PFA123520:
Portrait of a Man Wearing a Black Coat, 1531 (oil on panel) (pair of 123521), German School, (16th century) / Bridgeman Images
ID: PFA123520
Portrait of a Man Wearing a Black Coat, 1531 (oil on panel) (pair of 123521)
German School, (16th century)
PFA123526:
St. Jerome (oil on canvas), Bigot, Trophime (c.1595-p.1650) (studio of) / Bridgeman Images
ID: PFA123526
St. Jerome (oil on canvas)
Bigot, Trophime (c.1595-p.1650) (studio of)
PFA123532:
Portrait of a Gentleman Wearing a Black Embroidered Doublet and Cloak (oil on panel), Salviati Cecchino, Francesco de Rossi (1510-63) (studio of) / Bridgeman Images
ID: PFA123532
Portrait of a Gentleman Wearing a Black Embroidered Doublet and Cloak (oil on panel)
Salviati Cecchino, Francesco de Rossi (1510-63) (studio of)
PFA123576:
Zebras in a Landscape (oil on canvas), Kuhnert, Wilhelm (1865-1926) / Bridgeman Images
ID: PFA123576
Zebras in a Landscape (oil on canvas)
Kuhnert, Wilhelm (1865-1926)
TPG123766:
Norman Doorway, Killeshin, County Carlow, photographed by William Lawrence (fl.1870-80) (sepia photo), Lawrence, William M. (1840-1932) / Bridgeman Images
ID: TPG123766
Norman Doorway, Killeshin, County Carlow, photographed by William Lawrence (fl.1870-80) (sepia photo)
Lawrence, William M. (1840-1932)
TPG123769:
The Round Tower, Kildare, photographed by William Lawrence (fl.1870-80) (sepia photo), Lawrence, William M. (1840-1932) / Bridgeman Images
ID: TPG123769
The Round Tower, Kildare, photographed by William Lawrence (fl.1870-80) (sepia photo)
Lawrence, William M. (1840-1932)
TPG123772:
Ruins on Innis Mac Saint, Lough Erne, photographed by William Lawrence (fl.1870-80) (sepia photo), Lawrence, William M. (1840-1932) / Bridgeman Images
ID: TPG123772
Ruins on Innis Mac Saint, Lough Erne, photographed by William Lawrence (fl.1870-80) (sepia photo)
Lawrence, William M. (1840-1932)
CWA123990:
John Edwin (1749-90) and Sarah Siddons (1755-1831) (w/c on paper), Keate, Georgiana Jane (1770-1850) / Bridgeman Images
ID: CWA123990
John Edwin (1749-90) and Sarah Siddons (1755-1831) (w/c on paper)
Keate, Georgiana Jane (1770-1850)
BAL124121:
Battle of Sacramento: Terrific Charge of the Mexican Lancers, February 28th 1847, engraved and published by Nathanial Currier (1813-88) 1847 (litho) (b&w photo), Telfer, R. (19th century) (after) / Bridgeman Images
ID: BAL124121
Battle of Sacramento: Terrific Charge of the Mexican Lancers, February 28th 1847, engraved and published by Nathanial Currier (1813-88) 1847 (litho) (b&w photo)
Telfer, R. (19th century) (after)
DND112468:
The entrance to Parsvanath or Chaumukha Temple (photo), Indian School / Bridgeman Images
ID: DND112468
The entrance to Parsvanath or Chaumukha Temple (photo)
Indian School
MAA112533:
Blue Mountains (oil on board), English School, (19th century) / Bridgeman Images
ID: MAA112533
Blue Mountains (oil on board)
English School, (19th century)
LMG112957:
North East View of Kirkstall Abbey, 1777 (w/c on paper), Griffiths, Moses (1749-1819) / Bridgeman Images
ID: LMG112957
North East View of Kirkstall Abbey, 1777 (w/c on paper)
Griffiths, Moses (1749-1819)
BEN112968:
The Triumph of Death, detail of a devil carrying away a sinner into hell, 1348 (fresco), Orcagna, Andrea di Cione (c.1308-68) / Bridgeman Images
ID: BEN112968
The Triumph of Death, detail of a devil carrying away a sinner into hell, 1348 (fresco)
