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A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678336: A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678336

A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Street entertainer using a baton to remove a coin from a woman's nose without touching her nose. Audience of fashionable women in bonnets, shawls and dresses with frills. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Street entertainer using a baton to remove a coin from a woman's nose without touching her nose. Audience of fashionable women in bonnets, shawls and dresses with frills. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677632: Street entertainer using a baton to remove a coin from a woman's nose without touching her nose. Audience of fashionable women in bonnets, shawls and dresses with frills. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4677632

Street entertainer using a baton to remove a coin from a woman's nose without touching her nose. Audience of fashionable women in bonnets, shawls and dresses with frills. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678553: A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678553

A suit of a Genoese demi-launcers' armour in the possession of Llewelyn Meyrick, 1543. Black armour with raised foliage; pauldrons, elbow-pieces and knee-pieces with raised lion's heads. Sword-breaking weapon. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

A woman is pampered by her seamstress, her clothes seller, her hairdresser and two chambermaids. As Montesquieu said, “” For one man to live deliciously, one hundred others must work tirelessly.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
A woman is pampered by her seamstress, her clothes seller, her hairdresser and two chambermaids. As Montesquieu said, “” For one man to live deliciously, one hundred others must work tirelessly.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677735: A woman is pampered by her seamstress, her clothes seller, her hairdresser and two chambermaids. As Montesquieu said, “” For one man to live deliciously, one hundred others must work tirelessly.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4677735

A woman is pampered by her seamstress, her clothes seller, her hairdresser and two chambermaids. As Montesquieu said, “” For one man to live deliciously, one hundred others must work tirelessly.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

Evening party at Coblenz (between rue Taitbout and rue Neuve-Lepelletier, Paris). A group of women and children (including a black woman) sit listening to music from a hurdygurdy man and woman with tambourine. “” In 1791-1792, the previously unfashionable Boulevard des Italians became the favorite promenade for the royalist partisans. To be seen there was a public profession of aristocracy, an enlistment in the army of the princes, an espousal of the interests and opinions of the French refugees in Koblentz. After 1795, it became the fashionable place for incredible, wonderful, and muscadins. At night from 6 til midnight, up to 4,000 people jostled, elbowed and bumped along this street.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Evening party at Coblenz (between rue Taitbout and rue Neuve-Lepelletier, Paris). A group of women and children (including a black woman) sit listening to music from a hurdygurdy man and woman with tambourine. “” In 1791-1792, the previously unfashionable Boulevard des Italians became the favorite promenade for the royalist partisans. To be seen there was a public profession of aristocracy, an enlistment in the army of the princes, an espousal of the interests and opinions of the French refugees in Koblentz. After 1795, it became the fashionable place for incredible, wonderful, and muscadins. At night from 6 til midnight, up to 4,000 people jostled, elbowed and bumped along this street.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677876: Evening party at Coblenz (between rue Taitbout and rue Neuve-Lepelletier, Paris). A group of women and children (including a black woman) sit listening to music from a hurdygurdy man and woman with tambourine. “” In 1791-1792, the previously unfashionable Boulevard des Italians became the favorite promenade for the royalist partisans. To be seen there was a public profession of aristocracy, an enlistment in the army of the princes, an espousal of the interests and opinions of the French refugees in Koblentz. After 1795, it became the fashionable place for incredible, wonderful, and muscadins. At night from 6 til midnight, up to 4,000 people jostled, elbowed and bumped along this street.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4677876

Evening party at Coblenz (between rue Taitbout and rue Neuve-Lepelletier, Paris). A group of women and children (including a black woman) sit listening to music from a hurdygurdy man and woman with tambourine. “” In 1791-1792, the previously unfashionable Boulevard des Italians became the favorite promenade for the royalist partisans. To be seen there was a public profession of aristocracy, an enlistment in the army of the princes, an espousal of the interests and opinions of the French refugees in Koblentz. After 1795, it became the fashionable place for incredible, wonderful, and muscadins. At night from 6 til midnight, up to 4,000 people jostled, elbowed and bumped along this street.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

