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The lord and his farmer The master of the estate visits the peasants, 19th century (engraving)
The lord and his farmer The master of the estate visits the peasants, 19th century (engraving)

JLJ4680430: The lord and his farmer The master of the estate visits the peasants, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Life at the castle: a visit to the neighborhood, 1828 (litho)
Life at the castle: a visit to the neighborhood, 1828 (litho)

JLJ4680481: Life at the castle: a visit to the neighborhood, 1828 (litho), Lami, Eugene-Louis (1800-90) / Bridgeman Images

The reclining image, which depicts the Buddha's parinirvana, sculpture, Temple of Gal Vihara
The reclining image, which depicts the Buddha's parinirvana, sculpture, Temple of Gal Vihara

LRI4680574: The reclining image, which depicts the Buddha's parinirvana, sculpture, Temple of Gal Vihara, Sri Lankan, (12th century) / Bridgeman Images

Boar hunting. Illustration of the book
Boar hunting. Illustration of the book

JLJ4680616: Boar hunting. Illustration of the book "La vie de chateau", 1828 (litho), Lami, Eugene-Louis (1800-90) / Bridgeman Images

View of the maid (fresco of the lion rock, 5th century)
View of the maid (fresco of the lion rock, 5th century)

LRI4680624: View of the maid (fresco of the lion rock, 5th century), Sri Lankan School, (5th century) / Bridgeman Images

The output at the charge step, 19th century (engraving)
The output at the charge step, 19th century (engraving)

JLJ4680660: The output at the charge step, 19th century (engraving), French School, (19th century) / Bridgeman Images

Copper oxide roof of the hospital CHU in Strasbourg (Bas Rhin). Architect Louis Picon, NUNC, 1998. Photography 1998.
Copper oxide roof of the hospital CHU in Strasbourg (Bas Rhin). Architect Louis Picon, NUNC, 1998. Photography 1998.

LBY4680724: Copper oxide roof of the hospital CHU in Strasbourg (Bas Rhin). Architect Louis Picon, NUNC, 1998. Photography 1998., Boegly, Luc / Bridgeman Images

Landscape with a Ruined Building seen among Trees (pen and brown ink and brown wash)
Landscape with a Ruined Building seen among Trees (pen and brown ink and brown wash)

HLK5044152: Landscape with a Ruined Building seen among Trees (pen and brown ink and brown wash), Testa, Pietro (Il Lucchesino) (1611-50) / Bridgeman Images

Three Drawings after the Antique, c.1750 (brush drawing heightened in brown wash over faint indication in black chalk)
Three Drawings after the Antique, c.1750 (brush drawing heightened in brown wash over faint indication in black chalk)

HLK5044179: Three Drawings after the Antique, c.1750 (brush drawing heightened in brown wash over faint indication in black chalk), Italian School, (18th century) / Bridgeman Images

Study of an Antique Statue, 1550-1600 (pen and brown ink)
Study of an Antique Statue, 1550-1600 (pen and brown ink)

HLK5044182: Study of an Antique Statue, 1550-1600 (pen and brown ink), Italian School, (16th century) / Bridgeman Images

Copy of a mosaic of Two gladiatorial scene (black chalk, some with pen and brown ink. coloured with w/c)
Copy of a mosaic of Two gladiatorial scene (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044188: Copy of a mosaic of Two gladiatorial scene (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

The Tiara of Pope Julius II (watercolour)
The Tiara of Pope Julius II (watercolour)

HLK5044209: The Tiara of Pope Julius II (watercolour), Bartoli, Francesco (1675-1730) / Bridgeman Images

A Meeting between Two Men, Horses and Camels in the Background (pen and brown ink and grey wash)
A Meeting between Two Men, Horses and Camels in the Background (pen and brown ink and grey wash)

HLK5044224: A Meeting between Two Men, Horses and Camels in the Background (pen and brown ink and grey wash), Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64) / Bridgeman Images

Venus at the Forge of Vulcan (pen and brown ink and brown wash)
Venus at the Forge of Vulcan (pen and brown ink and brown wash)

HLK5044227: Venus at the Forge of Vulcan (pen and brown ink and brown wash), Conca, Sebastiano (1680-1764) / Bridgeman Images

Jupiter and Diana, (red and black chalk on parchment)
Jupiter and Diana, (red and black chalk on parchment)

