STC133533:
King's Guard Chamber, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint), Wild, Charles (1781-1835) (after) / Bridgeman Images
ID: STC133533
King's Guard Chamber, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1818 (aquatint)
Wild, Charles (1781-1835) (after)
STC133607:
Costume for the Old Man in Yellow, from The Martyr of St. Sebastian, 1922 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images
ID: STC133607
Costume for the Old Man in Yellow, from The Martyr of St. Sebastian, 1922 (colour litho)
Bakst, Leon (1866-1924)
STC133661:
Costume design for The Fairy Cherry, from Sleeping Beauty, 1921 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images
ID: STC133661
Costume design for The Fairy Cherry, from Sleeping Beauty, 1921 (colour litho)
Bakst, Leon (1866-1924)
STC133664:
Costume design for one of the Prince's Servants, from Sleeping Beauty, 1921 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images
ID: STC133664
Costume design for one of the Prince's Servants, from Sleeping Beauty, 1921 (colour litho)
Bakst, Leon (1866-1924)
FLF133753:
London Bridge (watercolour and gouache on paper), Scarborough (or Scarbrough) Frederick William (1860-1939) / Bridgeman Images
ID: FLF133753
London Bridge (watercolour and gouache on paper)
Scarborough (or Scarbrough) Frederick William (1860-1939)
NAT133847:
Epiphany Customs in an English Village (litho), English School, (19th century) / Bridgeman Images
ID: NAT133847
Epiphany Customs in an English Village (litho)
English School, (19th century)
FIT133920:
Ms 1058-1975 f.11r Herding Swine and Beating Oaks, illuminated calendar page for November, from a Book of Hours, c.1500 (vellum), Flemish School, (16th century) / Bridgeman Images
ID: FIT133920
Ms 1058-1975 f.11r Herding Swine and Beating Oaks, illuminated calendar page for November, from a Book of Hours, c.1500 (vellum)
Flemish School, (16th century)
XJF133936:
Map No.6 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving), Adams, Robert (1540-95) (after) / Bridgeman Images
ID: XJF133936
Map No.6 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving)
NYH185458:
Adriaan Bancker (1724-92) c.1775 (oil on canvas), Durand, John (1731-1805) / Bridgeman Images
ID: NYH185458
Adriaan Bancker (1724-92) c.1775 (oil on canvas)
Durand, John (1731-1805)
XYC185487:
Madras, or Fort St. George, in the Bay of Bengal - A Squall Passing Off, 1833 (oil on canvas), Daniell, William (1769-1837) / Bridgeman Images
ID: XYC185487
Madras, or Fort St. George, in the Bay of Bengal - A Squall Passing Off, 1833 (oil on canvas)
Daniell, William (1769-1837)
BOO185567:
Study of Alexander III (1845-94), Anichkov Palace, St Petersburg (b/w photo), Russian Photographer, (19th century) / Bridgeman Images
ID: BOO185567
Study of Alexander III (1845-94), Anichkov Palace, St Petersburg (b/w photo)
Russian Photographer, (19th century)
PFA185605:
Dutch Fishing Vessel Caught on a Lee Shore with Villagers and a Rescue Boat in the Foreground (oil on canvas), Koekkoek, Hermanus (1815-82) / Bridgeman Images
ID: PFA185605
Dutch Fishing Vessel Caught on a Lee Shore with Villagers and a Rescue Boat in the Foreground (oil on canvas)
Koekkoek, Hermanus (1815-82)
PFA185627:
A Visit to the Farrier, 1834 (oil on canvas), Pistorius, Eduard (1796-1862) / Bridgeman Images
ID: PFA185627
A Visit to the Farrier, 1834 (oil on canvas)
Pistorius, Eduard (1796-1862)
PFA185639:
Sunset on the River (oil on panel), Delpy, Hippolyte Camille (1842-1910) / Bridgeman Images
ID: PFA185639
Sunset on the River (oil on panel)
Delpy, Hippolyte Camille (1842-1910)
FER185652:
