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2497527 Search Results

Mother and daughter on a walk (colour litho)
Mother and daughter on a walk (colour litho)

SNG127761: Mother and daughter on a walk (colour litho), French School, (19th century) / Bridgeman Images

ID: SNG127761

Mother and daughter on a walk (colour litho)

French School, (19th century)

Poster advertising 'W.W. Cole's New 9 Shows Consolidated' (colour litho)
Poster advertising 'W.W. Cole's New 9 Shows Consolidated' (colour litho)

SNG127478: Poster advertising 'W.W. Cole's New 9 Shows Consolidated' (colour litho), American School, (19th century) / Bridgeman Images

ID: SNG127478

Poster advertising 'W.W. Cole's New 9 Shows Consolidated' (colour litho)

American School, (19th century)

'The Four Greatest Singers in the World, But the New Singer Machine is The Best' (colour litho)
'The Four Greatest Singers in the World, But the New Singer Machine is The Best' (colour litho)

SNG127491: 'The Four Greatest Singers in the World, But the New Singer Machine is The Best' (colour litho), American School, (19th century) / Bridgeman Images

ID: SNG127491

'The Four Greatest Singers in the World, But the New Singer Machine is The Best' (colour litho)

American School, (19th century)

Battle of Olszynk Grochowsk, Warsaw, 25 February 1831, 1912 (oil on canvas)
Battle of Olszynk Grochowsk, Warsaw, 25 February 1831, 1912 (oil on canvas)

AGR127715: Battle of Olszynk Grochowsk, Warsaw, 25 February 1831, 1912 (oil on canvas), Kossak, Wojciech (1856-1942) / Bridgeman Images

ID: AGR127715

Battle of Olszynk Grochowsk, Warsaw, 25 February 1831, 1912 (oil on canvas)

Kossak, Wojciech (1856-1942)

Advertisement for 'The Completest Ensemble of The Most Celebrated Stage Performers Ever..' (colour litho)
Advertisement for 'The Completest Ensemble of The Most Celebrated Stage Performers Ever..' (colour litho)

SNG127779: Advertisement for 'The Completest Ensemble of The Most Celebrated Stage Performers Ever..' (colour litho), Singer, Barbara / Bridgeman Images

ID: SNG127779

Advertisement for 'The Completest Ensemble of The Most Celebrated Stage Performers Ever..' (colour litho)

Singer, Barbara

Winchester College Chapel, from 'History of Winchester College', part of 'History of the Colleges', engraved by William James Bennett (1787-1844) pub. by R. Ackermann, 1816 (aquatint)
Winchester College Chapel, from 'History of Winchester College', part of 'History of the Colleges', engraved by William James Bennett (1787-1844) pub. by R. Ackermann, 1816 (aquatint)

STC121747: Winchester College Chapel, from 'History of Winchester College', part of 'History of the Colleges', engraved by William James Bennett (1787-1844) pub. by R. Ackermann, 1816 (aquatint), Mackenzie, Frederick (c.1788-1854) (after) / Bridgeman Images

ID: STC121747

Winchester College Chapel, from 'History of Winchester College', part of 'History of the Colleges', engraved by William James Bennett (1787-1844) pub. by R. Ackermann, 1816 (aquatint)

Mackenzie, Frederick (c.1788-1854) (after)

Virgin, from the church of Oja, Gotland, Sweden, late 13th century (wood)
Virgin, from the church of Oja, Gotland, Sweden, late 13th century (wood)

NUM121815: Virgin, from the church of Oja, Gotland, Sweden, late 13th century (wood), Swedish School / Bridgeman Images

ID: NUM121815

Virgin, from the church of Oja, Gotland, Sweden, late 13th century (wood)

Swedish School

Graveyard (photo)
Graveyard (photo)

RLP121985: Graveyard (photo), Last, Roger / Bridgeman Images

ID: RLP121985

Graveyard (photo)

Last, Roger

The Pier, Zeebrugge (oil on canvas)
The Pier, Zeebrugge (oil on canvas)

WH122057: The Pier, Zeebrugge (oil on canvas), Mathieu, Paul (1872-1932) / Bridgeman Images

ID: WH122057

The Pier, Zeebrugge (oil on canvas)

Mathieu, Paul (1872-1932)

View from a helicopter of the Haj Terminal, designed by Skidmore, Owings and Merrill (photo)
View from a helicopter of the Haj Terminal, designed by Skidmore, Owings and Merrill (photo)

RLP122202: View from a helicopter of the Haj Terminal, designed by Skidmore, Owings and Merrill (photo), Skidmore, Owings & Merrill (SOM) / Bridgeman Images

