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Untitled work from 'Kleine Konstruktion', New York, 1966-68 (typewriter ink, pen and pencil on paper)
Untitled work from 'Kleine Konstruktion', New York, 1966-68 (typewriter ink, pen and pencil on paper)

XKH158713: Untitled work from 'Kleine Konstruktion', New York, 1966-68 (typewriter ink, pen and pencil on paper), Darboven, Hanne (1941-2009) / Bridgeman Images

Untitled work from 'Kleine Konstruktion', New York, 1966-68 (pen & ink on paper)
Untitled work from 'Kleine Konstruktion', New York, 1966-68 (pen & ink on paper)

XKH158729: Untitled work from 'Kleine Konstruktion', New York, 1966-68 (pen & ink on paper), Darboven, Hanne (1941-2009) / Bridgeman Images

The birth of automatism, or: The anatomy of my universe, birth, 1938 (indian ink on paper)
The birth of automatism, or: The anatomy of my universe, birth, 1938 (indian ink on paper)

XKH148954: The birth of automatism, or: The anatomy of my universe, birth, 1938 (indian ink on paper), Masson, André (1896-1987) / Bridgeman Images

Resting in the Studio (oil on canvas)
Resting in the Studio (oil on canvas)

XKH148985: Resting in the Studio (oil on canvas), Schmidt-Rottluff, Karl (1884-1976) / Bridgeman Images

Chapter heading for 'Le Morte d'Arthur', 1893 (pen and black ink on paper) (b/w photo)
Chapter heading for 'Le Morte d'Arthur', 1893 (pen and black ink on paper) (b/w photo)

FFA149054: Chapter heading for 'Le Morte d'Arthur', 1893 (pen and black ink on paper) (b/w photo), Beardsley, Aubrey (1872-98) / Bridgeman Images

House Music (oil on panel)
House Music (oil on panel)

XKH149071: House Music (oil on panel), Scheits, Matthias (c.1630-c.1700) / Bridgeman Images

The Red Tap, 1973 (mixed media) (see also 149081)
The Red Tap, 1973 (mixed media) (see also 149081)

XKH149082: The Red Tap, 1973 (mixed media) (see also 149081), Arman (Pierre Fernandez Armand) (1928-2005) / Bridgeman Images

Portrait of Alessandro Damasceni-Peretti-Montalto, 1622-23 (marble) (see also 149092, 149094 and 149095)
Portrait of Alessandro Damasceni-Peretti-Montalto, 1622-23 (marble) (see also 149092, 149094 and 149095)

XKH149093: Portrait of Alessandro Damasceni-Peretti-Montalto, 1622-23 (marble) (see also 149092, 149094 and 149095), Bernini, Gian Lorenzo (1598-1680) / Bridgeman Images

A Picnic Party, 1914 (w/c on silk)
A Picnic Party, 1914 (w/c on silk)

MAA149138: A Picnic Party, 1914 (w/c on silk), Gwynne-Jones, Allan (1892-1982) / Bridgeman Images

Thrymsa, Runic 'Constantine' type (obverse) (gold) (for reverse see 168079)
Thrymsa, Runic 'Constantine' type (obverse) (gold) (for reverse see 168079)

FIT168079: Thrymsa, Runic 'Constantine' type (obverse) (gold) (for reverse see 168079), Anglo-Saxon, (7th century) / Bridgeman Images

Interior of the reception room in a manor house, 1840-50s (w/c on paper)
Interior of the reception room in a manor house, 1840-50s (w/c on paper)

XAB168218: Interior of the reception room in a manor house, 1840-50s (w/c on paper), Russian School, (19th century) / Bridgeman Images

Retreat of Major Marcus Reno's command (ink on paper)
Retreat of Major Marcus Reno's command (ink on paper)

STC168260: Retreat of Major Marcus Reno's command (ink on paper), Amos Bad Heart Buffalo (1869-1913) / Bridgeman Images

The Great Tree of Kingston with a view of Philadelphia behind (w/c and gouache on paper)
The Great Tree of Kingston with a view of Philadelphia behind (w/c and gouache on paper)

