1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497525 Search Results

Christ on the Cross, c.1445-50 (oil on panel)
Christ on the Cross, c.1445-50 (oil on panel)

XIR220707: Christ on the Cross, c.1445-50 (oil on panel), d'Eyck, Barthelemy (fl.1444-1476) / Bridgeman Images

ID: XIR220707

Christ on the Cross, c.1445-50 (oil on panel)

d'Eyck, Barthelemy (fl.1444-1476)

Pineapple and Anemones, 1940 (oil on canvas)
Pineapple and Anemones, 1940 (oil on canvas)

LEF220511: Pineapple and Anemones, 1940 (oil on canvas), Matisse, Henri (1869-1954) / Bridgeman Images

ID: LEF220511

Pineapple and Anemones, 1940 (oil on canvas)

Matisse, Henri (1869-1954)

Castle Garden, 1919 (no 188) (w/c on primed paper on cardboard)
Castle Garden, 1919 (no 188) (w/c on primed paper on cardboard)

XIR222490: Castle Garden, 1919 (no 188) (w/c on primed paper on cardboard), Klee, Paul (1879-1940) / Bridgeman Images

ID: XIR222490

Castle Garden, 1919 (no 188) (w/c on primed paper on cardboard)

Klee, Paul (1879-1940)

Glencoe, 1847 (oil on canvas)
Glencoe, 1847 (oil on canvas)

XCF273182: Glencoe, 1847 (oil on canvas), McCulloch, Horatio (1805-67) / Bridgeman Images

ID: XCF273182

Glencoe, 1847 (oil on canvas)

McCulloch, Horatio (1805-67)

I plunged them deep with the locks of gold (pen and ink on paper)
I plunged them deep with the locks of gold (pen and ink on paper)

REY272671: I plunged them deep with the locks of gold (pen and ink on paper), Armfield, Maxwell Ashby (1882-1972) / Bridgeman Images

ID: REY272671

I plunged them deep with the locks of gold (pen and ink on paper)

Armfield, Maxwell Ashby (1882-1972)

Triskele appliques, Romano-Celtic, c.3rd century AD (bronze)
Triskele appliques, Romano-Celtic, c.3rd century AD (bronze)

HSC270505: Triskele appliques, Romano-Celtic, c.3rd century AD (bronze), Roman / Bridgeman Images

ID: HSC270505

Triskele appliques, Romano-Celtic, c.3rd century AD (bronze)

Roman

Dinner at the Tuileries, 1867 (w/c on paper)
Dinner at the Tuileries, 1867 (w/c on paper)

XIR227188: Dinner at the Tuileries, 1867 (w/c on paper), Baron, Henri (1816-85) / Bridgeman Images

ID: XIR227188

Dinner at the Tuileries, 1867 (w/c on paper)

Baron, Henri (1816-85)

Road in a Village (oil on canvas)
Road in a Village (oil on canvas)

XIR226584: Road in a Village (oil on canvas), Sisley, Alfred (1839-99) / Bridgeman Images

ID: XIR226584

Road in a Village (oil on canvas)

Sisley, Alfred (1839-99)

Gertrude Bell (1868-1926) (b/w photo)
Gertrude Bell (1868-1926) (b/w photo)

RGS242367: Gertrude Bell (1868-1926) (b/w photo), J. Weston & Son (19th century) / Bridgeman Images

ID: RGS242367

Gertrude Bell (1868-1926) (b/w photo)

J. Weston & Son (19th century)

The Last Voyage of the Viking, 1882 (oil on canvas)
The Last Voyage of the Viking, 1882 (oil on canvas)

BFA241674: The Last Voyage of the Viking, 1882 (oil on canvas), Gibb, Robert (1845-1932) / Bridgeman Images

ID: BFA241674

The Last Voyage of the Viking, 1882 (oil on canvas)

Gibb, Robert (1845-1932)

Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador) on 12 October 1492 (oil on canvas)
Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador) on 12 October 1492 (oil on canvas)

XPH324143: Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador) on 12 October 1492 (oil on canvas), Spanish School / Bridgeman Images

