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Stultorum Medicus from 'Proscenium vitae humanae Sive Emblematum secularium' by Theodore de Bry, 1627 (engraving)
Stultorum Medicus from 'Proscenium vitae humanae Sive Emblematum secularium' by Theodore de Bry, 1627 (engraving)

XJF365365: Stultorum Medicus from 'Proscenium vitae humanae Sive Emblematum secularium' by Theodore de Bry, 1627 (engraving), Bry, Theodor de (1528-98) / Bridgeman Images

Fortitude: design for a stained glass window at St. Cuthbert's Church, Newcastle, c.1896 (coloured chalks on light brown paper)
Fortitude: design for a stained glass window at St. Cuthbert's Church, Newcastle, c.1896 (coloured chalks on light brown paper)

CH368165: Fortitude: design for a stained glass window at St. Cuthbert's Church, Newcastle, c.1896 (coloured chalks on light brown paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

A Song without Words, 1919 (pencil & w/c on paper)
A Song without Words, 1919 (pencil & w/c on paper)

CH368182: A Song without Words, 1919 (pencil & w/c on paper), Godward, John William (1861-1922) / Bridgeman Images

Mrs Moss Bennett and child, 1909 (oil on canvas)
Mrs Moss Bennett and child, 1909 (oil on canvas)

XPG366325: Mrs Moss Bennett and child, 1909 (oil on canvas), Bennett, Frank Moss (1874-1953) / Bridgeman Images

The Fiddler (w/c)
The Fiddler (w/c)

XPG365685: The Fiddler (w/c), Stannard, Henry John Sylvester (1870-1951) / Bridgeman Images

Herding the Sheep (w/c)
Herding the Sheep (w/c)

XPG365683: Herding the Sheep (w/c), Stannard, Henry John Sylvester (1870-1951) / Bridgeman Images

Rycharde de Byrchyngton, illustration for the poem 'Brothers of Birchington' after J. Tenniel, from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)
Rycharde de Byrchyngton, illustration for the poem 'Brothers of Birchington' after J. Tenniel, from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)

KWE366283: Rycharde de Byrchyngton, illustration for the poem 'Brothers of Birchington' after J. Tenniel, from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho), English School, (19th century) / Bridgeman Images

Castle and Grassmarket, Edinburgh, Scotland, from 'Scottish Pictures Drawn with Pen and Pencil', by Samuel G. Green, published in 1886 (litho)
Castle and Grassmarket, Edinburgh, Scotland, from 'Scottish Pictures Drawn with Pen and Pencil', by Samuel G. Green, published in 1886 (litho)

KWE366288: Castle and Grassmarket, Edinburgh, Scotland, from 'Scottish Pictures Drawn with Pen and Pencil', by Samuel G. Green, published in 1886 (litho), English School, (19th century) / Bridgeman Images

Inhabited huts on Uig, Island of Lewis in the Outer Hebrides in 1859, from 'Scottish Pictures Drawn with Pen and Pencil', by Samuel G. Green, published in 1886 (litho)
Inhabited huts on Uig, Island of Lewis in the Outer Hebrides in 1859, from 'Scottish Pictures Drawn with Pen and Pencil', by Samuel G. Green, published in 1886 (litho)

KWE366292: Inhabited huts on Uig, Island of Lewis in the Outer Hebrides in 1859, from 'Scottish Pictures Drawn with Pen and Pencil', by Samuel G. Green, published in 1886 (litho), English School, (19th century) / Bridgeman Images

Roberte de Byrchyngton, illustration for the poem 'The Brothers of Birchington', after J. Tenniel, from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)
Roberte de Byrchyngton, illustration for the poem 'The Brothers of Birchington', after J. Tenniel, from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)

KWE366284: Roberte de Byrchyngton, illustration for the poem 'The Brothers of Birchington', after J. Tenniel, from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho), English School, (19th century) / Bridgeman Images

The Misses Catherine and Mary Glynne, from 'Gladstone: The Man and the Statesman', by David Williamson, published in 1898 (litho)
The Misses Catherine and Mary Glynne, from 'Gladstone: The Man and the Statesman', by David Williamson, published in 1898 (litho)

