ABBOTT AND COSTELLO MEET FRANKENSTEIN, Glenn Strange, 1948
EVC5963673:
A Study in Terror by James Hill, 1965 / Bridgeman Images
ID: EVC5963673
A Study in Terror by James Hill, 1965
EVC5963728:
ABOUT MRS. LESLIE, Shirley Booth, 1954 / Bridgeman Images
ID: EVC5963728
ABOUT MRS. LESLIE, Shirley Booth, 1954
EVC5963691:
ABBOTT AND COSTELLO MEET THE KEYSTONE KOPS, from left, Lou Costello, Carol Lou Costello, 1955 / Bridgeman Images
ID: EVC5963691
ABBOTT AND COSTELLO MEET THE KEYSTONE KOPS, from left, Lou Costello, Carol Lou Costello, 1955
EVC5963773:
Act One by Dore Schary, 1963 / Bridgeman Images
ID: EVC5963773
Act One by Dore Schary, 1963
EVC5964376:
AND BABY MAKES THREE, Janis Carter, 1949 / Bridgeman Images
ID: EVC5964376
AND BABY MAKES THREE, Janis Carter, 1949
EVC5964392:
Le dolci signore by Luigi Zampa, 1967 / Bridgeman Images
ID: EVC5964392
Le dolci signore by Luigi Zampa, 1967
EVC5964433:
ANYTHING GOES, from left: Ida Lupino, Bing Crosby, 1936 / Bridgeman Images
ID: EVC5964433
ANYTHING GOES, from left: Ida Lupino, Bing Crosby, 1936
EVC5964416:
ANNIE GET YOUR GUN, from left: Howard Keel, Betty Hutton, 1950 / Bridgeman Images
ID: EVC5964416
ANNIE GET YOUR GUN, from left: Howard Keel, Betty Hutton, 1950
EVC5964475:
ANNA KARENINA, from left: Greta Garbo, Fredric March, director Clarence Brown, cinematographer William Daniels filming on set, 1935 / Bridgeman Images
ID: EVC5964475
ANNA KARENINA, from left: Greta Garbo, Fredric March, director Clarence Brown, cinematographer William Daniels filming on set, 1935
EVC5964467:
...And Justice for All by Norman Jewison, 1979 / Bridgeman Images
ID: EVC5964467
...And Justice for All by Norman Jewison, 1979
EVC5964490:
THAT HAMILTON WOMAN, Vivien Leigh, 1941 / Bridgeman Images
ID: EVC5964490
THAT HAMILTON WOMAN, Vivien Leigh, 1941
EVC5964509:
ANNA LUCASTA, Earth Kitt, 1958 / Bridgeman Images
ID: EVC5964509
ANNA LUCASTA, Earth Kitt, 1958
EVC5964496:
ANNA KARENINA, from left, Kieron Moore, Vivien Leigh, 1948 / Bridgeman Images
ID: EVC5964496
ANNA KARENINA, from left, Kieron Moore, Vivien Leigh, 1948
EVC5964508:
ANNIE LAURIE, from left, Dennis Morgan, Ann Rutherford, 1936 / Bridgeman Images
ID: EVC5964508
ANNIE LAURIE, from left, Dennis Morgan, Ann Rutherford, 1936
EVC5964532:
THE ANGEL OF BROADWAY, from left, Ivan Lebedeff, Leatrice Joy, 1927 / Bridgeman Images
ID: EVC5964532
THE ANGEL OF BROADWAY, from left, Ivan Lebedeff, Leatrice Joy, 1927
EVC5964578:
AND THEN THERE WERE NONE, from left, Walter Huston, Roland Young, 1945 / Bridgeman Images
ID: EVC5964578
AND THEN THERE WERE NONE, from left, Walter Huston, Roland Young, 1945
EVC5964556:
AN ANNAPOLIS STORY, (aka THE BLUE AND THE GOLD), John Derek, 1955 / Bridgeman Images
ID: EVC5964556
AN ANNAPOLIS STORY, (aka THE BLUE AND THE GOLD), John Derek, 1955
EVC5964626:
APARTMENT FOR PEGGY, from left, Edmund Gwenn, Jeanne Crain, 1948 / Bridgeman Images
ID: EVC5964626
APARTMENT FOR PEGGY, from left, Edmund Gwenn, Jeanne Crain, 1948
EVC5964629:
APARTMENT FOR PEGGY, Jeanne Crain, 1948 / Bridgeman Images
ID: EVC5964629
APARTMENT FOR PEGGY, Jeanne Crain, 1948
EVC5964659:
Arabesque by Stanley Donen, 1966 / Bridgeman Images
ID: EVC5964659
Arabesque by Stanley Donen, 1966
EVC5964625:
The April Fools by Stuart Rosenberg, 1969 / Bridgeman Images
ID: EVC5964625
The April Fools by Stuart Rosenberg, 1969
EVC5964643:
APPOINTMENT WITH VENUS, Glynis Johns, 1951 / Bridgeman Images
ID: EVC5964643
APPOINTMENT WITH VENUS, Glynis Johns, 1951
EVC5964664:
Arabesque by Stanley Donen, 1966 / Bridgeman Images
ID: EVC5964664
Arabesque by Stanley Donen, 1966
EVC5964387:
ANYTHING CAN HAPPEN, front from left: Kim Hunter, Jose Ferrer on set, 1952 / Bridgeman Images
ID: EVC5964387
ANYTHING CAN HAPPEN, front from left: Kim Hunter, Jose Ferrer on set, 1952