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John Henry Cliffe, c.1855 (oil on canvas)
John Henry Cliffe, c.1855 (oil on canvas)

GCM2655670: John Henry Cliffe, c.1855 (oil on canvas), Baker, James (fl.1855) / Bridgeman Images

ID: GCM2655670

John Henry Cliffe, c.1855 (oil on canvas)

Baker, James (fl.1855)

Farm at Uley, Gloucestershire, 1932 (oil on canvas)
Farm at Uley, Gloucestershire, 1932 (oil on canvas)

GCM2655590: Farm at Uley, Gloucestershire, 1932 (oil on canvas), Wellington, Hubert Lindsay (1879-1967) / Bridgeman Images

ID: GCM2655590

Farm at Uley, Gloucestershire, 1932 (oil on canvas)

Wellington, Hubert Lindsay (1879-1967)

Gloster Aircraft, Gamecock, 1924-62 (oil on board)
Gloster Aircraft, Gamecock, 1924-62 (oil on board)

GCM2655619: Gloster Aircraft, Gamecock, 1924-62 (oil on board), Davis, C. E. P. (fl.1924-89) / Bridgeman Images

ID: GCM2655619

Gloster Aircraft, Gamecock, 1924-62 (oil on board)

Davis, C. E. P. (fl.1924-89)

Gloster Aircraft, Gloster E.28/39, 1924-62 (oil on board)
Gloster Aircraft, Gloster E.28/39, 1924-62 (oil on board)

GCM2655631: Gloster Aircraft, Gloster E.28/39, 1924-62 (oil on board), Davis, C. E. P. (fl.1924-89) / Bridgeman Images

ID: GCM2655631

Gloster Aircraft, Gloster E.28/39, 1924-62 (oil on board)

Davis, C. E. P. (fl.1924-89)

Gloster Aircraft, Gloster AS.31 Survey Plane, 1924-62 (oil on board)
Gloster Aircraft, Gloster AS.31 Survey Plane, 1924-62 (oil on board)

GCM2655626: Gloster Aircraft, Gloster AS.31 Survey Plane, 1924-62 (oil on board), Davis, C. E. P. (fl.1924-89) / Bridgeman Images

ID: GCM2655626

Gloster Aircraft, Gloster AS.31 Survey Plane, 1924-62 (oil on board)

Davis, C. E. P. (fl.1924-89)

Gloster Aircraft, Gloster F.5/34, 1924-62 (oil on board)
Gloster Aircraft, Gloster F.5/34, 1924-62 (oil on board)

GCM2655630: Gloster Aircraft, Gloster F.5/34, 1924-62 (oil on board), Davis, C. E. P. (fl.1924-89) / Bridgeman Images

ID: GCM2655630

Gloster Aircraft, Gloster F.5/34, 1924-62 (oil on board)

Davis, C. E. P. (fl.1924-89)

Burma / Myanmar: Buddha fresco at the Khay Min Gha Temple (12th century), Bagan (Pagan) Ancient City
Burma / Myanmar: Buddha fresco at the Khay Min Gha Temple (12th century), Bagan (Pagan) Ancient City

PFH2965933: Burma / Myanmar: Buddha fresco at the Khay Min Gha Temple (12th century), Bagan (Pagan) Ancient City / Bridgeman Images

ID: PFH2965933

Burma / Myanmar: Buddha fresco at the Khay Min Gha Temple (12th century), Bagan (Pagan) Ancient City

Burma / Myanmar: Buddha fresco at the Khay Min Gha Temple (12th century), Bagan (Pagan) Ancient City
Burma / Myanmar: Buddha fresco at the Khay Min Gha Temple (12th century), Bagan (Pagan) Ancient City

PFH2965930: Burma / Myanmar: Buddha fresco at the Khay Min Gha Temple (12th century), Bagan (Pagan) Ancient City / Bridgeman Images

ID: PFH2965930

Burma / Myanmar: Buddha fresco at the Khay Min Gha Temple (12th century), Bagan (Pagan) Ancient City

Silhouette of a Man with a Top Hat, Frock coat and Umbrella (pen & ink on paper)
Silhouette of a Man with a Top Hat, Frock coat and Umbrella (pen & ink on paper)

REV2963063: Silhouette of a Man with a Top Hat, Frock coat and Umbrella (pen & ink on paper), Gapp, J. (fl.1827-40) / Bridgeman Images

ID: REV2963063

Silhouette of a Man with a Top Hat, Frock coat and Umbrella (pen & ink on paper)

Gapp, J. (fl.1827-40)

It was the air and attitude of a Montoni, 1907 (illustration)
It was the air and attitude of a Montoni, 1907 (illustration)

