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Crib, Nevers (spun glass in wooden frame)
Crib, Nevers (spun glass in wooden frame)

XIR186234: Crib, Nevers (spun glass in wooden frame), French School, (18th century) / Bridgeman Images

ID: XIR186234

Crib, Nevers (spun glass in wooden frame)

French School, (18th century)

Portrait of a Woman (pencil on paper)
Portrait of a Woman (pencil on paper)

XIR186237: Portrait of a Woman (pencil on paper), Dumonstier, or Dumoustier, Daniel (1574-1646) / Bridgeman Images

ID: XIR186237

Portrait of a Woman (pencil on paper)

Dumonstier, or Dumoustier, Daniel (1574-1646)

The Grands Boulevards in 1804 (drawing)
The Grands Boulevards in 1804 (drawing)

XIR186267: The Grands Boulevards in 1804 (drawing), Garbizza, Angelo (fl.1800-30) (attr. to) / Bridgeman Images

ID: XIR186267

The Grands Boulevards in 1804 (drawing)

Garbizza, Angelo (fl.1800-30) (attr. to)

Portrait of a Doctor (oil on canvas)
Portrait of a Doctor (oil on canvas)

XIR186291: Portrait of a Doctor (oil on canvas), Montemezzano, Francesco (c.1540-c.1602) / Bridgeman Images

ID: XIR186291

Portrait of a Doctor (oil on canvas)

Montemezzano, Francesco (c.1540-c.1602)

Double-Faced Helmet Mask, Ejagham Culture, from Nigeria or Cameroon (wood, skin, nails & bones) (see also 186313-315)
Double-Faced Helmet Mask, Ejagham Culture, from Nigeria or Cameroon (wood, skin, nails & bones) (see also 186313-315)

HSC186316: Double-Faced Helmet Mask, Ejagham Culture, from Nigeria or Cameroon (wood, skin, nails & bones) (see also 186313-315), African School / Bridgeman Images

ID: HSC186316

Double-Faced Helmet Mask, Ejagham Culture, from Nigeria or Cameroon (wood, skin, nails & bones) (see also 186313-315)

African School

Akan Bracelet, from Ghana (silver) (see also 186339-340)
Akan Bracelet, from Ghana (silver) (see also 186339-340)

HSC186338: Akan Bracelet, from Ghana (silver) (see also 186339-340), African School / Bridgeman Images

ID: HSC186338

Akan Bracelet, from Ghana (silver) (see also 186339-340)

African School

Portrait of Sir Joshua Reynolds (1732-92) engraved by N. Schiavonetti, pub. 1810 (engraving)
Portrait of Sir Joshua Reynolds (1732-92) engraved by N. Schiavonetti, pub. 1810 (engraving)

PML125397: Portrait of Sir Joshua Reynolds (1732-92) engraved by N. Schiavonetti, pub. 1810 (engraving), Reynolds, Joshua (1723-92) (after) / Bridgeman Images

ID: PML125397

Portrait of Sir Joshua Reynolds (1732-92) engraved by N. Schiavonetti, pub. 1810 (engraving)

Reynolds, Joshua (1723-92) (after)

Carved Putto, c.1700 (gilded limewood with original polychrome)
Carved Putto, c.1700 (gilded limewood with original polychrome)

JBT160333: Carved Putto, c.1700 (gilded limewood with original polychrome), German School, (18th century) / Bridgeman Images

ID: JBT160333

Carved Putto, c.1700 (gilded limewood with original polychrome)

German School, (18th century)

Peasants with Fruit and Flowers, engraved by J.B. Michel, pub. by John & Josiah Boydell, 1786 (stipple engraving)
Peasants with Fruit and Flowers, engraved by J.B. Michel, pub. by John & Josiah Boydell, 1786 (stipple engraving)

NP125545: Peasants with Fruit and Flowers, engraved by J.B. Michel, pub. by John & Josiah Boydell, 1786 (stipple engraving), Peters, Rev. Matthew William (1742-1814) (after) / Bridgeman Images

ID: NP125545

Peasants with Fruit and Flowers, engraved by J.B. Michel, pub. by John & Josiah Boydell, 1786 (stipple engraving)

Peters, Rev. Matthew William (1742-1814) (after)

Catching Duck (oil on panel)
Catching Duck (oil on panel)

MFA160395: Catching Duck (oil on panel), Cabel, Arentsz van der (1586-1635) / Bridgeman Images

ID: MFA160395

Catching Duck (oil on panel)

