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Ella Gwendolen Rees Williams aka Jean Rhys (1890-1979), c.1921 (b/w photo)
Ella Gwendolen Rees Williams aka Jean Rhys (1890-1979), c.1921 (b/w photo)

XRH1721371: Ella Gwendolen Rees Williams aka Jean Rhys (1890-1979), c.1921 (b/w photo), Freeman, Pearl (fl.1934-60s) / Bridgeman Images

ID: XRH1721371

Ella Gwendolen Rees Williams aka Jean Rhys (1890-1979), c.1921 (b/w photo)

Freeman, Pearl (fl.1934-60s)

The Hand Refrains, from the 'Pygmalion and the Image' series, 1868-70 (oil on canvas)
The Hand Refrains, from the 'Pygmalion and the Image' series, 1868-70 (oil on canvas)

HTL11910: The Hand Refrains, from the 'Pygmalion and the Image' series, 1868-70 (oil on canvas), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: HTL11910

The Hand Refrains, from the 'Pygmalion and the Image' series, 1868-70 (oil on canvas)

Burne-Jones, Edward Coley (1833-98)

Sleeping Beauty
Sleeping Beauty

WAR15912: Sleeping Beauty, Brewtnall, Edward Frederick (1846-1902) / Bridgeman Images

ID: WAR15912

Sleeping Beauty

Brewtnall, Edward Frederick (1846-1902)

Man Overboard, 1906 (oil on canvas)
Man Overboard, 1906 (oil on canvas)

SNM143439: Man Overboard, 1906 (oil on canvas), Krohg, Christian (1852-1925) / Bridgeman Images

ID: SNM143439

Man Overboard, 1906 (oil on canvas)

Krohg, Christian (1852-1925)

Ms 659 f.195. Queen Isabella (1292-1358) of France and her son Edward III (1312-77) are welcomed in Oxford in 1326, 1477 (vellum)
Ms 659 f.195. Queen Isabella (1292-1358) of France and her son Edward III (1312-77) are welcomed in Oxford in 1326, 1477 (vellum)

HLK151274: Ms 659 f.195. Queen Isabella (1292-1358) of France and her son Edward III (1312-77) are welcomed in Oxford in 1326, 1477 (vellum), Master of Mary of Burgundy, (fl.1469-83) / Bridgeman Images

ID: HLK151274

Ms 659 f.195. Queen Isabella (1292-1358) of France and her son Edward III (1312-77) are welcomed in Oxford in 1326, 1477 (vellum)

Master of Mary of Burgundy, (fl.1469-83)

Three stethoscopes, from the time of Rene Theophile Hyacinthe Laennec (1781-1826) (wood)
Three stethoscopes, from the time of Rene Theophile Hyacinthe Laennec (1781-1826) (wood)

CHT168631: Three stethoscopes, from the time of Rene Theophile Hyacinthe Laennec (1781-1826) (wood), French School, (19th century) / Bridgeman Images

ID: CHT168631

Three stethoscopes, from the time of Rene Theophile Hyacinthe Laennec (1781-1826) (wood)

French School, (19th century)

Iron Works, Coalbrookdale, engraved by William Pickett, c.1805 (coloured aquatint)
Iron Works, Coalbrookdale, engraved by William Pickett, c.1805 (coloured aquatint)

XCF41398: Iron Works, Coalbrookdale, engraved by William Pickett, c.1805 (coloured aquatint), Loutherbourg, Philippe de (1740-1812) (after) / Bridgeman Images

ID: XCF41398

Iron Works, Coalbrookdale, engraved by William Pickett, c.1805 (coloured aquatint)

Loutherbourg, Philippe de (1740-1812) (after)

Titus, the Artist's son, c.1657 (oil on canvas)
Titus, the Artist's son, c.1657 (oil on canvas)

TWC62141: Titus, the Artist's son, c.1657 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: TWC62141

Titus, the Artist's son, c.1657 (oil on canvas)

Rembrandt Harmensz. van Rijn (1606-69)

Sketch of the Casting Pit for the Sforza Horse seen from above and the side, fol. 149r from the Codex Madrid I, c.1493 (pen & ink on paper)
Sketch of the Casting Pit for the Sforza Horse seen from above and the side, fol. 149r from the Codex Madrid I, c.1493 (pen & ink on paper)