HLK5044233: Jupiter and Diana, (red and black chalk on parchment), Procaccini, Andrea (1671-1734) / Bridgeman Images

A design for a ceiling featuring husband and wife (busts) in central circle (black chalk, some with pen and brown ink. coloured with w/c)
A design for a ceiling featuring husband and wife (busts) in central circle (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044245: A design for a ceiling featuring husband and wife (busts) in central circle (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Large design of a wall with paintings. (black chalk, some with pen and brown ink. coloured with w/c)
Large design of a wall with paintings. (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044251: Large design of a wall with paintings. (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

The column of Antoninus Pius shown before restoration (pen and grey wash)
The column of Antoninus Pius shown before restoration (pen and grey wash)

HLK5044260: The column of Antoninus Pius shown before restoration (pen and grey wash), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Two views of a bronze statuette (pen and pencil)
Two views of a bronze statuette (pen and pencil)

HLK5044272: Two views of a bronze statuette (pen and pencil), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

The relief dedicated to the springs and nymphs (pen and ink)
The relief dedicated to the springs and nymphs (pen and ink)

HLK5044278: The relief dedicated to the springs and nymphs (pen and ink), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Coins showing the column of Antoninus Pius (ink)
Coins showing the column of Antoninus Pius (ink)

HLK5044290: Coins showing the column of Antoninus Pius (ink), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

Panther walking, rear leg raised, c.1904 (patinated bronze)
Panther walking, rear leg raised, c.1904 (patinated bronze)

CH5045327: Panther walking, rear leg raised, c.1904 (patinated bronze), Bugatti, Rembrandt (1884-1916) / Bridgeman Images

Vase with overlapping pattern and three bands of palm trees,c. mid-late 3rd millennium BC (chlorite)
Vase with overlapping pattern and three bands of palm trees,c. mid-late 3rd millennium BC (chlorite)

XOS5049819: Vase with overlapping pattern and three bands of palm trees,c. mid-late 3rd millennium BC (chlorite), Early Bronze Age, (c.3300-2000 BC) / Bridgeman Images

Fluted bowl, c.6th–5th century BC (gold)
Fluted bowl, c.6th–5th century BC (gold)

XOS5049843: Fluted bowl, c.6th–5th century BC (gold), Achaemenid, (6th century BC) / Bridgeman Images

Limestone sarcophagus: the Amathus sarcophagus, c.460 BC (hard limestone)
Limestone sarcophagus: the Amathus sarcophagus, c.460 BC (hard limestone)

XOS5049865: Limestone sarcophagus: the Amathus sarcophagus, c.460 BC (hard limestone), Cypriot, (5th century BC) / Bridgeman Images

Pin with spherical head, c.14th–13th century BC (gold)
Pin with spherical head, c.14th–13th century BC (gold)

XOS5049875: Pin with spherical head, c.14th–13th century BC (gold), Hittite, (13th century BC) / Bridgeman Images

Facade of the hotel La Perouse in Nantes (Loire Atlantique). Realisation 2000, architects Bernard Barto and Clothilde Barto. Photography 2000.
Facade of the hotel La Perouse in Nantes (Loire Atlantique). Realisation 2000, architects Bernard Barto and Clothilde Barto. Photography 2000.

LBY4680750: Facade of the hotel La Perouse in Nantes (Loire Atlantique). Realisation 2000, architects Bernard Barto and Clothilde Barto. Photography 2000., Boegly, Luc / Bridgeman Images

Construction of the Paris national discount counter : workers on glass and scaffolding, 19th century (photo)
Construction of the Paris national discount counter : workers on glass and scaffolding, 19th century (photo)

JLJ4680899: Construction of the Paris national discount counter : workers on glass and scaffolding, 19th century (photo), French Photographer, (19th century) / Bridgeman Images

Egyptian antiquite: first court, detail of painted reliefs depicting the pharaoh carrying offerings to the divinites Horus and Khnoum. Funeral Temple of Ramses III (1187-1156 BC). Luxor, Medinet Habou, Egypt
Egyptian antiquite: first court, detail of painted reliefs depicting the pharaoh carrying offerings to the divinites Horus and Khnoum. Funeral Temple of Ramses III (1187-1156 BC). Luxor, Medinet Habou, Egypt

LRI4681195: Egyptian antiquite: first court, detail of painted reliefs depicting the pharaoh carrying offerings to the divinites Horus and Khnoum. Funeral Temple of Ramses III (1187-1156 BC). Luxor, Medinet Habou, Egypt, Egyptian 20th Dynasty (1200-1085 BC) / Bridgeman Images