ID: RLP122202

View from a helicopter of the Haj Terminal, designed by Skidmore, Owings and Merrill (photo)

Skidmore, Owings & Merrill (SOM)

Hospital and Cemetery, Scutari, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Hospital and Cemetery, Scutari, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC121084: Hospital and Cemetery, Scutari, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC121084

Hospital and Cemetery, Scutari, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Interior of the Malakoff, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Interior of the Malakoff, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC121090: Interior of the Malakoff, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC121090

Interior of the Malakoff, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Reproduction of Poster Advertising 'Frossard's Cavour Cigars', 1895 (litho)
Reproduction of Poster Advertising 'Frossard's Cavour Cigars', 1895 (litho)

STC121200: Reproduction of Poster Advertising 'Frossard's Cavour Cigars', 1895 (litho), Meunier, Georges (1869-1942) / Bridgeman Images

ID: STC121200

Reproduction of Poster Advertising 'Frossard's Cavour Cigars', 1895 (litho)

Meunier, Georges (1869-1942)

Wooden lantern above the courtyard of the Suleiman Palace, (photo)
Wooden lantern above the courtyard of the Suleiman Palace, (photo)

RLP122201: Wooden lantern above the courtyard of the Suleiman Palace, (photo), Last, Roger / Bridgeman Images

ID: RLP122201

Wooden lantern above the courtyard of the Suleiman Palace, (photo)

Last, Roger

Ditch of the Bastion du Mat, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Ditch of the Bastion du Mat, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122422: Ditch of the Bastion du Mat, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122422

Ditch of the Bastion du Mat, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Interior of Lord Raglan's Head Quarters, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Interior of Lord Raglan's Head Quarters, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122428: Interior of Lord Raglan's Head Quarters, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122428

Interior of Lord Raglan's Head Quarters, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

The Field of Inkerman, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
The Field of Inkerman, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122444: The Field of Inkerman, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122444

The Field of Inkerman, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Charter House from the Square, from 'History of Charter House School', part of 'History of the Colleges', engraved by Joseph Constantine Stadler (fl.1780-1812) pub. by R. Ackermann, 1816 (aquatint)
Charter House from the Square, from 'History of Charter House School', part of 'History of the Colleges', engraved by Joseph Constantine Stadler (fl.1780-1812) pub. by R. Ackermann, 1816 (aquatint)

STC121715: Charter House from the Square, from 'History of Charter House School', part of 'History of the Colleges', engraved by Joseph Constantine Stadler (fl.1780-1812) pub. by R. Ackermann, 1816 (aquatint), Westall, William (1781-1850) (after) / Bridgeman Images

ID: STC121715

Charter House from the Square, from 'History of Charter House School', part of 'History of the Colleges', engraved by Joseph Constantine Stadler (fl.1780-1812) pub. by R. Ackermann, 1816 (aquatint)

Westall, William (1781-1850) (after)

The Booths (oil on canvas)
The Booths (oil on canvas)

WH122025: The Booths (oil on canvas), Le Sidaner, Henri Eugene Augustin (1862-1939) / Bridgeman Images

ID: WH122025

The Booths (oil on canvas)

Le Sidaner, Henri Eugene Augustin (1862-1939)

Ouguela (oil on canvas)
Ouguela (oil on canvas)

AEG122853: Ouguela (oil on canvas), Hillier, Tristram Paul (1905-83) / Bridgeman Images

ID: AEG122853

Ouguela (oil on canvas)

Hillier, Tristram Paul (1905-83)

Portrait of Frank Meyer, c.1910 (oil on canvas)
Portrait of Frank Meyer, c.1910 (oil on canvas)

MEY122895: Portrait of Frank Meyer, c.1910 (oil on canvas), Philpot, Glyn Warren (1884-1937) / Bridgeman Images

ID: MEY122895

Portrait of Frank Meyer, c.1910 (oil on canvas)

Philpot, Glyn Warren (1884-1937)

The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)
The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

ABC122934: The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

ID: ABC122934

The Masquerade Scene, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

Cruikshank, George (1792-1878)

Beehive huts (photo)
Beehive huts (photo)

JB122787: Beehive huts (photo), Bethell, John / Bridgeman Images

ID: JB122787

Beehive huts (photo)

Bethell, John

Scene at Vauxhall, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)
Scene at Vauxhall, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

ABC122933: Scene at Vauxhall, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

ID: ABC122933

Scene at Vauxhall, from 'Amelia', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

Cruikshank, George (1792-1878)

Women with Embroidery (oil on canvas)
Women with Embroidery (oil on canvas)

XAB122133: Women with Embroidery (oil on canvas), Hagen, P.(20th century) / Bridgeman Images