Three graces of the Ballet of**. Elegant ballet dancers in costume (one in turban and shawl, one with tambourine and dress decorated with flowers, and one with a basket and long plaits tied with ribbons). “” Each movement betrays a form: arms, shoulders, throat, legs, feet all are naked or appear so.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Three graces of the Ballet of**. Elegant ballet dancers in costume (one in turban and shawl, one with tambourine and dress decorated with flowers, and one with a basket and long plaits tied with ribbons). “” Each movement betrays a form: arms, shoulders, throat, legs, feet all are naked or appear so.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677921: Three graces of the Ballet of**. Elegant ballet dancers in costume (one in turban and shawl, one with tambourine and dress decorated with flowers, and one with a basket and long plaits tied with ribbons). “” Each movement betrays a form: arms, shoulders, throat, legs, feet all are naked or appear so.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4677921

Three graces of the Ballet of**. Elegant ballet dancers in costume (one in turban and shawl, one with tambourine and dress decorated with flowers, and one with a basket and long plaits tied with ribbons). “” Each movement betrays a form: arms, shoulders, throat, legs, feet all are naked or appear so.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

Millinery shop workers. Women in lowcut muslin dresses trying on hats, holding a hat box, fixing feathers to a headdress and reading a notebook at the counter. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Millinery shop workers. Women in lowcut muslin dresses trying on hats, holding a hat box, fixing feathers to a headdress and reading a notebook at the counter. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677958: Millinery shop workers. Women in lowcut muslin dresses trying on hats, holding a hat box, fixing feathers to a headdress and reading a notebook at the counter. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4677958

Millinery shop workers. Women in lowcut muslin dresses trying on hats, holding a hat box, fixing feathers to a headdress and reading a notebook at the counter. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678217: A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678217

A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Alexander I King of Scotland - Alexander I, King of Scotland, 1107. Alexander the Fierce, 1078-1124. He wears a helmet, hauberk tunic with hood, rides a horse and carries a lance with pennant and targe shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Alexander I King of Scotland - Alexander I, King of Scotland, 1107. Alexander the Fierce, 1078-1124. He wears a helmet, hauberk tunic with hood, rides a horse and carries a lance with pennant and targe shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678322: Alexander I King of Scotland - Alexander I, King of Scotland, 1107. Alexander the Fierce, 1078-1124. He wears a helmet, hauberk tunic with hood, rides a horse and carries a lance with pennant and targe shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678322

Alexander I King of Scotland - Alexander I, King of Scotland, 1107. Alexander the Fierce, 1078-1124. He wears a helmet, hauberk tunic with hood, rides a horse and carries a lance with pennant and targe shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Amelanchier with alder leaves or flowered aronie - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Florida serviceberry, Amelanchier alnifolia subsp. florida (Many-flowered amelanchier florier, Amelanchier (ida) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Amelanchier with alder leaves or flowered aronie - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Florida serviceberry, Amelanchier alnifolia subsp. florida (Many-flowered amelanchier florier, Amelanchier (ida) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678731: Amelanchier with alder leaves or flowered aronie - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Florida serviceberry, Amelanchier alnifolia subsp. florida (Many-flowered amelanchier florier, Amelanchier (ida) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678731

Amelanchier with alder leaves or flowered aronie - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Florida serviceberry, Amelanchier alnifolia subsp. florida (Many-flowered amelanchier florier, Amelanchier (ida) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Spanish hogfish, Bodianus rufus (Boar-tusked sparus, Sparus glasses). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
Spanish hogfish, Bodianus rufus (Boar-tusked sparus, Sparus glasses). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

FLO4681672: Spanish hogfish, Bodianus rufus (Boar-tusked sparus, Sparus glasses). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806. / Bridgeman Images

ID: FLO4681672

Spanish hogfish, Bodianus rufus (Boar-tusked sparus, Sparus glasses). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

Junonia or Juno's volute, Scaphella junonia (Junonian volute, Voluta junonia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
Junonia or Juno's volute, Scaphella junonia (Junonian volute, Voluta junonia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

FLO4681685: Junonia or Juno's volute, Scaphella junonia (Junonian volute, Voluta junonia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806. / Bridgeman Images