The gold weigher, 17th century (oil on canvas)
The gold weigher, 17th century (oil on canvas)

JLJ4681224: The gold weigher, 17th century (oil on canvas), Ryckaert, David III (1612-61) / Bridgeman Images

Egyptian antiquite: table of offerings. Tomb of Ankh-Hor (Ankh Hor) (TT414) (26th Dynasty, 672-525 BC), Luxor (Thebes), Egypt
Egyptian antiquite: table of offerings. Tomb of Ankh-Hor (Ankh Hor) (TT414) (26th Dynasty, 672-525 BC), Luxor (Thebes), Egypt

LRI4681271: Egyptian antiquite: table of offerings. Tomb of Ankh-Hor (Ankh Hor) (TT414) (26th Dynasty, 672-525 BC), Luxor (Thebes), Egypt, Egyptian 26th Dynasty (664-525 BC) / Bridgeman Images

Egyptian antiquite: relief depicting a bull. Tomb of Ankh-Hor (Ankh Hor) (TT414) (26th Dynasty, 672-525 BC), Luxor (Thebes), Egypt
Egyptian antiquite: relief depicting a bull. Tomb of Ankh-Hor (Ankh Hor) (TT414) (26th Dynasty, 672-525 BC), Luxor (Thebes), Egypt

LRI4681291: Egyptian antiquite: relief depicting a bull. Tomb of Ankh-Hor (Ankh Hor) (TT414) (26th Dynasty, 672-525 BC), Luxor (Thebes), Egypt, Egyptian 26th Dynasty (664-525 BC) / Bridgeman Images

Egyptian antiquite: view from the entrance to the tomb of Montouemhat, the prince of Thebes (TT34). 26th dynasty. 667-525 BC. necropolis of Thebes, West Bank, Luxor, Egypt
Egyptian antiquite: view from the entrance to the tomb of Montouemhat, the prince of Thebes (TT34). 26th dynasty. 667-525 BC. necropolis of Thebes, West Bank, Luxor, Egypt

LRI4681551: Egyptian antiquite: view from the entrance to the tomb of Montouemhat, the prince of Thebes (TT34). 26th dynasty. 667-525 BC. necropolis of Thebes, West Bank, Luxor, Egypt, Egyptian 26th Dynasty (664-525 BC) / Bridgeman Images

Ancient Rome: Warrior And Man In A Toga Exchanging A Sphere (oil on canvas)
Ancient Rome: Warrior And Man In A Toga Exchanging A Sphere (oil on canvas)

JLJ4681638: Ancient Rome: Warrior And Man In A Toga Exchanging A Sphere (oil on canvas), Labruzzi, Carlo (1748-1818) / Bridgeman Images

Relief from the temple of Denderah representing Cleopatra and Caesarion. Denderah, Egypt
Relief from the temple of Denderah representing Cleopatra and Caesarion. Denderah, Egypt

LRI4681706: Relief from the temple of Denderah representing Cleopatra and Caesarion. Denderah, Egypt, Egyptian Ptolemaic Period (332-30 BC) / Bridgeman Images

The horse melted (when you jump, you have to jump a caliphurchon on the back of another child, without knocking the others). Engraving in “” What are we playing? “” by E. Weber with watercolour drawings by Robert Salles (1871-1929). Librairie Garnier Freres, Paris, 1920. Book links 68 pages explaining the rules of more than 30 games with their variations. Dim: 30,5x23cm. Private Collection
The horse melted (when you jump, you have to jump a caliphurchon on the back of another child, without knocking the others). Engraving in “” What are we playing? “” by E. Weber with watercolour drawings by Robert Salles (1871-1929). Librairie Garnier Freres, Paris, 1920. Book links 68 pages explaining the rules of more than 30 games with their variations. Dim: 30,5x23cm. Private Collection

DUV4207312: The horse melted (when you jump, you have to jump a caliphurchon on the back of another child, without knocking the others). Engraving in “” What are we playing? “” by E. Weber with watercolour drawings by Robert Salles (1871-1929). Librairie Garnier Freres, Paris, 1920. Book links 68 pages explaining the rules of more than 30 games with their variations. Dim: 30,5x23cm. Private Collection, Salles, Robert (1871-1929) / Bridgeman Images


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