STC158755: The Great Tree of Kingston with a view of Philadelphia behind (w/c and gouache on paper), During, C.A. (19th century) / Bridgeman Images

Illustration from the frontispiece of 'Ines de Castro' by Antoine Houdar de La Motte (1672-1731) engraved by Ferdinando Fambrini (engraving) (b/w photo)
Illustration from the frontispiece of 'Ines de Castro' by Antoine Houdar de La Motte (1672-1731) engraved by Ferdinando Fambrini (engraving) (b/w photo)

XIR168304: Illustration from the frontispiece of 'Ines de Castro' by Antoine Houdar de La Motte (1672-1731) engraved by Ferdinando Fambrini (engraving) (b/w photo), Paladini, Giuseppe (1721-94) (after) / Bridgeman Images

Bowl, Figs, and Apples, 1916 (oil on canvas)
Bowl, Figs, and Apples, 1916 (oil on canvas)

BRN158909: Bowl, Figs, and Apples, 1916 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

Ladies' Morning Dress, 1771 (colour engraving)
Ladies' Morning Dress, 1771 (colour engraving)

STC158930: Ladies' Morning Dress, 1771 (colour engraving), Carmontelle, Louis Carrogis (1717-1806) / Bridgeman Images

The Chateau de Chantilly and the gardens designed by Andre le Notre (1613-1700) (engraving) (b/w photo)
The Chateau de Chantilly and the gardens designed by Andre le Notre (1613-1700) (engraving) (b/w photo)

XIR159049: The Chateau de Chantilly and the gardens designed by Andre le Notre (1613-1700) (engraving) (b/w photo), Perelle, Adam (1638-95) / Bridgeman Images

Delftware plate depicting the month of June (tin-glazed earthenware)
Delftware plate depicting the month of June (tin-glazed earthenware)

CJP146073: Delftware plate depicting the month of June (tin-glazed earthenware), Dutch School, (18th century) / Bridgeman Images

Ms. 1273 fol.14v The Crucifixion, illustration from a psalter (vellum)
Ms. 1273 fol.14v The Crucifixion, illustration from a psalter (vellum)

XIR156568: Ms. 1273 fol.14v The Crucifixion, illustration from a psalter (vellum), French School, (12th century) / Bridgeman Images

Study for Winter, 1803 (pencil on paper)
Study for Winter, 1803 (pencil on paper)

XKH156606: Study for Winter, 1803 (pencil on paper), Friedrich, Caspar David (1774-1840) / Bridgeman Images

Self Portrait, 1822 (oil on canvas)
Self Portrait, 1822 (oil on canvas)

XKH156626: Self Portrait, 1822 (oil on canvas), Porth, Hans Heinrich (1796-1882) / Bridgeman Images

Adam and Eve (plaster)
Adam and Eve (plaster)

XKH156630: Adam and Eve (plaster), Beckmann, Max (1884-1950) / Bridgeman Images

Harlaxton Manor, Lincolnshire, UK: View of the brewery wing from the south, house begun in 1832 (photo)
Harlaxton Manor, Lincolnshire, UK: View of the brewery wing from the south, house begun in 1832 (photo)

HJA146093: Harlaxton Manor, Lincolnshire, UK: View of the brewery wing from the south, house begun in 1832 (photo) / Bridgeman Images

Flower Garden E, 1915 (oil on canvas)
Flower Garden E, 1915 (oil on canvas)

FFA146111: Flower Garden E, 1915 (oil on canvas), Nolde, Emil (1867-1956) / Bridgeman Images

The Frog Pond II, 1903 (oil on canvas)
The Frog Pond II, 1903 (oil on canvas)

FFA146118: The Frog Pond II, 1903 (oil on canvas), Nolde, Emil (1867-1956) / Bridgeman Images

Reverse of Flower Garden G, 1915 (oil on canvas) (b/w photo)
Reverse of Flower Garden G, 1915 (oil on canvas) (b/w photo)

