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View of Rugby School from the Northampton Road, from 'History of Rugby School', part of 'History of the Colleges', engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint)
View of Rugby School from the Northampton Road, from 'History of Rugby School', part of 'History of the Colleges', engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint)

STC121737: View of Rugby School from the Northampton Road, from 'History of Rugby School', part of 'History of the Colleges', engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint), Westall, William (1781-1850) (after) / Bridgeman Images

ID: STC121737

View of Rugby School from the Northampton Road, from 'History of Rugby School', part of 'History of the Colleges', engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint)

Westall, William (1781-1850) (after)

The Bather (oil on canvas)
The Bather (oil on canvas)

WH122001: The Bather (oil on canvas), Rysselberghe, Theo van (1862-1926) / Bridgeman Images

ID: WH122001

The Bather (oil on canvas)

Rysselberghe, Theo van (1862-1926)

The Solitary Fisherman (oil on panel)
The Solitary Fisherman (oil on panel)

WH122058: The Solitary Fisherman (oil on panel), Mathieu, Paul (1872-1932) / Bridgeman Images

ID: WH122058

The Solitary Fisherman (oil on panel)

Mathieu, Paul (1872-1932)

The Apartment of a Minister, plate 57 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint)
The Apartment of a Minister, plate 57 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint)

STC122301: The Apartment of a Minister, plate 57 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint), Italian School, (19th century) / Bridgeman Images

ID: STC122301

The Apartment of a Minister, plate 57 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint)

Italian School, (19th century)

The Investiture of the Order of the Bath, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
The Investiture of the Order of the Bath, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122426: The Investiture of the Order of the Bath, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122426

The Investiture of the Order of the Bath, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Sebastopol from Old Chersonese, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Sebastopol from Old Chersonese, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122438: Sebastopol from Old Chersonese, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122438

Sebastopol from Old Chersonese, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

The Field of Inkerman, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
The Field of Inkerman, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122444: The Field of Inkerman, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122444

The Field of Inkerman, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Tou Mu, Goddess of the North Star, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)
Tou Mu, Goddess of the North Star, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

BAL122533: Tou Mu, Goddess of the North Star, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho), English School, (20th century) / Bridgeman Images

ID: BAL122533

Tou Mu, Goddess of the North Star, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

English School, (20th century)

St. Petersburg in the Early Eighteenth Century, 1906 (tempera on paper)
St. Petersburg in the Early Eighteenth Century, 1906 (tempera on paper)

SRM76967: St. Petersburg in the Early Eighteenth Century, 1906 (tempera on paper), Lansere, Yevgeny Evgen'evic (1875-1946) / Bridgeman Images

ID: SRM76967

St. Petersburg in the Early Eighteenth Century, 1906 (tempera on paper)

Lansere, Yevgeny Evgen'evic (1875-1946)

Grotesque mask and dolphins, detail from the Fountain of the Moor by Gianlorenzo Bernini (1598-1680), c.1650 (marble)
Grotesque mask and dolphins, detail from the Fountain of the Moor by Gianlorenzo Bernini (1598-1680), c.1650 (marble)

KAB77022: Grotesque mask and dolphins, detail from the Fountain of the Moor by Gianlorenzo Bernini (1598-1680), c.1650 (marble), Bernini, Gian Lorenzo (1598-1680) / Bridgeman Images

ID: KAB77022

Grotesque mask and dolphins, detail from the Fountain of the Moor by Gianlorenzo Bernini (1598-1680), c.1650 (marble)

Bernini, Gian Lorenzo (1598-1680)

Christ at the Column, 1632 (panel)
Christ at the Column, 1632 (panel)

BAL77042: Christ at the Column, 1632 (panel), Grebber, Pieter Fransz. de (c.1600-53) / Bridgeman Images

ID: BAL77042

Christ at the Column, 1632 (panel)

Grebber, Pieter Fransz. de (c.1600-53)

Finished study for Opes (chalk)
Finished study for Opes (chalk)

WDM77258: Finished study for Opes (chalk), Morgan, Evelyn De (1855-1919) / Bridgeman Images

