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America sive India Nova, from 'Atlas cosmographicae meditationes de fabrica mundi et fabricati figura', published 1595 (coloured engraving)
America sive India Nova, from 'Atlas cosmographicae meditationes de fabrica mundi et fabricati figura', published 1595 (coloured engraving)

MAE177373: America sive India Nova, from 'Atlas cosmographicae meditationes de fabrica mundi et fabricati figura', published 1595 (coloured engraving), Mercator, Michael (fl.1595) / Bridgeman Images

ID: MAE177373

America sive India Nova, from 'Atlas cosmographicae meditationes de fabrica mundi et fabricati figura', published 1595 (coloured engraving)

Mercator, Michael (fl.1595)

Plan of the Dutch Factory in the Island of Desima at Nangasaki, from 'Illustrations of Japan' by Isaac Titsingh (c.1740-1812), published London, 1822 (colour litho)
Plan of the Dutch Factory in the Island of Desima at Nangasaki, from 'Illustrations of Japan' by Isaac Titsingh (c.1740-1812), published London, 1822 (colour litho)

STC184898: Plan of the Dutch Factory in the Island of Desima at Nangasaki, from 'Illustrations of Japan' by Isaac Titsingh (c.1740-1812), published London, 1822 (colour litho), Dutch School, (19th century) / Bridgeman Images

ID: STC184898

Plan of the Dutch Factory in the Island of Desima at Nangasaki, from 'Illustrations of Japan' by Isaac Titsingh (c.1740-1812), published London, 1822 (colour litho)

Dutch School, (19th century)

Portrait of Tsar Michael Fyodorovich Romanov (1596-1645) of Russia
Portrait of Tsar Michael Fyodorovich Romanov (1596-1645) of Russia

CHT173040: Portrait of Tsar Michael Fyodorovich Romanov (1596-1645) of Russia, Russian School, (17th century) / Bridgeman Images

ID: CHT173040

Portrait of Tsar Michael Fyodorovich Romanov (1596-1645) of Russia

Russian School, (17th century)

Icon depicting the Archangel Michael, 11th to 12th centuries (gold and silver inlaid with precious stones)
Icon depicting the Archangel Michael, 11th to 12th centuries (gold and silver inlaid with precious stones)

XIR173011: Icon depicting the Archangel Michael, 11th to 12th centuries (gold and silver inlaid with precious stones), Byzantine / Bridgeman Images

ID: XIR173011

Icon depicting the Archangel Michael, 11th to 12th centuries (gold and silver inlaid with precious stones)

Byzantine

Perspective View of Paris from the Pont Royal (coloured engraving)
Perspective View of Paris from the Pont Royal (coloured engraving)

XIR181066: Perspective View of Paris from the Pont Royal (coloured engraving), French School, (18th century) / Bridgeman Images

ID: XIR181066

Perspective View of Paris from the Pont Royal (coloured engraving)

French School, (18th century)

Glamis Castle (w/c on paper)
Glamis Castle (w/c on paper)

BAC155893: Glamis Castle (w/c on paper), Girtin, Thomas (1775-1802) (attr. to) / Bridgeman Images

ID: BAC155893

Glamis Castle (w/c on paper)

Girtin, Thomas (1775-1802) (attr. to)

Panorama of the Fires in Paris during the Commune, May 1871 (litho)
Panorama of the Fires in Paris during the Commune, May 1871 (litho)

CHT162765: Panorama of the Fires in Paris during the Commune, May 1871 (litho), Daroy, E. (19th Century) / Bridgeman Images

ID: CHT162765

Panorama of the Fires in Paris during the Commune, May 1871 (litho)

Daroy, E. (19th Century)

Cats thrown into the bonfire in the Place de Greve, Paris, during the night of the summer solstice, illustration from 'Le Bon Roi Henri' by Abel Hermant (1862-1950), c.1900 (colour engraving)
Cats thrown into the bonfire in the Place de Greve, Paris, during the night of the summer solstice, illustration from 'Le Bon Roi Henri' by Abel Hermant (1862-1950), c.1900 (colour engraving)

CHT163124: Cats thrown into the bonfire in the Place de Greve, Paris, during the night of the summer solstice, illustration from 'Le Bon Roi Henri' by Abel Hermant (1862-1950), c.1900 (colour engraving), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: CHT163124

Cats thrown into the bonfire in the Place de Greve, Paris, during the night of the summer solstice, illustration from 'Le Bon Roi Henri' by Abel Hermant (1862-1950), c.1900 (colour engraving)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Reclining Venus, after Titian, 1822 (oil on canvas) (see 291644)
Reclining Venus, after Titian, 1822 (oil on canvas) (see 291644)

XWM211571: Reclining Venus, after Titian, 1822 (oil on canvas) (see 291644), Ingres, Jean Auguste Dominique (1780-1867) / Bridgeman Images

