Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2491100 Search Results

The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC
The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC

LRI4593378: The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC, Etruscan, (5th century BC) / Bridgeman Images

Etruscan civilization: “” gun offering figure”” Bronze sculpture, 625-600 BC Dim 12 cm (Etruscan art, offering figure, bronze sculpture, 625-600 BC, Dim 12 cm) Florence, Museo Archeologico
Etruscan civilization: “” gun offering figure”” Bronze sculpture, 625-600 BC Dim 12 cm (Etruscan art, offering figure, bronze sculpture, 625-600 BC, Dim 12 cm) Florence, Museo Archeologico

LRI4593400: Etruscan civilization: “” gun offering figure”” Bronze sculpture, 625-600 BC Dim 12 cm (Etruscan art, offering figure, bronze sculpture, 625-600 BC, Dim 12 cm) Florence, Museo Archeologico, Etruscan, (7th century BC) / Bridgeman Images

The Stanhope or iron printing press, invented by Earl Charles Stanhope, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815.
The Stanhope or iron printing press, invented by Earl Charles Stanhope, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815.

FLO4593427: The Stanhope or iron printing press, invented by Earl Charles Stanhope, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815. / Bridgeman Images

Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4592425: Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4592439: Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Samnite warriors. 4th century BC (Tomb painting)
Samnite warriors. 4th century BC (Tomb painting)

LRI4592501: Samnite warriors. 4th century BC (Tomb painting), Roman, (4th century BC) / Bridgeman Images

Cup with Egyptian motifs. 1st century
Cup with Egyptian motifs. 1st century

LRI4592560: Cup with Egyptian motifs. 1st century, Roman, (1st century AD) / Bridgeman Images

Plan and elevation of a sugar mill, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.
Plan and elevation of a sugar mill, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

FLO4592869: Plan and elevation of a sugar mill, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images

Surgical trusses from the 19th century: Dr. Hulme's palm truss, Mr. Salmon's patent, Mr. Whitford's, Mr. Marron's for exomphalos, and Mr. Eagle's. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey Jr. from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812.
Surgical trusses from the 19th century: Dr. Hulme's palm truss, Mr. Salmon's patent, Mr. Whitford's, Mr. Marron's for exomphalos, and Mr. Eagle's. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey Jr. from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812.

FLO4592945: Surgical trusses from the 19th century: Dr. Hulme's palm truss, Mr. Salmon's patent, Mr. Whitford's, Mr. Marron's for exomphalos, and Mr. Eagle's. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey Jr. from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812. / Bridgeman Images

Surgical equipment for the extraction of the cataract and for the Fistula Lachrymalis: minute steel tenaculum, Cline's instrument, scissors, anel's syringe and pipes, Wathen's tubes, lancet, Gibson's knife and tube. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812.
Surgical equipment for the extraction of the cataract and for the Fistula Lachrymalis: minute steel tenaculum, Cline's instrument, scissors, anel's syringe and pipes, Wathen's tubes, lancet, Gibson's knife and tube. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812.

FLO4592952: Surgical equipment for the extraction of the cataract and for the Fistula Lachrymalis: minute steel tenaculum, Cline's instrument, scissors, anel's syringe and pipes, Wathen's tubes, lancet, Gibson's knife and tube. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812. / Bridgeman Images

Anatomy of the human eye, showing socket, surface of the eyeball, retina, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human eye, showing socket, surface of the eyeball, retina, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591881: Anatomy of the human eye, showing socket, surface of the eyeball, retina, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Plans and elevations of a garden conservatory and greenhouse, 18th century. Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Plans and elevations of a garden conservatory and greenhouse, 18th century. Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591943: Plans and elevations of a garden conservatory and greenhouse, 18th century. Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Electrical experiments, including an flammable air pistol, Alessandro Volta (1845-1927)'s flammable air lamp, and electrophorus or capacitive generator. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Electrical experiments, including an flammable air pistol, Alessandro Volta (1845-1927)'s flammable air lamp, and electrophorus or capacitive generator. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4592156: Electrical experiments, including an flammable air pistol, Alessandro Volta (1845-1927)'s flammable air lamp, and electrophorus or capacitive generator. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Electrical machines by Dr. Martinus Van Marum (1750-1837), Father John Baptist Beccaria (1710-1781), Edward Nairne (1726-1806), and a common machine. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Electrical machines by Dr. Martinus Van Marum (1750-1837), Father John Baptist Beccaria (1710-1781), Edward Nairne (1726-1806), and a common machine. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4592182: Electrical machines by Dr. Martinus Van Marum (1750-1837), Father John Baptist Beccaria (1710-1781), Edward Nairne (1726-1806), and a common machine. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

Engines for sharpening cutters by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.
Engines for sharpening cutters by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.