ID: WDM77258

Finished study for Opes (chalk)

Morgan, Evelyn De (1855-1919)

Portrait of the Last Inca Chief, Atahualpa, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)
Portrait of the Last Inca Chief, Atahualpa, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

BAL111032: Portrait of the Last Inca Chief, Atahualpa, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving), English School, (19th century) / Bridgeman Images

ID: BAL111032

Portrait of the Last Inca Chief, Atahualpa, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

English School, (19th century)

The Mountain of the Roule, Cherbourg (pen and wash on paper)
The Mountain of the Roule, Cherbourg (pen and wash on paper)

LMG111227: The Mountain of the Roule, Cherbourg (pen and wash on paper), Cotman, John Sell (1782-1842) / Bridgeman Images

ID: LMG111227

The Mountain of the Roule, Cherbourg (pen and wash on paper)

Cotman, John Sell (1782-1842)

Japanese Workmen, page 344 from 'The Illustrated London News', 12th October 1872 (engraving) (b/w photo)
Japanese Workmen, page 344 from 'The Illustrated London News', 12th October 1872 (engraving) (b/w photo)

ILN111347: Japanese Workmen, page 344 from 'The Illustrated London News', 12th October 1872 (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

ID: ILN111347

Japanese Workmen, page 344 from 'The Illustrated London News', 12th October 1872 (engraving) (b/w photo)

English School, (19th century)

Portrait of Sir Robert Peel (1788-1850) (engraving) (b/w photo)
Portrait of Sir Robert Peel (1788-1850) (engraving) (b/w photo)

ILN111357: Portrait of Sir Robert Peel (1788-1850) (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

ID: ILN111357

Portrait of Sir Robert Peel (1788-1850) (engraving) (b/w photo)

English School, (19th century)

PD.49-1947 Female Figure Study (pen & ink on paper)
PD.49-1947 Female Figure Study (pen & ink on paper)

FIT111427: PD.49-1947 Female Figure Study (pen & ink on paper), Oliver, Isaac (c.1565-1617) / Bridgeman Images

ID: FIT111427

PD.49-1947 Female Figure Study (pen & ink on paper)

Oliver, Isaac (c.1565-1617)

Akashi Bay, c.1830-44 (woodblock print)
Akashi Bay, c.1830-44 (woodblock print)

FIT111476: Akashi Bay, c.1830-44 (woodblock print), Hokkei, Toyota (or Aigaoka) (1780-1850) / Bridgeman Images

ID: FIT111476

Akashi Bay, c.1830-44 (woodblock print)

Hokkei, Toyota (or Aigaoka) (1780-1850)

Portrait of Angelina Magdalena (c.1666-1736), second wife of 1st Viscount St. John in coronation robes, 1727 (oil on canvas)
Portrait of Angelina Magdalena (c.1666-1736), second wife of 1st Viscount St. John in coronation robes, 1727 (oil on canvas)

WDM77270: Portrait of Angelina Magdalena (c.1666-1736), second wife of 1st Viscount St. John in coronation robes, 1727 (oil on canvas), Kneller, Godfrey (1646-1723) (after) / Bridgeman Images

ID: WDM77270

Portrait of Angelina Magdalena (c.1666-1736), second wife of 1st Viscount St. John in coronation robes, 1727 (oil on canvas)

Kneller, Godfrey (1646-1723) (after)

Portrait of Frank Meyer, c.1910 (oil on canvas)
Portrait of Frank Meyer, c.1910 (oil on canvas)

MEY122895: Portrait of Frank Meyer, c.1910 (oil on canvas), Philpot, Glyn Warren (1884-1937) / Bridgeman Images

ID: MEY122895

Portrait of Frank Meyer, c.1910 (oil on canvas)

Philpot, Glyn Warren (1884-1937)

Appanoose, a Sauk Chief, 1837, illustration from 'The Indian Tribes of North America, Vol.2', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Appanoose, a Sauk Chief, 1837, illustration from 'The Indian Tribes of North America, Vol.2', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122969: Appanoose, a Sauk Chief, 1837, illustration from 'The Indian Tribes of North America, Vol.2', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), Cooke, George (1793-1849) (after) / Bridgeman Images

