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'Rohnsches' Glass, scent bottle in the form of a head, Syrian 2nd-3rd century (glass)
'Rohnsches' Glass, scent bottle in the form of a head, Syrian 2nd-3rd century (glass)

XTD70020: 'Rohnsches' Glass, scent bottle in the form of a head, Syrian 2nd-3rd century (glass), Syrian / Bridgeman Images

ID: XTD70020

'Rohnsches' Glass, scent bottle in the form of a head, Syrian 2nd-3rd century (glass)

Syrian

P.332-1946 Vol.2 f.5 Three Pigeons and two Finches, from an album 'Birds compared in Humorous Songs', 1791 (colour woodblock print)
P.332-1946 Vol.2 f.5 Three Pigeons and two Finches, from an album 'Birds compared in Humorous Songs', 1791 (colour woodblock print)

FIT71376: P.332-1946 Vol.2 f.5 Three Pigeons and two Finches, from an album 'Birds compared in Humorous Songs', 1791 (colour woodblock print), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

ID: FIT71376

P.332-1946 Vol.2 f.5 Three Pigeons and two Finches, from an album 'Birds compared in Humorous Songs', 1791 (colour woodblock print)

Utamaro, Kitagawa (1753-1806)

Portrait of a man, 1564 (panel)
Portrait of a man, 1564 (panel)

XAM72404: Portrait of a man, 1564 (panel), Cranach, Lucas the Younger (1515-86) / Bridgeman Images

ID: XAM72404

Portrait of a man, 1564 (panel)

Cranach, Lucas the Younger (1515-86)

Portrait of Madame Necker (1739-94) (oil on canvas)
Portrait of Madame Necker (1739-94) (oil on canvas)

XIR71730: Portrait of Madame Necker (1739-94) (oil on canvas), Duplessis, Joseph Siffred (1725-1802) (attr.to) / Bridgeman Images

ID: XIR71730

Portrait of Madame Necker (1739-94) (oil on canvas)

Duplessis, Joseph Siffred (1725-1802) (attr.to)

'No one is any use to the Reign of God who puts his hand to the plough and then looks behind him', Christ teaching his disciples (Luke 9 v.62), section of wing panel from the Mompelgarter Altarpiece (see also 72465-67 and 72469-79) (panel)
'No one is any use to the Reign of God who puts his hand to the plough and then looks behind him', Christ teaching his disciples (Luke 9 v.62), section of wing panel from the Mompelgarter Altarpiece (see also 72465-67 and 72469-79) (panel)

XAM72468: 'No one is any use to the Reign of God who puts his hand to the plough and then looks behind him', Christ teaching his disciples (Luke 9 v.62), section of wing panel from the Mompelgarter Altarpiece (see also 72465-67 and 72469-79) (panel), Gerung or Gerou, Matthias (c.1500-68/70) / Bridgeman Images

ID: XAM72468

'No one is any use to the Reign of God who puts his hand to the plough and then looks behind him', Christ teaching his disciples (Luke 9 v.62), section of wing panel from the Mompelgarter Altarpiece (see also 72465-67 and 72469-79) (panel)

Gerung or Gerou, Matthias (c.1500-68/70)

The Departure of the Tuna Fishers from Concarneau, c.1920
The Departure of the Tuna Fishers from Concarneau, c.1920

GLE70672: The Departure of the Tuna Fishers from Concarneau, c.1920, Herve-Mathe, Jules Alfred (1868-1953) / Bridgeman Images

ID: GLE70672

The Departure of the Tuna Fishers from Concarneau, c.1920

Herve-Mathe, Jules Alfred (1868-1953)

The Lamentation of Christ, 1510/20 (panel)
The Lamentation of Christ, 1510/20 (panel)

XAM71648: The Lamentation of Christ, 1510/20 (panel), Savoldo, Giovanni Girolamo (c.1480-p.1548) / Bridgeman Images

ID: XAM71648

The Lamentation of Christ, 1510/20 (panel)

Savoldo, Giovanni Girolamo (c.1480-p.1548)

The Miraculous Draught of Fishes, c.1640
The Miraculous Draught of Fishes, c.1640