KWE366245: The Misses Catherine and Mary Glynne, from 'Gladstone: The Man and the Statesman', by David Williamson, published in 1898 (litho), English School, (19th century) / Bridgeman Images

Illustration after J. Tenniel for the poem 'The Blasphemer's Warning', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)
Illustration after J. Tenniel for the poem 'The Blasphemer's Warning', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)

KWE366281: Illustration after J. Tenniel for the poem 'The Blasphemer's Warning', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho), English School, (19th century) / Bridgeman Images

Queen Charlotte, c.1818 (engraving)
Queen Charlotte, c.1818 (engraving)

XJF365351: Queen Charlotte, c.1818 (engraving), Gahagan, Lawrence (fl.1756-1820) (after) / Bridgeman Images

Self Portrait (w/c on paper)
Self Portrait (w/c on paper)

XJF366927: Self Portrait (w/c on paper), Claude Lorrain (Claude Gellee) (1600-82) / Bridgeman Images

Arpad Basch in his studio (b/w photo)
Arpad Basch in his studio (b/w photo)

XJF365397: Arpad Basch in his studio (b/w photo), Hungarian Photographer, (20th century) / Bridgeman Images

Alfred, Lord Tennyson with his wife Emily and two sons, Hallam and Lionel, c.1862 (albumen print)
Alfred, Lord Tennyson with his wife Emily and two sons, Hallam and Lionel, c.1862 (albumen print)

XJF366826: Alfred, Lord Tennyson with his wife Emily and two sons, Hallam and Lionel, c.1862 (albumen print), Rejlander, Oscar Gustav (1813-1875) / Bridgeman Images

General Jekon, Chief of Staff of the Bulgarian Army, c.1916 (oil on canvas)
General Jekon, Chief of Staff of the Bulgarian Army, c.1916 (oil on canvas)

XOT366509: General Jekon, Chief of Staff of the Bulgarian Army, c.1916 (oil on canvas), Nedomansky Studio, Vienna (fl.1914-18) / Bridgeman Images

Map of the world, from a manuscript of a Commentary on the Apocalypse, written c.787 and copied c.1109 in the Monastery of Silos, Burgos, Spain (litho)
Map of the world, from a manuscript of a Commentary on the Apocalypse, written c.787 and copied c.1109 in the Monastery of Silos, Burgos, Spain (litho)

XOT366587: Map of the world, from a manuscript of a Commentary on the Apocalypse, written c.787 and copied c.1109 in the Monastery of Silos, Burgos, Spain (litho), Spanish School, (8th century) (after) / Bridgeman Images

Self Portrait, 1684 (chalk on paper) (b/w photo)
Self Portrait, 1684 (chalk on paper) (b/w photo)

XJF366967: Self Portrait, 1684 (chalk on paper) (b/w photo), Maratti, Carlo (1625-1713) / Bridgeman Images

The Virgin Mary: cartoon for a stained glass window at Ashton-under-Lyne, c.1892 (black, white & blue chalk on brown paper)
The Virgin Mary: cartoon for a stained glass window at Ashton-under-Lyne, c.1892 (black, white & blue chalk on brown paper)

CH368180: The Virgin Mary: cartoon for a stained glass window at Ashton-under-Lyne, c.1892 (black, white & blue chalk on brown paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

Avenue de Bois de Boulogne, 1894 (oil on canvas)
Avenue de Bois de Boulogne, 1894 (oil on canvas)

XPG365655: Avenue de Bois de Boulogne, 1894 (oil on canvas), Smith, Carlton Alfred (1853-1946) / Bridgeman Images

Arresting Generals during the Revolution in February 1917 (colour litho)
Arresting Generals during the Revolution in February 1917 (colour litho)

STC366150: Arresting Generals during the Revolution in February 1917 (colour litho), Vladimirov, Ivan Alexeyevich (1869-1947) / Bridgeman Images

Illustration after George Cruikshank for the poem 'The Merchant of Venice', a legend of Italy, from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)
Illustration after George Cruikshank for the poem 'The Merchant of Venice', a legend of Italy, from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)