ID: XPH324143

Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador) on 12 October 1492 (oil on canvas)

Spanish School

Marble end paper (paper)
Marble end paper (paper)

STC312809: Marble end paper (paper), Kilburn, William (1745-1818) / Bridgeman Images

ID: STC312809

Marble end paper (paper)

Kilburn, William (1745-1818)

Relief depicting Osiris, from the Tomb of Horemheb, New Kingdom (painted limestone)
Relief depicting Osiris, from the Tomb of Horemheb, New Kingdom (painted limestone)

IBE290239: Relief depicting Osiris, from the Tomb of Horemheb, New Kingdom (painted limestone), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

ID: IBE290239

Relief depicting Osiris, from the Tomb of Horemheb, New Kingdom (painted limestone)

Egyptian 18th Dynasty (c.1567-1320 BC)

The Bostonian's Paying the Excise-man, or Tarring and Feathering, 1774 (hand-coloured engraving)
The Bostonian's Paying the Excise-man, or Tarring and Feathering, 1774 (hand-coloured engraving)

GLC479181: The Bostonian's Paying the Excise-man, or Tarring and Feathering, 1774 (hand-coloured engraving), Dawe, Philip (c.1750-85) / Bridgeman Images

ID: GLC479181

The Bostonian's Paying the Excise-man, or Tarring and Feathering, 1774 (hand-coloured engraving)

Dawe, Philip (c.1750-85)

Bust of Zeno of Citium (c.335-c.264 BC) (stone)
Bust of Zeno of Citium (c.335-c.264 BC) (stone)

XIR184000: Bust of Zeno of Citium (c.335-c.264 BC) (stone), Greek / Bridgeman Images

ID: XIR184000

Bust of Zeno of Citium (c.335-c.264 BC) (stone)

Greek

Christ on the Cross, 1846 (oil on canvas)
Christ on the Cross, 1846 (oil on canvas)

XWM207140: Christ on the Cross, 1846 (oil on canvas), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: XWM207140

Christ on the Cross, 1846 (oil on canvas)

Delacroix, Ferdinand Victor Eugene (1798-1863)

The Theorbo Player, design for an evening coat by Paquin, 1920s (colour litho)
The Theorbo Player, design for an evening coat by Paquin, 1920s (colour litho)

STC193217: The Theorbo Player, design for an evening coat by Paquin, 1920s (colour litho), Barbier, Georges (1882-1932) / Bridgeman Images

ID: STC193217

The Theorbo Player, design for an evening coat by Paquin, 1920s (colour litho)

Barbier, Georges (1882-1932)

The Enigma, 1898, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)
The Enigma, 1898, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)

STC193273: The Enigma, 1898, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho), Bellery-Defontaines, Henri Jules Ferdinand (1867-1910) / Bridgeman Images

ID: STC193273

The Enigma, 1898, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)

Bellery-Defontaines, Henri Jules Ferdinand (1867-1910)

Portrait of Jules Dumont d'Urville (1790-1842) 1845 (oil on canvas)
Portrait of Jules Dumont d'Urville (1790-1842) 1845 (oil on canvas)

XIR197213: Portrait of Jules Dumont d'Urville (1790-1842) 1845 (oil on canvas), Cartellier, Jerome (b.1813) / Bridgeman Images

ID: XIR197213

Portrait of Jules Dumont d'Urville (1790-1842) 1845 (oil on canvas)

Cartellier, Jerome (b.1813)

A Flagellant Master Leads his Band of Followers through a City, from 'The Chronicles of Chivalry', 1583 (engraving) (b/w photo)
A Flagellant Master Leads his Band of Followers through a City, from 'The Chronicles of Chivalry', 1583 (engraving) (b/w photo)

XIR136799: A Flagellant Master Leads his Band of Followers through a City, from 'The Chronicles of Chivalry', 1583 (engraving) (b/w photo), French School, (16th century) / Bridgeman Images

ID: XIR136799

A Flagellant Master Leads his Band of Followers through a City, from 'The Chronicles of Chivalry', 1583 (engraving) (b/w photo)

French School, (16th century)

