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The Raising of Lazarus (pencil & coloured chalks on buff-grey paper)
The Raising of Lazarus (pencil & coloured chalks on buff-grey paper)

CH368163: The Raising of Lazarus (pencil & coloured chalks on buff-grey paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: CH368163

The Raising of Lazarus (pencil & coloured chalks on buff-grey paper)

Burne-Jones, Edward Coley (1833-98)

Andromeda chained to the rock, 1602 (red chalk on cream paper)
Andromeda chained to the rock, 1602 (red chalk on cream paper)

CTS366716: Andromeda chained to the rock, 1602 (red chalk on cream paper), Cesari, Giuseppe (Cavalier d'Arpino) (1568-1640) / Bridgeman Images

ID: CTS366716

Andromeda chained to the rock, 1602 (red chalk on cream paper)

Cesari, Giuseppe (Cavalier d'Arpino) (1568-1640)

Bearded figure, sleeping (red chalk on white paper)
Bearded figure, sleeping (red chalk on white paper)

CTS366752: Bearded figure, sleeping (red chalk on white paper), Parmigianino (Francesco Mazzola) (1503-40) / Bridgeman Images

ID: CTS366752

Bearded figure, sleeping (red chalk on white paper)

Parmigianino (Francesco Mazzola) (1503-40)

The Mischievous Pet, 1891 (oil on canvas)
The Mischievous Pet, 1891 (oil on canvas)

XPG365660: The Mischievous Pet, 1891 (oil on canvas), Smith, Carlton Alfred (1853-1946) / Bridgeman Images

ID: XPG365660

The Mischievous Pet, 1891 (oil on canvas)

Smith, Carlton Alfred (1853-1946)

Cumberland hills from Wardrew House, Gilston (w/c on paper)
Cumberland hills from Wardrew House, Gilston (w/c on paper)

XPG366301: Cumberland hills from Wardrew House, Gilston (w/c on paper), Aumonier, James (1832-1911) / Bridgeman Images

ID: XPG366301

Cumberland hills from Wardrew House, Gilston (w/c on paper)

Aumonier, James (1832-1911)

Two policemen hide from the Commissioner's wife, from 'Crimes and Punishments', special edition of 'L'Assiette au Beurre', 1st March 1902 (colour litho)
Two policemen hide from the Commissioner's wife, from 'Crimes and Punishments', special edition of 'L'Assiette au Beurre', 1st March 1902 (colour litho)

BAL366886: Two policemen hide from the Commissioner's wife, from 'Crimes and Punishments', special edition of 'L'Assiette au Beurre', 1st March 1902 (colour litho), Vallotton, Felix Edouard (1865-1925) / Bridgeman Images

ID: BAL366886

Two policemen hide from the Commissioner's wife, from 'Crimes and Punishments', special edition of 'L'Assiette au Beurre', 1st March 1902 (colour litho)

Vallotton, Felix Edouard (1865-1925)

Sir Richard Wallace (print)
Sir Richard Wallace (print)

XJF368470: Sir Richard Wallace (print), English School, (19th century) / Bridgeman Images

ID: XJF368470

Sir Richard Wallace (print)

English School, (19th century)

A street scene, outside a prison, 1868 (oil on canvas)
A street scene, outside a prison, 1868 (oil on canvas)

XAB368892: A street scene, outside a prison, 1868 (oil on canvas), Malyschev, Vasili Georgievich (19th Century) / Bridgeman Images

ID: XAB368892

A street scene, outside a prison, 1868 (oil on canvas)

Malyschev, Vasili Georgievich (19th Century)

The Gelding of the Devil, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo)
The Gelding of the Devil, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo)

XJF368427: The Gelding of the Devil, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images

ID: XJF368427

The Gelding of the Devil, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo)

English School, (17th century)

Robert Bloomfield, engraved by William Ridley, published in the 'Monthly Mirror', 1800 (engraving)
Robert Bloomfield, engraved by William Ridley, published in the 'Monthly Mirror', 1800 (engraving)