ID: XWM211571

Reclining Venus, after Titian, 1822 (oil on canvas) (see 291644)

Ingres, Jean Auguste Dominique (1780-1867)

Redheaded Girl in Evening Dress, 1918 (oil on canvas)
Redheaded Girl in Evening Dress, 1918 (oil on canvas)

BRN158976: Redheaded Girl in Evening Dress, 1918 (oil on canvas), Modigliani, Amedeo (1884-1920) / Bridgeman Images

ID: BRN158976

Redheaded Girl in Evening Dress, 1918 (oil on canvas)

Modigliani, Amedeo (1884-1920)

The Hand Refrains, from the 'Pygmalion and the Image' series, 1868-70 (oil on canvas)
The Hand Refrains, from the 'Pygmalion and the Image' series, 1868-70 (oil on canvas)

HTL11910: The Hand Refrains, from the 'Pygmalion and the Image' series, 1868-70 (oil on canvas), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: HTL11910

The Hand Refrains, from the 'Pygmalion and the Image' series, 1868-70 (oil on canvas)

Burne-Jones, Edward Coley (1833-98)

Sketch of the Casting Pit for the Sforza Horse seen from above and the side, fol. 149r from the Codex Madrid I, c.1493 (pen & ink on paper)
Sketch of the Casting Pit for the Sforza Horse seen from above and the side, fol. 149r from the Codex Madrid I, c.1493 (pen & ink on paper)

XJL62083: Sketch of the Casting Pit for the Sforza Horse seen from above and the side, fol. 149r from the Codex Madrid I, c.1493 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

ID: XJL62083

Sketch of the Casting Pit for the Sforza Horse seen from above and the side, fol. 149r from the Codex Madrid I, c.1493 (pen & ink on paper)

Vinci, Leonardo da (1452-1519)

Iron Works, Coalbrookdale, engraved by William Pickett, c.1805 (coloured aquatint)
Iron Works, Coalbrookdale, engraved by William Pickett, c.1805 (coloured aquatint)

XCF41398: Iron Works, Coalbrookdale, engraved by William Pickett, c.1805 (coloured aquatint), Loutherbourg, Philippe de (1740-1812) (after) / Bridgeman Images

ID: XCF41398

Iron Works, Coalbrookdale, engraved by William Pickett, c.1805 (coloured aquatint)

Loutherbourg, Philippe de (1740-1812) (after)

Portrait of Rene Descartes (1596-1650) c.1649 (oil on canvas) (detail of 32939)
Portrait of Rene Descartes (1596-1650) c.1649 (oil on canvas) (detail of 32939)

XIR309585: Portrait of Rene Descartes (1596-1650) c.1649 (oil on canvas) (detail of 32939), Hals, Frans (1582/83-1666) (after) / Bridgeman Images

ID: XIR309585

Portrait of Rene Descartes (1596-1650) c.1649 (oil on canvas) (detail of 32939)

Hals, Frans (1582/83-1666) (after)

Still Life with a Fan (oil on canvas)
Still Life with a Fan (oil on canvas)

XPG381839: Still Life with a Fan (oil on canvas), Cauchois, Eugene Henri (1850-1911) / Bridgeman Images

ID: XPG381839

Still Life with a Fan (oil on canvas)

Cauchois, Eugene Henri (1850-1911)

Dogs being looked after by members of the crew of the Titanic, 1912 (b/w photo)
Dogs being looked after by members of the crew of the Titanic, 1912 (b/w photo)

DGC418665: Dogs being looked after by members of the crew of the Titanic, 1912 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: DGC418665

Dogs being looked after by members of the crew of the Titanic, 1912 (b/w photo)

English Photographer, (20th century)

The Entry of Napoleon (1769-1821) and Marie-Louise (1791-1847) into the Tuileries Gardens on the Day of their Wedding, 2nd April 1810 (oil on canvas) (detail) (see also 19847 & 335481)
The Entry of Napoleon (1769-1821) and Marie-Louise (1791-1847) into the Tuileries Gardens on the Day of their Wedding, 2nd April 1810 (oil on canvas) (detail) (see also 19847 & 335481)

XIR155379: The Entry of Napoleon (1769-1821) and Marie-Louise (1791-1847) into the Tuileries Gardens on the Day of their Wedding, 2nd April 1810 (oil on canvas) (detail) (see also 19847 & 335481), Garnier, Etienne-Barthelemy (1759-1849) / Bridgeman Images

ID: XIR155379

The Entry of Napoleon (1769-1821) and Marie-Louise (1791-1847) into the Tuileries Gardens on the Day of their Wedding, 2nd April 1810 (oil on canvas) (detail) (see also 19847 & 335481)

Garnier, Etienne-Barthelemy (1759-1849)