Sextant, English (brass)
Sextant, English (brass)

MFR135782: Sextant, English (brass), English School, (18th century) / Bridgeman Images

ID: MFR135782

Sextant, English (brass)

English School, (18th century)

St. Pachomius (d.346) (mosaic)
St. Pachomius (d.346) (mosaic)

XIR154000: St. Pachomius (d.346) (mosaic), Byzantine School, (12th century) / Bridgeman Images

ID: XIR154000

St. Pachomius (d.346) (mosaic)

Byzantine School, (12th century)

View of the Rialto at Venice (View of the Rialto Bridge from the South) (oil on copper)
View of the Rialto at Venice (View of the Rialto Bridge from the South) (oil on copper)

HLK151499: View of the Rialto at Venice (View of the Rialto Bridge from the South) (oil on copper), Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images

ID: HLK151499

View of the Rialto at Venice (View of the Rialto Bridge from the South) (oil on copper)

Canaletto, (Giovanni Antonio Canal) (1697-1768)

The Staunton Chessmen Patent Drawing (pen and w/c on paper) (b/w photo)
The Staunton Chessmen Patent Drawing (pen and w/c on paper) (b/w photo)

XJF152474: The Staunton Chessmen Patent Drawing (pen and w/c on paper) (b/w photo), English School, (19th century) / Bridgeman Images

ID: XJF152474

The Staunton Chessmen Patent Drawing (pen and w/c on paper) (b/w photo)

English School, (19th century)

Portrait of Wolfgang Amadeus Mozart (oil on canvas)
Portrait of Wolfgang Amadeus Mozart (oil on canvas)

XAB134493: Portrait of Wolfgang Amadeus Mozart (oil on canvas), Grassi, Giuseppe or Josef (1755-1838) / Bridgeman Images

ID: XAB134493

Portrait of Wolfgang Amadeus Mozart (oil on canvas)

Grassi, Giuseppe or Josef (1755-1838)

Stele of the Vultures, dedicated by Eannatum, Prince of the State of Lagash, in celebration of his victory over the city of Umma, from Telloh (Ancient Girsu) Early Dynastic Period c.2450 BC (limestone) (verso)
Stele of the Vultures, dedicated by Eannatum, Prince of the State of Lagash, in celebration of his victory over the city of Umma, from Telloh (Ancient Girsu) Early Dynastic Period c.2450 BC (limestone) (verso)

XIR110905: Stele of the Vultures, dedicated by Eannatum, Prince of the State of Lagash, in celebration of his victory over the city of Umma, from Telloh (Ancient Girsu) Early Dynastic Period c.2450 BC (limestone) (verso), Sumerian / Bridgeman Images

ID: XIR110905

Stele of the Vultures, dedicated by Eannatum, Prince of the State of Lagash, in celebration of his victory over the city of Umma, from Telloh (Ancient Girsu) Early Dynastic Period c.2450 BC (limestone) (verso)

Sumerian

Self Portrait, c.1735-40 (oil on canvas)
Self Portrait, c.1735-40 (oil on canvas)

XYC111974: Self Portrait, c.1735-40 (oil on canvas), Hogarth, William (1697-1764) / Bridgeman Images

ID: XYC111974

Self Portrait, c.1735-40 (oil on canvas)

Hogarth, William (1697-1764)

Map of the Island of Utopia and its Alphabet (engraving)
Map of the Island of Utopia and its Alphabet (engraving)

XJF131244: Map of the Island of Utopia and its Alphabet (engraving), English School, (16th century) / Bridgeman Images

ID: XJF131244

Map of the Island of Utopia and its Alphabet (engraving)

English School, (16th century)

Rhyton in the shape of a seated lion-monster, from Hamadan, Iran (gold)
Rhyton in the shape of a seated lion-monster, from Hamadan, Iran (gold)

XIR116500: Rhyton in the shape of a seated lion-monster, from Hamadan, Iran (gold), Achaemenid, (550-330 BC) / Bridgeman Images

ID: XIR116500

Rhyton in the shape of a seated lion-monster, from Hamadan, Iran (gold)

Achaemenid, (550-330 BC)