Orcagna, Andrea di Cione (c.1308-68)
BAL124247:
General view of the Chateau d'Azay-le-Rideau, built for Gilles Bertholet, 1518-27 (photo), French School, (16th century) / Bridgeman Images
ID: BAL124247
General view of the Chateau d'Azay-le-Rideau, built for Gilles Bertholet, 1518-27 (photo)
French School, (16th century)
REY124340:
Spring (etching), Vogeler, Heinrich Johann (1872-1942) / Bridgeman Images
ID: REY124340
Spring (etching)
Vogeler, Heinrich Johann (1872-1942)
PFA124415:
A Musical Evening (oil on canvas), Webster, Thomas (1800-86) / Bridgeman Images
ID: PFA124415
A Musical Evening (oil on canvas)
Webster, Thomas (1800-86)
PFA124485:
Tracked (oil on canvas), Hillingford, Robert Alexander (1825-1904) / Bridgeman Images
ID: PFA124485
Tracked (oil on canvas)
Hillingford, Robert Alexander (1825-1904)
PFA124488:
Van Dyck's First Love, 1871 (oil on canvas), Hillingford, Robert Alexander (1825-1904) / Bridgeman Images
ID: PFA124488
Van Dyck's First Love, 1871 (oil on canvas)
Hillingford, Robert Alexander (1825-1904)
BAL124503:
Battle of New Orleans, 8th January 1815, from 'Gleason's Pictorial', 1854 (engraving) (b&w photo), Merritt, Thomas Light (fl.1837 d.1870) (after) / Bridgeman Images
ID: BAL124503
Battle of New Orleans, 8th January 1815, from 'Gleason's Pictorial', 1854 (engraving) (b&w photo)
Merritt, Thomas Light (fl.1837 d.1870) (after)
BAL124512:
Battle of Cerro Gordo, April 1847 (engraving) (b&w photo), Chappel, Alonzo (1828-87) (after) / Bridgeman Images
ID: BAL124512
Battle of Cerro Gordo, April 1847 (engraving) (b&w photo)
Chappel, Alonzo (1828-87) (after)
BAL124574:
The Centennial Fourth: Illumination of Independence Hall, Philadelphia, from 'Harper's Weekly', July 22nd 1876 (engraving) (b&w photo), American School, (19th century) / Bridgeman Images
ID: BAL124574
The Centennial Fourth: Illumination of Independence Hall, Philadelphia, from 'Harper's Weekly', July 22nd 1876 (engraving) (b&w photo)
American School, (19th century)
BAT113366:
Christ Baptising St. John the Baptist, tapestry depicting scenes from the life of the saint (textile), Pollaiuolo, Antonio (1432/3-98) / Bridgeman Images
ID: BAT113366
Christ Baptising St. John the Baptist, tapestry depicting scenes from the life of the saint (textile)
Pollaiuolo, Antonio (1432/3-98)
DRE124688:
Frogs, engraved, from 'Physica Sacra', by Johan Jacob Schuchzer, Augsberg, 1731-35 (copper engraving), German School, (18th century) / Bridgeman Images
ID: DRE124688
Frogs, engraved, from 'Physica Sacra', by Johan Jacob Schuchzer, Augsberg, 1731-35 (copper engraving)
XAM79054:
'Pilgram's Pulpit', decorated with busts of the Four Fathers of the Church, theologians representing the four physiognomic temperaments, the sculptor himself looks out from a 'window' below, by Anton Pilgram (1450/60-1515) (marble), Austrian School, (16th century) / Bridgeman Images
ID: XAM79054
'Pilgram's Pulpit', decorated with busts of the Four Fathers of the Church, theologians representing the four physiognomic temperaments, the sculptor himself looks out from a 'window' below, by Anton Pilgram (1450/60-1515) (marble)
Austrian School, (16th century)
BAL124902:
The Death of General Wolfe, 1759, from 'The History of the United States', Vol. I, by Charles Mackay, engraved by S. Smith (engraving) (see also 10540 119752, & 153197), West, Benjamin (1738-1820) (after) / Bridgeman Images
