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A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678217: A knight of the Blanchfront Family, 1397. He wears a suit of armour with a visored bassinet, silk camail, ornamented mamillieres, round cuffed gauntlets, hauberk, belts ornamented with rosettes, shoulders and elbows with roundels. After a monument in Alvechurch. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Woman in a shop trying to decide which dress matches her new hat. A shopgirl holds a dress trimmed with flowers, and another with gauze frill. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Woman in a shop trying to decide which dress matches her new hat. A shopgirl holds a dress trimmed with flowers, and another with gauze frill. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677764: Woman in a shop trying to decide which dress matches her new hat. A shopgirl holds a dress trimmed with flowers, and another with gauze frill. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

Shop girls dressing in the morning. Four shop girls dressing, fixing their hair in front of mirror, adjusting their stockings, playing with a cat. “These little workers show such ingenious coquetry. They wear ordinary negliges, but have the art to add value to simple things.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Shop girls dressing in the morning. Four shop girls dressing, fixing their hair in front of mirror, adjusting their stockings, playing with a cat. “These little workers show such ingenious coquetry. They wear ordinary negliges, but have the art to add value to simple things.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677962: Shop girls dressing in the morning. Four shop girls dressing, fixing their hair in front of mirror, adjusting their stockings, playing with a cat. “These little workers show such ingenious coquetry. They wear ordinary negliges, but have the art to add value to simple things.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

A young mother dandles a baby, while a little girl with a doll leans against her lap. A glance at these engravings is enough to see what one can say about this subject, the prettiest thing in the world. A young mother in the bloom of health playing with her children. What a picture! Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
A young mother dandles a baby, while a little girl with a doll leans against her lap. A glance at these engravings is enough to see what one can say about this subject, the prettiest thing in the world. A young mother in the bloom of health playing with her children. What a picture! Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4678020: A young mother dandles a baby, while a little girl with a doll leans against her lap. A glance at these engravings is enough to see what one can say about this subject, the prettiest thing in the world. A young mother in the bloom of health playing with her children. What a picture! Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

Fashionable women or wonderful eating ice cream with their dogs at a cafe, circa 1800. The menu includes lemon, orange, pistachio, and white cream. “” Parisiennes are the most graceful of women, even when eating greedily.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Fashionable women or wonderful eating ice cream with their dogs at a cafe, circa 1800. The menu includes lemon, orange, pistachio, and white cream. “” Parisiennes are the most graceful of women, even when eating greedily.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4678047: Fashionable women or wonderful eating ice cream with their dogs at a cafe, circa 1800. The menu includes lemon, orange, pistachio, and white cream. “” Parisiennes are the most graceful of women, even when eating greedily.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

Francoise d'Aubigne, Marquise de Maintenon, wife of King Louis XIV of France, 1653-1719. After an enamel portrait. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.
Francoise d'Aubigne, Marquise de Maintenon, wife of King Louis XIV of France, 1653-1719. After an enamel portrait. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.

FLO4678098: Francoise d'Aubigne, Marquise de Maintenon, wife of King Louis XIV of France, 1653-1719. After an enamel portrait. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827. / Bridgeman Images

A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678336: A soldier and knight, 1295. Knight in bacinet helmet, gamboised coat hauberk and chausses, elbow plates, with shield, lance and sword. The soldier wears a hood and chainmail suit, multicoloured leather corium and trellised chausses with metal studs and leather bandages. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656370: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656445: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656502: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo)
Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo)

JSN4656539: Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo), Le Corbusier (Charles Edouard Jeanneret) (1887-1965) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656720: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656233: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656350: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656436: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656175: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656276: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656330: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Siding Spring Observatory - Australia - David Malin at the center of the 3.9m AA telescope
Siding Spring Observatory - Australia - David Malin at the center of the 3.9m AA telescope