XAM72449: The Miraculous Draught of Fishes, c.1640, Jordaens, Jacob (1593-1678) / Bridgeman Images

ID: XAM72449

The Miraculous Draught of Fishes, c.1640

Jordaens, Jacob (1593-1678)

The Crucifixion (oil on panel)
The Crucifixion (oil on panel)

XIR71732: The Crucifixion (oil on panel), Flemish School, (17th century) / Bridgeman Images

ID: XIR71732

The Crucifixion (oil on panel)

Flemish School, (17th century)

Battle of Pombal, 12th March 1811, engraved by Thomas Sutherland (b.c.1785)
Battle of Pombal, 12th March 1811, engraved by Thomas Sutherland (b.c.1785)

XND70281: Battle of Pombal, 12th March 1811, engraved by Thomas Sutherland (b.c.1785), Heath, William (1795-1840) (after) / Bridgeman Images

ID: XND70281

Battle of Pombal, 12th March 1811, engraved by Thomas Sutherland (b.c.1785)

Heath, William (1795-1840) (after)

Minatarees attacking buffalo on horseback (colour litho)
Minatarees attacking buffalo on horseback (colour litho)

XND70272: Minatarees attacking buffalo on horseback (colour litho), Catlin, George (1796-1872) (after) / Bridgeman Images

ID: XND70272

Minatarees attacking buffalo on horseback (colour litho)

Catlin, George (1796-1872) (after)

The Marble Room with Egyptian, Greek and Roman Antiquities of the Ambraser Gallery in the Lower Belvedere, 1876 (w/c)
The Marble Room with Egyptian, Greek and Roman Antiquities of the Ambraser Gallery in the Lower Belvedere, 1876 (w/c)

XAM72522: The Marble Room with Egyptian, Greek and Roman Antiquities of the Ambraser Gallery in the Lower Belvedere, 1876 (w/c), Goebel, Carl (1824-99) / Bridgeman Images

ID: XAM72522

The Marble Room with Egyptian, Greek and Roman Antiquities of the Ambraser Gallery in the Lower Belvedere, 1876 (w/c)

Goebel, Carl (1824-99)

View of Naples from the west, 1730
View of Naples from the west, 1730

XAM72540: View of Naples from the west, 1730, Butler, Gaspar (18th century) / Bridgeman Images

ID: XAM72540

View of Naples from the west, 1730

Butler, Gaspar (18th century)

Riccaree village (colour litho)
Riccaree village (colour litho)

XND70274: Riccaree village (colour litho), Catlin, George (1796-1872) (after) / Bridgeman Images

ID: XND70274

Riccaree village (colour litho)

Catlin, George (1796-1872) (after)

Allegory of the Turkish Siege of 1603, relief plaque by Adriaen de Vries (c.1560-1626) (bronze)
Allegory of the Turkish Siege of 1603, relief plaque by Adriaen de Vries (c.1560-1626) (bronze)

XAM72513: Allegory of the Turkish Siege of 1603, relief plaque by Adriaen de Vries (c.1560-1626) (bronze) / Bridgeman Images

ID: XAM72513

Allegory of the Turkish Siege of 1603, relief plaque by Adriaen de Vries (c.1560-1626) (bronze)

Apotheosis of Emperor Leopold I of Austria (1640-1705), 1658-59
Apotheosis of Emperor Leopold I of Austria (1640-1705), 1658-59

XAM70706: Apotheosis of Emperor Leopold I of Austria (1640-1705), 1658-59, Liberi, Pietro (1614-87) / Bridgeman Images

ID: XAM70706

Apotheosis of Emperor Leopold I of Austria (1640-1705), 1658-59

Liberi, Pietro (1614-87)

Cafe Concert (gouache)
Cafe Concert (gouache)

BAL72036: Cafe Concert (gouache), Beraud, Jean (1849-1935) / Bridgeman Images

ID: BAL72036

Cafe Concert (gouache)

Beraud, Jean (1849-1935)

Arab Horsemen Resting in the Forest, 1868 (oil on canvas)
Arab Horsemen Resting in the Forest, 1868 (oil on canvas)