ID: BAL124902
The Death of General Wolfe, 1759, from 'The History of the United States', Vol. I, by Charles Mackay, engraved by S. Smith (engraving) (see also 10540 119752, & 153197)
West, Benjamin (1738-1820) (after)
BAL124938:
Central part of Greenfield, from 'Historical Collections of Massachusetts', by John Warner Barber, engraved by S. E. Brown, 1839 (engraving), Barber, John Warner (1798-1885) (after) / Bridgeman Images
ID: BAL124938
Central part of Greenfield, from 'Historical Collections of Massachusetts', by John Warner Barber, engraved by S. E. Brown, 1839 (engraving)
Barber, John Warner (1798-1885) (after)
BAL124959:
Portrait of John Winthrop (1588-1649) from 'Connecticut Historical Collections', by John Warner Barber, 1856 (engraving), American School, (19th century) / Bridgeman Images
ID: BAL124959
Portrait of John Winthrop (1588-1649) from 'Connecticut Historical Collections', by John Warner Barber, 1856 (engraving)
American School, (19th century)
STC110576:
Oosbegs of Mooraud Bey, plate 20 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by W.L. Walker, 1848 (litho), Rattray, James (fl.1847-51) (after) / Bridgeman Images
ID: STC110576
Oosbegs of Mooraud Bey, plate 20 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by W.L. Walker, 1848 (litho)
Rattray, James (fl.1847-51) (after)
STC110595:
Harrow School Room from 'History of Harrow School', part of 'History of the Colleges', engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint), Pugin, Augustus Charles (1762-1832) (after) / Bridgeman Images
ID: STC110595
Harrow School Room from 'History of Harrow School', part of 'History of the Colleges', engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint)
Pugin, Augustus Charles (1762-1832) (after)
KWE110626:
Sir William Francis Patrick Napier (1785-1860) (engraving), English School, (19th century) / Bridgeman Images
ID: KWE110626
Sir William Francis Patrick Napier (1785-1860) (engraving)
English School, (19th century)
KWE110653:
Birds of Paradise and a Guinea Fowl, from 'A History of the Earth and Animated Nature', by Oliver Goldsmith, published in London, 1816 (copper plate engraving), Seve, Jacques de (fl.1788-1816) / Bridgeman Images
ID: KWE110653
Birds of Paradise and a Guinea Fowl, from 'A History of the Earth and Animated Nature', by Oliver Goldsmith, published in London, 1816 (copper plate engraving)
Seve, Jacques de (fl.1788-1816)
KWE110665:
Moslem Physician (Syrian) Takes Pulse of Woman Patient, 1820s (litho), English School, (19th century) / Bridgeman Images
ID: KWE110665
Moslem Physician (Syrian) Takes Pulse of Woman Patient, 1820s (litho)
English School, (19th century)
KWE110683:
New Orleans University, 1880s (engraving), American School, (19th century) / Bridgeman Images
ID: KWE110683
New Orleans University, 1880s (engraving)
American School, (19th century)
KWE110691:
View of Auckland Harbour, illustration from 'The Return to the World', 1865 (engraving), Spanish School / Bridgeman Images
ID: KWE110691
View of Auckland Harbour, illustration from 'The Return to the World', 1865 (engraving)
Spanish School
PWI110901:
Aphrodite, copy of original, c. 5th century BC (marble), Alcamenes (5th century BC) (attr. to) / Bridgeman Images
ID: PWI110901
Aphrodite, copy of original, c. 5th century BC (marble)