ID: FLO4681685

Junonia or Juno's volute, Scaphella junonia (Junonian volute, Voluta junonia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

Purple-breasted cotinga, Cotinga cotinga (Purple-breasted chatterer, Ampelis cotinga). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
Purple-breasted cotinga, Cotinga cotinga (Purple-breasted chatterer, Ampelis cotinga). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

FLO4681699: Purple-breasted cotinga, Cotinga cotinga (Purple-breasted chatterer, Ampelis cotinga). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806. / Bridgeman Images

ID: FLO4681699

Purple-breasted cotinga, Cotinga cotinga (Purple-breasted chatterer, Ampelis cotinga). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

Red snapper species, Lutjanus campechanus? (Aya bodian, Bodianus aya). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
Red snapper species, Lutjanus campechanus? (Aya bodian, Bodianus aya). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

FLO4681751: Red snapper species, Lutjanus campechanus? (Aya bodian, Bodianus aya). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806. / Bridgeman Images

ID: FLO4681751

Red snapper species, Lutjanus campechanus? (Aya bodian, Bodianus aya). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

Least valley coral, Leptoria phrygia (Lace madrepore, Madrepora phrygia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
Least valley coral, Leptoria phrygia (Lace madrepore, Madrepora phrygia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

FLO4681990: Least valley coral, Leptoria phrygia (Lace madrepore, Madrepora phrygia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806. / Bridgeman Images

ID: FLO4681990

Least valley coral, Leptoria phrygia (Lace madrepore, Madrepora phrygia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

White amphisbene. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration S, by George Shaw for the naturalist collection, published in 1790 by George Shaw.
White amphisbene. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration S, by George Shaw for the naturalist collection, published in 1790 by George Shaw.

FLO4682005: White amphisbene. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration S, by George Shaw for the naturalist collection, published in 1790 by George Shaw. / Bridgeman Images

ID: FLO4682005

White amphisbene. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration S, by George Shaw for the naturalist collection, published in 1790 by George Shaw.

Amazonian motmot, Momotus momota (Brasilian momot, Momota brasiliensis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
Amazonian motmot, Momotus momota (Brasilian momot, Momota brasiliensis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

FLO4682038: Amazonian motmot, Momotus momota (Brasilian momot, Momota brasiliensis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806. / Bridgeman Images

ID: FLO4682038

Amazonian motmot, Momotus momota (Brasilian momot, Momota brasiliensis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

Cape starling, Lamprotornis nitens (Shining stare, Sturnus nitens). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
Cape starling, Lamprotornis nitens (Shining stare, Sturnus nitens). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

FLO4682104: Cape starling, Lamprotornis nitens (Shining stare, Sturnus nitens). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806. / Bridgeman Images

ID: FLO4682104

Cape starling, Lamprotornis nitens (Shining stare, Sturnus nitens). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

Red underwing moth, Catocala nupta (Phalaena nupta). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
Red underwing moth, Catocala nupta (Phalaena nupta). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

FLO4682118: Red underwing moth, Catocala nupta (Phalaena nupta). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806. / Bridgeman Images

ID: FLO4682118

Red underwing moth, Catocala nupta (Phalaena nupta). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

Mant leaf. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration SN, by Frederick Noder and George Shaw for the naturalist collection, published in 1790 by George Shaw.
Mant leaf. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration SN, by Frederick Noder and George Shaw for the naturalist collection, published in 1790 by George Shaw.

FLO4682163: Mant leaf. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration SN, by Frederick Noder and George Shaw for the naturalist collection, published in 1790 by George Shaw. / Bridgeman Images

ID: FLO4682163

Mant leaf. Copper engraving by Frederick Polydor Nodder (1751-1801), signed illustration SN, by Frederick Noder and George Shaw for the naturalist collection, published in 1790 by George Shaw.