XJF366993: Robert Bloomfield, engraved by William Ridley, published in the 'Monthly Mirror', 1800 (engraving), Drummond, Samuel (1765-1844) (after) / Bridgeman Images

ID: XJF366993

Robert Bloomfield, engraved by William Ridley, published in the 'Monthly Mirror', 1800 (engraving)

Drummond, Samuel (1765-1844) (after)

Reconstruction on da Vinci's design for a stabiliser (wood & metal)
Reconstruction on da Vinci's design for a stabiliser (wood & metal)

XOT366467: Reconstruction on da Vinci's design for a stabiliser (wood & metal), Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images

ID: XOT366467

Reconstruction on da Vinci's design for a stabiliser (wood & metal)

Vinci, Leonardo da (1452-1519) (after)

John Coutts Esq., Lord Provost of Edinburgh, engraved by James McArdell (litho)
John Coutts Esq., Lord Provost of Edinburgh, engraved by James McArdell (litho)

XJF365382: John Coutts Esq., Lord Provost of Edinburgh, engraved by James McArdell (litho), Ramsay, Allan (1713-84) (after) / Bridgeman Images

ID: XJF365382

John Coutts Esq., Lord Provost of Edinburgh, engraved by James McArdell (litho)

Ramsay, Allan (1713-84) (after)

The Month of August, from a shepherd's calendar, 1496 (woodcut) (b/w photo)
The Month of August, from a shepherd's calendar, 1496 (woodcut) (b/w photo)

XJF366810: The Month of August, from a shepherd's calendar, 1496 (woodcut) (b/w photo), French School, (15th century) / Bridgeman Images

ID: XJF366810

The Month of August, from a shepherd's calendar, 1496 (woodcut) (b/w photo)

French School, (15th century)

Albert Frederick Pollard (b/w photo)
Albert Frederick Pollard (b/w photo)

XJF368442: Albert Frederick Pollard (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: XJF368442

Albert Frederick Pollard (b/w photo)

English Photographer, (20th century)

Portrait of Gertie Lewis, half length, 1879-80 (oil on canvas)
Portrait of Gertie Lewis, half length, 1879-80 (oil on canvas)

CH368171: Portrait of Gertie Lewis, half length, 1879-80 (oil on canvas), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: CH368171

Portrait of Gertie Lewis, half length, 1879-80 (oil on canvas)

Burne-Jones, Edward Coley (1833-98)

Holy Family at Rest with the Infant St. John the Baptist (black chalk on paper)
Holy Family at Rest with the Infant St. John the Baptist (black chalk on paper)

CTS366726: Holy Family at Rest with the Infant St. John the Baptist (black chalk on paper), Domenichino (Domenico Zampieri) (1581-1641) / Bridgeman Images

ID: CTS366726

Holy Family at Rest with the Infant St. John the Baptist (black chalk on paper)

Domenichino (Domenico Zampieri) (1581-1641)

St. Christopher ferrying the Christ Child (pen & brown ink on white paper)
St. Christopher ferrying the Christ Child (pen & brown ink on white paper)

CTS366727: St. Christopher ferrying the Christ Child (pen & brown ink on white paper), Faccini, Pietro (1560/2-1602) / Bridgeman Images

ID: CTS366727

St. Christopher ferrying the Christ Child (pen & brown ink on white paper)

Faccini, Pietro (1560/2-1602)

Pan and a companion surprise three nymphs bathing (red black chalks on white paper)
Pan and a companion surprise three nymphs bathing (red black chalks on white paper)

CTS366723: Pan and a companion surprise three nymphs bathing (red black chalks on white paper), Pietro de' Pietri (1665-1716) (attr. to) / Bridgeman Images

ID: CTS366723

Pan and a companion surprise three nymphs bathing (red black chalks on white paper)