XJL62083: Sketch of the Casting Pit for the Sforza Horse seen from above and the side, fol. 149r from the Codex Madrid I, c.1493 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

ID: XJL62083

Sketch of the Casting Pit for the Sforza Horse seen from above and the side, fol. 149r from the Codex Madrid I, c.1493 (pen & ink on paper)

Vinci, Leonardo da (1452-1519)

The Quiet River, 1913 (oil on canvas)
The Quiet River, 1913 (oil on canvas)

GG98548: The Quiet River, 1913 (oil on canvas), Monsted, Peder (1859-1941) / Bridgeman Images

ID: GG98548

The Quiet River, 1913 (oil on canvas)

Monsted, Peder (1859-1941)

West Village Corner Shop, 1997 (oil on canvas)
West Village Corner Shop, 1997 (oil on canvas)

JBA100200: West Village Corner Shop, 1997 (oil on canvas), Barrow, Julian (1939-2013) / Bridgeman Images

ID: JBA100200

West Village Corner Shop, 1997 (oil on canvas)

Barrow, Julian (1939-2013)

View of Naples from the Bay with Mt. Vesuvius
View of Naples from the Bay with Mt. Vesuvius

CH23130: View of Naples from the Bay with Mt. Vesuvius, Joli, Antonio (1700-77) / Bridgeman Images

ID: CH23130

View of Naples from the Bay with Mt. Vesuvius

Joli, Antonio (1700-77)

Portrait of Cornelius Anslo and his Wife, 1641 (oil on canvas)
Portrait of Cornelius Anslo and his Wife, 1641 (oil on canvas)

NUM111384: Portrait of Cornelius Anslo and his Wife, 1641 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: NUM111384

Portrait of Cornelius Anslo and his Wife, 1641 (oil on canvas)

Rembrandt Harmensz. van Rijn (1606-69)

The North and East Ridings of Yorkshire, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)
The North and East Ridings of Yorkshire, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

XCF113465: The North and East Ridings of Yorkshire, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving), Speed, John (1552-1629) / Bridgeman Images

ID: XCF113465

The North and East Ridings of Yorkshire, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

Speed, John (1552-1629)

Portrait of Tsar Michael Fyodorovich Romanov (1596-1645) of Russia
Portrait of Tsar Michael Fyodorovich Romanov (1596-1645) of Russia

CHT173040: Portrait of Tsar Michael Fyodorovich Romanov (1596-1645) of Russia, Russian School, (17th century) / Bridgeman Images

ID: CHT173040

Portrait of Tsar Michael Fyodorovich Romanov (1596-1645) of Russia

Russian School, (17th century)

Reading (portrait of the artist's wife), 1863 (oil on canvas)
Reading (portrait of the artist's wife), 1863 (oil on canvas)

XAB170650: Reading (portrait of the artist's wife), 1863 (oil on canvas), Kramskoy, Ivan Nikolaevich (1837-87) / Bridgeman Images

ID: XAB170650

Reading (portrait of the artist's wife), 1863 (oil on canvas)

Kramskoy, Ivan Nikolaevich (1837-87)

Glamis Castle (w/c on paper)
Glamis Castle (w/c on paper)

BAC155893: Glamis Castle (w/c on paper), Girtin, Thomas (1775-1802) (attr. to) / Bridgeman Images

ID: BAC155893

Glamis Castle (w/c on paper)

Girtin, Thomas (1775-1802) (attr. to)

Mont Sainte-Victoire, 1889 (oil on canvas)
Mont Sainte-Victoire, 1889 (oil on canvas)

BRN160525: Mont Sainte-Victoire, 1889 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: BRN160525

Mont Sainte-Victoire, 1889 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

The Familistery of Guise, from 'Solutions Sociales' by Jean-Baptiste Andre Godin (1817-88), Paris, 1871 (litho) (b/w photo)
The Familistery of Guise, from 'Solutions Sociales' by Jean-Baptiste Andre Godin (1817-88), Paris, 1871 (litho) (b/w photo)

CHT200420: The Familistery of Guise, from 'Solutions Sociales' by Jean-Baptiste Andre Godin (1817-88), Paris, 1871 (litho) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT200420

