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Head Study (oil on wood)
Head Study (oil on wood)

FLE109271: Head Study (oil on wood), Colquhoun, Robert (1914-62) / Bridgeman Images

The Last of the Wreck, 1864 (oil on canvas)
The Last of the Wreck, 1864 (oil on canvas)

GLY109410: The Last of the Wreck, 1864 (oil on canvas), Hemy, Charles Napier (1841-1917) / Bridgeman Images

La Sylphide hovers beside the seated sleeping James, Marie Taglioni (1804-1884) in Act I of a performance of 'La Sylphide, Souvenir D'Adieu' by Jules Perrot, 1845 (w/c on paper)
La Sylphide hovers beside the seated sleeping James, Marie Taglioni (1804-1884) in Act I of a performance of 'La Sylphide, Souvenir D'Adieu' by Jules Perrot, 1845 (w/c on paper)

GLY109413: La Sylphide hovers beside the seated sleeping James, Marie Taglioni (1804-1884) in Act I of a performance of 'La Sylphide, Souvenir D'Adieu' by Jules Perrot, 1845 (w/c on paper), Chalon, Alfred-Edward (1780-1860) / Bridgeman Images

Despairing of her fleeting visits, James captures La Sylphide with a scarf bearing some witches' evil curse; struck by a fatal blow, her wings fall to the ground, Marie Taglioni (1804-1884) in Act II of a performance of 'La Sylphide, Souvenir D'Adieu' by Jules Perrot, 1845 (w/c on paper)
Despairing of her fleeting visits, James captures La Sylphide with a scarf bearing some witches' evil curse; struck by a fatal blow, her wings fall to the ground, Marie Taglioni (1804-1884) in Act II of a performance of 'La Sylphide, Souvenir D'Adieu' by Jules Perrot, 1845 (w/c on paper)

GLY109415: Despairing of her fleeting visits, James captures La Sylphide with a scarf bearing some witches' evil curse; struck by a fatal blow, her wings fall to the ground, Marie Taglioni (1804-1884) in Act II of a performance of 'La Sylphide, Souvenir D'Adieu' by Jules Perrot, 1845 (w/c on paper), Chalon, Alfred-Edward (1780-1860) / Bridgeman Images

Standing on the window ledge, La Sylphide mourns James's betrothal to his childhood sweetheart, Marie Taglioni (1804-1884) in Act I of a performance of 'La Sylphide, Souvenir D'Adieu' by Jules Perrot, 1845 (w/c on paper)
Standing on the window ledge, La Sylphide mourns James's betrothal to his childhood sweetheart, Marie Taglioni (1804-1884) in Act I of a performance of 'La Sylphide, Souvenir D'Adieu' by Jules Perrot, 1845 (w/c on paper)

GLY109416: Standing on the window ledge, La Sylphide mourns James's betrothal to his childhood sweetheart, Marie Taglioni (1804-1884) in Act I of a performance of 'La Sylphide, Souvenir D'Adieu' by Jules Perrot, 1845 (w/c on paper), Chalon, Alfred-Edward (1780-1860) / Bridgeman Images

Polo Ponies Resting, 1994 (conte crayon on paper)
Polo Ponies Resting, 1994 (conte crayon on paper)

REF109425: Polo Ponies Resting, 1994 (conte crayon on paper), Hamey, Refna / Bridgeman Images

Vision of the Twenty-First Century: The Albert Hall, 1995 (photo-collage)
Vision of the Twenty-First Century: The Albert Hall, 1995 (photo-collage)

LMM109427: Vision of the Twenty-First Century: The Albert Hall, 1995 (photo-collage), Molyneux, Lynn Michelle (b.1966) / Bridgeman Images

Just Before Birth, 1996 (photo-collage)
Just Before Birth, 1996 (photo-collage)

LMM109433: Just Before Birth, 1996 (photo-collage), Molyneux, Lynn Michelle (b.1966) / Bridgeman Images

Tower Bridge
Tower Bridge

EH109494: Tower Bridge, Handler, Edith / Bridgeman Images

Abstract (oil on panel)
Abstract (oil on panel)

WH109569: Abstract (oil on panel), Davie, Alan (1920-2014) / Bridgeman Images

Reclining Man (oil on canvas)
Reclining Man (oil on canvas)

WH109574: Reclining Man (oil on canvas), Souverbie, Jean (1891-1981) / Bridgeman Images

Woman with a Vase, 1927 (oil on canvas)
Woman with a Vase, 1927 (oil on canvas)

WH109575: Woman with a Vase, 1927 (oil on canvas), Souverbie, Jean (1891-1981) / Bridgeman Images

FIT109656: "So Cried He", plate 12 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

FIT109660: "Over the Hills", plate 16 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images

Portrait miniature of Georgina Carolina, Lady Astley, c.1827 (w/c on ivory)
Portrait miniature of Georgina Carolina, Lady Astley, c.1827 (w/c on ivory)

FIT109668: Portrait miniature of Georgina Carolina, Lady Astley, c.1827 (w/c on ivory), Rochard, Simon Jacques (1788-1872) / Bridgeman Images

Portrait miniature of Charles Middleton, 2nd Earl of Middleton (c.1640-1719) (w/c on vellum)
Portrait miniature of Charles Middleton, 2nd Earl of Middleton (c.1640-1719) (w/c on vellum)

FIT109669: Portrait miniature of Charles Middleton, 2nd Earl of Middleton (c.1640-1719) (w/c on vellum), Dixon, Nicholas (c.1645-c.1708) / Bridgeman Images

