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Jules Verne: The mysterious island. 19th century illustration.
Jules Verne: The mysterious island. 19th century illustration.

GIA4751424: Jules Verne: The mysterious island. 19th century illustration., Unknown Artist, (19th century) / Bridgeman Images

The ascent of Paolo Andreani on 25/2/1784 in Milan. Painting by F. Battaglini.
The ascent of Paolo Andreani on 25/2/1784 in Milan. Painting by F. Battaglini.

GIA4751485: The ascent of Paolo Andreani on 25/2/1784 in Milan. Painting by F. Battaglini., Battaglini, F. (18th-19th century) / Bridgeman Images

The lobster. 19th century
The lobster. 19th century

GIA4751572: The lobster. 19th century, Unknown Artist, (19th century) / Bridgeman Images

Ypres, 21/09/1917. The second Australian vision in the trenches at Polygonnevelde. In the background, Zonnebeke.
Ypres, 21/09/1917. The second Australian vision in the trenches at Polygonnevelde. In the background, Zonnebeke.

GIA4751604: Ypres, 21/09/1917. The second Australian vision in the trenches at Polygonnevelde. In the background, Zonnebeke., Unknown photographer, (20th century) / Bridgeman Images

Portrait of Francesco Saverio Geminiani. Italian musician (Lucca, 1687 in Dublin, 1762).
Portrait of Francesco Saverio Geminiani. Italian musician (Lucca, 1687 in Dublin, 1762).

GIA4751691: Portrait of Francesco Saverio Geminiani. Italian musician (Lucca, 1687 in Dublin, 1762)., Unknown Artist, (19th century) / Bridgeman Images

Miss Fisher woke up after three months in a coma in a clinic in Vienna. La Domenica del corriere. Ill. de Beltrame. 01/02/1903.
Miss Fisher woke up after three months in a coma in a clinic in Vienna. La Domenica del corriere. Ill. de Beltrame. 01/02/1903.

GIA4751943: Miss Fisher woke up after three months in a coma in a clinic in Vienna. La Domenica del corriere. Ill. de Beltrame. 01/02/1903., Beltrame, Achille (1871-1945) / Bridgeman Images

The Perfume, 19th-20th century (charcoal, pastel and sanguine on cardboard)
The Perfume, 19th-20th century (charcoal, pastel and sanguine on cardboard)

FIA5401900: The Perfume, 19th-20th century (charcoal, pastel and sanguine on cardboard), Helleu, Paul Cesar (1859-1927) / Bridgeman Images

FIA5402315: "Portrait of Philippe II (1527-1598), king of Spain", 16th century (oil on canvas), Sanchez Coello, Alonso (c.1531-88) / Bridgeman Images

Still life with plates, a sack filled with olives, game, pomegranates, and quince, 17th century (oil on canvas)
Still life with plates, a sack filled with olives, game, pomegranates, and quince, 17th century (oil on canvas)

FIA5402716: Still life with plates, a sack filled with olives, game, pomegranates, and quince, 17th century (oil on canvas), Barbieri, Paolo Antonio (1603-49) / Bridgeman Images

Portrait Of Francis Bacon (1561-1626), English State And Philosopher, c.1622 (oil on canvas)
Portrait Of Francis Bacon (1561-1626), English State And Philosopher, c.1622 (oil on canvas)

FIA5402752: Portrait Of Francis Bacon (1561-1626), English State And Philosopher, c.1622 (oil on canvas), English School, (17th century) / Bridgeman Images

Pharmacy, 1700 (oil on canvas)
Pharmacy, 1700 (oil on canvas)

FIA5402763: Pharmacy, 1700 (oil on canvas), Anonymous / Bridgeman Images

The distribution of milk at Saint-Lazare prison, c.1794 (oil on paper)
The distribution of milk at Saint-Lazare prison, c.1794 (oil on paper)

FIA5402809: The distribution of milk at Saint-Lazare prison, c.1794 (oil on paper), Robert, Hubert (1733-1808) / Bridgeman Images

The Liberal Arts: the Trivium and the Quadrivium - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517. In medieval teaching, quadrivium referred to the four mathematical arts: arithmetic, music, geometry and astronomy. Quadrivium is distinguished from Trivium, which includes grammar, rhetoric and logic (dialectic). These two branches of knowledge constituted the seven liberal arts, a concept derived from Greek philosophy.
The Liberal Arts: the Trivium and the Quadrivium - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517. In medieval teaching, quadrivium referred to the four mathematical arts: arithmetic, music, geometry and astronomy. Quadrivium is distinguished from Trivium, which includes grammar, rhetoric and logic (dialectic). These two branches of knowledge constituted the seven liberal arts, a concept derived from Greek philosophy.

