satirique en couleurs, 1904_11_5: War, Religion, Franc maconnerie, Affaire des fiche - Cures -
L' Assiette au Beurre, number 188, Satirique en couleurs, 1904_11_5: War, Religion, Franc maconnerie, Affaire des fiche - Cures -

ICA4893346: L' Assiette au Beurre, number 188, Satirique en couleurs, 1904_11_5: War, Religion, Franc maconnerie, Affaire des fiche - Cures -, Radiguet, Maurice (1866-1941) / Bridgeman Images

L'Assiette au Beurre, number 163, Satirique en Couleurs, 1904_5_14: “” Je believe a toute la sacree sociale”” - Justice Proces, Smoking, Corruption (lithograph)
L'Assiette au Beurre, number 163, Satirique en Couleurs, 1904_5_14: “” Je believe a toute la sacree sociale”” - Justice Proces, Smoking, Corruption (lithograph)

ICA4890260: L'Assiette au Beurre, number 163, Satirique en Couleurs, 1904_5_14: “” Je believe a toute la sacree sociale”” - Justice Proces, Smoking, Corruption (lithograph), Jossot, Henri Gustave (1866-1951) / Bridgeman Images

Atelier de repparation des bateau omnibus (Bateau-bus) à Paris (Water buses (commuter boats) repair workshops on the seine river in Paris) Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee
Atelier de repparation des bateau omnibus (Bateau-bus) à Paris (Water buses (commuter boats) repair workshops on the seine river in Paris) Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee

ELD4894252: Atelier de repparation des bateau omnibus (Bateau-bus) à Paris (Water buses (commuter boats) repair workshops on the seine river in Paris) Drawing by Gustave Fraipont (1849-1923) draws from “La seine a travers Paris” by Saint-Juirs, 1890 Collection privee, Fraipont, Gustave (1849-1923) / Bridgeman Images

Illustration by Albert Robida (1848-1926) for the Cover of La Caricature (1880), 1886-3-6 - Revue decadente et pessimiste - Medical, Literature, Naturalisme
Illustration by Albert Robida (1848-1926) for the Cover of La Caricature (1880), 1886-3-6 - Revue decadente et pessimiste - Medical, Literature, Naturalisme

ICA4893132: Illustration by Albert Robida (1848-1926) for the Cover of La Caricature (1880), 1886-3-6 - Revue decadente et pessimiste - Medical, Literature, Naturalisme, Robida, Albert (1848-1926) / Bridgeman Images

Portrait of Guillaume Rondelet (1507-1566) naturaliste et medecin francais (Portrait of french physician and naturalist Guillaume Rondelet) 19th century (engraving)
Portrait of Guillaume Rondelet (1507-1566) naturaliste et medecin francais (Portrait of french physician and naturalist Guillaume Rondelet) 19th century (engraving)

ELD4891008: Portrait of Guillaume Rondelet (1507-1566) naturaliste et medecin francais (Portrait of french physician and naturalist Guillaume Rondelet) 19th century (engraving) / Bridgeman Images

Serie
Serie

JEB4890923: Serie "Balli di sfessania": Characters of the commedia dell'arte, c.1622 (engraving), Callot, Jacques (1592-1635) / Bridgeman Images

L'Assiette au Beurre, number 169, Satirique en Colours, 1904_6_25: “” Let's not reverse the idea of authority! Let's just put him a new dress” - Social, Franc Maconnerie, Socialism (lithograph)
L'Assiette au Beurre, number 169, Satirique en Colours, 1904_6_25: “” Let's not reverse the idea of authority! Let's just put him a new dress” - Social, Franc Maconnerie, Socialism (lithograph)

ICA4891217: L'Assiette au Beurre, number 169, Satirique en Colours, 1904_6_25: “” Let's not reverse the idea of authority! Let's just put him a new dress” - Social, Franc Maconnerie, Socialism (lithograph), Jossot, Henri Gustave (1866-1951) / Bridgeman Images


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