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Portrait of a Man Wearing a Black Coat, 1531 (oil on panel) (pair of 123521)
Portrait of a Man Wearing a Black Coat, 1531 (oil on panel) (pair of 123521)

PFA123520: Portrait of a Man Wearing a Black Coat, 1531 (oil on panel) (pair of 123521), German School, (16th century) / Bridgeman Images

St. Jerome (oil on canvas)
St. Jerome (oil on canvas)

PFA123526: St. Jerome (oil on canvas), Bigot, Trophime (c.1595-p.1650) (studio of) / Bridgeman Images

Portrait of a Gentleman Wearing a Black Embroidered Doublet and Cloak (oil on panel)
Portrait of a Gentleman Wearing a Black Embroidered Doublet and Cloak (oil on panel)

PFA123532: Portrait of a Gentleman Wearing a Black Embroidered Doublet and Cloak (oil on panel), Salviati Cecchino, Francesco de Rossi (1510-63) (studio of) / Bridgeman Images

Zebras in a Landscape (oil on canvas)
Zebras in a Landscape (oil on canvas)

PFA123576: Zebras in a Landscape (oil on canvas), Kuhnert, Wilhelm (1865-1926) / Bridgeman Images

Norman Doorway, Killeshin, County Carlow, photographed by William Lawrence (fl.1870-80) (sepia photo)
Norman Doorway, Killeshin, County Carlow, photographed by William Lawrence (fl.1870-80) (sepia photo)

TPG123766: Norman Doorway, Killeshin, County Carlow, photographed by William Lawrence (fl.1870-80) (sepia photo), Lawrence, William M. (1840-1932) / Bridgeman Images

The Round Tower, Kildare, photographed by William Lawrence (fl.1870-80) (sepia photo)
The Round Tower, Kildare, photographed by William Lawrence (fl.1870-80) (sepia photo)

TPG123769: The Round Tower, Kildare, photographed by William Lawrence (fl.1870-80) (sepia photo), Lawrence, William M. (1840-1932) / Bridgeman Images

Ruins on Innis Mac Saint, Lough Erne, photographed by William Lawrence (fl.1870-80) (sepia photo)
Ruins on Innis Mac Saint, Lough Erne, photographed by William Lawrence (fl.1870-80) (sepia photo)

TPG123772: Ruins on Innis Mac Saint, Lough Erne, photographed by William Lawrence (fl.1870-80) (sepia photo), Lawrence, William M. (1840-1932) / Bridgeman Images

John Edwin (1749-90) and Sarah Siddons (1755-1831) (w/c on paper)
John Edwin (1749-90) and Sarah Siddons (1755-1831) (w/c on paper)

CWA123990: John Edwin (1749-90) and Sarah Siddons (1755-1831) (w/c on paper), Keate, Georgiana Jane (1770-1850) / Bridgeman Images

Battle of Sacramento: Terrific Charge of the Mexican Lancers, February 28th 1847, engraved and published by Nathanial Currier (1813-88) 1847 (litho) (b&w photo)
Battle of Sacramento: Terrific Charge of the Mexican Lancers, February 28th 1847, engraved and published by Nathanial Currier (1813-88) 1847 (litho) (b&w photo)

BAL124121: Battle of Sacramento: Terrific Charge of the Mexican Lancers, February 28th 1847, engraved and published by Nathanial Currier (1813-88) 1847 (litho) (b&w photo), Telfer, R. (19th century) (after) / Bridgeman Images

The entrance to Parsvanath or Chaumukha Temple (photo)
The entrance to Parsvanath or Chaumukha Temple (photo)

DND112468: The entrance to Parsvanath or Chaumukha Temple (photo), Indian School / Bridgeman Images

Blue Mountains (oil on board)
Blue Mountains (oil on board)

MAA112533: Blue Mountains (oil on board), English School, (19th century) / Bridgeman Images

North East View of Kirkstall Abbey, 1777 (w/c on paper)
North East View of Kirkstall Abbey, 1777 (w/c on paper)

LMG112957: North East View of Kirkstall Abbey, 1777 (w/c on paper), Griffiths, Moses (1749-1819) / Bridgeman Images

The Triumph of Death, detail of a devil carrying away a sinner into hell, 1348 (fresco)
The Triumph of Death, detail of a devil carrying away a sinner into hell, 1348 (fresco)

