BAL41831:
Map of Scotland, c.1700, Gordon, R. (fl.c.1700) / Bridgeman Images
ID: BAL41831
Map of Scotland, c.1700
Gordon, R. (fl.c.1700)
SC87555:
'Tudor Rose', reproduction wallpaper designed by S. Scott and produced by Cole & Sons, after a design by Augustus Charles Pugin (1762-1832) for the Houses of Parliament, 1845-50 (see also 14528), English School, (19th century) / Bridgeman Images
ID: SC87555
'Tudor Rose', reproduction wallpaper designed by S. Scott and produced by Cole & Sons, after a design by Augustus Charles Pugin (1762-1832) for the Houses of Parliament, 1845-50 (see also 14528)
English School, (19th century)
BAL92132:
A Shaman, sketch for 'Yermak Conquers Siberia', 1893 (oil on canvas), Surikov, Vasilij Ivanovic (1848-1916) / Bridgeman Images
ID: BAL92132
A Shaman, sketch for 'Yermak Conquers Siberia', 1893 (oil on canvas)
Surikov, Vasilij Ivanovic (1848-1916)
JLJ4683438:
The Fox And The Stork, 1751 (oil on canvas), Oudry, Jean-Baptiste (1686-1755) / Bridgeman Images
ID: JLJ4683438
The Fox And The Stork, 1751 (oil on canvas)
Oudry, Jean-Baptiste (1686-1755)
LRI4588260:
Chariot (quadriga) race with the charioteers in starting position and a groom near the white horse (in the foreground) - Mosaic, 3rd century, Roman, (3rd century AD) / Bridgeman Images
ID: LRI4588260
Chariot (quadriga) race with the charioteers in starting position and a groom near the white horse (in the foreground) - Mosaic, 3rd century
Roman, (3rd century AD)
JLJ4650334:
View of the city of Seville (Spain), 16th century (oil on canvas), Sanchez Coello, Alonso (c.1531-88) / Bridgeman Images
ID: JLJ4650334
View of the city of Seville (Spain), 16th century (oil on canvas)
Sanchez Coello, Alonso (c.1531-88)
IBE5375572:
Francois-Marie Arouet de Voltaire called Voltaire (1694-1778), Tour, Maurice Quentin de la (1704-88) (after) / Bridgeman Images
ID: IBE5375572
Francois-Marie Arouet de Voltaire called Voltaire (1694-1778)
Tour, Maurice Quentin de la (1704-88) (after)
JLJ4686888:
The Painter Monkey. Representation Of A Monkey In Man's Posture, 18th century (oil on canvas), Chardin, Jean-Baptiste Simeon (1699-1779) / Bridgeman Images
ID: JLJ4686888
The Painter Monkey. Representation Of A Monkey In Man's Posture, 18th century (oil on canvas)
Chardin, Jean-Baptiste Simeon (1699-1779)
JDV37142:
Cats, Trood, William Henry Hamilton (1848-99) / Bridgeman Images
ID: JDV37142
Cats
Trood, William Henry Hamilton (1848-99)
BAL15686:
The Garden Steps, Walbourn, Ernest (1872-1927) / Bridgeman Images
ID: BAL15686
The Garden Steps
Walbourn, Ernest (1872-1927)
AGN47532:
St. Gregory, French School, (17th century) / Bridgeman Images
ID: AGN47532
St. Gregory
French School, (17th century)
XOS3468985:
The Horse Fair, 1852-55 (oil on canvas), Bonheur, Rosa (1822-99) / Bridgeman Images
ID: XOS3468985
The Horse Fair, 1852-55 (oil on canvas)
Bonheur, Rosa (1822-99)
CH988956:
Misty Sunset at Eragny, 1891 (oil on canvas), Pissarro, Camille (1830-1903) / Bridgeman Images
ID: CH988956
Misty Sunset at Eragny, 1891 (oil on canvas)
Pissarro, Camille (1830-1903)
CH989488:
The Barber of Suez, (oil on canvas), Bonnat, Leon Joseph Florentin (1833-1922) / Bridgeman Images
ID: CH989488
The Barber of Suez, (oil on canvas)
Bonnat, Leon Joseph Florentin (1833-1922)
CP9906:
Brita with Sunflowers, Larsson, Carl (1853-1919) / Bridgeman Images
ID: CP9906
Brita with Sunflowers
Larsson, Carl (1853-1919)
WAR15912:
Sleeping Beauty, Brewtnall, Edward Frederick (1846-1902) / Bridgeman Images
ID: WAR15912
Sleeping Beauty
Brewtnall, Edward Frederick (1846-1902)
GG16950:
The Meet (oil on canvas), Herbert, Edward Benjamin (1857-93) / Bridgeman Images
ID: GG16950
The Meet (oil on canvas)
Herbert, Edward Benjamin (1857-93)
BCC781355:
Women in a Demonstration on the Nevsky Prospekt, St. Petersburg, 1917 (b/w photo), Russian Photographer, (20th century) / Bridgeman Images
ID: BCC781355
Women in a Demonstration on the Nevsky Prospekt, St. Petersburg, 1917 (b/w photo)
Russian Photographer, (20th century)
XEE4169412:
The Signing of the Armistice on 11th November 1918 at 5 a.m., 1918 (engraving), Unknown Artist, (20th century) / Bridgeman Images
ID: XEE4169412
The Signing of the Armistice on 11th November 1918 at 5 a.m., 1918 (engraving)
Unknown Artist, (20th century)
XEE5033341:
Dancers in pink and green (Dancers, Pink and Green) (oil on canvas), Degas, Edgar (1834-1917) / Bridgeman Images
ID: XEE5033341
Dancers in pink and green (Dancers, Pink and Green) (oil on canvas)
Degas, Edgar (1834-1917)
FIA5394205:
Effects of Good Government in the city, 1338-40 (fresco), Lorenzetti, Ambrogio (1285-c.1348) / Bridgeman Images
ID: FIA5394205
Effects of Good Government in the city, 1338-40 (fresco)
Lorenzetti, Ambrogio (1285-c.1348)
FIA5404897:
Ulysses and the Sirens, 1891, Waterhouse, John William (1849-1917) / Bridgeman Images
ID: FIA5404897
Ulysses and the Sirens, 1891
Waterhouse, John William (1849-1917)
GIA4763188:
War 1939 - 1945: The entry of the partisans in Milan on April 25, 1945., Unknown photographer, (20th century) / Bridgeman Images
ID: GIA4763188
War 1939 - 1945: The entry of the partisans in Milan on April 25, 1945.