GIA4752354: The Liberal Arts: the Trivium and the Quadrivium - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517. In medieval teaching, quadrivium referred to the four mathematical arts: arithmetic, music, geometry and astronomy. Quadrivium is distinguished from Trivium, which includes grammar, rhetoric and logic (dialectic). These two branches of knowledge constituted the seven liberal arts, a concept derived from Greek philosophy., Reisch, Gregor (d.1525) / Bridgeman Images

Philosophiae Pauperum by Albert the Great (= Albert Magnus 1206 - 1280), German theologian and philosopher. Brescia, 1493.
Philosophiae Pauperum by Albert the Great (= Albert Magnus 1206 - 1280), German theologian and philosopher. Brescia, 1493.

GIA4752376: Philosophiae Pauperum by Albert the Great (= Albert Magnus 1206 - 1280), German theologian and philosopher. Brescia, 1493., Unknown Artist, (15th century) / Bridgeman Images

Childbirth scene after “Della Commare” by Scipione Mercuri, 1595.
Childbirth scene after “Della Commare” by Scipione Mercuri, 1595.

GIA4752947: Childbirth scene after “Della Commare” by Scipione Mercuri, 1595., Unknown Artist, (16th century) / Bridgeman Images

Knight Templar in war dress of the 14th century, engraving of 1830
Knight Templar in war dress of the 14th century, engraving of 1830

GIA4753148: Knight Templar in war dress of the 14th century, engraving of 1830, Unknown Artist, (19th century) / Bridgeman Images

Le grouper d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.
Le grouper d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.

GIA4753310: Le grouper d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828., French School, (19th century) / Bridgeman Images

Le sargue d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.
Le sargue d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.

GIA4753452: Le sargue d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828., French School, (19th century) / Bridgeman Images

Filling operation of a hydrogen gas flask.
Filling operation of a hydrogen gas flask.

GIA4753538: Filling operation of a hydrogen gas flask., Unknown Artist, (19th century) / Bridgeman Images

Venice the women's regatta on the Grand Canal. Painting by Gabriel Bella. Second half of the 18th century. Venice Raccolta Querini - Stampalia
Venice the women's regatta on the Grand Canal. Painting by Gabriel Bella. Second half of the 18th century. Venice Raccolta Querini - Stampalia

GIA4754380: Venice the women's regatta on the Grand Canal. Painting by Gabriel Bella. Second half of the 18th century. Venice Raccolta Querini - Stampalia, Bella, Gabriele (1730-1799) / Bridgeman Images

Advertising for Amaro Fernet - Branca. Chromolithography. Italy. Early 20th century.
Advertising for Amaro Fernet - Branca. Chromolithography. Italy. Early 20th century.

GIA4754614: Advertising for Amaro Fernet - Branca. Chromolithography. Italy. Early 20th century., Unknown Artist, (20th century) / Bridgeman Images

France, Centre, Cher (18): Portrait of Jacques Francois Augustin Guillaumin (1802-1881), Depute of the Cher
France, Centre, Cher (18): Portrait of Jacques Francois Augustin Guillaumin (1802-1881), Depute of the Cher

LUX4754676: France, Centre, Cher (18): Portrait of Jacques Francois Augustin Guillaumin (1802-1881), Depute of the Cher, Unknown photographer, (20th century) / Bridgeman Images

Publicité pour le vieux Cognac croix rouge des frères Branca. Chromolithographie. Italie. Début du 20eme siecle.
Publicité pour le vieux Cognac croix rouge des frères Branca. Chromolithographie. Italie. Début du 20eme siecle.