BEN112968: The Triumph of Death, detail of a devil carrying away a sinner into hell, 1348 (fresco), Orcagna, Andrea di Cione (c.1308-68) / Bridgeman Images

General view of the Chateau d'Azay-le-Rideau, built for Gilles Bertholet, 1518-27 (photo)
General view of the Chateau d'Azay-le-Rideau, built for Gilles Bertholet, 1518-27 (photo)

BAL124247: General view of the Chateau d'Azay-le-Rideau, built for Gilles Bertholet, 1518-27 (photo), French School, (16th century) / Bridgeman Images

Spring (etching)
Spring (etching)

REY124340: Spring (etching), Vogeler, Heinrich Johann (1872-1942) / Bridgeman Images

A Musical Evening (oil on canvas)
A Musical Evening (oil on canvas)

PFA124415: A Musical Evening (oil on canvas), Webster, Thomas (1800-86) / Bridgeman Images

Tracked (oil on canvas)
Tracked (oil on canvas)

PFA124485: Tracked (oil on canvas), Hillingford, Robert Alexander (1825-1904) / Bridgeman Images

Van Dyck's First Love, 1871 (oil on canvas)
Van Dyck's First Love, 1871 (oil on canvas)

PFA124488: Van Dyck's First Love, 1871 (oil on canvas), Hillingford, Robert Alexander (1825-1904) / Bridgeman Images

Battle of New Orleans, 8th January 1815, from 'Gleason's Pictorial', 1854 (engraving) (b&w photo)
Battle of New Orleans, 8th January 1815, from 'Gleason's Pictorial', 1854 (engraving) (b&w photo)

BAL124503: Battle of New Orleans, 8th January 1815, from 'Gleason's Pictorial', 1854 (engraving) (b&w photo), Merritt, Thomas Light (fl.1837 d.1870) (after) / Bridgeman Images

Battle of Cerro Gordo, April 1847 (engraving) (b&w photo)
Battle of Cerro Gordo, April 1847 (engraving) (b&w photo)

BAL124512: Battle of Cerro Gordo, April 1847 (engraving) (b&w photo), Chappel, Alonzo (1828-87) (after) / Bridgeman Images

The Centennial Fourth: Illumination of Independence Hall, Philadelphia, from 'Harper's Weekly', July 22nd 1876 (engraving) (b&w photo)
The Centennial Fourth: Illumination of Independence Hall, Philadelphia, from 'Harper's Weekly', July 22nd 1876 (engraving) (b&w photo)

BAL124574: The Centennial Fourth: Illumination of Independence Hall, Philadelphia, from 'Harper's Weekly', July 22nd 1876 (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

Christ Baptising St. John the Baptist, tapestry depicting scenes from the life of the saint (textile)
Christ Baptising St. John the Baptist, tapestry depicting scenes from the life of the saint (textile)

BAT113366: Christ Baptising St. John the Baptist, tapestry depicting scenes from the life of the saint (textile), Pollaiuolo, Antonio (1432/3-98) / Bridgeman Images

Frogs, engraved, from 'Physica Sacra', by Johan Jacob Schuchzer, Augsberg, 1731-35 (copper engraving)
Frogs, engraved, from 'Physica Sacra', by Johan Jacob Schuchzer, Augsberg, 1731-35 (copper engraving)

DRE124688: Frogs, engraved, from 'Physica Sacra', by Johan Jacob Schuchzer, Augsberg, 1731-35 (copper engraving), German School, (18th century) / Bridgeman Images

Mr Angelo's Fencing Academy, 1791 (coloured engraving)
Mr Angelo's Fencing Academy, 1791 (coloured engraving)

CWA124834: Mr Angelo's Fencing Academy, 1791 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Pilgram's Pulpit', decorated with busts of the Four Fathers of the Church, theologians representing the four physiognomic temperaments, the sculptor himself looks out from a 'window' below, by Anton Pilgram (1450/60-1515) (marble)
'Pilgram's Pulpit', decorated with busts of the Four Fathers of the Church, theologians representing the four physiognomic temperaments, the sculptor himself looks out from a 'window' below, by Anton Pilgram (1450/60-1515) (marble)

XAM79054: 'Pilgram's Pulpit', decorated with busts of the Four Fathers of the Church, theologians representing the four physiognomic temperaments, the sculptor himself looks out from a 'window' below, by Anton Pilgram (1450/60-1515) (marble), Austrian School, (16th century) / Bridgeman Images