Portrait of Nicolas Culpeper (1616-1654), botanist, herbalist doctor and English astrologer. It is described wearing a cape with a large lace collar, inscribed in an oval frame with the signs of the zodiac, topped by a ribbon. Engraving in “” Culpeper's Complete Herbal and English Physician”” Burslem, Tregortha, 1814.
Portrait of Nicolas Culpeper (1616-1654), botanist, herbalist doctor and English astrologer. It is described wearing a cape with a large lace collar, inscribed in an oval frame with the signs of the zodiac, topped by a ribbon. Engraving in “” Culpeper's Complete Herbal and English Physician”” Burslem, Tregortha, 1814.

FLO4682183: Portrait of Nicolas Culpeper (1616-1654), botanist, herbalist doctor and English astrologer. It is described wearing a cape with a large lace collar, inscribed in an oval frame with the signs of the zodiac, topped by a ribbon. Engraving in “” Culpeper's Complete Herbal and English Physician”” Burslem, Tregortha, 1814. / Bridgeman Images

ID: FLO4682183

Portrait of Nicolas Culpeper (1616-1654), botanist, herbalist doctor and English astrologer. It is described wearing a cape with a large lace collar, inscribed in an oval frame with the signs of the zodiac, topped by a ribbon. Engraving in “” Culpeper's Complete Herbal and English Physician”” Burslem, Tregortha, 1814.

Portrait of John Evelyn (1620-1706), English writer, gardener and horticulturist. Engraving by W.H. Lizars, in “” The Naturalist Library”” by Sir William Jardine, Edinburgh, Scotland, 1833.
Portrait of John Evelyn (1620-1706), English writer, gardener and horticulturist. Engraving by W.H. Lizars, in “” The Naturalist Library”” by Sir William Jardine, Edinburgh, Scotland, 1833.

FLO4682299: Portrait of John Evelyn (1620-1706), English writer, gardener and horticulturist. Engraving by W.H. Lizars, in “” The Naturalist Library”” by Sir William Jardine, Edinburgh, Scotland, 1833. / Bridgeman Images

ID: FLO4682299

Portrait of John Evelyn (1620-1706), English writer, gardener and horticulturist. Engraving by W.H. Lizars, in “” The Naturalist Library”” by Sir William Jardine, Edinburgh, Scotland, 1833.

Purple and orange lilies - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794
Purple and orange lilies - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794

FLO4682419: Purple and orange lilies - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794 / Bridgeman Images

ID: FLO4682419

Purple and orange lilies - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794

Hyacinth (or hyacinth), variete Augustus rex, with a scarabee - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794
Hyacinth (or hyacinth), variete Augustus rex, with a scarabee - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794

FLO4682492: Hyacinth (or hyacinth), variete Augustus rex, with a scarabee - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794 / Bridgeman Images

ID: FLO4682492

Hyacinth (or hyacinth), variete Augustus rex, with a scarabee - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794

Mollusk, sea snail tulip, Fasciolaria tulipa - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812
Mollusk, sea snail tulip, Fasciolaria tulipa - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

FLO4682803: Mollusk, sea snail tulip, Fasciolaria tulipa - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812 / Bridgeman Images

ID: FLO4682803

Mollusk, sea snail tulip, Fasciolaria tulipa - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

Charonia lampas - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812
Charonia lampas - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

FLO4682791: Charonia lampas - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812 / Bridgeman Images

ID: FLO4682791

Charonia lampas - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

Red Partridge, Alectoris rufa - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812
Red Partridge, Alectoris rufa - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

FLO4682855: Red Partridge, Alectoris rufa - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812 / Bridgeman Images

ID: FLO4682855

Red Partridge, Alectoris rufa - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

Unknown species of bushbaby or mouse lemur (Minute lemur, Lemur minutus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.
Unknown species of bushbaby or mouse lemur (Minute lemur, Lemur minutus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.

FLO4683461: Unknown species of bushbaby or mouse lemur (Minute lemur, Lemur minutus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802. / Bridgeman Images

ID: FLO4683461

Unknown species of bushbaby or mouse lemur (Minute lemur, Lemur minutus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.

Red naped lorikeet, Psittacus nuchalis. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810.
Red naped lorikeet, Psittacus nuchalis. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810.

FLO4683727: Red naped lorikeet, Psittacus nuchalis. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810. / Bridgeman Images

ID: FLO4683727

Red naped lorikeet, Psittacus nuchalis. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810.