FLO4592303: Engines for sharpening cutters by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818. / Bridgeman Images

Jason facing his uncle Pelias, 1st century (fresco)
Jason facing his uncle Pelias, 1st century (fresco)

LRI4592335: Jason facing his uncle Pelias, 1st century (fresco), Roman, (1st century AD) / Bridgeman Images

Water works, machines for raising water, water bellows, Chremnitz fountain, and Mr John Whitehurst's device. Copperplate engraving by W. Lowry after an Illustration by J. Britton from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.
Water works, machines for raising water, water bellows, Chremnitz fountain, and Mr John Whitehurst's device. Copperplate engraving by W. Lowry after an Illustration by J. Britton from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.

FLO4593098: Water works, machines for raising water, water bellows, Chremnitz fountain, and Mr John Whitehurst's device. Copperplate engraving by W. Lowry after an Illustration by J. Britton from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817. / Bridgeman Images

Wool manufacturing machine from the 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815.
Wool manufacturing machine from the 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815.

FLO4593204: Wool manufacturing machine from the 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815. / Bridgeman Images

Thomas Mudge's timekeeper detached lever escape, 1754. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.
Thomas Mudge's timekeeper detached lever escape, 1754. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.

FLO4593232: Thomas Mudge's timekeeper detached lever escape, 1754. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819. / Bridgeman Images

Machines for silk manufacture: reeling, winding, throwsting, doubling and warping, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.
Machines for silk manufacture: reeling, winding, throwsting, doubling and warping, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

FLO4593333: Machines for silk manufacture: reeling, winding, throwsting, doubling and warping, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images

Equipment used in worsted manufacture: breaking frame, spinning frame and roving frame, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809.
Equipment used in worsted manufacture: breaking frame, spinning frame and roving frame, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809.

FLO4593340: Equipment used in worsted manufacture: breaking frame, spinning frame and roving frame, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809. / Bridgeman Images

Etruscan art: warrior figure (Etruscan art, a warrior, bronze sculpture, from Brolio, Italy, 550 BC, Dim 36 cm) Bronze sculpture, From Brolio, Italy, 550 BC, Museo Archeologico
Etruscan art: warrior figure (Etruscan art, a warrior, bronze sculpture, from Brolio, Italy, 550 BC, Dim 36 cm) Bronze sculpture, From Brolio, Italy, 550 BC, Museo Archeologico

LRI4593367: Etruscan art: warrior figure (Etruscan art, a warrior, bronze sculpture, from Brolio, Italy, 550 BC, Dim 36 cm) Bronze sculpture, From Brolio, Italy, 550 BC, Museo Archeologico, Etruscan, (6th century BC) / Bridgeman Images

Examples of joinery, wooden doors and windows. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Examples of joinery, wooden doors and windows. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593375: Examples of joinery, wooden doors and windows. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Firework manufacture or pyrotechny, including rockets, firecrackers, catherine wheels and others, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.
Firework manufacture or pyrotechny, including rockets, firecrackers, catherine wheels and others, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

FLO4593403: Firework manufacture or pyrotechny, including rockets, firecrackers, catherine wheels and others, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images

Perspective view of a common printing press, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.
Perspective view of a common printing press, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.

FLO4593462: Perspective view of a common printing press, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819. / Bridgeman Images

Anatomy of the horse: musculature. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the horse: musculature. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593561: Anatomy of the horse: musculature. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Spring level or Claudinette - Spring snowflake, Leucojum vernum. Handcolured copperplate engraving after a botanical illustration by James Sowerby from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787.
Spring level or Claudinette - Spring snowflake, Leucojum vernum. Handcolured copperplate engraving after a botanical illustration by James Sowerby from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787.

FLO4585506: Spring level or Claudinette - Spring snowflake, Leucojum vernum. Handcolured copperplate engraving after a botanical illustration by James Sowerby from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787., Sowerby, James (1757-1822) / Bridgeman Images

Perfumee grenadilla (or refresco maracuja) - (Winged passionflower, Passiflora alata. Handcolured copperplate engraving after a botanical illustration by James Sowerby from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787.
Perfumee grenadilla (or refresco maracuja) - (Winged passionflower, Passiflora alata. Handcolured copperplate engraving after a botanical illustration by James Sowerby from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787.