XOS2963085: It was the air and attitude of a Montoni, 1907 (illustration), Brock, Charles Edmund (1870-1938) / Bridgeman Images

ID: XOS2963085

It was the air and attitude of a Montoni, 1907 (illustration)

Brock, Charles Edmund (1870-1938)

His majesty was then deep in a problem. From Gulliver's voyage to Laputa. From Gullivers Travels published c.1875
His majesty was then deep in a problem. From Gulliver's voyage to Laputa. From Gullivers Travels published c.1875

MOR2963127: His majesty was then deep in a problem. From Gulliver's voyage to Laputa. From Gullivers Travels published c.1875 / Bridgeman Images

ID: MOR2963127

His majesty was then deep in a problem. From Gulliver's voyage to Laputa. From Gullivers Travels published c.1875

Some of them seized my cake and carried it piecemeal away. Gulliver attacked by giant insects during his voyage to Brobdingnag. From Gullivers Travels published c.1875
Some of them seized my cake and carried it piecemeal away. Gulliver attacked by giant insects during his voyage to Brobdingnag. From Gullivers Travels published c.1875

MOR2963133: Some of them seized my cake and carried it piecemeal away. Gulliver attacked by giant insects during his voyage to Brobdingnag. From Gullivers Travels published c.1875 / Bridgeman Images

ID: MOR2963133

Some of them seized my cake and carried it piecemeal away. Gulliver attacked by giant insects during his voyage to Brobdingnag. From Gullivers Travels published c.1875

English Infantry soldier in 1750. From The Story of England, published 1930.
English Infantry soldier in 1750. From The Story of England, published 1930.

MOR2963150: English Infantry soldier in 1750. From The Story of England, published 1930. / Bridgeman Images

ID: MOR2963150

English Infantry soldier in 1750. From The Story of England, published 1930.

Baker's oven, bread and flour mills discovered in the excavations at Pompeii, Naples, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890.
Baker's oven, bread and flour mills discovered in the excavations at Pompeii, Naples, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890.

MOR2963173: Baker's oven, bread and flour mills discovered in the excavations at Pompeii, Naples, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890., Manning, Reverend Samuel (fl.1880s) / Bridgeman Images

ID: MOR2963173

Baker's oven, bread and flour mills discovered in the excavations at Pompeii, Naples, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890.

Manning, Reverend Samuel (fl.1880s)

View of the Barrack Walls on the Leazes, Newcastle upon Tyne (w/c on paper, on card)
View of the Barrack Walls on the Leazes, Newcastle upon Tyne (w/c on paper, on card)

TW2963236: View of the Barrack Walls on the Leazes, Newcastle upon Tyne (w/c on paper, on card), Richardson, Henry Burdon (fl.1828-72) / Bridgeman Images

ID: TW2963236

View of the Barrack Walls on the Leazes, Newcastle upon Tyne (w/c on paper, on card)

Richardson, Henry Burdon (fl.1828-72)

Tankard, London, 1811-12 (silver)
Tankard, London, 1811-12 (silver)

XCK2963322: Tankard, London, 1811-12 (silver), Emes, Rebecca & Barnard, Edward I (fl.1808-29) / Bridgeman Images

ID: XCK2963322

Tankard, London, 1811-12 (silver)

Emes, Rebecca & Barnard, Edward I (fl.1808-29)

North-Island Kiwi, from 'A History of the birds of of New Zealand', by Walter Buller, pub. London, 1873 (hand-coloured litho)
North-Island Kiwi, from 'A History of the birds of of New Zealand', by Walter Buller, pub. London, 1873 (hand-coloured litho)

BPA2963345: North-Island Kiwi, from 'A History of the birds of of New Zealand', by Walter Buller, pub. London, 1873 (hand-coloured litho) , Keulemans, Johan Gerard (1842-1912) / Bridgeman Images

ID: BPA2963345

North-Island Kiwi, from 'A History of the birds of of New Zealand', by Walter Buller, pub. London, 1873 (hand-coloured litho)

Keulemans, Johan Gerard (1842-1912)

Trahie-Perplexite (oil on panel)
Trahie-Perplexite (oil on panel)

JMT2963367: Trahie-Perplexite (oil on panel), Stevens, Alfred Emile (1823-1906) / Bridgeman Images

ID: JMT2963367

Trahie-Perplexite (oil on panel)

Stevens, Alfred Emile (1823-1906)

The Conversion of St. Paul (oil on panel)
The Conversion of St. Paul (oil on panel)