Diana conch, Euprotomus aurisdianae (Ear strombus shell, Strombus auris dianae). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810.
Diana conch, Euprotomus aurisdianae (Ear strombus shell, Strombus auris dianae). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810.

FLO4683775: Diana conch, Euprotomus aurisdianae (Ear strombus shell, Strombus auris dianae). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810. / Bridgeman Images

ID: FLO4683775

Diana conch, Euprotomus aurisdianae (Ear strombus shell, Strombus auris dianae). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810.

Boulder star coral, Montastrea annularis. Endangered. (Annular madrepore, Madrepora annularis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810.
Boulder star coral, Montastrea annularis. Endangered. (Annular madrepore, Madrepora annularis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810.

FLO4683877: Boulder star coral, Montastrea annularis. Endangered. (Annular madrepore, Madrepora annularis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810. / Bridgeman Images

ID: FLO4683877

Boulder star coral, Montastrea annularis. Endangered. (Annular madrepore, Madrepora annularis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810.

Xyleukes hyphinoe moth (Hyphinoe, Phalaena hyphinoe), native to Australia. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810.
Xyleukes hyphinoe moth (Hyphinoe, Phalaena hyphinoe), native to Australia. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810.

FLO4683906: Xyleukes hyphinoe moth (Hyphinoe, Phalaena hyphinoe), native to Australia. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810. / Bridgeman Images

ID: FLO4683906

Xyleukes hyphinoe moth (Hyphinoe, Phalaena hyphinoe), native to Australia. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany,”” London, 1810.

Sea anemone, branch of the cnidaires. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Sea anemone or anemone actinia. Actinia anemone. Scarlet sea anemone shown in contracted (1) and expanded state (3), “” displaying a triple row of circular tentacula of an oblong form, with obtuse points, of a yellow color and varied with red.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).
Sea anemone, branch of the cnidaires. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Sea anemone or anemone actinia. Actinia anemone. Scarlet sea anemone shown in contracted (1) and expanded state (3), “” displaying a triple row of circular tentacula of an oblong form, with obtuse points, of a yellow color and varied with red.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4684194: Sea anemone, branch of the cnidaires. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Sea anemone or anemone actinia. Actinia anemone. Scarlet sea anemone shown in contracted (1) and expanded state (3), “” displaying a triple row of circular tentacula of an oblong form, with obtuse points, of a yellow color and varied with red.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

ID: FLO4684194

Sea anemone, branch of the cnidaires. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Sea anemone or anemone actinia. Actinia anemone. Scarlet sea anemone shown in contracted (1) and expanded state (3), “” displaying a triple row of circular tentacula of an oblong form, with obtuse points, of a yellow color and varied with red.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

Woman in long veil over a pink dress in La Voilette costume. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in long veil over a pink dress in La Voilette costume. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4684605: Woman in long veil over a pink dress in La Voilette costume. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

ID: FLO4684605

Woman in long veil over a pink dress in La Voilette costume. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

Blue morpho butterfly. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Menelaus Blue Morpho butterfly. Morpho menelaus (Papilio menelaus). Iridescent blue tropical butterfly native to Central and South America. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).
Blue morpho butterfly. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Menelaus Blue Morpho butterfly. Morpho menelaus (Papilio menelaus). Iridescent blue tropical butterfly native to Central and South America. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4684308: Blue morpho butterfly. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Menelaus Blue Morpho butterfly. Morpho menelaus (Papilio menelaus). Iridescent blue tropical butterfly native to Central and South America. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

ID: FLO4684308

Blue morpho butterfly. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Menelaus Blue Morpho butterfly. Morpho menelaus (Papilio menelaus). Iridescent blue tropical butterfly native to Central and South America. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

Woman in wireless telephone (the TSF) costume, with speaker hat, receiver and gold dress. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in wireless telephone (the TSF) costume, with speaker hat, receiver and gold dress. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4684452: Woman in wireless telephone (the TSF) costume, with speaker hat, receiver and gold dress. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

ID: FLO4684452

Woman in wireless telephone (the TSF) costume, with speaker hat, receiver and gold dress. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.


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