FLO4585701: Perfumee grenadilla (or refresco maracuja) - (Winged passionflower, Passiflora alata. Handcolured copperplate engraving after a botanical illustration by James Sowerby from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787., Sowerby, James (1757-1822) / Bridgeman Images

Iris meda, Originally from Persia (Iran). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.
Iris meda, Originally from Persia (Iran). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.

FLO4585794: Iris meda, Originally from Persia (Iran). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889. / Bridgeman Images

Lilium nepalense, a variety of yellow lily native to the Himalayas. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.
Lilium nepalense, a variety of yellow lily native to the Himalayas. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.

FLO4585820: Lilium nepalense, a variety of yellow lily native to the Himalayas. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889. / Bridgeman Images

Passiflora hahnii, Flower of yellow passion, native to Mexico. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.
Passiflora hahnii, Flower of yellow passion, native to Mexico. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.

FLO4585878: Passiflora hahnii, Flower of yellow passion, native to Mexico. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889. / Bridgeman Images

Pandanus labyrinthicus, native of the Malaysian archipelago. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.
Pandanus labyrinthicus, native of the Malaysian archipelago. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.

FLO4585954: Pandanus labyrinthicus, native of the Malaysian archipelago. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889. / Bridgeman Images

California Gilia - S. Watts Strong Water from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Milfoil-leaved or California gilia, Gilia achilleaefolia - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “The Botanical Register ,”” London, Ridgway, 1834
California Gilia - S. Watts Strong Water from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Milfoil-leaved or California gilia, Gilia achilleaefolia - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “The Botanical Register ,”” London, Ridgway, 1834

FLO4587310: California Gilia - S. Watts Strong Water from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Milfoil-leaved or California gilia, Gilia achilleaefolia - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “The Botanical Register ,”” London, Ridgway, 1834, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Morelle (Solanum), native of Chile - Strong water by S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Tuberless solanum, Solanum etuberosum, Native to Chile - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenhake, from Sydenhake Am Edwards' “” The Botanical Register,” London, Ridgway, 1834
Morelle (Solanum), native of Chile - Strong water by S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Tuberless solanum, Solanum etuberosum, Native to Chile - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenhake, from Sydenhake Am Edwards' “” The Botanical Register,” London, Ridgway, 1834

FLO4587497: Morelle (Solanum), native of Chile - Strong water by S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Tuberless solanum, Solanum etuberosum, Native to Chile - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenhake, from Sydenhake Am Edwards' “” The Botanical Register,” London, Ridgway, 1834, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Adesmia de Loudon, native of Tasmania (Australia) - Water of S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Mr. Loudon's adesmia, Adesmia loudonia, Native to Tasmania - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1834
Adesmia de Loudon, native of Tasmania (Australia) - Water of S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Mr. Loudon's adesmia, Adesmia loudonia, Native to Tasmania - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1834

FLO4587543: Adesmia de Loudon, native of Tasmania (Australia) - Water of S. Watts from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register, 1834, by Sydenham Edwards (1768-1819) - Mr. Loudon's adesmia, Adesmia loudonia, Native to Tasmania - Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake, from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1834, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Glandular eupatorium, native to Mexico - S. Watts strong water from an illustration by M. Mart, from the Botanical Register, 1834, from Sydenham Edwards (1768-1819) - Eupatory, Ageratina adenophora (Glandular eupatorium, Eupatorium glandulosum), Native to Mexico - Handcoloured copperplate engraving by S. Watts after illustration by M. Mart, from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1834
Glandular eupatorium, native to Mexico - S. Watts strong water from an illustration by M. Mart, from the Botanical Register, 1834, from Sydenham Edwards (1768-1819) - Eupatory, Ageratina adenophora (Glandular eupatorium, Eupatorium glandulosum), Native to Mexico - Handcoloured copperplate engraving by S. Watts after illustration by M. Mart, from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1834

FLO4587565: Glandular eupatorium, native to Mexico - S. Watts strong water from an illustration by M. Mart, from the Botanical Register, 1834, from Sydenham Edwards (1768-1819) - Eupatory, Ageratina adenophora (Glandular eupatorium, Eupatorium glandulosum), Native to Mexico - Handcoloured copperplate engraving by S. Watts after illustration by M. Mart, from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1834, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images


Back to top