ID: BAL122969

Appanoose, a Sauk Chief, 1837, illustration from 'The Indian Tribes of North America, Vol.2', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

Cooke, George (1793-1849) (after)

Study for 'The Death of Lara' (oil on panel)
Study for 'The Death of Lara' (oil on panel)

LMG123012: Study for 'The Death of Lara' (oil on panel), Cope, Charles West (1811-90) / Bridgeman Images

ID: LMG123012

Study for 'The Death of Lara' (oil on panel)

Cope, Charles West (1811-90)

The Slum, c.1911 (w/c)
The Slum, c.1911 (w/c)

REY77731: The Slum, c.1911 (w/c), Pryde, James Ferrier (1866-1941) / Bridgeman Images

ID: REY77731

The Slum, c.1911 (w/c)

Pryde, James Ferrier (1866-1941)

Portrait of Elizabeth Montgomery, c.1773 (oil on canvas)
Portrait of Elizabeth Montgomery, c.1773 (oil on canvas)

PFA124400: Portrait of Elizabeth Montgomery, c.1773 (oil on canvas), Reynolds, Joshua (1723-92) (studio of) / Bridgeman Images

ID: PFA124400

Portrait of Elizabeth Montgomery, c.1773 (oil on canvas)

Reynolds, Joshua (1723-92) (studio of)

CWA124825: "The Gay Lothario, the Great and Celebrated Amateur of Fashion", pub. by Thomas Tegg, 1813 (coloured etching), English School, (19th century) / Bridgeman Images

ID: CWA124825

"The Gay Lothario, the Great and Celebrated Amateur of Fashion", pub. by Thomas Tegg, 1813 (coloured etching)

English School, (19th century)

Remains of Clarendon House, Three Kings Livery Stables, Piccadilly, from 'Vestiges of Old London), 1851 (coloured etching)
Remains of Clarendon House, Three Kings Livery Stables, Piccadilly, from 'Vestiges of Old London), 1851 (coloured etching)

CWA124863: Remains of Clarendon House, Three Kings Livery Stables, Piccadilly, from 'Vestiges of Old London), 1851 (coloured etching), Archer, John Wykeham (1808-64) / Bridgeman Images

ID: CWA124863

Remains of Clarendon House, Three Kings Livery Stables, Piccadilly, from 'Vestiges of Old London), 1851 (coloured etching)

Archer, John Wykeham (1808-64)

Fores's Racing Envelope, pub. by Messrs Fores, c.1840 (coloured engraving)
Fores's Racing Envelope, pub. by Messrs Fores, c.1840 (coloured engraving)

CWA124878: Fores's Racing Envelope, pub. by Messrs Fores, c.1840 (coloured engraving), English School, (19th century) / Bridgeman Images

ID: CWA124878

Fores's Racing Envelope, pub. by Messrs Fores, c.1840 (coloured engraving)

English School, (19th century)

Eating the Flesh of a Prisoner According to the Old Historian, from Gottfried's 'Historia Antipodum', pub. 1655, from 'The Romance of the River' Vol. I, by W. H. Koebel, 1914 (engraving)
Eating the Flesh of a Prisoner According to the Old Historian, from Gottfried's 'Historia Antipodum', pub. 1655, from 'The Romance of the River' Vol. I, by W. H. Koebel, 1914 (engraving)

BAL124965: Eating the Flesh of a Prisoner According to the Old Historian, from Gottfried's 'Historia Antipodum', pub. 1655, from 'The Romance of the River' Vol. I, by W. H. Koebel, 1914 (engraving), German School, (17th century) (after) / Bridgeman Images

ID: BAL124965

Eating the Flesh of a Prisoner According to the Old Historian, from Gottfried's 'Historia Antipodum', pub. 1655, from 'The Romance of the River' Vol. I, by W. H. Koebel, 1914 (engraving)

German School, (17th century) (after)