Portrait miniature of an unknown lady as Flora, c.1710 (w/c on ivory)
Portrait miniature of an unknown lady as Flora, c.1710 (w/c on ivory)

FIT109677: Portrait miniature of an unknown lady as Flora, c.1710 (w/c on ivory), Lens, Bernard III (1682-1740) / Bridgeman Images

The Harvester's Pet, 1865 (oil on canvas)
The Harvester's Pet, 1865 (oil on canvas)

VFS109720: The Harvester's Pet, 1865 (oil on canvas), Popham, M. (fl.1865) / Bridgeman Images

Feeding the Five Thousand, 1835 (pen & ink and grey wash on paper)
Feeding the Five Thousand, 1835 (pen & ink and grey wash on paper)

VFS109748: Feeding the Five Thousand, 1835 (pen & ink and grey wash on paper), Martin, John (1789-1854) / Bridgeman Images

Finishing Touches, 1879 (oil on canvas)
Finishing Touches, 1879 (oil on canvas)

VFS109752: Finishing Touches, 1879 (oil on canvas), Martin, Florence (fl.1876-1893) / Bridgeman Images

The Picnic on a Clifftop (oil on canvas)
The Picnic on a Clifftop (oil on canvas)

VFS109757: The Picnic on a Clifftop (oil on canvas), Shields, Frederic James (1833-1911) / Bridgeman Images

Vortex and the Weather Dog, 1944 (gouache on paper)
Vortex and the Weather Dog, 1944 (gouache on paper)

VFS109778: Vortex and the Weather Dog, 1944 (gouache on paper), Tunnard, John (1900-71) / Bridgeman Images

Portrait of the Marquess of Salisbury (1830-1903) (b/w photo)
Portrait of the Marquess of Salisbury (1830-1903) (b/w photo)

ILN110009: Portrait of the Marquess of Salisbury (1830-1903) (b/w photo) / Bridgeman Images

Railway Bridge Over the Ganges at Rajghaut, 1875 (engraving) (b/w photo)
Railway Bridge Over the Ganges at Rajghaut, 1875 (engraving) (b/w photo)

ILN110020: Railway Bridge Over the Ganges at Rajghaut, 1875 (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

No. 25 A black horse with three white fetlocks, from the Spanish Riding School, performing dressage steps (w/c on paper)
No. 25 A black horse with three white fetlocks, from the Spanish Riding School, performing dressage steps (w/c on paper)

WLN106571: No. 25 A black horse with three white fetlocks, from the Spanish Riding School, performing dressage steps (w/c on paper), Eisenberg, Baron Reis d' (fl.1730-60) / Bridgeman Images

No. 44 A 'Cap de More' horse of the Spanish Riding School, performing a dressage movement called a 'Curvet' (w/c on paper)
No. 44 A 'Cap de More' horse of the Spanish Riding School, performing a dressage movement called a 'Curvet' (w/c on paper)

WLN106581: No. 44 A 'Cap de More' horse of the Spanish Riding School, performing a dressage movement called a 'Curvet' (w/c on paper), Eisenberg, Baron Reis d' (fl.1730-60) / Bridgeman Images

George Gee, 1949 (chalk on paper)
George Gee, 1949 (chalk on paper)

NCB106704: George Gee, 1949 (chalk on paper), Freeth, Hubert Andrew (1912-86) / Bridgeman Images

Herbert Humphrey, 1948 (w/c & ink on paper)
Herbert Humphrey, 1948 (w/c & ink on paper)

NCB106709: Herbert Humphrey, 1948 (w/c & ink on paper), Freeth, Hubert Andrew (1912-86) / Bridgeman Images

Kiveton Park Colliery, 1979 (acrylic on board)
Kiveton Park Colliery, 1979 (acrylic on board)

NCB106713: Kiveton Park Colliery, 1979 (acrylic on board), Watson, Peter (20th century) / Bridgeman Images

Pit Mouth, 1872 (etching)
Pit Mouth, 1872 (etching)

NCB106723: Pit Mouth, 1872 (etching), Chattock, Richard Samuel (1825-1906) / Bridgeman Images

Forge Hammer, 1872 (etching)
Forge Hammer, 1872 (etching)

NCB106725: Forge Hammer, 1872 (etching), Chattock, Richard Samuel (1825-1906) / Bridgeman Images

Seated Figure with Arms Raised, 1974 (oil on board)
Seated Figure with Arms Raised, 1974 (oil on board)

ACO106736: Seated Figure with Arms Raised, 1974 (oil on board), Auerbach, Frank (b.1931) / Bridgeman Images

Kale Field, Beaumont Quay, 1950 (oil on canvas)
Kale Field, Beaumont Quay, 1950 (oil on canvas)

ACO106755: Kale Field, Beaumont Quay, 1950 (oil on canvas), Buhler, Robert (1916-89) / Bridgeman Images

Untitled
Untitled

ACO106762: Untitled, Caulfield, Patrick (1936-2005) / Bridgeman Images

Church Lench, 1942 (oil on canvas)
Church Lench, 1942 (oil on canvas)

ACO106768: Church Lench, 1942 (oil on canvas), Colquhoun, Robert (1914-62) / Bridgeman Images

A Field of Oats, 1962 (oil on board)
A Field of Oats, 1962 (oil on board)

ACO106784: A Field of Oats, 1962 (oil on board), Eardley, Joan (1921-63) / Bridgeman Images


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