XIR70310: Arab Horsemen Resting in the Forest, 1868 (oil on canvas), Fromentin, Eugene (1820-76) / Bridgeman Images

ID: XIR70310

Arab Horsemen Resting in the Forest, 1868 (oil on canvas)

Fromentin, Eugene (1820-76)

The Annunciation with St. Emidius, detail of the archangel Gabriel with the saint, 1486 (egg & oil on canvas)
The Annunciation with St. Emidius, detail of the archangel Gabriel with the saint, 1486 (egg & oil on canvas)

BAL72635: The Annunciation with St. Emidius, detail of the archangel Gabriel with the saint, 1486 (egg & oil on canvas), Crivelli, Carlo (c.1430/35-1495) / Bridgeman Images

ID: BAL72635

The Annunciation with St. Emidius, detail of the archangel Gabriel with the saint, 1486 (egg & oil on canvas)

Crivelli, Carlo (c.1430/35-1495)

Portrait of Charles Francois Viel (1745-1819) 1811 (oil on canvas)
Portrait of Charles Francois Viel (1745-1819) 1811 (oil on canvas)

XIR71736: Portrait of Charles Francois Viel (1745-1819) 1811 (oil on canvas), Dumont, Francois (1751-1831) / Bridgeman Images

ID: XIR71736

Portrait of Charles Francois Viel (1745-1819) 1811 (oil on canvas)

Dumont, Francois (1751-1831)

Duke Leopold the Glorious (1176-1230) enters Vienna on his return from the Crusades
Duke Leopold the Glorious (1176-1230) enters Vienna on his return from the Crusades

XAM74860: Duke Leopold the Glorious (1176-1230) enters Vienna on his return from the Crusades, Trenkwald, Josef Mathias (1824-97) / Bridgeman Images

ID: XAM74860

Duke Leopold the Glorious (1176-1230) enters Vienna on his return from the Crusades

Trenkwald, Josef Mathias (1824-97)

Angelo's Fencing Room, pub. 1787 (print)
Angelo's Fencing Room, pub. 1787 (print)

XND70434: Angelo's Fencing Room, pub. 1787 (print), Rowlandson, Thomas (1756-1827) (after) / Bridgeman Images

ID: XND70434

Angelo's Fencing Room, pub. 1787 (print)

Rowlandson, Thomas (1756-1827) (after)

John Manners, Marquess of Granby, 1745 (oil on canvas)
John Manners, Marquess of Granby, 1745 (oil on canvas)

BAL72340: John Manners, Marquess of Granby, 1745 (oil on canvas), Ramsay, Allan (1713-84) / Bridgeman Images

ID: BAL72340

John Manners, Marquess of Granby, 1745 (oil on canvas)

Ramsay, Allan (1713-84)

An Indian astrological chart depicting signs of the eastern Zodiac, 1850
An Indian astrological chart depicting signs of the eastern Zodiac, 1850

BAL70951: An Indian astrological chart depicting signs of the eastern Zodiac, 1850, Indian School, (19th century) / Bridgeman Images

ID: BAL70951

An Indian astrological chart depicting signs of the eastern Zodiac, 1850

Indian School, (19th century)

Saint Sebastian, 1651-56 (panel)
Saint Sebastian, 1651-56 (panel)

XAM70715: Saint Sebastian, 1651-56 (panel), Teniers, David the Younger (1610-90) / Bridgeman Images

ID: XAM70715

Saint Sebastian, 1651-56 (panel)

Teniers, David the Younger (1610-90)

La Place Vendome, 1808 (oil on canvas)
La Place Vendome, 1808 (oil on canvas)

XIR71344: La Place Vendome, 1808 (oil on canvas), Bouhot, Etienne (1780-1862) / Bridgeman Images

ID: XIR71344

La Place Vendome, 1808 (oil on canvas)

Bouhot, Etienne (1780-1862)

Seaweed Gatherers at Omari, from the series 'Famous Views of the Eastern Capital', pub. by Kagaya Kichibei, c.1833, (colour woodblock print)
Seaweed Gatherers at Omari, from the series 'Famous Views of the Eastern Capital', pub. by Kagaya Kichibei, c.1833, (colour woodblock print)

