ID: FLE109271

Head Study (oil on wood)

Colquhoun, Robert (1914-62)

ID: GLY109410

The Last of the Wreck, 1864 (oil on canvas)

Hemy, Charles Napier (1841-1917)

ID: GLY109413

La Sylphide hovers beside the seated sleeping James, Marie Taglioni (1804-1884) in Act I of a performance of 'La Sylphide, Souvenir D'Adieu' by Jules Perrot, 1845 (w/c on paper)

Chalon, Alfred-Edward (1780-1860)

ID: GLY109415

Despairing of her fleeting visits, James captures La Sylphide with a scarf bearing some witches' evil curse; struck by a fatal blow, her wings fall to the ground, Marie Taglioni (1804-1884) in Act II of a performance of 'La Sylphide, Souvenir D'Adieu' by Jules Perrot, 1845 (w/c on paper)

Chalon, Alfred-Edward (1780-1860)

ID: GLY109416

Standing on the window ledge, La Sylphide mourns James's betrothal to his childhood sweetheart, Marie Taglioni (1804-1884) in Act I of a performance of 'La Sylphide, Souvenir D'Adieu' by Jules Perrot, 1845 (w/c on paper)

Chalon, Alfred-Edward (1780-1860)

ID: REF109425

Polo Ponies Resting, 1994 (conte crayon on paper)

Hamey, Refna

ID: LMM109427

Vision of the Twenty-First Century: The Albert Hall, 1995 (photo-collage)

Molyneux, Lynn Michelle (b.1966)

ID: LMM109433

Just Before Birth, 1996 (photo-collage)

Molyneux, Lynn Michelle (b.1966)

ID: EH109494

Tower Bridge

Handler, Edith

ID: WH109569

Abstract (oil on panel)

Davie, Alan (1920-2014)

ID: WH109574

Reclining Man (oil on canvas)

Souverbie, Jean (1891-1981)

ID: WH109575

Woman with a Vase, 1927 (oil on canvas)

Souverbie, Jean (1891-1981)

ID: FIT109656

"So Cried He", plate 12 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)

Blake, William (1757-1827)

ID: FIT109660

"Over the Hills", plate 16 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)

Blake, William (1757-1827)

ID: FIT109668

Portrait miniature of Georgina Carolina, Lady Astley, c.1827 (w/c on ivory)

Rochard, Simon Jacques (1788-1872)

ID: FIT109669

Portrait miniature of Charles Middleton, 2nd Earl of Middleton (c.1640-1719) (w/c on vellum)

Dixon, Nicholas (c.1645-c.1708)

ID: FIT109677

Portrait miniature of an unknown lady as Flora, c.1710 (w/c on ivory)

Lens, Bernard III (1682-1740)

ID: VFS109720

The Harvester's Pet, 1865 (oil on canvas)

Popham, M. (fl.1865)

ID: VFS109748

Feeding the Five Thousand, 1835 (pen & ink and grey wash on paper)

Martin, John (1789-1854)

ID: VFS109752

Finishing Touches, 1879 (oil on canvas)

Martin, Florence (fl.1876-1893)

ID: VFS109757

The Picnic on a Clifftop (oil on canvas)

Shields, Frederic James (1833-1911)

ID: VFS109778

Vortex and the Weather Dog, 1944 (gouache on paper)

Tunnard, John (1900-71)

ID: ILN110009

Portrait of the Marquess of Salisbury (1830-1903) (b/w photo)

ID: ILN110020

Railway Bridge Over the Ganges at Rajghaut, 1875 (engraving) (b/w photo)

English School, (19th century)

ID: WLN106571

No. 25 A black horse with three white fetlocks, from the Spanish Riding School, performing dressage steps (w/c on paper)

Eisenberg, Baron Reis d' (fl.1730-60)

ID: WLN106581

No. 44 A 'Cap de More' horse of the Spanish Riding School, performing a dressage movement called a 'Curvet' (w/c on paper)

Eisenberg, Baron Reis d' (fl.1730-60)

ID: NCB106704

George Gee, 1949 (chalk on paper)

Freeth, Hubert Andrew (1912-86)

ID: NCB106709

Herbert Humphrey, 1948 (w/c & ink on paper)

Freeth, Hubert Andrew (1912-86)

ID: NCB106713

Kiveton Park Colliery, 1979 (acrylic on board)

Watson, Peter (20th century)

ID: NCB106723

Pit Mouth, 1872 (etching)

Chattock, Richard Samuel (1825-1906)

ID: NCB106725

Forge Hammer, 1872 (etching)

Chattock, Richard Samuel (1825-1906)

ID: ACO106736

Seated Figure with Arms Raised, 1974 (oil on board)

Auerbach, Frank (b.1931)

ID: ACO106755

Kale Field, Beaumont Quay, 1950 (oil on canvas)

Buhler, Robert (1916-89)

ID: ACO106762

Untitled

Caulfield, Patrick (1936-2005)

ID: ACO106768

Church Lench, 1942 (oil on canvas)

Colquhoun, Robert (1914-62)

ID: ACO106784

A Field of Oats, 1962 (oil on board)

Eardley, Joan (1921-63)