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Plate 3 from 'Progressive Lessons on Landscape for Young Beginners', 1816 (soft ground etching)
Plate 3 from 'Progressive Lessons on Landscape for Young Beginners', 1816 (soft ground etching)

XYC286286: Plate 3 from 'Progressive Lessons on Landscape for Young Beginners', 1816 (soft ground etching), Cox, David (1783-1859) / Bridgeman Images

ID: XYC286286

Plate 3 from 'Progressive Lessons on Landscape for Young Beginners', 1816 (soft ground etching)

Cox, David (1783-1859)

British Resentment or, the French Fairly Coopt at Louisbourg, published 25th September, 1755 (engraving) (see also 251585)
British Resentment or, the French Fairly Coopt at Louisbourg, published 25th September, 1755 (engraving) (see also 251585)

RNM286310: British Resentment or, the French Fairly Coopt at Louisbourg, published 25th September, 1755 (engraving) (see also 251585), Boitard, Louis Philippe (fl.1738-63) (after) / Bridgeman Images

ID: RNM286310

British Resentment or, the French Fairly Coopt at Louisbourg, published 25th September, 1755 (engraving) (see also 251585)

Boitard, Louis Philippe (fl.1738-63) (after)

Newsvendor stand sheet for 'The Daily Mirror' (print)
Newsvendor stand sheet for 'The Daily Mirror' (print)

RNM286311: Newsvendor stand sheet for 'The Daily Mirror' (print), English School, (20th century) / Bridgeman Images

ID: RNM286311

Newsvendor stand sheet for 'The Daily Mirror' (print)

English School, (20th century)

Lighthouse fort after the bombardment of Alexandria, 11th July 1882 (sepia photo)
Lighthouse fort after the bombardment of Alexandria, 11th July 1882 (sepia photo)

RNM286316: Lighthouse fort after the bombardment of Alexandria, 11th July 1882 (sepia photo), English Photographer, (19th century) / Bridgeman Images

ID: RNM286316

Lighthouse fort after the bombardment of Alexandria, 11th July 1882 (sepia photo)

English Photographer, (19th century)

Two Sailors, from the HMS Glory, holding guns, 1901 (b/w photo)
Two Sailors, from the HMS Glory, holding guns, 1901 (b/w photo)

RNM286318: Two Sailors, from the HMS Glory, holding guns, 1901 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: RNM286318

Two Sailors, from the HMS Glory, holding guns, 1901 (b/w photo)

English Photographer, (20th century)

Royal Naval College, Osbourne (b/w photo)
Royal Naval College, Osbourne (b/w photo)

RNM286321: Royal Naval College, Osbourne (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: RNM286321

Royal Naval College, Osbourne (b/w photo)

English Photographer, (20th century)

Scud Hill, published by James Robins & Co., October 1825 (coloured etching)
Scud Hill, published by James Robins & Co., October 1825 (coloured etching)

RNM286327: Scud Hill, published by James Robins & Co., October 1825 (coloured etching), Cruikshank, George (1792-1878) / Bridgeman Images

ID: RNM286327

Scud Hill, published by James Robins & Co., October 1825 (coloured etching)

Cruikshank, George (1792-1878)

Rear Admiral Nelson's conflict in his barge with a Spanish launch, night of 3rd July 1797, engraved by A. Smith, published by Cadell & Davies, May 1809 (engraving)
Rear Admiral Nelson's conflict in his barge with a Spanish launch, night of 3rd July 1797, engraved by A. Smith, published by Cadell & Davies, May 1809 (engraving)

RNM286334: Rear Admiral Nelson's conflict in his barge with a Spanish launch, night of 3rd July 1797, engraved by A. Smith, published by Cadell & Davies, May 1809 (engraving), Westall, Richard (1765-1836) (after) / Bridgeman Images

ID: RNM286334

Rear Admiral Nelson's conflict in his barge with a Spanish launch, night of 3rd July 1797, engraved by A. Smith, published by Cadell & Davies, May 1809 (engraving)