Cabel, Arentsz van der (1586-1635)

A Breezy Day at Scarborough (watercolour)
A Breezy Day at Scarborough (watercolour)

AGN125630: A Breezy Day at Scarborough (watercolour), Fielding, Anthony Vandyke Copley (1787-1855) / Bridgeman Images

ID: AGN125630

A Breezy Day at Scarborough (watercolour)

Fielding, Anthony Vandyke Copley (1787-1855)

Head of a Boy (chalk on paper)
Head of a Boy (chalk on paper)

AGN125651: Head of a Boy (chalk on paper), Boucher, Francois (1703-70) / Bridgeman Images

ID: AGN125651

Head of a Boy (chalk on paper)

Boucher, Francois (1703-70)

Portrait of Horace Walpole (1717-97) Count of Orford, engraved by G. Madeley, 1754 (engraving) (b/w photo)
Portrait of Horace Walpole (1717-97) Count of Orford, engraved by G. Madeley, 1754 (engraving) (b/w photo)

XIR160433: Portrait of Horace Walpole (1717-97) Count of Orford, engraved by G. Madeley, 1754 (engraving) (b/w photo), English School, (18th century) / Bridgeman Images

ID: XIR160433

Portrait of Horace Walpole (1717-97) Count of Orford, engraved by G. Madeley, 1754 (engraving) (b/w photo)

English School, (18th century)

Snipe Shooting, etched by Thomas Rowlandson (1756-1827), pub. by J. Harris, 1789 (coloured etching) (see also 125724-26)
Snipe Shooting, etched by Thomas Rowlandson (1756-1827), pub. by J. Harris, 1789 (coloured etching) (see also 125724-26)

NP125727: Snipe Shooting, etched by Thomas Rowlandson (1756-1827), pub. by J. Harris, 1789 (coloured etching) (see also 125724-26), Morland, George (1763-1804) (after) / Bridgeman Images

ID: NP125727

Snipe Shooting, etched by Thomas Rowlandson (1756-1827), pub. by J. Harris, 1789 (coloured etching) (see also 125724-26)

Morland, George (1763-1804) (after)

St. Dunstan's, Fleet Street, from 'London As It Is', engraved and pub. by the artist, 1842 (colour litho)
St. Dunstan's, Fleet Street, from 'London As It Is', engraved and pub. by the artist, 1842 (colour litho)

NP125776: St. Dunstan's, Fleet Street, from 'London As It Is', engraved and pub. by the artist, 1842 (colour litho), Boys, Thomas Shotter (1803-74) / Bridgeman Images

ID: NP125776

St. Dunstan's, Fleet Street, from 'London As It Is', engraved and pub. by the artist, 1842 (colour litho)

Boys, Thomas Shotter (1803-74)

Review of the English Troops at Montmartre by the Duke of Wellington, 21st October 1815, engraved by M. Dubourg, 1817 (lithograph)
Review of the English Troops at Montmartre by the Duke of Wellington, 21st October 1815, engraved by M. Dubourg, 1817 (lithograph)

XIR160482: Review of the English Troops at Montmartre by the Duke of Wellington, 21st October 1815, engraved by M. Dubourg, 1817 (lithograph), Scharf, George Snr (1788-1860) (after) / Bridgeman Images

ID: XIR160482

Review of the English Troops at Montmartre by the Duke of Wellington, 21st October 1815, engraved by M. Dubourg, 1817 (lithograph)

Scharf, George Snr (1788-1860) (after)

The Adoration of the Magi Triptych (oil on panel), c.1510 (right panel)
The Adoration of the Magi Triptych (oil on panel), c.1510 (right panel)

BRN160565: The Adoration of the Magi Triptych (oil on panel), c.1510 (right panel), Leyden, Lucas van (c.1494-1533) / Bridgeman Images

ID: BRN160565

The Adoration of the Magi Triptych (oil on panel), c.1510 (right panel)

Leyden, Lucas van (c.1494-1533)

Madonna and Child (oil on panel)
Madonna and Child (oil on panel)

BRN160659: Madonna and Child (oil on panel), David, Gerard (c.1460-1523) / Bridgeman Images

ID: BRN160659

Madonna and Child (oil on panel)

David, Gerard (c.1460-1523)

Gabled houses (photo)
Gabled houses (photo)

HJA160689: Gabled houses (photo), Swedish School, (18th century) / Bridgeman Images

ID: HJA160689

Gabled houses (photo)

Swedish School, (18th century)