Relief depicting a chariot race (stone)
Relief depicting a chariot race (stone)

XIR156825: Relief depicting a chariot race (stone), Roman, (2nd century) / Bridgeman Images

ID: XIR156825

Relief depicting a chariot race (stone)

Roman, (2nd century)

Detail of a sarcophagus depicting a battle between Romans and Galatians (stone)
Detail of a sarcophagus depicting a battle between Romans and Galatians (stone)

XIR161780: Detail of a sarcophagus depicting a battle between Romans and Galatians (stone), Roman, (2nd century BC) / Bridgeman Images

ID: XIR161780

Detail of a sarcophagus depicting a battle between Romans and Galatians (stone)

Roman, (2nd century BC)

The Ducal Palace, Renaissance Capitals of the Loggia, from 'Examples of the Architecture of Venice' by John Ruskin, engraved by G. Rosenthal, 1851 (litho)
The Ducal Palace, Renaissance Capitals of the Loggia, from 'Examples of the Architecture of Venice' by John Ruskin, engraved by G. Rosenthal, 1851 (litho)

STC156460: The Ducal Palace, Renaissance Capitals of the Loggia, from 'Examples of the Architecture of Venice' by John Ruskin, engraved by G. Rosenthal, 1851 (litho), Ruskin, John (1819-1900) (after) / Bridgeman Images

ID: STC156460

The Ducal Palace, Renaissance Capitals of the Loggia, from 'Examples of the Architecture of Venice' by John Ruskin, engraved by G. Rosenthal, 1851 (litho)

Ruskin, John (1819-1900) (after)

Throne of King Dagobert, (gilded metal)
Throne of King Dagobert, (gilded metal)

XIR148769: Throne of King Dagobert, (gilded metal), Merovingian, (7th century) / Bridgeman Images

ID: XIR148769

Throne of King Dagobert, (gilded metal)

Merovingian, (7th century)

View of the Palace of St Mark, Venice, with preparations for the Doge's Wedding (oil on canvas)
View of the Palace of St Mark, Venice, with preparations for the Doge's Wedding (oil on canvas)

HLK151703: View of the Palace of St Mark, Venice, with preparations for the Doge's Wedding (oil on canvas), Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images

ID: HLK151703

View of the Palace of St Mark, Venice, with preparations for the Doge's Wedding (oil on canvas)

Canaletto, (Giovanni Antonio Canal) (1697-1768)

Three stethoscopes, from the time of Rene Theophile Hyacinthe Laennec (1781-1826) (wood)
Three stethoscopes, from the time of Rene Theophile Hyacinthe Laennec (1781-1826) (wood)

CHT168631: Three stethoscopes, from the time of Rene Theophile Hyacinthe Laennec (1781-1826) (wood), French School, (19th century) / Bridgeman Images

ID: CHT168631

Three stethoscopes, from the time of Rene Theophile Hyacinthe Laennec (1781-1826) (wood)

French School, (19th century)

Ms. 1142 fol.4 Bertrand du Guesclin (c.1320-80) before Charles V (1338-80) and his Court (vellum)
Ms. 1142 fol.4 Bertrand du Guesclin (c.1320-80) before Charles V (1338-80) and his Court (vellum)

XIR154778: Ms. 1142 fol.4 Bertrand du Guesclin (c.1320-80) before Charles V (1338-80) and his Court (vellum), French School, (15th century) / Bridgeman Images

ID: XIR154778

Ms. 1142 fol.4 Bertrand du Guesclin (c.1320-80) before Charles V (1338-80) and his Court (vellum)

French School, (15th century)

Undergrowth in Autumn, 1894 (oil on canvas)
Undergrowth in Autumn, 1894 (oil on canvas)

XIR201538: Undergrowth in Autumn, 1894 (oil on canvas), Morisot, Berthe (1841-95) / Bridgeman Images

ID: XIR201538

Undergrowth in Autumn, 1894 (oil on canvas)

Morisot, Berthe (1841-95)

St. John Chrystostomos (c.347-407) Preaching Before the Empress Eudoxia (c.404) c.1880 (oil on canvas)
St. John Chrystostomos (c.347-407) Preaching Before the Empress Eudoxia (c.404) c.1880 (oil on canvas)

XIR203201: St. John Chrystostomos (c.347-407) Preaching Before the Empress Eudoxia (c.404) c.1880 (oil on canvas), Wencker, Joseph (1848-1919) / Bridgeman Images

ID: XIR203201

St. John Chrystostomos (c.347-407) Preaching Before the Empress Eudoxia (c.404) c.1880 (oil on canvas)

Wencker, Joseph (1848-1919)

Lovers, 1855 (oil on board)
Lovers, 1855 (oil on board)

MAA198575: Lovers, 1855 (oil on board), Frith, William Powell (1819-1909) / Bridgeman Images