Westall, Richard (1765-1836) (after)

Naval cutlass exercise including preparatory movements and words of command, engraved by I. Girtin, published by T. Egerton, 7th February 1814 (coloured etching)
Naval cutlass exercise including preparatory movements and words of command, engraved by I. Girtin, published by T. Egerton, 7th February 1814 (coloured etching)

RNM286349: Naval cutlass exercise including preparatory movements and words of command, engraved by I. Girtin, published by T. Egerton, 7th February 1814 (coloured etching), Rowlandson, Thomas (1756-1827) (after) / Bridgeman Images

ID: RNM286349

Naval cutlass exercise including preparatory movements and words of command, engraved by I. Girtin, published by T. Egerton, 7th February 1814 (coloured etching)

Rowlandson, Thomas (1756-1827) (after)

Ever Memorable Battle off Cape Trafalgar, 21st October 1805, published by Laurie & Whittle, 12th December 1805 (coloured aquatint)
Ever Memorable Battle off Cape Trafalgar, 21st October 1805, published by Laurie & Whittle, 12th December 1805 (coloured aquatint)

RNM286358: Ever Memorable Battle off Cape Trafalgar, 21st October 1805, published by Laurie & Whittle, 12th December 1805 (coloured aquatint), English School, (19th century) / Bridgeman Images

ID: RNM286358

Ever Memorable Battle off Cape Trafalgar, 21st October 1805, published by Laurie & Whittle, 12th December 1805 (coloured aquatint)

English School, (19th century)

Powder horn (horn)
Powder horn (horn)

RNM286365: Powder horn (horn), English School, (16th century) / Bridgeman Images

ID: RNM286365

Powder horn (horn)

English School, (16th century)

'War Savings Are Warships', WWII poster, c.1945 (colour litho)
'War Savings Are Warships', WWII poster, c.1945 (colour litho)

RNM286396: 'War Savings Are Warships', WWII poster, c.1945 (colour litho), Wilkinson, Norman (1878-1971) / Bridgeman Images

ID: RNM286396

'War Savings Are Warships', WWII poster, c.1945 (colour litho)

Wilkinson, Norman (1878-1971)

'You can help to build me a ship', WWII poster (colour litho)
'You can help to build me a ship', WWII poster (colour litho)

RNM286399: 'You can help to build me a ship', WWII poster (colour litho), English School, (20th century) / Bridgeman Images

ID: RNM286399

'You can help to build me a ship', WWII poster (colour litho)

English School, (20th century)

The Peddler of Swaffham, c.1462 (wood)
The Peddler of Swaffham, c.1462 (wood)

XCF286400: The Peddler of Swaffham, c.1462 (wood), English School, (15th century) / Bridgeman Images

ID: XCF286400

The Peddler of Swaffham, c.1462 (wood)

English School, (15th century)

Alderman Moon's print shop, (w/c on paper)
Alderman Moon's print shop, (w/c on paper)

XCF286420: Alderman Moon's print shop, (w/c on paper), Shepherd, Thomas Hosmer (1792-1864) / Bridgeman Images

ID: XCF286420

Alderman Moon's print shop, (w/c on paper)

Shepherd, Thomas Hosmer (1792-1864)

The Treasury and houses in Downing Street from St. James's Park (w/c on paper)
The Treasury and houses in Downing Street from St. James's Park (w/c on paper)

XCF286428: The Treasury and houses in Downing Street from St. James's Park (w/c on paper), Buckler, John (1770-1851) / Bridgeman Images

ID: XCF286428

The Treasury and houses in Downing Street from St. James's Park (w/c on paper)

Buckler, John (1770-1851)

The Adoration of the Golden Calf, before 1634 (oil on canvas) (detail of 3738)
The Adoration of the Golden Calf, before 1634 (oil on canvas) (detail of 3738)

XCF286445: The Adoration of the Golden Calf, before 1634 (oil on canvas) (detail of 3738), Poussin, Nicolas (1594-1665) / Bridgeman Images