The Familistery of Guise, from 'Solutions Sociales' by Jean-Baptiste Andre Godin (1817-88), Paris, 1871 (litho) (b/w photo)

French School, (19th century)

Lovers, 1855 (oil on board)
Lovers, 1855 (oil on board)

MAA198575: Lovers, 1855 (oil on board), Frith, William Powell (1819-1909) / Bridgeman Images

ID: MAA198575

Lovers, 1855 (oil on board)

Frith, William Powell (1819-1909)

America sive India Nova, from 'Atlas cosmographicae meditationes de fabrica mundi et fabricati figura', published 1595 (coloured engraving)
America sive India Nova, from 'Atlas cosmographicae meditationes de fabrica mundi et fabricati figura', published 1595 (coloured engraving)

MAE177373: America sive India Nova, from 'Atlas cosmographicae meditationes de fabrica mundi et fabricati figura', published 1595 (coloured engraving), Mercator, Michael (fl.1595) / Bridgeman Images

ID: MAE177373

America sive India Nova, from 'Atlas cosmographicae meditationes de fabrica mundi et fabricati figura', published 1595 (coloured engraving)

Mercator, Michael (fl.1595)

Waterlilies, 1906 (oil on canvas)
Waterlilies, 1906 (oil on canvas)

NGW186849: Waterlilies, 1906 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: NGW186849

Waterlilies, 1906 (oil on canvas)

Monet, Claude (1840-1926)

Crucifixion, 1995 (oil on canvas)
Crucifixion, 1995 (oil on canvas)

PIA190045: Crucifixion, 1995 (oil on canvas), Aitchison, Craigie (1926-2009) / Bridgeman Images

ID: PIA190045

Crucifixion, 1995 (oil on canvas)

Aitchison, Craigie (1926-2009)

The Four Horsemen of the Apocalypse, 1498 (woodcut)
The Four Horsemen of the Apocalypse, 1498 (woodcut)

XJF437438: The Four Horsemen of the Apocalypse, 1498 (woodcut), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

ID: XJF437438

The Four Horsemen of the Apocalypse, 1498 (woodcut)

Dürer or Duerer, Albrecht (1471-1528)

Illustration from Durer's 'Four Books on Measurement', published in 1525 (woodcut)
Illustration from Durer's 'Four Books on Measurement', published in 1525 (woodcut)

XJF437431: Illustration from Durer's 'Four Books on Measurement', published in 1525 (woodcut), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

ID: XJF437431

Illustration from Durer's 'Four Books on Measurement', published in 1525 (woodcut)

Dürer or Duerer, Albrecht (1471-1528)

East End Farm, Moss Lane, Pinner (w/c with scratching out on paper)
East End Farm, Moss Lane, Pinner (w/c with scratching out on paper)

CH401647: East End Farm, Moss Lane, Pinner (w/c with scratching out on paper), Allingham, Helen (1848-1926) / Bridgeman Images

ID: CH401647

East End Farm, Moss Lane, Pinner (w/c with scratching out on paper)

Allingham, Helen (1848-1926)

Maternity, 1885 (oil on canvas)
Maternity, 1885 (oil on canvas)

MFA211198: Maternity, 1885 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: MFA211198

Maternity, 1885 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

'Thor went forth against Jormungand', illustration from 'The Heroes of Asgard, tales from Scandinavian Mythology', by A & E Keary, 1930 (colour litho)
'Thor went forth against Jormungand', illustration from 'The Heroes of Asgard, tales from Scandinavian Mythology', by A & E Keary, 1930 (colour litho)

IL253672: 'Thor went forth against Jormungand', illustration from 'The Heroes of Asgard, tales from Scandinavian Mythology', by A & E Keary, 1930 (colour litho), Brock, Charles Edmund (1870-1938) / Bridgeman Images

ID: IL253672

'Thor went forth against Jormungand', illustration from 'The Heroes of Asgard, tales from Scandinavian Mythology', by A & E Keary, 1930 (colour litho)

Brock, Charles Edmund (1870-1938)

The Petomane, illustration for 'Paris qui rit' from 'Le Ventomane, monologue comique' by E. Grenet-Dancourt, Paris, 1893 (engraving) (b/w photo)
The Petomane, illustration for 'Paris qui rit' from 'Le Ventomane, monologue comique' by E. Grenet-Dancourt, Paris, 1893 (engraving) (b/w photo)