The Child and the Doll (pen and w/c on paper)
The Child and the Doll (pen and w/c on paper)

BI160800: The Child and the Doll (pen and w/c on paper), Ostade, Adriaen Jansz. van (1610-85) / Bridgeman Images

ID: BI160800

The Child and the Doll (pen and w/c on paper)

Ostade, Adriaen Jansz. van (1610-85)

Seated Man seen from Below (black chalk on paper) (verso) (see 160812 for recto)
Seated Man seen from Below (black chalk on paper) (verso) (see 160812 for recto)

BI160813: Seated Man seen from Below (black chalk on paper) (verso) (see 160812 for recto), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: BI160813

Seated Man seen from Below (black chalk on paper) (verso) (see 160812 for recto)

Tintoretto, Jacopo Robusti (1518-94)

Landscape with Peasants and Goats (oil on copper laid on panel)
Landscape with Peasants and Goats (oil on copper laid on panel)

JVH160850: Landscape with Peasants and Goats (oil on copper laid on panel), Heusch, Willem de (1625-92) / Bridgeman Images

ID: JVH160850

Landscape with Peasants and Goats (oil on copper laid on panel)

Heusch, Willem de (1625-92)

Design for 'The Waterloo Allegory', c.1815-22 (pen and black ink on paper)
Design for 'The Waterloo Allegory', c.1815-22 (pen and black ink on paper)

FIT167642: Design for 'The Waterloo Allegory', c.1815-22 (pen and black ink on paper), Ward, James (1769-1859) / Bridgeman Images

ID: FIT167642

Design for 'The Waterloo Allegory', c.1815-22 (pen and black ink on paper)

Ward, James (1769-1859)

Abraham and the Angels (pen and brown ink, brown wash over pencil on paper)
Abraham and the Angels (pen and brown ink, brown wash over pencil on paper)

FIT167652: Abraham and the Angels (pen and brown ink, brown wash over pencil on paper), Giani, Felice (1758-1823) / Bridgeman Images

ID: FIT167652

Abraham and the Angels (pen and brown ink, brown wash over pencil on paper)

Giani, Felice (1758-1823)

Presages of the Millennium, published 1795 (hand coloured etching)
Presages of the Millennium, published 1795 (hand coloured etching)

FIT167669: Presages of the Millennium, published 1795 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: FIT167669

Presages of the Millennium, published 1795 (hand coloured etching)

Gillray, James (1757-1815)

Rose Trees, 1875 (oil on canvas)
Rose Trees, 1875 (oil on canvas)

MFA167720: Rose Trees, 1875 (oil on canvas), Fantin-Latour, Ignace Henri Jean (1836-1904) / Bridgeman Images

ID: MFA167720

Rose Trees, 1875 (oil on canvas)

Fantin-Latour, Ignace Henri Jean (1836-1904)

A Nobleman at the Theatre de l'Opera, 1687 (engraving) (b/w photo)
A Nobleman at the Theatre de l'Opera, 1687 (engraving) (b/w photo)

CHT167864: A Nobleman at the Theatre de l'Opera, 1687 (engraving) (b/w photo), Saint-Jean, Jean Dieu de (fl.1671-1709) / Bridgeman Images

ID: CHT167864

A Nobleman at the Theatre de l'Opera, 1687 (engraving) (b/w photo)

Saint-Jean, Jean Dieu de (fl.1671-1709)

Kozna Ulicka, Prague, illustration from 'Stara Praha (Old Prague)', 1895 (litho)
Kozna Ulicka, Prague, illustration from 'Stara Praha (Old Prague)', 1895 (litho)

CHT167914: Kozna Ulicka, Prague, illustration from 'Stara Praha (Old Prague)', 1895 (litho), Jansa, Vaclav (1859-1913) / Bridgeman Images

ID: CHT167914

Kozna Ulicka, Prague, illustration from 'Stara Praha (Old Prague)', 1895 (litho)

Jansa, Vaclav (1859-1913)

Crozier head depicting St. Michael Vanquishing the Dragon, Limoges, c.1220-30 (copper, champleve, enamel and gilt)
Crozier head depicting St. Michael Vanquishing the Dragon, Limoges, c.1220-30 (copper, champleve, enamel and gilt)

FIT168027: Crozier head depicting St. Michael Vanquishing the Dragon, Limoges, c.1220-30 (copper, champleve, enamel and gilt), French School, (13th century) / Bridgeman Images