The Death of General Wolfe, 1759, from 'The History of the United States', Vol. I, by Charles Mackay, engraved by S. Smith (engraving) (see also 10540 119752, & 153197)
The Death of General Wolfe, 1759, from 'The History of the United States', Vol. I, by Charles Mackay, engraved by S. Smith (engraving) (see also 10540 119752, & 153197)

BAL124902: The Death of General Wolfe, 1759, from 'The History of the United States', Vol. I, by Charles Mackay, engraved by S. Smith (engraving) (see also 10540 119752, & 153197), West, Benjamin (1738-1820) (after) / Bridgeman Images

Central part of Greenfield, from 'Historical Collections of Massachusetts', by John Warner Barber, engraved by S. E. Brown, 1839 (engraving)
Central part of Greenfield, from 'Historical Collections of Massachusetts', by John Warner Barber, engraved by S. E. Brown, 1839 (engraving)

BAL124938: Central part of Greenfield, from 'Historical Collections of Massachusetts', by John Warner Barber, engraved by S. E. Brown, 1839 (engraving), Barber, John Warner (1798-1885) (after) / Bridgeman Images

Portrait of John Winthrop (1588-1649) from 'Connecticut Historical Collections', by John Warner Barber, 1856 (engraving)
Portrait of John Winthrop (1588-1649) from 'Connecticut Historical Collections', by John Warner Barber, 1856 (engraving)

BAL124959: Portrait of John Winthrop (1588-1649) from 'Connecticut Historical Collections', by John Warner Barber, 1856 (engraving), American School, (19th century) / Bridgeman Images

Oosbegs of Mooraud Bey, plate 20 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by W.L. Walker, 1848 (litho)
Oosbegs of Mooraud Bey, plate 20 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by W.L. Walker, 1848 (litho)

STC110576: Oosbegs of Mooraud Bey, plate 20 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by W.L. Walker, 1848 (litho), Rattray, James (fl.1847-51) (after) / Bridgeman Images

Harrow School Room from 'History of Harrow School', part of 'History of the Colleges', engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint)
Harrow School Room from 'History of Harrow School', part of 'History of the Colleges', engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint)

STC110595: Harrow School Room from 'History of Harrow School', part of 'History of the Colleges', engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images

Sir William Francis Patrick Napier (1785-1860) (engraving)
Sir William Francis Patrick Napier (1785-1860) (engraving)

KWE110626: Sir William Francis Patrick Napier (1785-1860) (engraving), English School, (19th century) / Bridgeman Images

Birds of Paradise and a Guinea Fowl, from 'A History of the Earth and Animated Nature', by Oliver Goldsmith, published in  London, 1816 (copper plate engraving)
Birds of Paradise and a Guinea Fowl, from 'A History of the Earth and Animated Nature', by Oliver Goldsmith, published in  London, 1816 (copper plate engraving)

KWE110653: Birds of Paradise and a Guinea Fowl, from 'A History of the Earth and Animated Nature', by Oliver Goldsmith, published in London, 1816 (copper plate engraving), Seve, Jacques de (fl.1788-1816) / Bridgeman Images

Moslem Physician (Syrian) Takes Pulse of Woman Patient, 1820s (litho)
Moslem Physician (Syrian) Takes Pulse of Woman Patient, 1820s (litho)

KWE110665: Moslem Physician (Syrian) Takes Pulse of Woman Patient, 1820s (litho), English School, (19th century) / Bridgeman Images

New Orleans University, 1880s (engraving)
New Orleans University, 1880s (engraving)

KWE110683: New Orleans University, 1880s (engraving), American School, (19th century) / Bridgeman Images

View of Auckland Harbour, illustration from 'The Return to the World', 1865 (engraving)
View of Auckland Harbour, illustration from 'The Return to the World', 1865 (engraving)

KWE110691: View of Auckland Harbour, illustration from 'The Return to the World', 1865 (engraving), Spanish School / Bridgeman Images

Aphrodite, copy of original, c. 5th century BC (marble)
Aphrodite, copy of original, c. 5th century BC (marble)

PWI110901: Aphrodite, copy of original, c. 5th century BC (marble), Alcamenes (5th century BC) (attr. to) / Bridgeman Images


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