JMT2963374: The Conversion of St. Paul (oil on panel), Bourdon, Sebastien (1616-71) / Bridgeman Images

ID: JMT2963374

The Conversion of St. Paul (oil on panel)

Bourdon, Sebastien (1616-71)

A mountain hut in the Engadine Valley, Switzerland (oil on card laid )
A mountain hut in the Engadine Valley, Switzerland (oil on card laid )

JMT2963398: A mountain hut in the Engadine Valley, Switzerland (oil on card laid ), Fischer, R. (20th century) / Bridgeman Images

ID: JMT2963398

A mountain hut in the Engadine Valley, Switzerland (oil on card laid )

Fischer, R. (20th century)

Still life with pumpkin and eggs, 1854 (oil on canvas)
Still life with pumpkin and eggs, 1854 (oil on canvas)

JMT2963426: Still life with pumpkin and eggs, 1854 (oil on canvas), Bonvin, Francois (1817-87) / Bridgeman Images

ID: JMT2963426

Still life with pumpkin and eggs, 1854 (oil on canvas)

Bonvin, Francois (1817-87)

Estuary scene with figures and boats (pen and grey ink and w/c)
Estuary scene with figures and boats (pen and grey ink and w/c)

JMT2963451: Estuary scene with figures and boats (pen and grey ink and w/c), Atkins, Samuel (fl.1787-1808) / Bridgeman Images

ID: JMT2963451

Estuary scene with figures and boats (pen and grey ink and w/c)

Atkins, Samuel (fl.1787-1808)

'Il Mascherone,' a Rocaille Fountain on the Grounds of the Villa Borghese, c.1754 (black chalk, heightened with white chalk & graphite, on blue laid paper, laid down on card)
'Il Mascherone,' a Rocaille Fountain on the Grounds of the Villa Borghese, c.1754 (black chalk, heightened with white chalk & graphite, on blue laid paper, laid down on card)

XCC2972588: 'Il Mascherone,' a Rocaille Fountain on the Grounds of the Villa Borghese, c.1754 (black chalk, heightened with white chalk & graphite, on blue laid paper, laid down on card), Wilson, Richard (1713/14-82) / Bridgeman Images

ID: XCC2972588

'Il Mascherone,' a Rocaille Fountain on the Grounds of the Villa Borghese, c.1754 (black chalk, heightened with white chalk & graphite, on blue laid paper, laid down on card)

Wilson, Richard (1713/14-82)

Charles Francois Mallet, c.1809 (etching & drypoint)
Charles Francois Mallet, c.1809 (etching & drypoint)

XCC2972604: Charles Francois Mallet, c.1809 (etching & drypoint), Boucheron, Angelo (c.1776-1859) / Bridgeman Images

ID: XCC2972604

Charles Francois Mallet, c.1809 (etching & drypoint)

Boucheron, Angelo (c.1776-1859)

Five Sketches for a Cavalry Battle, 1813-14 (pen & brown ink with brush and brown wash, over graphite, on cream wove paper, perimeter mounted on ivory laid paper)
Five Sketches for a Cavalry Battle, 1813-14 (pen & brown ink with brush and brown wash, over graphite, on cream wove paper, perimeter mounted on ivory laid paper)

XCC2972693: Five Sketches for a Cavalry Battle, 1813-14 (pen & brown ink with brush and brown wash, over graphite, on cream wove paper, perimeter mounted on ivory laid paper), Gericault, Theodore (1791-1824) / Bridgeman Images

ID: XCC2972693

Five Sketches for a Cavalry Battle, 1813-14 (pen & brown ink with brush and brown wash, over graphite, on cream wove paper, perimeter mounted on ivory laid paper)

Gericault, Theodore (1791-1824)

They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)
They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)

XCC2972716: They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: XCC2972716

They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper)

Goya y Lucientes, Francisco Jose de (1746-1828)

Battle of the Lapiths and Centaurs, c.1600 (woodcut on cream laid paper)
Battle of the Lapiths and Centaurs, c.1600 (woodcut on cream laid paper)

XCC2972773: Battle of the Lapiths and Centaurs, c.1600 (woodcut on cream laid paper), Parasole, Geronima Cagnaccia (c.1569-1622) / Bridgeman Images

ID: XCC2972773

Battle of the Lapiths and Centaurs, c.1600 (woodcut on cream laid paper)

Parasole, Geronima Cagnaccia (c.1569-1622)

Rev. James Langton Clark and son Charles (Robin), 1864 (albumen silver print)
Rev. James Langton Clark and son Charles (Robin), 1864 (albumen silver print)

XCC2971372: Rev. James Langton Clark and son Charles (Robin), 1864 (albumen silver print), Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98) / Bridgeman Images