Pietro de' Pietri (1665-1716) (attr. to)

Illustration after George Cruikshank for the poem 'The Dead Drummer', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)
Illustration after George Cruikshank for the poem 'The Dead Drummer', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)

KWE366275: Illustration after George Cruikshank for the poem 'The Dead Drummer', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho), English School, (19th century) / Bridgeman Images

ID: KWE366275

Illustration after George Cruikshank for the poem 'The Dead Drummer', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)

English School, (19th century)

Half-sisters, from the front cover of 'Le Rire', 10th September 1898 (colour litho)
Half-sisters, from the front cover of 'Le Rire', 10th September 1898 (colour litho)

BAL366855: Half-sisters, from the front cover of 'Le Rire', 10th September 1898 (colour litho), Metivet, Lucien (1863-1930) / Bridgeman Images

ID: BAL366855

Half-sisters, from the front cover of 'Le Rire', 10th September 1898 (colour litho)

Metivet, Lucien (1863-1930)

Columbarium puellarum from 'Proscenium vitae humanae Sive Emblematum secularium' by Theodore de Bry, 1627 (engraving)
Columbarium puellarum from 'Proscenium vitae humanae Sive Emblematum secularium' by Theodore de Bry, 1627 (engraving)

XJF365343: Columbarium puellarum from 'Proscenium vitae humanae Sive Emblematum secularium' by Theodore de Bry, 1627 (engraving), Bry, Theodor de (1528-98) / Bridgeman Images

ID: XJF365343

Columbarium puellarum from 'Proscenium vitae humanae Sive Emblematum secularium' by Theodore de Bry, 1627 (engraving)

Bry, Theodor de (1528-98)

Balli de Sfessania, c.1622 (engraving)
Balli de Sfessania, c.1622 (engraving)

XJF368492: Balli de Sfessania, c.1622 (engraving), Callot, Jacques (1592-1635) / Bridgeman Images

ID: XJF368492

Balli de Sfessania, c.1622 (engraving)

Callot, Jacques (1592-1635)

Ms Fr.2030 f.15v Miniatures from 'La Chirurgie de maitre Henri de Mondeville', 1306-20 (vellum)
Ms Fr.2030 f.15v Miniatures from 'La Chirurgie de maitre Henri de Mondeville', 1306-20 (vellum)

CHT365012: Ms Fr.2030 f.15v Miniatures from 'La Chirurgie de maitre Henri de Mondeville', 1306-20 (vellum), French School, (14th century) / Bridgeman Images

ID: CHT365012

Ms Fr.2030 f.15v Miniatures from 'La Chirurgie de maitre Henri de Mondeville', 1306-20 (vellum)

French School, (14th century)

Music Box, 1890
Music Box, 1890

XOT366593: Music Box, 1890, German School, (19th century) / Bridgeman Images

ID: XOT366593

Music Box, 1890

German School, (19th century)

Portrait of William Williams, c.1828 (w/c on ivory) (pair to 367110)
Portrait of William Williams, c.1828 (w/c on ivory) (pair to 367110)

PNH367110: Portrait of William Williams, c.1828 (w/c on ivory) (pair to 367110), Tatham, Frederick (1805-78) / Bridgeman Images

ID: PNH367110

Portrait of William Williams, c.1828 (w/c on ivory) (pair to 367110)

Tatham, Frederick (1805-78)

Study of a man on a camel, 1878 (w/c over pencil on paper)
Study of a man on a camel, 1878 (w/c over pencil on paper)

PNH366436: Study of a man on a camel, 1878 (w/c over pencil on paper), Strutt, William (1826-1915) / Bridgeman Images

ID: PNH366436

Study of a man on a camel, 1878 (w/c over pencil on paper)

Strutt, William (1826-1915)

Figure studies, c.1845 (red chalk on paper) (see 366414 for recto)
Figure studies, c.1845 (red chalk on paper) (see 366414 for recto)