ID: MAA198575

Lovers, 1855 (oil on board)

Frith, William Powell (1819-1909)

Man Overboard, 1906 (oil on canvas)
Man Overboard, 1906 (oil on canvas)

SNM143439: Man Overboard, 1906 (oil on canvas), Krohg, Christian (1852-1925) / Bridgeman Images

ID: SNM143439

Man Overboard, 1906 (oil on canvas)

Krohg, Christian (1852-1925)

The Familistery of Guise, from 'Solutions Sociales' by Jean-Baptiste Andre Godin (1817-88), Paris, 1871 (litho) (b/w photo)
The Familistery of Guise, from 'Solutions Sociales' by Jean-Baptiste Andre Godin (1817-88), Paris, 1871 (litho) (b/w photo)

CHT200420: The Familistery of Guise, from 'Solutions Sociales' by Jean-Baptiste Andre Godin (1817-88), Paris, 1871 (litho) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT200420

The Familistery of Guise, from 'Solutions Sociales' by Jean-Baptiste Andre Godin (1817-88), Paris, 1871 (litho) (b/w photo)

French School, (19th century)

Ms 659 f.195. Queen Isabella (1292-1358) of France and her son Edward III (1312-77) are welcomed in Oxford in 1326, 1477 (vellum)
Ms 659 f.195. Queen Isabella (1292-1358) of France and her son Edward III (1312-77) are welcomed in Oxford in 1326, 1477 (vellum)

HLK151274: Ms 659 f.195. Queen Isabella (1292-1358) of France and her son Edward III (1312-77) are welcomed in Oxford in 1326, 1477 (vellum), Master of Mary of Burgundy, (fl.1469-83) / Bridgeman Images

ID: HLK151274

Ms 659 f.195. Queen Isabella (1292-1358) of France and her son Edward III (1312-77) are welcomed in Oxford in 1326, 1477 (vellum)

Master of Mary of Burgundy, (fl.1469-83)

St. Clare Embraces the Body of St. Francis at the Convent of San Damiano, 1297-99 (fresco)
St. Clare Embraces the Body of St. Francis at the Convent of San Damiano, 1297-99 (fresco)

XIR63354: St. Clare Embraces the Body of St. Francis at the Convent of San Damiano, 1297-99 (fresco), Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

ID: XIR63354

St. Clare Embraces the Body of St. Francis at the Convent of San Damiano, 1297-99 (fresco)

Giotto (Giotto di Bondone) (c.1266-1337)

The Olivier Plantation, 1861 (w/c on paper)
The Olivier Plantation, 1861 (w/c on paper)

XTD68248: The Olivier Plantation, 1861 (w/c on paper), Persac, Adrien (1823-73) / Bridgeman Images

ID: XTD68248

The Olivier Plantation, 1861 (w/c on paper)

Persac, Adrien (1823-73)

Bonaparte crossing the Alps, 1848 (oil on canvas)
Bonaparte crossing the Alps, 1848 (oil on canvas)

XIR57637: Bonaparte crossing the Alps, 1848 (oil on canvas), Delaroche, Hippolyte (Paul) (1797-1856) / Bridgeman Images

ID: XIR57637

Bonaparte crossing the Alps, 1848 (oil on canvas)

Delaroche, Hippolyte (Paul) (1797-1856)

Holy Family (known as the Grande Famille of Francois I), 1518 (oil on canvas)
Holy Family (known as the Grande Famille of Francois I), 1518 (oil on canvas)

XIR34374: Holy Family (known as the Grande Famille of Francois I), 1518 (oil on canvas), Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Bridgeman Images

ID: XIR34374

Holy Family (known as the Grande Famille of Francois I), 1518 (oil on canvas)

Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Clara Schumann (1819-96) and Joseph Joachim in concert, 1854 (pastel on paper)
Clara Schumann (1819-96) and Joseph Joachim in concert, 1854 (pastel on paper)

PWI96777: Clara Schumann (1819-96) and Joseph Joachim in concert, 1854 (pastel on paper), Menzel, Adolph Friedrich Erdmann von (1815-1905) / Bridgeman Images

ID: PWI96777

Clara Schumann (1819-96) and Joseph Joachim in concert, 1854 (pastel on paper)

Menzel, Adolph Friedrich Erdmann von (1815-1905)

The Galerie des Glaces (Hall of Mirrors) 1678-84 (photo)
The Galerie des Glaces (Hall of Mirrors) 1678-84 (photo)

BAL54247: The Galerie des Glaces (Hall of Mirrors) 1678-84 (photo), Mansart, Jules Hardouin (1646-1708) / Bridgeman Images

ID: BAL54247

The Galerie des Glaces (Hall of Mirrors) 1678-84 (photo)

Mansart, Jules Hardouin (1646-1708)


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