ID: FIT168027

Crozier head depicting St. Michael Vanquishing the Dragon, Limoges, c.1220-30 (copper, champleve, enamel and gilt)

French School, (13th century)

Pew Group, Staffordshire, c.1745 (salt-glazed stoneware)
Pew Group, Staffordshire, c.1745 (salt-glazed stoneware)

FIT168034: Pew Group, Staffordshire, c.1745 (salt-glazed stoneware), English School, (18th century) / Bridgeman Images

ID: FIT168034

Pew Group, Staffordshire, c.1745 (salt-glazed stoneware)

English School, (18th century)

Cycladic female figurine from Ios, c.2200-2000 BC (marble)
Cycladic female figurine from Ios, c.2200-2000 BC (marble)

FIT168046: Cycladic female figurine from Ios, c.2200-2000 BC (marble), Greek / Bridgeman Images

ID: FIT168046

Cycladic female figurine from Ios, c.2200-2000 BC (marble)

Greek

Relief of a man seated beside a table, Amarna Period (limestone)
Relief of a man seated beside a table, Amarna Period (limestone)

FIT168049: Relief of a man seated beside a table, Amarna Period (limestone), Egyptian / Bridgeman Images

ID: FIT168049

Relief of a man seated beside a table, Amarna Period (limestone)

Egyptian

Anglo-French Convention signed in London by Paul Cambon (1843-1924) the French Ambassador, and Lord Salisbury (1830-1904) the British Prime Minister, from 'Le Petit Journal', 9th April 1899 (coloured engraving)
Anglo-French Convention signed in London by Paul Cambon (1843-1924) the French Ambassador, and Lord Salisbury (1830-1904) the British Prime Minister, from 'Le Petit Journal', 9th April 1899 (coloured engraving)

XIR125800: Anglo-French Convention signed in London by Paul Cambon (1843-1924) the French Ambassador, and Lord Salisbury (1830-1904) the British Prime Minister, from 'Le Petit Journal', 9th April 1899 (coloured engraving), Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915) / Bridgeman Images

ID: XIR125800

Anglo-French Convention signed in London by Paul Cambon (1843-1924) the French Ambassador, and Lord Salisbury (1830-1904) the British Prime Minister, from 'Le Petit Journal', 9th April 1899 (coloured engraving)

Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915)

Rosa indica pumila (dwarf Bengal rose), engraved by Chapuy, from 'Les Roses', 1817-24 (coloured aquatint)
Rosa indica pumila (dwarf Bengal rose), engraved by Chapuy, from 'Les Roses', 1817-24 (coloured aquatint)

NP125920: Rosa indica pumila (dwarf Bengal rose), engraved by Chapuy, from 'Les Roses', 1817-24 (coloured aquatint), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images

ID: NP125920

Rosa indica pumila (dwarf Bengal rose), engraved by Chapuy, from 'Les Roses', 1817-24 (coloured aquatint)

Redoute, Pierre Joseph (1759-1840) (after)

Indian Reed, engraved by Caldwall, from 'The Temple of Flora' by Robert Thornton, pub. 1804 (coloured engraving)
Indian Reed, engraved by Caldwall, from 'The Temple of Flora' by Robert Thornton, pub. 1804 (coloured engraving)

NP125929: Indian Reed, engraved by Caldwall, from 'The Temple of Flora' by Robert Thornton, pub. 1804 (coloured engraving), Henderson, Peter Charles (fl.1799-d.1829) (after) / Bridgeman Images

ID: NP125929

Indian Reed, engraved by Caldwall, from 'The Temple of Flora' by Robert Thornton, pub. 1804 (coloured engraving)

Henderson, Peter Charles (fl.1799-d.1829) (after)

Lepus Artemesia (Worm Wood Hare), plate 88 from 'Quadrupeds of North America', engraved by John T. Bowen (1801-c.1856), 1846 (colour litho)
Lepus Artemesia (Worm Wood Hare), plate 88 from 'Quadrupeds of North America', engraved by John T. Bowen (1801-c.1856), 1846 (colour litho)

NP125947: Lepus Artemesia (Worm Wood Hare), plate 88 from 'Quadrupeds of North America', engraved by John T. Bowen (1801-c.1856), 1846 (colour litho), Audubon, John James (1785-1851) (after) / Bridgeman Images

ID: NP125947

Lepus Artemesia (Worm Wood Hare), plate 88 from 'Quadrupeds of North America', engraved by John T. Bowen (1801-c.1856), 1846 (colour litho)

Audubon, John James (1785-1851) (after)


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