On the Medway (Marines Going out to the Indiaman, Northfleet), 1839 (w/c on paper), Chambers, George the Elder (1803-40) / Bridgeman Images
ID: FER185652
On the Medway (Marines Going out to the Indiaman, Northfleet), 1839 (w/c on paper)
Chambers, George the Elder (1803-40)
FER185688:
St. James the Greater, c.1622 (oil on canvas), Vignon, Claude (1593-1670) / Bridgeman Images
ID: FER185688
St. James the Greater, c.1622 (oil on canvas)
Vignon, Claude (1593-1670)
FER185697:
Shepherd Boy and Cow, late 17th century (oil on canvas), Nunez de Villavicenzio, Pedro (1644-1700) / Bridgeman Images
ID: FER185697
Shepherd Boy and Cow, late 17th century (oil on canvas)
Nunez de Villavicenzio, Pedro (1644-1700)
KWE134055:
View of Taranto, Italy, from 'The Picturesque Mediterranean', Volume 3, published by Cassell and Co. Ltd., 1880s-90s (engraving), English School, (19th century) / Bridgeman Images
ID: KWE134055
View of Taranto, Italy, from 'The Picturesque Mediterranean', Volume 3, published by Cassell and Co. Ltd., 1880s-90s (engraving)
English School, (19th century)
KWE134076:
Mary Anointing The Saviour's Feet, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving), Hopwood, William (1784-1853) / Bridgeman Images
ID: KWE134076
Mary Anointing The Saviour's Feet, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)
Hopwood, William (1784-1853)
STC134085:
Westminster from Waterloo Bridge, incorporating the Shot Tower, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 14208), Boys, Thomas Shotter (1803-74) / Bridgeman Images
ID: STC134085
Westminster from Waterloo Bridge, incorporating the Shot Tower, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 14208)
STC134140:
Pygmalion is Enamoured With a Statue he Has Made, And at his Prayer Venus Transforms it into a Woman, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images
ID: STC134140
Pygmalion is Enamoured With a Statue he Has Made, And at his Prayer Venus Transforms it into a Woman, 1731 (engraving)
Picart, Bernard (1673-1733)
XJF134187:
Satire on the works of Alexander Pope (1688-1744) (engraving), English School, (18th century) / Bridgeman Images
ID: XJF134187
Satire on the works of Alexander Pope (1688-1744) (engraving)
English School, (18th century)
STC134221:
Venus Riding her Chariot Drawn by Dolphins, illustration from Book 1 Part 6 Chapter 11 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Michiel van der Gucht (1660-1725), 1694 (engraving), Freman, G (fl. 17th century) / Bridgeman Images
ID: STC134221
Venus Riding her Chariot Drawn by Dolphins, illustration from Book 1 Part 6 Chapter 11 of 'The Principles of Philosophy' by Anthony Le Grand, engraved by Michiel van der Gucht (1660-1725), 1694 (engraving)
Freman, G (fl. 17th century)
PFA134401:
The Reading Lesson, 1874 (oil on canvas), Eggert, Sigmund (1839-96) / Bridgeman Images
ID: PFA134401
The Reading Lesson, 1874 (oil on canvas)
Eggert, Sigmund (1839-96)
PFA134414:
Llyn Llyndaw, 1873 (oil on canvas), Percy, Sidney Richard (1821-86) / Bridgeman Images
ID: PFA134414
Llyn Llyndaw, 1873 (oil on canvas)
Percy, Sidney Richard (1821-86)
XYC134473:
The Temple of Venus and Rome, Rome, 1840 (oil on paper laid on cardboard), Lear, Edward (1812-88) / Bridgeman Images
ID: XYC134473
The Temple of Venus and Rome, Rome, 1840 (oil on paper laid on cardboard)
Lear, Edward (1812-88)
CHT185997:
Ms 438 The Month of March: Pruning the Vines, from a Book of Hours, 1490 (vellum), French School, (15th century) / Bridgeman Images
ID: CHT185997
Ms 438 The Month of March: Pruning the Vines, from a Book of Hours, 1490 (vellum)
French School, (15th century)
FER186191:
What You Will, c.1791 (oil on canvas), Smith, John Raphael (1752-1812) / Bridgeman Images