BAL70941: Seaweed Gatherers at Omari, from the series 'Famous Views of the Eastern Capital', pub. by Kagaya Kichibei, c.1833, (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: BAL70941

Seaweed Gatherers at Omari, from the series 'Famous Views of the Eastern Capital', pub. by Kagaya Kichibei, c.1833, (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Self portrait, attired as maid-of-honour to the Queen of Spain, 1559 (panel)
Self portrait, attired as maid-of-honour to the Queen of Spain, 1559 (panel)

XAM71636: Self portrait, attired as maid-of-honour to the Queen of Spain, 1559 (panel), Anguissola, Sofonisba (c.1532-1625) / Bridgeman Images

ID: XAM71636

Self portrait, attired as maid-of-honour to the Queen of Spain, 1559 (panel)

Anguissola, Sofonisba (c.1532-1625)

White Horse (oil on canvas)
White Horse (oil on canvas)

XIR70306: White Horse (oil on canvas), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: XIR70306

White Horse (oil on canvas)

Delacroix, Ferdinand Victor Eugene (1798-1863)

The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)
The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)

XND70232: The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching), Blake, William (1757-1827) / Bridgeman Images

ID: XND70232

The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)

Blake, William (1757-1827)

Self Portrait (oil on canvas)
Self Portrait (oil on canvas)

XIR72096: Self Portrait (oil on canvas), Bonnat, Leon Joseph Florentin (1833-1922) / Bridgeman Images

ID: XIR72096

Self Portrait (oil on canvas)

Bonnat, Leon Joseph Florentin (1833-1922)

All Saints Day altarpiece, partial copy in the form of two side panels, 16th century (oil on panel)
All Saints Day altarpiece, partial copy in the form of two side panels, 16th century (oil on panel)

XAM70439: All Saints Day altarpiece, partial copy in the form of two side panels, 16th century (oil on panel), Durer or Duerer, Albrecht (1471-1528) (after) / Bridgeman Images

ID: XAM70439

All Saints Day altarpiece, partial copy in the form of two side panels, 16th century (oil on panel)

Durer or Duerer, Albrecht (1471-1528) (after)

Venice: a Regatta on the Grand Canal, c.1741-60 (oil on canvas)
Venice: a Regatta on the Grand Canal, c.1741-60 (oil on canvas)

TWC62750: Venice: a Regatta on the Grand Canal, c.1741-60 (oil on canvas), Canaletto, Antonio (1697-1768) (studio of) / Bridgeman Images

ID: TWC62750

Venice: a Regatta on the Grand Canal, c.1741-60 (oil on canvas)

Canaletto, Antonio (1697-1768) (studio of)

The Birth of Venus (after Boucher) c.1750-70 (gouache on vellum over laminated board)
The Birth of Venus (after Boucher) c.1750-70 (gouache on vellum over laminated board)

TWC61895: The Birth of Venus (after Boucher) c.1750-70 (gouache on vellum over laminated board), Charlier, Jacques (c.1720-90) / Bridgeman Images

ID: TWC61895

The Birth of Venus (after Boucher) c.1750-70 (gouache on vellum over laminated board)

Charlier, Jacques (c.1720-90)

James Fenimore Cooper (1789-1851) (w/c on paper)
James Fenimore Cooper (1789-1851) (w/c on paper)

TWC62798: James Fenimore Cooper (1789-1851) (w/c on paper), Mirbel, Lizinska-Aimee-Zoe de (1796-1849) / Bridgeman Images

ID: TWC62798

James Fenimore Cooper (1789-1851) (w/c on paper)

Mirbel, Lizinska-Aimee-Zoe de (1796-1849)

A Woman with a Candle and Cross
A Woman with a Candle and Cross

XNR61564: A Woman with a Candle and Cross, Brugghen, Hendrick Ter (1588-1629) / Bridgeman Images

ID: XNR61564

A Woman with a Candle and Cross

Brugghen, Hendrick Ter (1588-1629)


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