One of our Mojo Indians returning from fishing, from 'The Amazon and Madeira Rivers', by Franz Keller, engraved by A. Closs, 1874 (engraving)
One of our Mojo Indians returning from fishing, from 'The Amazon and Madeira Rivers', by Franz Keller, engraved by A. Closs, 1874 (engraving)

BAL124983: One of our Mojo Indians returning from fishing, from 'The Amazon and Madeira Rivers', by Franz Keller, engraved by A. Closs, 1874 (engraving), Keller, Franz (19th century) / Bridgeman Images

ID: BAL124983

One of our Mojo Indians returning from fishing, from 'The Amazon and Madeira Rivers', by Franz Keller, engraved by A. Closs, 1874 (engraving)

Keller, Franz (19th century)

A double-headed suspension hook from Middle Sepik, New Guinea, early 20th century (painted wood)
A double-headed suspension hook from Middle Sepik, New Guinea, early 20th century (painted wood)

BCC79297: A double-headed suspension hook from Middle Sepik, New Guinea, early 20th century (painted wood), African, (20th century) / Bridgeman Images

ID: BCC79297

A double-headed suspension hook from Middle Sepik, New Guinea, early 20th century (painted wood)

African, (20th century)

The Archer, 1901 (bronze)
The Archer, 1901 (bronze)

MCL125235: The Archer, 1901 (bronze), Geyger, Ernst Moritz (1861-1941) / Bridgeman Images

ID: MCL125235

The Archer, 1901 (bronze)

Geyger, Ernst Moritz (1861-1941)

PD.109-1973.f48 Flower Studies (w/c on vellum)
PD.109-1973.f48 Flower Studies (w/c on vellum)

FIT107873: PD.109-1973.f48 Flower Studies (w/c on vellum), Robert, Nicolas (1614-85) / Bridgeman Images

ID: FIT107873

PD.109-1973.f48 Flower Studies (w/c on vellum)

Robert, Nicolas (1614-85)

Italian Beauty with a Tambourine, 1876 (oil on canvas)
Italian Beauty with a Tambourine, 1876 (oil on canvas)

PFA107937: Italian Beauty with a Tambourine, 1876 (oil on canvas), Indoni, Filippo (fl.1883-84) / Bridgeman Images

ID: PFA107937

Italian Beauty with a Tambourine, 1876 (oil on canvas)

Indoni, Filippo (fl.1883-84)

Fragment of a palette with a hunting scene, from Abydos, c.3300-3100 BC (greywacke)
Fragment of a palette with a hunting scene, from Abydos, c.3300-3100 BC (greywacke)

PWI107958: Fragment of a palette with a hunting scene, from Abydos, c.3300-3100 BC (greywacke), Egyptian, Predynastic Period (c.5000-c.3100 BC) / Bridgeman Images

ID: PWI107958

Fragment of a palette with a hunting scene, from Abydos, c.3300-3100 BC (greywacke)

Egyptian, Predynastic Period (c.5000-c.3100 BC)

The Apotheosis of Hercules, design for a ceilng fresco for the Palazzo Pepoli in Bologna (pen & ink and sepia wash on paper)
The Apotheosis of Hercules, design for a ceilng fresco for the Palazzo Pepoli in Bologna (pen & ink and sepia wash on paper)

CJP108028: The Apotheosis of Hercules, design for a ceilng fresco for the Palazzo Pepoli in Bologna (pen & ink and sepia wash on paper), Canuti, Domenico Maria (1620-1684) / Bridgeman Images

ID: CJP108028

The Apotheosis of Hercules, design for a ceilng fresco for the Palazzo Pepoli in Bologna (pen & ink and sepia wash on paper)

Canuti, Domenico Maria (1620-1684)

October Twilight, 1915 (oil on panel)
October Twilight, 1915 (oil on panel)

FIN108227: October Twilight, 1915 (oil on panel), Tryon, Dwight William (1849-1925) / Bridgeman Images

ID: FIN108227

October Twilight, 1915 (oil on panel)

Tryon, Dwight William (1849-1925)


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