Unknown photographer, (20th century)
CH378529:
A courtesan raising her sleeve (colour woodblock print), Kitagawa, Utamaro (1753-1806) / Bridgeman Images
ID: CH378529
A courtesan raising her sleeve (colour woodblock print)
Kitagawa, Utamaro (1753-1806)
HIP372220:
Drum of the Gray Reserves, First Regiment Infantry (wood), American School, (19th century) / Bridgeman Images
ID: HIP372220
Drum of the Gray Reserves, First Regiment Infantry (wood)
American School, (19th century)
XJF366808:
Thomas Hobbes (1588-1679) from 'Gallery of Portraits', published in 1833 (engraving), Jaspers, Jan Baptist (c.1620-91) (after) / Bridgeman Images
ID: XJF366808
Thomas Hobbes (1588-1679) from 'Gallery of Portraits', published in 1833 (engraving)
SIT288213:
At Low Tide', poster advertising Pears Soap, 1914 (lithograph), Poynter, Edward John (1836-1919) / Bridgeman Images
ID: SIT288213
At Low Tide', poster advertising Pears Soap, 1914 (lithograph)
Poynter, Edward John (1836-1919)
XBP341821:
The throne, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gilded wood inlaid with semi-precious stones), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images
ID: XBP341821
The throne, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gilded wood inlaid with semi-precious stones)
Egyptian 18th Dynasty (c.1567-1320 BC)
PFA329760:
The Arrival of D'Artagnan (oil on canvas), Andreis, Alex de (1880-1929) / Bridgeman Images
ID: PFA329760
The Arrival of D'Artagnan (oil on canvas)
Andreis, Alex de (1880-1929)
XAB240150:
Easter Market at the Moscow Kremlin, 1917 (oil on canvas), Kustodiev, Boris Mikhailovich (1878-1927) / Bridgeman Images
ID: XAB240150
Easter Market at the Moscow Kremlin, 1917 (oil on canvas)
Kustodiev, Boris Mikhailovich (1878-1927)
STC255570:
Separation, 1930, 1st Edition of 'Sleeping Partners', Aldin, Cecil Charles Windsor (1870-1935), published by Eyre and Spottiswoode Limited, Chalk and Charcoal on paper, Aldin, Cecil Charles Windsor (1870-1935) / Bridgeman Images
ID: STC255570
Separation, 1930, 1st Edition of 'Sleeping Partners', Aldin, Cecil Charles Windsor (1870-1935), published by Eyre and Spottiswoode Limited, Chalk and Charcoal on paper
Aldin, Cecil Charles Windsor (1870-1935)
XIR216557:
Spring Landscape (pen & ink, colour, gold paper on panel) (see 216558), Linkoku (1517-1618) / Bridgeman Images
ID: XIR216557
Spring Landscape (pen & ink, colour, gold paper on panel) (see 216558)
Linkoku (1517-1618)
XCF259753:
The Martyrdom of Saint Sebastian, 1475 (oil on wood), Pollaiuolo, Antonio (1432/3-1498) and Piero (1443-96) del / Bridgeman Images
ID: XCF259753
The Martyrdom of Saint Sebastian, 1475 (oil on wood)
Pollaiuolo, Antonio (1432/3-1498) and Piero (1443-96) del
XIR221311:
Augustus (63-14 BC) before the Tomb of Alexander III (356-323 BC) the Great (oil on canvas), Bourdon, Sebastien (1616-71) / Bridgeman Images
ID: XIR221311
Augustus (63-14 BC) before the Tomb of Alexander III (356-323 BC) the Great (oil on canvas)
Bourdon, Sebastien (1616-71)
MAE176559:
Angel Arcabucero (oil on canvas), Master of Calamarca, (17th century) / Bridgeman Images