ID: XCF286445

The Adoration of the Golden Calf, before 1634 (oil on canvas) (detail of 3738)

Poussin, Nicolas (1594-1665)

Lovers approaching a bed chamber, Malwa, c.1680 (gouache on paper)
Lovers approaching a bed chamber, Malwa, c.1680 (gouache on paper)

XCF286464: Lovers approaching a bed chamber, Malwa, c.1680 (gouache on paper), Indian School, (17th century) / Bridgeman Images

ID: XCF286464

Lovers approaching a bed chamber, Malwa, c.1680 (gouache on paper)

Indian School, (17th century)

Map of Sussex (colour litho)
Map of Sussex (colour litho)

XCF286472: Map of Sussex (colour litho), English School / Bridgeman Images

ID: XCF286472

Map of Sussex (colour litho)

English School

The Horse Mart (Barbican No. 1) 1920 (litho)
The Horse Mart (Barbican No. 1) 1920 (litho)

XYC286483: The Horse Mart (Barbican No. 1) 1920 (litho), Bevan, Robert Polhill (1865-1925) / Bridgeman Images

ID: XYC286483

The Horse Mart (Barbican No. 1) 1920 (litho)

Bevan, Robert Polhill (1865-1925)

A Pair: Coming In, London, January 20th 1803 (aquatint)
A Pair: Coming In, London, January 20th 1803 (aquatint)

XYC286486: A Pair: Coming In, London, January 20th 1803 (aquatint), Turner, Charles (1773-1857) / Bridgeman Images

ID: XYC286486

A Pair: Coming In, London, January 20th 1803 (aquatint)

Turner, Charles (1773-1857)

A Pair: Preparing to Start, London January 20th 1803 (aquatint)
A Pair: Preparing to Start, London January 20th 1803 (aquatint)

XYC286487: A Pair: Preparing to Start, London January 20th 1803 (aquatint), Agasse, Jacques Laurent (1767-1849) (after) / Bridgeman Images

ID: XYC286487

A Pair: Preparing to Start, London January 20th 1803 (aquatint)

Agasse, Jacques Laurent (1767-1849) (after)

A Dutch Packet in a Rising Breeze, 1791 (w/c with pen & ink over graphite on paper)
A Dutch Packet in a Rising Breeze, 1791 (w/c with pen & ink over graphite on paper)

XYC286495: A Dutch Packet in a Rising Breeze, 1791 (w/c with pen & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC286495

A Dutch Packet in a Rising Breeze, 1791 (w/c with pen & ink over graphite on paper)

Rowlandson, Thomas (1756-1827)

Coronation of the Virgin, c.1375-80 (tempera on poplar wood)
Coronation of the Virgin, c.1375-80 (tempera on poplar wood)

BFM286505: Coronation of the Virgin, c.1375-80 (tempera on poplar wood), Master of San Lucchese (14th century) / Bridgeman Images

ID: BFM286505

Coronation of the Virgin, c.1375-80 (tempera on poplar wood)

Master of San Lucchese (14th century)

Madonna and Child (temper on wood)
Madonna and Child (temper on wood)

BFM286513: Madonna and Child (temper on wood), Italian School, (16th century) / Bridgeman Images

ID: BFM286513

Madonna and Child (temper on wood)

Italian School, (16th century)

The Annunciation and the Deposition (tempera on walnut)
The Annunciation and the Deposition (tempera on walnut)

BFM286517: The Annunciation and the Deposition (tempera on walnut), Italian School, (17th century) / Bridgeman Images

ID: BFM286517

The Annunciation and the Deposition (tempera on walnut)

Italian School, (17th century)

Madonna and Child Praying, c.1500 (tempera on poplar wood)
Madonna and Child Praying, c.1500 (tempera on poplar wood)

BFM286523: Madonna and Child Praying, c.1500 (tempera on poplar wood), Italian School, (16th century) / Bridgeman Images

ID: BFM286523

Madonna and Child Praying, c.1500 (tempera on poplar wood)

Italian School, (16th century)