GIA4754703: Publicité pour le vieux Cognac croix rouge des frères Branca. Chromolithographie. Italie. Début du 20eme siecle., Unknown Artist, (20th century) / Bridgeman Images

Landscape (Maisema Kolilta) - Koli landscape, 1929 (oil on canvas)
Landscape (Maisema Kolilta) - Koli landscape, 1929 (oil on canvas)

FIA5402918: Landscape (Maisema Kolilta) - Koli landscape, 1929 (oil on canvas), Jarnefelt, Eero (Erik) (1863-1937) / Bridgeman Images

The Firebird and the Gray Wolf, c.1925 (colour litho)
The Firebird and the Gray Wolf, c.1925 (colour litho)

FIA5402994: The Firebird and the Gray Wolf, c.1925 (colour litho), Zvorykin, Boris Vasilievich (1872-1942) / Bridgeman Images

Public Festivities Following The Coronation Of Emperor Alexander Iii On Khodynka Field, 1883 (chromolitho)
Public Festivities Following The Coronation Of Emperor Alexander Iii On Khodynka Field, 1883 (chromolitho)

FIA5403062: Public Festivities Following The Coronation Of Emperor Alexander Iii On Khodynka Field, 1883 (chromolitho), Makovsky, Vladimir Egorovic (1846-1920) / Bridgeman Images

Letters of Abelard and Heloise, 1743 (engraving)
Letters of Abelard and Heloise, 1743 (engraving)

FIA5403102: Letters of Abelard and Heloise, 1743 (engraving), Anonymous / Bridgeman Images

Saint Helena (Roman Imperator, Mother of Constantin I) (around 247/250), 1890s (sepia on paper)
Saint Helena (Roman Imperator, Mother of Constantin I) (around 247/250), 1890s (sepia on paper)

FIA5403121: Saint Helena (Roman Imperator, Mother of Constantin I) (around 247/250), 1890s (sepia on paper), Vasnetsov, Victor Mikhailovich (1848-1926) / Bridgeman Images

Portrait of Anne of Austria (Austria) (1601-1666)-Anne of Austria (1601-1666) (oil on canvas)
Portrait of Anne of Austria (Austria) (1601-1666)-Anne of Austria (1601-1666) (oil on canvas)

FIA5403255: Portrait of Anne of Austria (Austria) (1601-1666)-Anne of Austria (1601-1666) (oil on canvas), Anonymous / Bridgeman Images

Advertising Poster For The Glass And, c.1921-23 (chromolitho)
Advertising Poster For The Glass And, c.1921-23 (chromolitho)

FIA5403503: Advertising Poster For The Glass And, c.1921-23 (chromolitho), Anonymous / Bridgeman Images

Mass at the Cathedral of the Dormition in the Moscow Kremlin, c.1850 (gouache)
Mass at the Cathedral of the Dormition in the Moscow Kremlin, c.1850 (gouache)

FIA5403624: Mass at the Cathedral of the Dormition in the Moscow Kremlin, c.1850 (gouache), Unknown Artist, (19th century) / Bridgeman Images

Oise In Pontoise, 1876 (oil on canvas)
Oise In Pontoise, 1876 (oil on canvas)

FIA5403710: Oise In Pontoise, 1876 (oil on canvas), Pissarro, Camille (1830-1903) / Bridgeman Images

Two Sisters, c.1910 (oil on canvas)
Two Sisters, c.1910 (oil on canvas)

FIA5403915: Two Sisters, c.1910 (oil on canvas), Gose, Francisco Xavier (1876-1915) / Bridgeman Images

19th century English dynamometer, apparatus for measuring force intensity.
19th century English dynamometer, apparatus for measuring force intensity.

GIA4755843: 19th century English dynamometer, apparatus for measuring force intensity., English School, (19th century) / Bridgeman Images

Ducat de Vincenzo Gonzaga (Vincent Gonzague) (1562 - 1612), Duke of Mantua representing a galley.
Ducat de Vincenzo Gonzaga (Vincent Gonzague) (1562 - 1612), Duke of Mantua representing a galley.

GIA4756178: Ducat de Vincenzo Gonzaga (Vincent Gonzague) (1562 - 1612), Duke of Mantua representing a galley., Unknown Artist, (16th century) / Bridgeman Images

Capture of Constantine in Algeria in 1837 by Marshal Valée. Color lithograph of the 19th century.
Capture of Constantine in Algeria in 1837 by Marshal Valée. Color lithograph of the 19th century.

GIA4756199: Capture of Constantine in Algeria in 1837 by Marshal Valée. Color lithograph of the 19th century., Unknown Artist, (19th century) / Bridgeman Images


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