ID: XCC2971372

Rev. James Langton Clark and son Charles (Robin), 1864 (albumen silver print)

Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98)

Fortitude (or Strength) Flanked by Two Satyrs (brush & brown wash, heightened with lead white (partially oxidized), over black chalk, on blue laid paper, squared in black chalk)
Fortitude (or Strength) Flanked by Two Satyrs (brush & brown wash, heightened with lead white (partially oxidized), over black chalk, on blue laid paper, squared in black chalk)

XCC2971461: Fortitude (or Strength) Flanked by Two Satyrs (brush & brown wash, heightened with lead white (partially oxidized), over black chalk, on blue laid paper, squared in black chalk), Veronese, (Caliari, Paolo) (1528-88) / Bridgeman Images

ID: XCC2971461

Fortitude (or Strength) Flanked by Two Satyrs (brush & brown wash, heightened with lead white (partially oxidized), over black chalk, on blue laid paper, squared in black chalk)

Veronese, (Caliari, Paolo) (1528-88)

Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board)
Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board)

XCC2971520: Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2971520

Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board)

Whistler, James Abbott McNeill (1834-1903)

Banks of the River Dee near Eaton Hall, Cheshire, c.1759 (black & white chalk on blue laid paper, laid down on card)
Banks of the River Dee near Eaton Hall, Cheshire, c.1759 (black & white chalk on blue laid paper, laid down on card)

XCC2972590: Banks of the River Dee near Eaton Hall, Cheshire, c.1759 (black & white chalk on blue laid paper, laid down on card), Wilson, Richard (1713/14-82) / Bridgeman Images

ID: XCC2972590

Banks of the River Dee near Eaton Hall, Cheshire, c.1759 (black & white chalk on blue laid paper, laid down on card)

Wilson, Richard (1713/14-82)

Saint Luke, c.1508 (engraving)
Saint Luke, c.1508 (engraving)

XCC2972665: Saint Luke, c.1508 (engraving), Leyden, Lucas van (c.1494-1533) / Bridgeman Images

ID: XCC2972665

Saint Luke, c.1508 (engraving)

Leyden, Lucas van (c.1494-1533)

Sketch of Trees Near Bridge (charcoal & graphite on blue laid paper, tipped onto cream wove paper)
Sketch of Trees Near Bridge (charcoal & graphite on blue laid paper, tipped onto cream wove paper)

XCC2972682: Sketch of Trees Near Bridge (charcoal & graphite on blue laid paper, tipped onto cream wove paper), Wilson, Richard (1714-82) (attr.to) / Bridgeman Images

ID: XCC2972682

Sketch of Trees Near Bridge (charcoal & graphite on blue laid paper, tipped onto cream wove paper)

Wilson, Richard (1714-82) (attr.to)

Study of a leg, flourish, and doodles, 1610-17 (pen & ink on paper)
Study of a leg, flourish, and doodles, 1610-17 (pen & ink on paper)

XCC2972696: Study of a leg, flourish, and doodles, 1610-17 (pen & ink on paper), Bellange, Jacques (c.1575-1616) / Bridgeman Images

ID: XCC2972696

Study of a leg, flourish, and doodles, 1610-17 (pen & ink on paper)

Bellange, Jacques (c.1575-1616)

Portrait of Jean-Baptiste Antoine Le Moyne, 1747 (pastel on paper)
Portrait of Jean-Baptiste Antoine Le Moyne, 1747 (pastel on paper)

XCC2972732: Portrait of Jean-Baptiste Antoine Le Moyne, 1747 (pastel on paper), Perronneau, Jean-Baptiste (1715-83) / Bridgeman Images

ID: XCC2972732

Portrait of Jean-Baptiste Antoine Le Moyne, 1747 (pastel on paper)

Perronneau, Jean-Baptiste (1715-83)

Drawing for Standing Nude, c.1879 (graphite on buff wove paper, traced over for soft-ground etching with offset of soft-ground on verso, showing through)
Drawing for Standing Nude, c.1879 (graphite on buff wove paper, traced over for soft-ground etching with offset of soft-ground on verso, showing through)

XCC2972778: Drawing for Standing Nude, c.1879 (graphite on buff wove paper, traced over for soft-ground etching with offset of soft-ground on verso, showing through), Cassatt, Mary Stevenson (1844-1926) / Bridgeman Images

ID: XCC2972778

Drawing for Standing Nude, c.1879 (graphite on buff wove paper, traced over for soft-ground etching with offset of soft-ground on verso, showing through)

Cassatt, Mary Stevenson (1844-1926)


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