Portrait of Mary (tempera on wood)
Portrait of Mary (tempera on wood)

BFM286524: Portrait of Mary (tempera on wood), Piccinelli, A. (Andrea da Brescianino) (1485-c.1525) / Bridgeman Images

ID: BFM286524

Portrait of Mary (tempera on wood)

Piccinelli, A. (Andrea da Brescianino) (1485-c.1525)

Part of an Altar Piece depicting God the Father with Three Angels, c.1500 (tempera on wood)
Part of an Altar Piece depicting God the Father with Three Angels, c.1500 (tempera on wood)

BFM286527: Part of an Altar Piece depicting God the Father with Three Angels, c.1500 (tempera on wood), Fungai, Bernardino (1460-1516) / Bridgeman Images

ID: BFM286527

Part of an Altar Piece depicting God the Father with Three Angels, c.1500 (tempera on wood)

Fungai, Bernardino (1460-1516)

Madonna and Child with St. Sebastian and a Shepherdess (tempera on poplar wood)
Madonna and Child with St. Sebastian and a Shepherdess (tempera on poplar wood)

BFM286530: Madonna and Child with St. Sebastian and a Shepherdess (tempera on poplar wood), Santi, Giovanni (c.1435-94) / Bridgeman Images

ID: BFM286530

Madonna and Child with St. Sebastian and a Shepherdess (tempera on poplar wood)

Santi, Giovanni (c.1435-94)

St. Casilda, c.1515-20 (tempera on poplar wood)
St. Casilda, c.1515-20 (tempera on poplar wood)

BFM286543: St. Casilda, c.1515-20 (tempera on poplar wood), Signorelli, Luca (c.1450-1523) / Bridgeman Images

ID: BFM286543

St. Casilda, c.1515-20 (tempera on poplar wood)

Signorelli, Luca (c.1450-1523)

St. Clare, c.1515-20 (tempera on poplar wood)
St. Clare, c.1515-20 (tempera on poplar wood)

BFM286544: St. Clare, c.1515-20 (tempera on poplar wood), Signorelli, Luca (c.1450-1523) / Bridgeman Images

ID: BFM286544

St. Clare, c.1515-20 (tempera on poplar wood)

Signorelli, Luca (c.1450-1523)

Madonna and Child, c.1500 (tempera on poplar wood)
Madonna and Child, c.1500 (tempera on poplar wood)

BFM286550: Madonna and Child, c.1500 (tempera on poplar wood), Italian School, (16th century) / Bridgeman Images

ID: BFM286550

Madonna and Child, c.1500 (tempera on poplar wood)

Italian School, (16th century)

A Seascape (sepia wash on paper)
A Seascape (sepia wash on paper)

XYC290762: A Seascape (sepia wash on paper), Bonington, Richard Parkes (1802-28) / Bridgeman Images

ID: XYC290762

A Seascape (sepia wash on paper)

Bonington, Richard Parkes (1802-28)

Death's Door, pl.12, illustration from 'The Grave, A Poem' by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810), 1808 (etching)
Death's Door, pl.12, illustration from 'The Grave, A Poem' by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810), 1808 (etching)

XYC290781: Death's Door, pl.12, illustration from 'The Grave, A Poem' by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810), 1808 (etching), Blake, William (1757-1827) (after) / Bridgeman Images

ID: XYC290781

Death's Door, pl.12, illustration from 'The Grave, A Poem' by William Blake (1757-1827) engraved by Luigi Schiavonetti (1765-1810), 1808 (etching)

Blake, William (1757-1827) (after)

Bay of Naples from Capodimonte, 1790 (w/c over graphite on paper)
Bay of Naples from Capodimonte, 1790 (w/c over graphite on paper)

XYC290794: Bay of Naples from Capodimonte, 1790 (w/c over graphite on paper), Cozens, John Robert (1752-99) / Bridgeman Images

ID: XYC290794

Bay of Naples from Capodimonte, 1790 (w/c over graphite on paper)

Cozens, John Robert (1752-99)


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