CHT213063: The Petomane, illustration for 'Paris qui rit' from 'Le Ventomane, monologue comique' by E. Grenet-Dancourt, Paris, 1893 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT213063

The Petomane, illustration for 'Paris qui rit' from 'Le Ventomane, monologue comique' by E. Grenet-Dancourt, Paris, 1893 (engraving) (b/w photo)

French School, (19th century)

Autodafe of Books in the Middle Ages, illustration from the 'Nuremberg Chronicle' by Hartmann Schedel (1440-1514) 1493 (coloured woodcut)
Autodafe of Books in the Middle Ages, illustration from the 'Nuremberg Chronicle' by Hartmann Schedel (1440-1514) 1493 (coloured woodcut)

CHT239211: Autodafe of Books in the Middle Ages, illustration from the 'Nuremberg Chronicle' by Hartmann Schedel (1440-1514) 1493 (coloured woodcut), Wolgemuth, M. (1434-1519) & Pleydenwurff, W. (d.1494) / Bridgeman Images

ID: CHT239211

Autodafe of Books in the Middle Ages, illustration from the 'Nuremberg Chronicle' by Hartmann Schedel (1440-1514) 1493 (coloured woodcut)

Wolgemuth, M. (1434-1519) & Pleydenwurff, W. (d.1494)

Easter Market at the Moscow Kremlin, 1917 (oil on canvas)
Easter Market at the Moscow Kremlin, 1917 (oil on canvas)

XAB240150: Easter Market at the Moscow Kremlin, 1917 (oil on canvas), Kustodiev, Boris Mikhailovich (1878-1927) / Bridgeman Images

ID: XAB240150

Easter Market at the Moscow Kremlin, 1917 (oil on canvas)

Kustodiev, Boris Mikhailovich (1878-1927)

The Pa-Kua symbol, showing the symbols for the Eight Changes, the Trigrams and Yin and Yang (colour litho)
The Pa-Kua symbol, showing the symbols for the Eight Changes, the Trigrams and Yin and Yang (colour litho)

CHT265553: The Pa-Kua symbol, showing the symbols for the Eight Changes, the Trigrams and Yin and Yang (colour litho), French School, (19th century) / Bridgeman Images

ID: CHT265553

The Pa-Kua symbol, showing the symbols for the Eight Changes, the Trigrams and Yin and Yang (colour litho)

French School, (19th century)

Cats
Cats

JDV37142: Cats, Trood, William Henry Hamilton (1848-99) / Bridgeman Images

ID: JDV37142

Cats

Trood, William Henry Hamilton (1848-99)

Clytie, c.1890-92 (oil on canvas)
Clytie, c.1890-92 (oil on canvas)

FIT107383: Clytie, c.1890-92 (oil on canvas), Leighton, Frederic (1830-96) / Bridgeman Images

ID: FIT107383

Clytie, c.1890-92 (oil on canvas)

Leighton, Frederic (1830-96)

Map of London, from 'Civitates Orbis Terrarum', by Georg Braun (1542-1622) and Frans Hogenburg (1635-90),c.1572 (coloured engraving) (see also 51896 & 66112)
Map of London, from 'Civitates Orbis Terrarum', by Georg Braun (1542-1622) and Frans Hogenburg (1635-90),c.1572 (coloured engraving) (see also 51896 & 66112)

GUL58543: Map of London, from 'Civitates Orbis Terrarum', by Georg Braun (1542-1622) and Frans Hogenburg (1635-90),c.1572 (coloured engraving) (see also 51896 & 66112), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: GUL58543

Map of London, from 'Civitates Orbis Terrarum', by Georg Braun (1542-1622) and Frans Hogenburg (1635-90),c.1572 (coloured engraving) (see also 51896 & 66112)

Hoefnagel, Joris (1542-1600) (after)

The Olivier Plantation, 1861 (w/c on paper)
The Olivier Plantation, 1861 (w/c on paper)

XTD68248: The Olivier Plantation, 1861 (w/c on paper), Persac, Adrien (1823-73) / Bridgeman Images

ID: XTD68248

The Olivier Plantation, 1861 (w/c on paper)

Persac, Adrien (1823-73)


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