PNH366413: Figure studies, c.1845 (red chalk on paper) (see 366414 for recto), Stevens, Alfred George (1817-75) / Bridgeman Images

ID: PNH366413

Figure studies, c.1845 (red chalk on paper) (see 366414 for recto)

Stevens, Alfred George (1817-75)

The Valley of the Shadow of Death, 1866 (oil on board)
The Valley of the Shadow of Death, 1866 (oil on board)

PNH367440: The Valley of the Shadow of Death, 1866 (oil on board), Paton, Joseph Noel (1821-1901) / Bridgeman Images

ID: PNH367440

The Valley of the Shadow of Death, 1866 (oil on board)

Paton, Joseph Noel (1821-1901)

Portrait of a boy, 1891 (oil on canvas)
Portrait of a boy, 1891 (oil on canvas)

PNH367190: Portrait of a boy, 1891 (oil on canvas), Traquair, Phoebe Anna (1852-1936) / Bridgeman Images

ID: PNH367190

Portrait of a boy, 1891 (oil on canvas)

Traquair, Phoebe Anna (1852-1936)

Bristol Burning, 1832 (oil on panel) (pair to 368344)
Bristol Burning, 1832 (oil on panel) (pair to 368344)

PNH368343: Bristol Burning, 1832 (oil on panel) (pair to 368344), Pyne, James Baker (1800-70) / Bridgeman Images

ID: PNH368343

Bristol Burning, 1832 (oil on panel) (pair to 368344)

Pyne, James Baker (1800-70)

Howtown Bay Ulleswater, 1847 (oil on panel)
Howtown Bay Ulleswater, 1847 (oil on panel)

PNH367142: Howtown Bay Ulleswater, 1847 (oil on panel), Tonge, Robert (1823-56) / Bridgeman Images

ID: PNH367142

Howtown Bay Ulleswater, 1847 (oil on panel)

Tonge, Robert (1823-56)

Salus in Ecclesia, 1858 (ink on paper)
Salus in Ecclesia, 1858 (ink on paper)

PNH368271: Salus in Ecclesia, 1858 (ink on paper), Scott, William Bell (1811-90) / Bridgeman Images

ID: PNH368271

Salus in Ecclesia, 1858 (ink on paper)

Scott, William Bell (1811-90)

Portrait of William Williams' second wife, c.1828 (w/c on ivory) (pair to 367110)
Portrait of William Williams' second wife, c.1828 (w/c on ivory) (pair to 367110)

PNH367111: Portrait of William Williams' second wife, c.1828 (w/c on ivory) (pair to 367110), Tatham, Frederick (1805-78) / Bridgeman Images

ID: PNH367111

Portrait of William Williams' second wife, c.1828 (w/c on ivory) (pair to 367110)

Tatham, Frederick (1805-78)

Purete, 1919 (black and coloured crayon)
Purete, 1919 (black and coloured crayon)

PNH368230: Purete, 1919 (black and coloured crayon), Sauer, Walter (1889-1927) / Bridgeman Images

ID: PNH368230

Purete, 1919 (black and coloured crayon)

Sauer, Walter (1889-1927)

Study for 'A Bientot', c.1875 (chalk on paper)
Study for 'A Bientot', c.1875 (chalk on paper)

PNH368327: Study for 'A Bientot', c.1875 (chalk on paper), Prinsep, Valentine Cameron (1838-1904) / Bridgeman Images

ID: PNH368327

Study for 'A Bientot', c.1875 (chalk on paper)

Prinsep, Valentine Cameron (1838-1904)

Lady in an interior, 1922 (oil on canvas)
Lady in an interior, 1922 (oil on canvas)

PNH367115: Lady in an interior, 1922 (oil on canvas), Tayler, Albert Chevallier (1862-1925) / Bridgeman Images

ID: PNH367115

Lady in an interior, 1922 (oil on canvas)

Tayler, Albert Chevallier (1862-1925)


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