PIX4656361: Siding Spring Observatory - Australia - David Malin at the center of the 3.9m AA telescope / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656416: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo)
Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo)

JSN4656628: Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo), Le Corbusier (Charles Edouard Jeanneret) (1887-1965) / Bridgeman Images

Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo)
Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo)

JSN4656786: Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo), Le Corbusier (Charles Edouard Jeanneret) (1887-1965) / Bridgeman Images

Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo)
Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo)

JSN4656831: Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo), Le Corbusier (Charles Edouard Jeanneret) (1887-1965) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656861: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Map of Paris, showing the Palais des Tuileries, Vieux Louvre, the River Seine, circa 1730. Lithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.
Map of Paris, showing the Palais des Tuileries, Vieux Louvre, the River Seine, circa 1730. Lithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.

FLO4656917: Map of Paris, showing the Palais des Tuileries, Vieux Louvre, the River Seine, circa 1730. Lithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876. / Bridgeman Images

Fashionable society enjoying Tea a l'Anglais, English tea, in a drawing room, 18th century. With music from players on harpsichord and lute. Chromolithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.
Fashionable society enjoying Tea a l'Anglais, English tea, in a drawing room, 18th century. With music from players on harpsichord and lute. Chromolithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.

FLO4657013: Fashionable society enjoying Tea a l'Anglais, English tea, in a drawing room, 18th century. With music from players on harpsichord and lute. Chromolithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876. / Bridgeman Images

Woman smuggling contraband into France in her massive wig. 18th century cartoon. Lithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.
Woman smuggling contraband into France in her massive wig. 18th century cartoon. Lithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.

FLO4657035: Woman smuggling contraband into France in her massive wig. 18th century cartoon. Lithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876. / Bridgeman Images

Michelle de Vitry, widow of Jean Jouvenel des Ursins, 1827 (engraving)
Michelle de Vitry, widow of Jean Jouvenel des Ursins, 1827 (engraving)

FLO4657214: Michelle de Vitry, widow of Jean Jouvenel des Ursins, 1827 (engraving), Gatine, Georges Jacques (1773-1831) / Bridgeman Images

La Belle Feronniere, mistress of King Francis I of France, 1827 (engraving)
La Belle Feronniere, mistress of King Francis I of France, 1827 (engraving)

FLO4657289: La Belle Feronniere, mistress of King Francis I of France, 1827 (engraving), Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656769: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656812: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656872: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Fashionable society shopping in the Galleries of the Palais Royal, Paris. Man talking to booksellers, women at a fabric shop. Lithograph after Hubert-Francois Gravelot from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.
Fashionable society shopping in the Galleries of the Palais Royal, Paris. Man talking to booksellers, women at a fabric shop. Lithograph after Hubert-Francois Gravelot from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.

FLO4656897: Fashionable society shopping in the Galleries of the Palais Royal, Paris. Man talking to booksellers, women at a fabric shop. Lithograph after Hubert-Francois Gravelot from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876. / Bridgeman Images

Scene from a stage play in an 18th century Paris theatre. Chromolithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.
Scene from a stage play in an 18th century Paris theatre. Chromolithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.

FLO4657000: Scene from a stage play in an 18th century Paris theatre. Chromolithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876. / Bridgeman Images

Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo)
Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo)

JSN4656813: Notre Dame du Haut a Ronchamp (Haute Saone). Construction 1950-1955, architect Le Corbusier (1887-1965). photo taken 2004 (photo), Le Corbusier (Charles Edouard Jeanneret) (1887-1965) / Bridgeman Images

View of the Grand Trianon and its garden or parterre, Versailles, 18th century. Lithograph after Jacques Rigaud from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.
View of the Grand Trianon and its garden or parterre, Versailles, 18th century. Lithograph after Jacques Rigaud from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.

FLO4656952: View of the Grand Trianon and its garden or parterre, Versailles, 18th century. Lithograph after Jacques Rigaud from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876. / Bridgeman Images


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