FFA146121: Reverse of Flower Garden G, 1915 (oil on canvas) (b/w photo), Nolde, Emil (1867-1956) / Bridgeman Images

Portrait of Edmund Bonner (c.1500-69) Bishop of London from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)
Portrait of Edmund Bonner (c.1500-69) Bishop of London from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

STC146183: Portrait of Edmund Bonner (c.1500-69) Bishop of London from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

Portrait of Captain Sir John Norris (c.1547-97) from 'Memoirs of the court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)
Portrait of Captain Sir John Norris (c.1547-97) from 'Memoirs of the court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

STC146197: Portrait of Captain Sir John Norris (c.1547-97) from 'Memoirs of the court of Queen Elizabeth', published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

The Lieutenant of the Yeoman of the Guard, 19th July 1821, from 'The Coronation of His Most Sacred Majesty King George IV', published by Sir George Nayler in 1837 (colour mezzotint)
The Lieutenant of the Yeoman of the Guard, 19th July 1821, from 'The Coronation of His Most Sacred Majesty King George IV', published by Sir George Nayler in 1837 (colour mezzotint)

GHL146202: The Lieutenant of the Yeoman of the Guard, 19th July 1821, from 'The Coronation of His Most Sacred Majesty King George IV', published by Sir George Nayler in 1837 (colour mezzotint), Stephanoff, Francis Phillip (1790-1860) (after) / Bridgeman Images

Sphinx at Giza (pencil on paper)
Sphinx at Giza (pencil on paper)

DRE146291: Sphinx at Giza (pencil on paper), Haag, Carl (1820-1915) / Bridgeman Images

Sun above Man in Boat, 1986-88 (pastel on paper)
Sun above Man in Boat, 1986-88 (pastel on paper)

FFA156682: Sun above Man in Boat, 1986-88 (pastel on paper), Kiff, Ken (1935-2001) / Bridgeman Images

An Unknown Woman, called Peg Woffington (oil on canvas)
An Unknown Woman, called Peg Woffington (oil on canvas)

XYC146376: An Unknown Woman, called Peg Woffington (oil on canvas), Beare, George (fl.1740-50) / Bridgeman Images

The Ace of Clubs, 1973 (oil on canvas)
The Ace of Clubs, 1973 (oil on canvas)

FFA156908: The Ace of Clubs, 1973 (oil on canvas), Lindner, Richard (1901-78) / Bridgeman Images

Miss Guimard as Terpsichore, in a libretto by Louis Fuzelier (1677-1752) composed by Mondonville, facsimile by A. Guillaumot Fils, 1767 (engraving)
Miss Guimard as Terpsichore, in a libretto by Louis Fuzelier (1677-1752) composed by Mondonville, facsimile by A. Guillaumot Fils, 1767 (engraving)

STC135406: Miss Guimard as Terpsichore, in a libretto by Louis Fuzelier (1677-1752) composed by Mondonville, facsimile by A. Guillaumot Fils, 1767 (engraving), French School, (18th century) / Bridgeman Images

Miss Puvigne as Air, in Zoroastre, a libretto by Cahusac, composed by Jean-Philippe Rameau (1683-1764) facsimile by A. Guillaumot Fils, 1749 (colour engraving)
Miss Puvigne as Air, in Zoroastre, a libretto by Cahusac, composed by Jean-Philippe Rameau (1683-1764) facsimile by A. Guillaumot Fils, 1749 (colour engraving)

STC135413: Miss Puvigne as Air, in Zoroastre, a libretto by Cahusac, composed by Jean-Philippe Rameau (1683-1764) facsimile by A. Guillaumot Fils, 1749 (colour engraving), French School, (18th century) / Bridgeman Images

Monument commemorating the 'brave of both nations' in the Battle of Flodden, 9 September 1513, 1910 (photo)
Monument commemorating the 'brave of both nations' in the Battle of Flodden, 9 September 1513, 1910 (photo)

ORL135424: Monument commemorating the 'brave of both nations' in the Battle of Flodden, 9 September 1513, 1910 (photo) / Bridgeman Images


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