ID: XAB122133

Women with Embroidery (oil on canvas)

Hagen, P.(20th century)

Vault and wall in the entrance, Byzantine, probably c.10th century (photo)
Vault and wall in the entrance, Byzantine, probably c.10th century (photo)

JB122151: Vault and wall in the entrance, Byzantine, probably c.10th century (photo), Bethell, John / Bridgeman Images

ID: JB122151

Vault and wall in the entrance, Byzantine, probably c.10th century (photo)

Bethell, John

Camp of the Naval Brigade, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Camp of the Naval Brigade, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122401: Camp of the Naval Brigade, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122401

Camp of the Naval Brigade, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Sebastopol from Old Chersonese, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Sebastopol from Old Chersonese, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122438: Sebastopol from Old Chersonese, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122438

Sebastopol from Old Chersonese, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

A Street in Cairo, 1841 (oil on canvas)
A Street in Cairo, 1841 (oil on canvas)

LMG123055: A Street in Cairo, 1841 (oil on canvas), Muller, William James (1812-45) / Bridgeman Images

ID: LMG123055

A Street in Cairo, 1841 (oil on canvas)

Muller, William James (1812-45)

Anne Clifford, Countess of Dorset, Pembroke and Montgomery (1590-1676) (engraving)
Anne Clifford, Countess of Dorset, Pembroke and Montgomery (1590-1676) (engraving)

XJF123095: Anne Clifford, Countess of Dorset, Pembroke and Montgomery (1590-1676) (engraving), English School, (17th century) / Bridgeman Images

ID: XJF123095

Anne Clifford, Countess of Dorset, Pembroke and Montgomery (1590-1676) (engraving)

English School, (17th century)

Sir Alexander Temple, 1620 (oil on panel)
Sir Alexander Temple, 1620 (oil on panel)

XYC123128: Sir Alexander Temple, 1620 (oil on panel), Janssen van Ceulen, Cornelius (1593-1661) / Bridgeman Images

ID: XYC123128

Sir Alexander Temple, 1620 (oil on panel)

Janssen van Ceulen, Cornelius (1593-1661)

The Flood and Subsidence of the Waters and the Sacrifice and Drunkenness of Noah, detail of a praying figure, lunette (fresco)
The Flood and Subsidence of the Waters and the Sacrifice and Drunkenness of Noah, detail of a praying figure, lunette (fresco)

BEN123195: The Flood and Subsidence of the Waters and the Sacrifice and Drunkenness of Noah, detail of a praying figure, lunette (fresco), Uccello, Paolo (1397-1475) / Bridgeman Images

ID: BEN123195

The Flood and Subsidence of the Waters and the Sacrifice and Drunkenness of Noah, detail of a praying figure, lunette (fresco)

Uccello, Paolo (1397-1475)

Notre Dame in the Morning Sun, 1906 (oil on canvas)
Notre Dame in the Morning Sun, 1906 (oil on canvas)

LMG123034: Notre Dame in the Morning Sun, 1906 (oil on canvas), Picabia, Francis (1879-1953) / Bridgeman Images

ID: LMG123034

Notre Dame in the Morning Sun, 1906 (oil on canvas)

Picabia, Francis (1879-1953)

Venez avec Moi (recto) 1930 (mixed media on paper) (see also 123053)
Venez avec Moi (recto) 1930 (mixed media on paper) (see also 123053)

LMG123052: Venez avec Moi (recto) 1930 (mixed media on paper) (see also 123053), Burra, Edward (1905-76) / Bridgeman Images

ID: LMG123052

Venez avec Moi (recto) 1930 (mixed media on paper) (see also 123053)

Burra, Edward (1905-76)

A View of the Serpentine, 1815 (oil on canvas)
A View of the Serpentine, 1815 (oil on canvas)

XYC123135: A View of the Serpentine, 1815 (oil on canvas), Martin, John (1789-1854) / Bridgeman Images

ID: XYC123135

A View of the Serpentine, 1815 (oil on canvas)

Martin, John (1789-1854)

Zacharias Leaving the Temple, tapestry depicting scenes from the life of St. John the Baptist (textile)
Zacharias Leaving the Temple, tapestry depicting scenes from the life of St. John the Baptist (textile)

BAT113362: Zacharias Leaving the Temple, tapestry depicting scenes from the life of St. John the Baptist (textile), Pollaiuolo, Antonio (1432/3-98) / Bridgeman Images

ID: BAT113362

Zacharias Leaving the Temple, tapestry depicting scenes from the life of St. John the Baptist (textile)

Pollaiuolo, Antonio (1432/3-98)


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