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Coat of arms and crest of the right noble Charles Edward Montagu, 1st Duke of Manchester, 1662-1722
Coat of arms and crest of the right noble Charles Edward Montagu, 1st Duke of Manchester, 1662-1722

FLO6340312: Coat of arms and crest of the right noble Charles Edward Montagu, 1st Duke of Manchester, 1662-1722, Johnston, Andrew (18th century) / Bridgeman Images

Coat of arms and crest of the right honorable James Cecil, 5th Earl of Salisbury, 1691-1728
Coat of arms and crest of the right honorable James Cecil, 5th Earl of Salisbury, 1691-1728

FLO6340330: Coat of arms and crest of the right honorable James Cecil, 5th Earl of Salisbury, 1691-1728, Johnston, Andrew (18th century) / Bridgeman Images

The Bellman, a London Wharf and Coal-ship and coal barge
The Bellman, a London Wharf and Coal-ship and coal barge

FLO6340336: The Bellman, a London Wharf and Coal-ship and coal barge, Taylor, Isaac (1730-1807) / Bridgeman Images

Summer, 2020 (acrylic on canvas)
Summer, 2020 (acrylic on canvas)

AOO6349116: Summer, 2020 (acrylic on canvas), Alastra, Deborah Eve / Bridgeman Images

Grave effigy of Robert Scott, army officer in the Swedish and Danish services and military inventor, died 1631, St Mary Lambeth
Grave effigy of Robert Scott, army officer in the Swedish and Danish services and military inventor, died 1631, St Mary Lambeth

FLO6340375: Grave effigy of Robert Scott, army officer in the Swedish and Danish services and military inventor, died 1631, St Mary Lambeth, Smith, John Thomas (1766-1833) / Bridgeman Images

The demolition of Cheapside Cross, May 2, 1643
The demolition of Cheapside Cross, May 2, 1643

FLO6340402: The demolition of Cheapside Cross, May 2, 1643, Smith, John Thomas (1766-1833) / Bridgeman Images

Beech tree, Fagus sylvatica
Beech tree, Fagus sylvatica

FLO6340405: Beech tree, Fagus sylvatica, Endicott (18th-19th century) / Bridgeman Images

Richweed or knot root, Collinsonia canadensis
Richweed or knot root, Collinsonia canadensis

FLO6340411: Richweed or knot root, Collinsonia canadensis, Endicott (18th-19th century) / Bridgeman Images

Pickerel weed, Pontederia cordata
Pickerel weed, Pontederia cordata

FLO6340417: Pickerel weed, Pontederia cordata, Endicott (18th-19th century) / Bridgeman Images

Tomb of artist William Hogarth, Chiswick churchyard, Middlesex
Tomb of artist William Hogarth, Chiswick churchyard, Middlesex

FLO6340432: Tomb of artist William Hogarth, Chiswick churchyard, Middlesex, Smith, John Thomas (1766-1833) / Bridgeman Images

American ash, Fraxinus americana (White ash, Fraxinus acuminata)
American ash, Fraxinus americana (White ash, Fraxinus acuminata)

FLO6340438: American ash, Fraxinus americana (White ash, Fraxinus acuminata), Endicott (18th-19th century) / Bridgeman Images

Guild-hall Chapel, rebuilt in 1440, part of the 12th century Guildhall in London
Guild-hall Chapel, rebuilt in 1440, part of the 12th century Guildhall in London

FLO6340444: Guild-hall Chapel, rebuilt in 1440, part of the 12th century Guildhall in London, Smith, John Thomas (1766-1833) / Bridgeman Images

Kalm’s St
Kalm’s St

FLO6340453: Kalm’s St, Endicott (18th-19th century) / Bridgeman Images

Canadian blacksnakeroot or Canadian sanicle, Sanicula canadensis
Canadian blacksnakeroot or Canadian sanicle, Sanicula canadensis

FLO6340471: Canadian blacksnakeroot or Canadian sanicle, Sanicula canadensis, Endicott (18th-19th century) / Bridgeman Images

Beyond the Willows, 2020 (oil on canvs)Abstract
Beyond the Willows, 2020 (oil on canvs)Abstract

LCB6340522: Beyond the Willows, 2020 (oil on canvs)Abstract, Campbell, Lee / Bridgeman Images

Green Gold Ammonite, 2020 (oil on canvas)Abstract, mineral textures
Green Gold Ammonite, 2020 (oil on canvas)Abstract, mineral textures

LCB6340525: Green Gold Ammonite, 2020 (oil on canvas)Abstract, mineral textures, Campbell, Lee / Bridgeman Images

Bas relief, lion
Bas relief, lion

MES6340634: Bas relief, lion / Bridgeman Images

St. Maria Assunata basilica, Aquileia, Italy (photo)
St. Maria Assunata basilica, Aquileia, Italy (photo)

MES6340652: St. Maria Assunata basilica, Aquileia, Italy (photo) / Bridgeman Images

View of Piazza del Sopramuro, c.1860-75 (oil on canvas)
View of Piazza del Sopramuro, c.1860-75 (oil on canvas)

GNU6349444: View of Piazza del Sopramuro, c.1860-75 (oil on canvas), Rossi, Giuseppe (1820-99) / Bridgeman Images

Portrait of abbot vicar Angelo Maria Alessi, c.1700-99 (oil on canvas)
Portrait of abbot vicar Angelo Maria Alessi, c.1700-99 (oil on canvas)

GNU6349459: Portrait of abbot vicar Angelo Maria Alessi, c.1700-99 (oil on canvas), Umbrian School, (18th century) / Bridgeman Images