KWE366270: Illustration after George Cruikshank for the poem 'The Merchant of Venice', a legend of Italy, from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho), English School, (19th century) / Bridgeman Images

Cave-dwellings on the English coast used as air-raid shelters, 1940 (b/w photo)
Cave-dwellings on the English coast used as air-raid shelters, 1940 (b/w photo)

STC368006: Cave-dwellings on the English coast used as air-raid shelters, 1940 (b/w photo), English Photographer, (20th century) / Bridgeman Images

'While Beelzebub's tying huge knots in his tale', illustration after George Cruikshank for the poem 'The Lay of St. Cuthbert', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)
'While Beelzebub's tying huge knots in his tale', illustration after George Cruikshank for the poem 'The Lay of St. Cuthbert', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho)

KWE366277: 'While Beelzebub's tying huge knots in his tale', illustration after George Cruikshank for the poem 'The Lay of St. Cuthbert', from 'The Ingoldsby Legends or Mirth and Marvels', by Thomas Ingoldsby, published in 1865 (litho), English School, (19th century) / Bridgeman Images

Dudley Hardy painting a poster for the magazine journal 'Today', c.1890s (b/w photo)
Dudley Hardy painting a poster for the magazine journal 'Today', c.1890s (b/w photo)

XJF365393: Dudley Hardy painting a poster for the magazine journal 'Today', c.1890s (b/w photo), English Photographer, (19th century) / Bridgeman Images

Cyril Wilde, c.1890 (b/w photo)
Cyril Wilde, c.1890 (b/w photo)

XJF365318: Cyril Wilde, c.1890 (b/w photo), English Photographer, (19th century) / Bridgeman Images

Archduke Eugen of Austria, c.1916 (oil on canvas)
Archduke Eugen of Austria, c.1916 (oil on canvas)

XOT366530: Archduke Eugen of Austria, c.1916 (oil on canvas), Nedomansky Studio, Vienna (fl.1914-18) / Bridgeman Images

A putto turned to the left (pen & brown ink on paper)
A putto turned to the left (pen & brown ink on paper)

CTS366748: A putto turned to the left (pen & brown ink on paper), Parmigianino (Francesco Mazzola) (1503-40) / Bridgeman Images

Copy of the score of 'La scuola de' gelosi', 1778 (manuscript)
Copy of the score of 'La scuola de' gelosi', 1778 (manuscript)

XOT366588: Copy of the score of 'La scuola de' gelosi', 1778 (manuscript), Salieri, Antonio (1750-1825) (after) / Bridgeman Images

Shipping off Amsterdam (oil on canvas)
Shipping off Amsterdam (oil on canvas)

MAN368361: Shipping off Amsterdam (oil on canvas), Storck, Abraham (1644-1708) / Bridgeman Images

River scene with fishermen drawing nets, 1650 (oil on panel)
River scene with fishermen drawing nets, 1650 (oil on panel)

MAN368377: River scene with fishermen drawing nets, 1650 (oil on panel), Avercamp, Barent (1612-79) / Bridgeman Images

Wedgwood design for a plate, c.1880 (w/c on paper)
Wedgwood design for a plate, c.1880 (w/c on paper)

PNH368331: Wedgwood design for a plate, c.1880 (w/c on paper), Proudlove, A. (fl.c.1880-1900) / Bridgeman Images

Welsh landscape, 1850 (oil on canvas)
Welsh landscape, 1850 (oil on canvas)

PNH367459: Welsh landscape, 1850 (oil on canvas), Percy, Sidney Richard (1821-86) / Bridgeman Images

Susannah Rose, 1861 (chalks & pencil on paper)
Susannah Rose, 1861 (chalks & pencil on paper)

PNH368214: Susannah Rose, 1861 (chalks & pencil on paper), Sandys, Anthony Frederick Augustus (1829-1904) / Bridgeman Images

Still life of Chrysanthemums and Camelias, 1883 (oil on canvas)
Still life of Chrysanthemums and Camelias, 1883 (oil on canvas)

PNH367123: Still life of Chrysanthemums and Camelias, 1883 (oil on canvas), Thompson, W. R. (fl.1880-90) / Bridgeman Images


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