Carriages and Promenaders on the Avenue des Champs-Elysses (w/c on paper)
Carriages and Promenaders on the Avenue des Champs-Elysses (w/c on paper)

XIR194753: Carriages and Promenaders on the Avenue des Champs-Elysses (w/c on paper), Guys, Constantin (1802-92) / Bridgeman Images

ID: XIR194753

Carriages and Promenaders on the Avenue des Champs-Elysses (w/c on paper)

Guys, Constantin (1802-92)

The Pointe de la Galere, 1891-92 (oil on canvas)
The Pointe de la Galere, 1891-92 (oil on canvas)

XIR194724: The Pointe de la Galere, 1891-92 (oil on canvas), Cross, Henri-Edmond (1856-1910) / Bridgeman Images

ID: XIR194724

The Pointe de la Galere, 1891-92 (oil on canvas)

Cross, Henri-Edmond (1856-1910)

Battle in the Rue de Rohan, 28th July 1830, 1831 (oil on canvas) (detail of 156577)
Battle in the Rue de Rohan, 28th July 1830, 1831 (oil on canvas) (detail of 156577)

XIR187782: Battle in the Rue de Rohan, 28th July 1830, 1831 (oil on canvas) (detail of 156577), Lecomte, Hippolyte (1781-1857) / Bridgeman Images

ID: XIR187782

Battle in the Rue de Rohan, 28th July 1830, 1831 (oil on canvas) (detail of 156577)

Lecomte, Hippolyte (1781-1857)

Portrait of Anne of Austria (1601-66) c.1622 (oil on canvas)
Portrait of Anne of Austria (1601-66) c.1622 (oil on canvas)

XIR214216: Portrait of Anne of Austria (1601-66) c.1622 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: XIR214216

Portrait of Anne of Austria (1601-66) c.1622 (oil on canvas)

Rubens, Peter Paul (1577-1640)

Facsimile copy of a page of the Borgia codex depicting Death and Life gods placed side by side (coulour lithograph)
Facsimile copy of a page of the Borgia codex depicting Death and Life gods placed side by side (coulour lithograph)

JPC217591: Facsimile copy of a page of the Borgia codex depicting Death and Life gods placed side by side (coulour lithograph), Mixtec (c.1300-1521) (after) / Bridgeman Images

ID: JPC217591

Facsimile copy of a page of the Borgia codex depicting Death and Life gods placed side by side (coulour lithograph)

Mixtec (c.1300-1521) (after)

Jewish cabbalist holding a sephiroth, copy of an illustration from 'Portae Lucis' by Paul Ricius, Augsburg 1516, used in a 'History of Magic', published late 19th century (engraving)
Jewish cabbalist holding a sephiroth, copy of an illustration from 'Portae Lucis' by Paul Ricius, Augsburg 1516, used in a 'History of Magic', published late 19th century (engraving)

STC119802: Jewish cabbalist holding a sephiroth, copy of an illustration from 'Portae Lucis' by Paul Ricius, Augsburg 1516, used in a 'History of Magic', published late 19th century (engraving), German School, (16th century) (after) / Bridgeman Images

ID: STC119802

Jewish cabbalist holding a sephiroth, copy of an illustration from 'Portae Lucis' by Paul Ricius, Augsburg 1516, used in a 'History of Magic', published late 19th century (engraving)

German School, (16th century) (after)

Portrait of Nell Gwynne (1650-87) as Venus, with her son, Charles Beauclerk (1670-1726), as Cupid (oil on canvas)
Portrait of Nell Gwynne (1650-87) as Venus, with her son, Charles Beauclerk (1670-1726), as Cupid (oil on canvas)

ARM123910: Portrait of Nell Gwynne (1650-87) as Venus, with her son, Charles Beauclerk (1670-1726), as Cupid (oil on canvas), Lely, Peter (1618-80) (follower of) / Bridgeman Images

ID: ARM123910

Portrait of Nell Gwynne (1650-87) as Venus, with her son, Charles Beauclerk (1670-1726), as Cupid (oil on canvas)

Lely, Peter (1618-80) (follower of)


Back to top