Saint Martha and Saint Catherine of Alexandria, detail, c.1315-18 (tempera on board)
Saint Martha and Saint Catherine of Alexandria, detail, c.1315-18 (tempera on board)

GNU6349496: Saint Martha and Saint Catherine of Alexandria, detail, c.1315-18 (tempera on board), Meo di Guido da Siena (14th century) / Bridgeman Images

Jesus Christ crucified, c.1315-20 (tempera on board)
Jesus Christ crucified, c.1315-20 (tempera on board)

GNU6349502: Jesus Christ crucified, c.1315-20 (tempera on board), Italian School, (14th century) / Bridgeman Images

Saint Francis of Assisi, c.1270-1290 (tempera on panel)
Saint Francis of Assisi, c.1270-1290 (tempera on panel)

GNU6349514: Saint Francis of Assisi, c.1270-1290 (tempera on panel), Italian School, (13th century) / Bridgeman Images

Madonna and Child Jesus, detail, c.1350-60 (tempera on board)
Madonna and Child Jesus, detail, c.1350-60 (tempera on board)

GNU6349523: Madonna and Child Jesus, detail, c.1350-60 (tempera on board), Italian School, (14th century) / Bridgeman Images

St John the Baptist, detail, c.1350-60 (tempera on board)
St John the Baptist, detail, c.1350-60 (tempera on board)

GNU6349535: St John the Baptist, detail, c.1350-60 (tempera on board), Italian School, (14th century) / Bridgeman Images

Altarpiece, Deposition from the cross, Lamentation of Christ and Saintsc, 1262-1272 (tempera on panel)
Altarpiece, Deposition from the cross, Lamentation of Christ and Saintsc, 1262-1272 (tempera on panel)

GNU6349564: Altarpiece, Deposition from the cross, Lamentation of Christ and Saintsc, 1262-1272 (tempera on panel), Master of Saint Francis of Assisi (fl.1250-1300) / Bridgeman Images

Saint John the Baptist and St. Lawrence, St. Augustine and St. Sperandeus, St. James and St. Matthew, detail, c.1290-1300 (tempera on panel)
Saint John the Baptist and St. Lawrence, St. Augustine and St. Sperandeus, St. James and St. Matthew, detail, c.1290-1300 (tempera on panel)

GNU6349587: Saint John the Baptist and St. Lawrence, St. Augustine and St. Sperandeus, St. James and St. Matthew, detail, c.1290-1300 (tempera on panel) / Bridgeman Images

Cleric, c.1500-25 (fresco)
Cleric, c.1500-25 (fresco)

GNU6349637: Cleric, c.1500-25 (fresco), Umbrian School, (16th century) / Bridgeman Images

(Top) Worms from the Bank of the Rhine, (Bottom) The St. Paul's Church in Worms, 19th century (steel engraving)
(Top) Worms from the Bank of the Rhine, (Bottom) The St. Paul's Church in Worms, 19th century (steel engraving)

LBI6340668: (Top) Worms from the Bank of the Rhine, (Bottom) The St. Paul's Church in Worms, 19th century (steel engraving), Lange, Ludwig (1808-1868) / Bridgeman Images

Bacharach on the Rhine, c.1841 (engraving)
Bacharach on the Rhine, c.1841 (engraving)

LBI6340763: Bacharach on the Rhine, c.1841 (engraving), Wurbs, Karl (1807-76) / Bridgeman Images

Paris, las Piedras, 1968, 2014-18 (ink pigment print on Hahnemühle paper)
Paris, las Piedras, 1968, 2014-18 (ink pigment print on Hahnemühle paper)

MBY6341055: Paris, las Piedras, 1968, 2014-18 (ink pigment print on Hahnemühle paper), Brodsky, Marcelo (b.1954) / Bridgeman Images

This is the cup of My Blood': the Sacrifice of Calvary is re-presented at every Mass, 2001 (w/c on paper)
This is the cup of My Blood': the Sacrifice of Calvary is re-presented at every Mass, 2001 (w/c on paper)

WNG6341166: This is the cup of My Blood': the Sacrifice of Calvary is re-presented at every Mass, 2001 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

WNG6341193: "All Doctrine is One". God's truth is one; it does not consist of many parts. It 'flows' from God, as a scroll falls from Heaven, 2002 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Christ speaks and acts through His priests, who bless and forgive 'in persona Christi capitis', 'in the person of Christ the Head', 2002 (w/c on paper)
Christ speaks and acts through His priests, who bless and forgive 'in persona Christi capitis', 'in the person of Christ the Head', 2002 (w/c on paper)

WNG6341199: Christ speaks and acts through His priests, who bless and forgive 'in persona Christi capitis', 'in the person of Christ the Head', 2002 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Through His Ascension Christ provides a powerful link between human beings and God because He is both true God and true man, 2002 (oil on board)
Through His Ascension Christ provides a powerful link between human beings and God because He is both true God and true man, 2002 (oil on board)

WNG6341205: Through His Ascension Christ provides a powerful link between human beings and God because He is both true God and true man, 2002 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

Just as Christ bore suffering as punishment for others, so it is with us, who can help other souls by our patient acceptance of suffering, 2002 (w/c on paper)
Just as Christ bore suffering as punishment for others, so it is with us, who can help other souls by our patient acceptance of suffering, 2002 (w/c on paper)

WNG6341214: Just as Christ bore suffering as punishment for others, so it is with us, who can help other souls by our patient acceptance of suffering, 2002 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images


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